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Lot 1006
Set of eight silver gilt and mother of pearl handled fruit / desert knives, forks and spoons by Harrison Brothers & Howson (George Howson), Sheffield 1901, gross weight 38oz 1193gm Condition Report: Minor wear to the gilding and surface marks consistent with age and light useThe handle of one spoon has pushed away from the tang, this spoon, one other spoon and a fork have finials which have pushed away from the handles
Lot 96
A group of silver items and oddments, including a pair of Edwardian silver short candlesticks. Goldsmiths & Silversmiths Co., London, 1905. The faceted bodies on spreading oval bases, nozzles apparently fixed, filled bases, 10cm high; together with: a Victorian card case, Birmingham, 1884, George Unite & Sons, engraved with scrolling foliate motifs and with initial within circular cartouche to side, 9.8cm high; a further card case, Birmingham, 1915, Mappin & Webb, the body with purse-style opening and chain, decorated with engine turned design and circular cartouche, gilding to interior, 9.5cm wide; a pair of Edwardian Art Nouveau twin-handled salt cellars, Birmingham, 1904, D. & M. Davis, with blue glass liners, approx. 6cm wide (inc. handles); a pin dish, Sheffield, 2000, Carr's of Sheffield, of circular form with scalloped rim, 10cm dia.; a napkin ring, Sheffield, 1921, James Deakin & Sons, pierced and engraved with foliate motifs and initials within cartouche; a further napkin ring, Edinburgh, 1959, Wilson & Sharp, the borders applied with bead decoration and figures of dragons and the body engraved with name Jane; a French napkin ring, Charles Murat, Paris, 20th century, applied with mistletoe motifs to borders, Minerva mark partly rubbed; a bookmark, Birmingham, 2000, Harrison Brothers & Howson, the plain body of rectangular form, 10.3cm long; a shallow bowl, Birmingham, 1928, Horton & Allday, with import mark for Dublin, 1934, the plain body of circular form, 10.3cm dia.; a group of fifteen Dutch pickle forks with sword mark, the handles decorated with floral motifs, approx. 800 standard; and other items, together with a small metal earrings stand, total weighable silver approx. 27.9ozt (a lot)Provenance: Property of the Late Jane Sinclair Morpeth. Condition Report: The weighable silver doesn't include the candlesticks, the metal earrings stand and the card case with chain. Card case with metal chain gross weight approx. 2.3ozt
Lot 159
An pair of Edwardian silver candlesticks. Harrison Brothers & Howson, Sheffield, 1907. The faceted tapering stems to shaped rectangular bases with canted corners, reeded banding along the nozzles and shoulders, nozzles apparently fixed, filled bases, 19.5cm high; together with a matched pair of silver candlesticks, one candlestick Birmingham, 1905, I. S. Greenberg & Co., the other Sheffield, 1911, no maker's mark, the knopped stems to shaped squared bases with foliate decoration to corners, conforming decoration to shoulders, the apparently fixed nozzles with shell decoration to corners, filled bases, 24cm high (4)
Lot 218
Late Victorian/early Edwardian silver dessert set for 18 place settings, comprising 18 pairs silver bladed and handled fruit knives and forks, with engraved coronet N, in fitted case, with key (lock not working) (Sheffield various dates 1895 - 1906) Harrison Brothers. & Howson. All at approximately 42ozs, including filled handles.
Lot 46
the tea set of oval form, with gadrooned borders, scroll handles and on ball feet, by Charles Stuart Harris, London 1905/06 and the cafe au lait pots of baluster form, with 'S'-scroll handles and spreading circular feet, by George Howson, Sheffield 1906/07, all crested to match and contained in a fitted wooden case; the case 18.25" (46.3cm) long; 67ozt (5). *CR The silver with general wear, the cafe au lait pots with slightly wobbly handles (lacking pins) the tea pot with a small dent to the body and all with wear commensurate with usage. Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 50
shaped circular outline, with a gadroon & shell border, pierced rim & sides and raised on three scroll legs, by George Howson, London 1911,together with a small silver tea pot, a pierced bonbon dish and and an Art-Nouveau period sugar bowl, mixed makers & dates; the fruit dish 8" (20.2cm) diameter; 31.25ozt (4). *CR Each piece with wear & in mixed conditions, the bonbon dish with a bent foot. Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 1032
Late Victorian silver pepper, of cylindrical form with screw threaded pierced flat topped cover, the openwork body decorated with flowers of the Union, roses, thistles and shamrocks, revealing a ruby glass liner, upon a spreading circular foot, hallmarked Harrison Brothers & Howson, London 1900, H8cmCondition Report: Good overall condition, with some general light wear in the form of somr surface scratches.Interior glass liner fixed.Gilding to interior underside of cover and screw threads.Hallmarks generally clear and legible, however makes mark to side of body partly worn.
Lot 92
A George VI silver four piece tea set, of angular form, coffee and tea pots with ebonised handles and finials, hallmarked by Harrison Brothers & Howson, Sheffield, 1945. Total gross weight approx. 1752.01 grams (56.3ozt) Condition: tea set generally in good condition, tarnishing and general wear.
Lot 92
A SET OF SIXTEEN GEORGE IV KING'S PATTERN KNIVES AND CARVING SET MITCHELL & SONS, GLASGOW 1824 foliate detail to blade, engraved crest to terminal; together with a carving set, by Harrison Bros & Howson of Sheffield, marked STERLING D to terminal, comprising, two carving knives and one fork, of Queen's pattern (19) 20.7cm long, 36cm long (longest carving knife)
Lot 72
A SMALL ASSORTMENT OF SILVER, to include a silver money clip, hallmarked 'Harrison Brothers & Howson Ltd' Birmingham 1998, a silver bookmark, hallmarked 'Douglas Pell Silverware' London 2002, approximate gross weight 22.5 grams, together with a pair of white metal and carnelian cufflinks, stamped 925, approximate gross weight 8.4 grams, together with a white metal stick pin (condition report: general moderate wear, overall condition good)
Lot 2108
A Harlequin 12-place setting suite of George III and later silver cutlery in the Kings pattern, comprising twelve each of tablespoons, dessert spoons, teaspoons, table forks, dessert forks, table knives and dessert knives, mostly by Mary Chawner & George W Adams, but makers also to include William Eaton, H J Lias & Son (Henry John Lias & Henry John Lias), George Adams, Charles Eley, mainly London assays, the knives by Harrison Brothers & Howson (George Howson), Sheffield 1959 (the year they were taken over by Viners Ltd) with stainless steel blades by Alexander Scott of Glasgow, table knife length 25cm, teaspoons length 14.5cm, weighable silver gross weight 140.9ozt
Lot 2206
An impressive George V silver twin handled serving tray, of shaped rectangular form with a gadrooned rim and conforming applied handles, the otherwise plain ground having engraved monogram to the centre, maker Harrison Brothers & Howson (George Howson), Sheffield 1930, approx 61 x 46,5cm (excluding handles), weight approx 144ozt
Lot 106
Victorian silver Queen's Pattern sauce ladle, by Francis Higgins II, London, 1843, L.18.3cm; silver mounted pen knife, by George Howson, Sheffield, 1906, W.7.2cm; 3 spoons, 3 knife blades, bottle cap marked "Sterling Silver", and a white metal spoon, (unmarked), gross weighable 230grs. (10). (Provenance: From the Collection of The Late Sir Ray Tindle)
Lot 77
George VI silver urn with cover, 2 handles, semi-reeded body, and pedestal foot, by Alexander Clark & Co. Ltd., Birmingham, 1937, H.13.5cm, and a small model of a fishing boat, Import Marks for Harrison Brothers & Howson Ltd., London, 1997, W.4.5cm, 130grs. (2). (Provenance: From the Collection of The Late Sir Ray Tindle)
Lot 67
A Victorian Silver Cigarette-Box, by George Howson, London, 1893 oblong, the hinged flat cover engraved with the arms of Lister quartering those of Cunliffe, below the crests of Cunliffe and Lister and above a motto, the base wood-lined17cm wideThe coat-of-arms is probably that of Samuel Cunliffe Lister, later 2nd Baron Masham (1857-1917).Fully marked on bezel and further part marked inside hinged cover. There is some minor wear to the marks. There is some overall surface scratching and wear, consistent with age and use as well as some bruising. There is some staining and marks to the wood lining. The two compartments applied with stickers for 'Turkish' and 'Virginia'. The wear is noticeable as a softening to the engraving.
Lot 30
* MARY BATCHELOR (SCOTTISH 1944 - 2017), CABIN AT SMOKEY HOLE oil on canvas, signed, titled label versoframed and under glass image size 51cm x 51cm, overall size 68cm x 68cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.
Lot 58
* FRANK TO (SCOTTISH b. 1982), SELF PORTRAIT WITH PLAGUE DOCTOR MASK mixed media on board, signed versoframed and under glassimage size 16cm x 19cm, overall size 33cm x 34cm Note: Frank To was born in Glasgow and studied at the University of Huddersfield and then Duncan of Jordanstone Art College in Dundee. He lives in Glasgow and has a studio in the city. He has earned an enviable reputation for himself as a contemporary figurative painter, having already established a loyal following, including a number of high profile buyers including Star Trek legend, Sir Patrick Stewart who now owns several of Frank's paintings. In recent years he has exhibited alongside some of the greats of the Scottish and International art scene including Peter Howson and Damien Hirst. His work has also featured in numerous national art fairs and art shows including at Bath, Harrogate, London, Aberdeen, Dundee, Edinburgh and Glasgow and is held in the collection of Dundee University. Frank To has regularly received critical acclaim even from early in his career and is one of his generation's most written about artists.
Lot 42
* PETER HOWSON OBE (SCOTTISH b. 1958), AT WHAT COST pastel on paper, signed, titled label versomounted, framed and under glass image size 46cm x 60cm, overall size 66cm x 80cm Label verso: Roger Billcliffe Gallery, GlasgowNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 31
* MARY BATCHELOR (SCOTTISH 1944 - 2017), REPAST oil on canvas, signed, titled versoframed and under glass image size 51cm x 61cm, overall size 59cm x 69cm Handwritten artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.
Lot 60
* PETER HOWSON OBE (SCOTTISH b. 1958), JOHN LENNON PORTRAIT pastel on paper, signedmounted, framed and under glass (slipped in the mount)image size 65cm x 49cm, overall size 96cm x 80cmNote: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 32
* MARY BATCHELOR (SCOTTISH 1944 - 2017), THE RED HAT oil on canvas, signed, titled versoframed and under glass image size 41cm x 51cm, overall size 48cm x 58cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.
Lot 50
* FRANK MCFADDEN (SCOTTISH b. 1972), TROPHY FACE I pastel on paper, signed mounted, framed and under glassimage size 20cm x 15cm, overall size 43cm x 37cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.
Lot 128
* PETER HOWSON OBE (SCOTTISH b. 1958), STUDY OF A MAN ink on paper, signed and dated '07mounted, framed and under glassimage size 15cm x 10cm, overall size 31cm x 26cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 40
* FRANK MCFADDEN (SCOTTISH b. 1972), SOPPING UP THE FREE-RADICALS oil on canvas, signed, titled versoframedimage size 51cm x 42cm, overall size 68cm x 59cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.
Lot 216
* PETER HOWSON OBE (SCOTTISH b. 1958), PORTRAIT OF A MAN pastel on paper, signedmounted, framed and under glassimage size 29cm x 22cm, overall size 51cm x 43cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Lot 43
* FRANK MCFADDEN (SCOTTISH b. 1972), BEHIND THE MASK pastel on paper, signedmounted, framed and under glassimage size 59cm x 45cm, overall size 92cm x 78cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.
Lot 33
* MARY BATCHELOR (SCOTTISH 1944 - 2017), GREEN DOOR oil on canvas, signed, titled label versoframed and under glass image size 15cm x 21cm, overall size 34cm x 39cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.
Lot 400
Peter Howson OBE, Scottish b.1958 - Portrait of a Boy with Yellow Hair; pastel on paper, signed lower right 'Howson', 29.6 x 19.8 cm (ARR)Provenance: with William Hardie Fine Art Consultants and Valuers, Glasgow (according to the label attached to the reverse of the frame); private collection
Lot 639
A Victorian silver and mother-of-pearl dessert canteen, having a central shield brass plaque, containing a twelve piece setting, with mother-of-pearl handles and silver ferrules, marks for Sheffield 1893, maker Harrison Brothers & Howson Condition report: The knives measure approximately 20.5cm and the forks 16.5cm. Overall good condition with some light surface wear. Silver hallmarks to the knife blades, fork stems and ferrules.
Lot 19
A George V Silver Butter-Dish and Cover, by George Howson, Sheffield, 1928, the plain circular base with reeded rim and glass liner, the conforming domed cover with tapering thumbpiece, 13.5cm diameter; Together With an associated Edward VII silver stand, by Atkin Brothers, Sheffield, 1903, circular and with openwork swag sides and reeded rim, total weight of silver 14oz, 436gr (2)
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6423 item(s)/page