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SCOTTISH BESTIARYBROWN (GEORGE MACKAY) The Scottish Bestiary, GEORGE MACKAY BROWN'S OWN COPY, NUMBER III OF 15 COPIES reserved for the publisher, artists and author, from an overall edition of 75 copies, signed in pencil by the author and artists on the justification page, 20 full-page prints, each on a separate bifolia with the text facing, loose as issued in green cloth folder and slip-case, with original prospectus, large folio, Paragon Press, 1986Footnotes:NotesThe artists represented in this production include John Bellany, Steven Campbell, Peter Howson, Jack Knox, Bruce Maclean, June Redfern and Adrian Wiszniewski,This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A pair of Edwardian silver candlesticks and a pair of silver dwarf candlesticksfirst pair J Sherwood & Sons, Birmingham 1906, second pair Harrison Bros & Howson, Sheffield 1908Corinthian column on spreading square bases, with flutes and bead rims, loaded bases, height 25.2cm, the second pair with slender tapering octagonal columns, with fluted panels, loaded bases, height 19.1cm. (4)For further information on this lot please visit Bonhams.com
A selection of George V silver, A selection of George V silver, to include a pair of sauce boats together with a mug, gross weight 18.36ozt (3).Overall condition good to fairMug - Charles Edwards, London, 1916, inscription to front, dent to base, marks clearSauce boats - Harrison Brothers & Howson, Sheffield, 1930, monograms to front, light dents throughout
A Victorian silver pepper, London, 1898, Hawksworth, Eyre & Co Ltd, of urn form with pierced domed top with finial over a reeded body with paterae and swags, on stepped square base, 11cm high; together with an Edwardian silver pepper, Sheffield, 1905, Harrison Brothers & Howson, with finial, on stepped circular base, 6.8cm high, total weight approx. 3.5oz (2)Please refer to department for condition report
A group of silver knives with filled silver handles, comprising: five William IV knives, Sheffield, 1835, TS, Queens Pattern, with engraved crest to blades, two having blades detached; three Victorian knives, London, 1846, Elizabeth Eaton, one having detached blade; and two fish knives, Sheffield, 1897, Harrison Brothers & Howson, both having blades detached (10)Please refer to department for condition report
A Victorian mother of pearl hafted silver fork, by Harrison Brothers & Howson, Sheffield 1897 and four other silver articles, comprising trophy cup, sweetmeat dish, napkin ring and thimble, 6ozs (excluding fork) (5) Fork in good condition. Marks on trophy rubbed. The three other items undamaged
Peter Howson OBE, Scottish b.1958 - Study for Don Quixote and Sancho Panza, 2004; pastel on paper, signed lower left 'Howson', 21.5 x 29 cm (ARR) Provenance: with Flowers East, London, AFG 36547 (according to the label attached to the reverse of the frame); private collection Please refer to department for condition report
A pair of George V silver four section toast racks of love heart form (by Harrison Brothers & Howson, Sheffield 1921), 9.5 cm high, together with a set of three four section toast racks of plain form, raised on bun feet (by Haseler & Bill, Chester, varying dates), approx 6.5 cm high, total weight approx 9 oz
§ PETER HOWSON O.B.E. (SCOTTISH 1958-) RABBIE ON THE PROWL, 2009 Signed and dated lower left, crayon black cardDimensions:19.5cm x 28cm (7.75in x 11in)Provenance:Provenance: Acquired directly from the artist's studio.Note: Peter Howson contributed several drawings and an oil painting towards the Glasgow Mitchell Library's 'Inspired' exhibition, which celebrated the life of Robert Burns. The exhibition brought together work by nearly fifty artists including Tracy Emin, Douglas Gordon and the Chapman Brothers.Howson's work sought to dispel the sentimental, populist representations of Robert Burns by presenting the poet as a desolate figure. He reflected that 'I have never felt happy about the way Burns' image is used in a way which I think degrades him. I have always considered him to be the greatest poet and songwriter that ever lived so I am really pleased to have the opportunity to be involved in 'Inspired'.'
Group of small silver items, comprising 20th century stamp holder in the form of an envelope, marked Sterling Silver, 20th century page marker, marked Sterling 925, modern page marker, hallmarked Harrison Brothers & Howson Ltd, London 1997, small modern silver funnel, hallmarked Carr's of Sheffield Ltd, Sheffield, probably 2010, modern toothpick, hallmarked Birmingham 1988, makers mark HH&S, and small modern pill box, stamped 925, approximate total weight 1.07 ozt (33.4 grams)Condition Report:General wear commensurate with age and use, including surface scratches and nicks.Hallmarked page marker central piece lifted.Hallmarks with some slight wear, but generally clear and legible.
* ALLY THOMPSON (SCOTTISH 1955 - 2016),SPRING MORNING pastel on paper, signed, titled and dated 2002 versoimage size 55cm x 70cm, overall size 85cm x 98cm Mounted, framed and under glass.Note: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
* PETER HOWSON OBE (SCOTTISH b. 1958),INTO THE LIGHToil on canvas, signedimage size 120cm x 90cm, overall size 140cm x 110cm Framed and under glass.Note: A classic large Howson composition with a title to match. In The Scottish Contemporary Art Auction of 21st August 2022, lot 70 "Crucifixion" by Peter Howson sold for £11,250 (hammer) and almost as impressively, lot 115 "Gorlitz" in the same sale, a small (23 x 30cm) mixed media drawing on paper by him sold for £1400 (hammer).Condition is good overall.
A quantity of silver and silver plated cased flatware,to include a set of six coffee spoons, by Harrison Brothers & Howson, Sheffield 1958, a set of silver mounted French porcelain ramekin dishes and spoons, marked Sterling, a set of twelve Latvian silver gilt caviar spoons, marked 875, circa 1920, and a set of fish knives and forks with ivorine handles, weighable 13ozt (qty.)Condition ReportLarge quantity in a mixed condition; wear to the cases and flatware throughout.
Strohgeige "Phono Fiddle", um 1910A.T. Howson, London. Einsaitige Geige mit Metallmembrane im Korpus und abnehmbaren Messingtrichter, Ebenholzgriffbrett mit eingelegten Positionsmarkierungen, verwendet als Studioinstrument für Aufnahmen von Phonographen-Zylindern. - Literatur: Marty, "Grammophone", 1981, S. 178. - Ausgefallenes, seltenes Sammlungsstück! Start Price: EUR 220 Zustand: (3/2-3)Stroh Violin "Phono Fiddle", c. 1910A.T. Howson, London, single-string violin with metal cone diaphragm in the body and detachable brass horn, ebony fingerboard inlaid with position marks, used as studio instrument for recordings of phonograph cylinders. - Literature: Marty, "Grammophone", 1981, p. 178. - A rare instrument and a collector's item! Start Price: EUR 220 Condition: (3/2-3)
An early 20th century part canteen of silver plated cutlery by Harrison Brothers & Howson, comprising twelve dinner forks, 20cm long, eleven salad forks, 17cm long, six tablespoons, 22cm long, and thirteen soup spoons, 18cm long, each terminal engraved with the letter 'F', together with Victorian silver plated spirit kettle, Latham & Morton, upon associated stand with burner, overall height 30cm, and three cut glass decanters, tallest 30.5cm high (45)
Cased set of six silver demitasse spoons, flared faceted terminal, plain polished, makers John Turton & Co, Sheffield 1931, length approx 9.5cm together with a cased set of six Edwardian silver handled butter knives, Albany pattern, makers Harrison Brothers & Howson, Sheffield 1908, length approx 16cm (2)
A late Victorian silver half-reeded two-handled sugar bowl and matching milk jug, London 1890 by Chawner & Co, a pair of matched silver sugar tongs, Sheffield 1889 by Harrison Brothers & Howson, cased, and another silver milk jug, embossed with flowers and scrolls, Birmingham 1898, total weight 357g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Victorian part canteen of silver King's pattern cutlery, comprising four tablespoons, eight table forks, nine dessert spoons, eight dessert forks, six large teaspoons and six teaspoons, Sheffield 1894 and 1896 by John Round & Son Ltd, a matched later set of eight silver handled table knives, eight dessert knives and four soup spoons, Sheffield 1958 and 1959 by Harrison Brothers & Howson, and three other soup spoons, weight excluding knives 3268g, together with a small group of other silver and plated cutlery.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
SAMMLUNG VON 14 SILBEROBJEKTEN Darunter England, Sheffield, Harrison Brothers & George Howson, 1900 / Schwäbisch Gmünd, Wilhelm Binder, um 1890; Heilbronn, Bruckmann & Söhne, um 1890 Silber, farbloses, schliffverziertes Glas. L. 8,5-29 cm, 2842 g (Silber). Punziert mit Garantie- und Herstellermarken, Feingehaltsangaben und Modellnummern. Teils min. Oberflächenkratzer, min. gedellt.
AN ASSORTMENT OF COSTUME JEWELLERY AND PENS, to include a quantity of beaded necklaces, a selection of earrings, an assortment of empty jewellery boxes, a signed 'Christofle' bell, a silver handled butter knife, hallmarked 'Harrison Brothers & Howson' Sheffield 1923, together with a boxed set of signed 'Parker' pens, to include a fountain pen and two ball point pens, together with two additional boxed pens, etc
George V Air Ministry knife the 13.5cm steel blade by Harrison Bros & Howson and marked AM 44/88 with two-piece hardwood grip; in leather sheath L27cm overallCondition Report:Reasonably good condition consistent with age and use just a little grubby.Belt loop to sheath partially unstitched.
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5811 item(s)/page