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Lot 197
§ PETER HOWSON O.B.E. (SCOTTISH 1958-) STUDY FOR THE FACE OF ANDREW Indistinctly signed lower right, pastel on dark paperDimensions:29cm x 21cm (11.5in x 8.25in)Provenance:Provenance: City Art Centre, Edinburgh, 'Peter Howson: Andrew, Portrait of a Saint,' 30 November 2006 - 4 March 2007, no. 53.
Lot 78
§ PETER HOWSON O.B.E. (SCOTTISH 1958-) WEST END HERO - 2002 Signed lower right, signed, titled and dated to stretcher, oil on canvasDimensions:153cm x 122.5cm (60in x 48.25in)Note: Note: The ‘Heroes’ that recur throughout Peter Howson’s oeuvre are working-class Glaswegians, and each depiction constitutes an essay on the artist’s relationship with his own masculinity. The monumental ‘West End Hero’ was painted in the aftermath of Howson’s hospitalisation for drug and alcohol addiction, which led him to convert to Christianity. Accordingly, hidden within this Glasgow nocturne are Christian iconographic devices, such as the three glowing streetlights with Crucifix-like crossbars, and the beams from the right-hand window touching the head of the Hero, as if suggesting divine illumination. There is a conscious ambiguity in the Hero’s stance; Howson allows the viewer to decide whether he kneels at a rudimentary altar or balls his fists on a table. The bottle in his pocket suggests that he hasn’t quite shaken off his former struggles. Peter Howson’s prolific career has recently been celebrated in a major retrospective ‘When the Apple Ripens: Peter Howson at 65’ at the City Art Centre, Edinburgh which is on show until 1 October 2023.
Lot 532
Harrison Brothers and Howson Sheffield clasp knife inscribed Lieutenant GF Bowen Davies RNVR 5/5/41 together with a later example by Rogers of Sheffield dated 1978 with broad arrow mark and another clasp knife inscribed Myson 1970 and broad arrow mark, with leather pouch. PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY
Lot 401
A George V silver cushion shaped three-piece tea set, comprising teapot, two-handled sugar bowl and milk jug, Sheffield 1928 by Harrison Brothers & Howson, total weight 814g, length of teapot 25.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 161
Contemporary silver mounted desk magnifier of circular form (Queen Elizabeth II Golden Jubilee - Sheffield 2002) Harrison Brothers & Howson. 6.6cm diameter.General overall condition very good, silver mount has some minor surface wear, no damage or repair, glass is clear, minor scratching but no cracks or chips. It does magnify.
Lot 202
George Butler & Co, Sheffield Surgical Knife, polished horn handle, 15cm long, in original case; another similar, with crows foot stamp on blade, in fitted case; Other knives - Marsh Brothers embossed, J. Rodger & Sons Norfolk St, bone handle, Harrison Bros and Howson, Maleham and Yoeman, Sheffield corn razor, 9cm in case. (6)
Lot 517
A William IV silver tea pot, by Joseph Angell I & John Angell I, London 1833, of squat form rounded form with an inscription to the body commemorating a marriage, the hinged lid with a floral finial, 12.5cm high; a silver sauce boat by C J Vander Ltd, London 1957, with a lobed border and a scroll leaf cast handle, terminating on hoof feet, 17cm long; A silver hot water jug by Thomas Bradbury & Sons Ltd, Sheffield 1911, of conical tapering form, scolled ebonised handle, below a domed lid and pointed finial, 23cm high and a silver sugar bowl, probably by Harrison brothers & Howson (George Howson), London 1911, of oval form and gardooned border above a half fluted body, 13cm wide, the total weight of items 52.5ozt. Ivory certification reference YN3DDGFQ
Lot 82
A George IV North Country provincial silver toddy ladle, fiddle-pattern, initialled “L”, by Peter Lambert of Berwick-upon-Tweed, hallmarked Edinburgh 1824 together with a pair of silver grape shears, with Old English Thread pattern handles, by Harrison Brothers and Howson, Sheffield 1913; and a Dutch silver hairbrush mount, with ship under sail, Amsterdam 1927, the latter 9.5cm long, 5.8oz. (3)
Lot 10
EGG CUP CRUET. A late Victorian egg cup cruet by John Newton Mappin (Mappin & Webb). London 1893. Also, with four Victorian egg spoons by Harrison Brothers & Howson, Sheffield 1871. Gross weight approx. 732.3g. (23.5 t oz.). Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 176
a set of six Sandringham Pattern grapefruit spoons, by Viner's Ltd, Sheffield 1952 & bearing import marks for Dublin 1954, and a set of six Old English & Thread Pattern teaspoons, by Harrison Brothers & Howson, Sheffield 1920 together with six fish knives & matching forks (lacking their handles), by Mappin & Webb 1940; 17ozt weighable silver. *Condition: All with wear, the spoons particularly the bowls & stems with thin edges, pitting & knicks, the fish knives & forks with no handles.
Lot 203
King's Pattern, by Harrison Brothers & Howson, London 1899,together with a King's Pattern table fork (crested) & dessert fork, and a Queen's Pattern table fork, by three different makers; 44.8ozt (21). *Condition: All pieces with wear & in mixed conditions Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 224
with twist stems and openwork terminals, by Harrison Brothers & Howson, Sheffield 1896/1902,together with, a pair of George III sugar nips, maker's mark overstriking another, possibly for Joseph Ash, London c.1810, and two sets of 6 tea/ coffee spoons, 5 teaspoons, a small fork, pair of sugar tongs and a small 3 pronged pick, mixed maker's patterns & dates; the case 7.9" (20cm) long; 11.8ozt (lot). *Condition: All pieces with wear & in mixed conditions Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 326
with pierced sides and applied borders, by Harrison Brothers & Howson, Sheffield 1916; 10.9" (27.6cm) long; 11.1ozt. *Condition: Quite worn & polished, the sides with a couple of minor dents in the decoration, the centre with dents, pitting & scratches Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 11
* PETER HOWSON OBE (SCOTTISH b. 1958), BLOODIED BUT UNBOWED mixed media, signed and dated 02'mounted, framed and under glassimage 30cm x 23cm, overall size 59cm x 50cmPurchased: McTear's, The Terry Howson Collection, 28 April 2013, lot 200.Note: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 113
* PETER HOWSON OBE (SCOTTISH b. 1958), UGLY MONKS oil on canvas, signed framedimage size 61cm x 77cm, overall size 82cm x 98cmNote: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 116
* PETER HOWSON OBE (SCOTTISH b. 1958), JESUS pastel on paper, signedmounted, framed and under glassimage size 30cm x 23cm, overall size 59cm x 52cm Note: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 12
* PETER HOWSON OBE (SCOTTISH b. 1958), ALONE mixed media, signed dated '06mounted, framed and under glassimage 30cm x 23cm, overall size 56cm x 47cmPurchased: McTear's, The Terry Howson Collection, 28 April 2013, lot 199.Note: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 128
* PETER HOWSON OBE (SCOTTISH b. 1958), HEAVEN OR HELL? oil on canvas, signed, titled verso framed and under glassimage size 92cm x 77cm, overall size 113cm x 98cmNote: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 13
* PETER HOWSON OBE (SCOTTISH b. 1958), HOPE & SUFFERANCE pen and ink, signed and dated 2002mounted, framed and under glassimage 10cm x 19.5cm, overall 29cm x 37cmPurchased: McTear's, The Terry Howson Collection, 28 April 2013, lot 184.Note: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 14
* PETER HOWSON OBE (SCOTTISH b. 1958), JIGSAW MAN pen and ink, signed and dated 2002mounted, framed and under glassimage 13.5cm x 19.5cm, overall 34.5cm x 39cmPurchased: McTear's, The Terry Howson Collection, 28 April 2013, lot 171.Note: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 147
* PETER HOWSON OBE (SCOTTISH b. 1958), THE PORTRAIT OF ROBERT HELLER oil on canvas, signedframedimage size 60cm x 45cm, overall size 82cm x 66cm Literature: Robert Heller, Peter Howson, Edinburgh, 2003, p. 167, illustrated.Note: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.Note 2: The Portrait of Robert Heller is a well-documented painting of the late Robert Heller, prolific author and publisher of two highly regarded monographs on Peter Howson. Heller was the second husband of Angela Flowers and was partly responsible for the expansion of Flowers Gallery from a small operation in Soho to a widely recognised International gallery and long time principal exhibiting gallery for Peter Howson both in the UK (London) and USA.
Lot 198
* PETER HOWSON OBE (SCOTTISH b. 1958), NIJINSKY limited edition giclee print on canvas number 1/100unframed.overall size 103cm x 69cm Note: Scan of Certificate of Authenticity issued by The Third Step Gallery is available to the buyer. This print has also been authenticated by the Peter Howson studio (June 2023).Note 2: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.See ''Peter Howson'' by Robert Heller page 90. Of Howson's ''Nijinsky'' the art critic Peter Jenkins wrote ''Nijinsky I see as an heroic figure: clumsy yet nimble, his macho prance is a dance of defiance; his leaden, booted feet may hold him down but his head is in the clouds, jaw jutting like a dancing bear, he is a noble beast made an object of derision. We may see something of the tragic predicament of the individual in the twilight of the gods''. Heller describes Howson's ''Nijinsky'' as ''vastly powerful''.
Lot 199
* PETER HOWSON OBE (SCOTTISH b. 1958), PATRIOTS limited edition giclee print on canvas number 2/100unframed.overall size 76cm x 102cm Note: Scan of Certificate of Authenticity issued by The Third Step Gallery is available to the buyer. This print has also been authenticated by the Peter Howson studio (June 2023).Note 2: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
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5812 item(s)/page