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Lot 74
A LATE VICTORIAN/EDWARDIAN CANTEEN OF OLD ENGLISH BEAD PATTERN FLATWARE & CUTLERY in a fitted two door oak cabinet with drawers, to include: 18 table spoons, 16 table forks, 20 dessert spoons, 17 dessert forks, 27 teaspoons (two sizes), 19 coffee spoons, 6 butter knives, 24 ice cream spoons, 2 soup ladles, 6 sauce ladles, 2 basting spoons, 4 salt spoons together with 24 engraved dessert knives and 24 engraved dessert forks with mother of pearl handles to match, all crested and all by Harrison Brothers & Howson, Sheffield 1900/1904/1906 and a later set of 24 electroplated Bead Pattern table knives and 24 side knives with stainless steel blades, by James Dixon & Sons of Sheffield; the cabinet measuring 20.7" (52.5cm) long; 268.5 oz weighable silver
Lot 1221
A Victorian matched silver three piece bachelors tea service, comprising a teapot, jug & twin handle sugar basin, the teapot by William Hutton & Sons, London, 1885, inscribed to belly with initial 'E', 4 7/8in. (12.5cm.) high, other pieces, Sheffield, Harrison Brothers & Howson, of half-gadrooned oval form, weight 13.9 tr.oz. * Each piece with surface marks etc, teapot handle with rubbing, good/fair.
Lot 1101
A George VI silver four piece tea service, Harrison Brothers & Howson, Sheffield, 1947, comprising teapot, hot water pot, milk jug, twin handle sugar basin, of rectangular form, beaded rim, raised on shaped and stepped pad feet, water pot measuring 7 ½in. (19cm.), weight 56 tr.oz. (4) * All pieces good, very light wear only.
Lot 22
A pair of silver Albany pattern grape scissors,by George Howson, Sheffield 1911, in a fitted case, retailed by Skinner and Co.,8.5cm long3.6oztProvenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition ReportSurface scratches and tarnishing throughout. The hallmarks are clear and legible. Some residue polish marks. Losses and wear to the case.
Lot 2602
Group of silver, comprising Edwardian miniature hand held mirror embossed with putti, hallmarked Henry Matthews, Birmingham 1905, similarly decorated small Edwardian oval panel, hallmarked Birmingham 1908, makers mark worn and indistinct, a Victorian mother of pearl handled fruit knife with silver blade, hallmarked Harrison Brothers & Howson, Sheffield 1877, a later Edwardian example, early 20th century bachelors cream jug, and a 1930's silver mounted dwarf candlestickCondition Report:General wear commensurate with age and use, including surface scratches and nicks.Miniature mirror with a few slight knocks. Fruit knife blades do not retract fully.Hallmarks with varying degrees of wear.
Lot 337
Star Wars - Attack Of The Clones - a collection of x7 autographed 8x10" colour photographs from the movie. Comprising: Ric Goodey, Hilton Howson, Steven Boyle (with COA), Zachariah Jensen (with COA sticker to reverse), Matt Sloan (with COA), and others. All dedicated. All obtained personally by the vendor via private signings.
Lot 123
A set of silver and mother of pearl handled fruit knives and forks, by George Howson, Sheffield 1922-1924, some handles as found (gross weight 376.6g), together with a large Victorian silver drum mustard, with clear glass liner, marks rubbed, a cased silver three piece christening set, and a silver twin handled sugar. (silver 437.3g ). Also a large quantity of silver plated flatware and others. (qty)
Lot 4131
Jack-knife, the blade marked Harrison Bros & Howson Sheffield and with marlin spike, screw driver and lanyard loop, Taylor WD jack knife dated 1938, lanyard loop replaced, Brookes & Crookes WD Jack Knife with horn grips, marlin spike , replacement lanyard loop, Burch & Son WD Jack-knife with marlin spike, replacement lanyard loop, blade engraved Orkney R.G.A (T), two other jack knives and two pocket knives (9)
Lot 210
A Ruskin Pottery high-fired stoneware ewer designed by William Howson Taylor, dated 1933, ovoid, shouldered form with short neck and applied handle, mottled sang de boeuf over white with turquoise splashes, and a Denby stoneware bowl, impressed Ruskin Pottery 1933 to the ewer, 21cm. high (2)
Lot 18
* ALLY THOMPSON (SCOTTISH 1955 - 2016), SAVAGE EDEN oil on canvas, signed, further signed and titled verso image size 102cm x 128cm, overall size 110cm x 135cm Framed. Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
Lot 482
A set of twelve late Victorian silver and mother-of-pearl handled fruit knives and forks, Sheffield 1897 by Harrison Brothers & Howson, length of knife 21.5cm, cased.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 308
An Edwardian silver six-division toast rack with scroll handle, on faceted bun feet, Sheffield 1907 by Harrison Brothers & Howson, weight 358g, length 14.3cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 367
A pair of early George III silver circular salts, each with a ropetwist rim, on scroll legs terminating in hoof feet, London 1760 and 1761 by IS & AN, height 3.4cm, a group of other silver items, including a novelty salt in the form of a Montieth, Sheffield 1923 by Harrison Brothers & Howson, height 5cm, and a tea strainer and stand, Sheffield 1907, weighable items only 265.4g, and a small group of plated items.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 400
A collection of silver including a cased pair of glass and silver liner bon bon dishes, by Adie Brothers Ltd, Birmingham 1926, a silver trophy cup, by Harrison Brothers & Howson, Sheffield 1934, a silver egg cup, Birmingham 1933, a silver tobacco box, the lid with engine turned decoration surrounding a blank rectangular cartouche, probably by William Adams Ltd, Birmingham 1933, silver sugar tongs and a spoon, a white metal cream jug, with double scroll handle and beaded rim, the body with engraved scrolling foliate decoration, weighable silver 199gms (7) Condition Report:Available upon request
Lot 18
* ALLY THOMPSON (SCOTTISH 1955 - 2016),SAVAGE EDENoil on canvas, signed, further signed and titled versoimage size 102cm x 128cm, overall size 110cm x 135cm Framed.Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
Lot 12
A matched silver tea set of Georgian form, oval, half fluted design, comprising teapot, coffee pot, two handled sugar bowl, and milk jug, the teapot is Edwardian, Sheffield 1909, made by Harrison Brothers and Howson, the sugar bowl Sheffield 1910, and the milk jug Sheffield 1905, the coffee pot Birmingham 1909, all different makers, the combined weight: 1458g (including non-silver knops & handles to the tea & coffee pots) (4)
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5812 item(s)/page