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* PETER HOWSON OBE (SCOTTISH b. 1958), CHICKEN LEG oil on canvas, titled and dated 1986/87 labels versomounted, framed and under glass image size 31cm x 23cm, overall size 50cm x 43cm Label verso: Flowers East, LondonExhibition label verso: Peter Howson : A Retrospective, 2nd July - 5th September 1993, McLellan Galleries, Glasgow
* ALLY THOMPSON (SCOTTISH 1955 - 2016), EVENING DREAM pastel on paper, signed, titled versomounted, framed and under glassimage size 53cm x 73cm, overall size 102cm x 120cmNote: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
* ALLY THOMPSON (SCOTTISH 1955 - 2016), AND BEHOLD, I GLIMPSED A GREAT ANGEL WALKING IN AETHERIA mixed media on paper, signed, titled label versomounted, framed and under glassimage size 54cm x 74cm, overall size 93cm x 111cmNote: Ally (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
* PETER HOWSON OBE (SCOTTISH b. 1958), PORTRAIT OF GORDON BANKS mixed media on paper mounted, framed and under glassimage size 29cm x 18cm, overall size 57cm x 44cm Note: This picture was drawn by Peter when he was 8 years old of Gordon Banks, the England 1966 World Cup Winner goalkeeper. The drawing won him a school art prize.
A George V hallmarked silver sauceboat, Harrison Brothers & Howson (George Howson), Sheffield 1922, with cast acanthus leaf 'S' scroll handle, raised on three hoof feet, together with a Victorian silver pierced dish, Josiah Williams & Co (George Maudsley Jackson), London 1894, a a Edward VII pierced tazza,Gorham Manufacturing Co., Birmingham 1909, two continntal 800 grade silver dishes, a small silver trophy and a napkin ring. H.10.5 W.18 D.9.5cm largest 0.506g
MISCELLANEOUS ENGLISH SILVER comprising: a George V caster, in George I style with reeded girdle and bayonet fitting pierced cover, S. Blanckensee & Son Ltd., Chester, 1926, 17cm high; an Edwardian tea caddy, bellied oblong, on bun feet, turned wood finial, Deakin & Francis, Birmingham, 1906, 12cm high; a table bell, with faceted bell, William Suckling Ltd., Birmingham, 1956, 10.5cm high; a George V pepper mill, milk churn form, initialled RTJ, French steel grinder, Joseph Gloster Ltd., Birmingham, 1921, 8cm high; a pair of George V toast racks, each of seven arched bars, Barker Brothers Ltd., Chester and Birmingham, 1925/27, 10cm long; and a Victorian toast rack, five bars, on bun feet, Harrison Brothers & Howson, Sheffield, 1895, 9cm long; 680g all in excluding mill (7)
HARRISON BROS & HOWSON; a Victorian hallmarked silver six setting dessert service with mother of pearl handles, Sheffield 1868, cased.Condition Report: Tarnishing to the silver, light scratches to silver and mother of pearl handles, some of the prongs are slightly misshape, there is an old piece which has been repaired on one of the mother of pearl handles.
Postcards, Music, a collection of approx. 29 cards of strange and unusual musical instruments, with Marcari Bros accordion with a horn, advert for A.T Howson musical instrument manufacturer promoting 'The Phonofiddle', bands and individuals playing the phonofiddle (Max Prinzen, G Schafer, Association Phonique des Grands Artistes etc). Also The Llahtians, Fred Wilden, Jack Lord, phonofiddle variations, large horn, strange saxophones, giant euphonium, and factory for making brass instruments. Sold with a few helpful notes (mainly gd)
A pair of late Victorian silver Albany pattern salad servers, Sheffield 1897 by Harrison Brothers & Howson, weight 231.8g, length 26.7cm, and a silver Albany pattern soup ladle, London 1883 by Francis Higgins, weight 304.9g, length 34.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George V silver card salver, inscription engraved within a piecrust rim, on scroll feet, Sheffield 1918 by Harrison Brothers & Howson, weight 355.5g, diameter 20cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of Edwardian silver pickle forks with scallop shell and reeded handles, Sheffield 1901 by Harrison Brothers & Howson, cased, and a small group of other silver, including a set of three Irish silver Fiddle pattern mustard spoons, Dublin 1893 by West & Son, total weight 173.6g, together with a group of plated items, including a trophy cup, entrées dishes and a swing handled basket.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of late Victorian silver Albany pattern fish servers, Sheffield 1898 by Harrison Brothers & Howson, total weight 328.9g, length of knife 32.7cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An assortment of silver items to include a pair of Edward VII peppers, makers Harrison Brothers & Howson, Sheffield 1907 urn-shaped, 9cm high, an Edward VII pin tray, maker W.H., Birmingham 1904, of oval shape with embossed floral foliate scroll border, 11cm long, four mounted glass scent and toilet bottles, two embossed mounted glass dressing table caskets, twin-handled tea strainer, Sheffield 1940, four thimbles, photograph frames and a plated snuffers tray.
A Victorian small silver salver, makers Harrison Brothers & Howson, Sheffield 1892 of shaped circular outline with a gadrooned and anthemion border, central armorial and tripod scroll feet, 20cm across (one foot missing), also six George IV silver fiddle pattern teaspoons, London 1820, two others, a George III silver Old English pattern sauce ladle and a set of five (of six) George V silver coffee spoons, makers Joseph Rodger & Sons, Sheffield 1927, 497gms, 15.9ozs.
A quantity of contemporary Birmingham silver to include: a large novelty silver thimble (5.3cm high) with inscription 'Just a Thimbleful', maker JB Chatterly & Sons Ltd, 1977, together with a pair of novelty wishbone sugar nips, maker James Swann & Son, 1947, a money clip, maker W I Broadway & Co, 1993, another money clip, maker A J Poole, 2003, a bottle stopper, maker A J Poole, 2004, a pair of collar stays, maker probably John Bull Ltd, 2009 and a pierced key ring by Harrison Bros & Howson Ltd, 2011, weight (without stopper) 101gms.
A quantity of assorted silver items to include: a guilloche enamel decorated silver clothes brush, maker Gibson & Co Ltd, Birmingham 1958, a butter shell, maker Harrison Bros & Howson, Sheffield 1924, an ashtray, maker William Hutton and Sons Ltd, Birmingham.1931, two circular lidded boxes,a pair of knife rests, a child's spoon, dog tag, key ring, sterling spoon with gilt maple leaf, two propelling pencils, button hook, 1923-24 football medal, shoe horn, butter knife, pair of cufflinks, King's pattern sifter spoon with gilded shell bowl, .925, solid cast model of a horse, two teaspoons, three Royal Mint coins in packaging, small anointing spoon, pendant ingot, button pull, clothes brush and matching hair brush, both with engine turned decoration etc, 412 gms.
A George IV, Wiliam IV, Victorian and Elizabeth II Silver Table Service, Various Makers, London and Sheffield, 1828 and Later Queen's pattern, comprising12 table-spoons12 table-forks12 dessert-spoons12 dessert-forks11 teaspoons2 basting-spoons2 sauce-ladlesA soup-ladleand the following with filled handles and stainless steel blades12 table-knives12 cheese-knivesand the following King's pattern, with filled handles and silver attachments12 fish-forks12 fish-forksin a fitted oak canteen with hinged cover and two drawers, the canteen 44.5cm wide, 159oz 17dwt, 4,972gr (112)Each piece marked on back of handle. There is some wear to the marks on some pieces. There is overall surface scratching and wear, consistent with age and use. There are some very minor variations to the size and decoration between the pieces. Some pieces may have been erased. There are some scuffs, chips, marks and scratches to the canteen.12 table-spoons, All London, one 1839; one 1847; four 1859; one 1864; four 1868 and one 1889 12 table-forks, all by Joseph & Albert Savory, London, 183812 dessert-spoons, all London, two 1846, one 1854; one 1858; five 1864 and three 186512 dessert-forks, all London, one 1833; one 1862; six 1864 and four 186511 teaspoons, all by Henry John Lias & Henry John Lias, London, 18682 basting-spoons, by William Eaton, London, 18282 sauce-ladles, by George Adams, London, 1869A soup-ladle, by Joseph & Albert Savory, London,184112 table-knives, with stainless steel blades12 cheese-knives, with stainless steel blades12 fish-forks, with silver tines, by Vander, London, 195612 fish-forks, with silver blades, by George Howson, Sheffield, 1959
An Edward VII Silver Tea-Caddy, by George Howson, Sheffield, 1909 oblong and with lobed sides, the hinged cover with part ebonised finial, with reeded rim11cm wide, gross weight 7oz 16dwt, 243grFully marked on side and further part marked inside cover. The marks are generally clear. There is some surface scratching and wear, consistent with age and use. There are some minor bruises.
A SET OF TWELVE SILVER HANDLED TABLE KNIVES HARRISON BROTHERS & HOWSON, SHEFFIELD 1938 Engraved with a crest and with steel blades 23.5cm (9 1/4in) long Condition Report: Marks are generally clear Engraving generally clear Handles tight to the blades Blades in poor condition, all with pierced holes and losses Some of the handles with black marks, possible salt corrosion Condition Report Disclaimer
A COLLECTION OF SILVER ITEMS To include: a Scottish quaich by Francis Howard Ltd., Edinburgh 1994, the twin handles with Celtic decoration, engraved with a presentation inscription and on a circular foot, 14.5cm (5 3/4in) long; a twin handled bowl by Deakin & Francis, London 1935, with twin scroll handles, engraved with a presentation inscription and on a circular moulded spreading foot, 16.5cm (6 1/2in) long; a pair of Victorian grape scissors by Harrison Brothers & Howson, Sheffield 1891, with shell and gadrooned loop handles, 18cm (7in) long; a lobster pick; a napkin ring; an oval sauce boat; an electro-plated lobster picks and an electro-plated sauce boat 505g (16.25 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A COLLECTION OF SILVER ITEMS To include: a pedestal dish by Mappin & Webb, Birmingham 1924, on three scroll feet, 11cm (4 1/4in) high; a circular ashtray by Adie Brothers Ltd., Birmingham 1961, with a Celtic border, 11.5cm (4 1/2in) diameter; a tea strainer by Harrison Brothers & Howson Ltd., Birmingham 1989, with a turned wooden handle and with an applied shell, 18.5cm (7 1/4in) long; a silver mounted rectangular cigarette box by Henry Clifford Davis, Birmingham 1961, with engine turned decoration and a rectangular vacant reserve, 11.5cm (4 1/2in) long, with a cedar liner; a silver coloured cigarette case; a silver coloured dish, inset with a coin; and a collection of silver flatware 525g (16.9 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A SET OF FOUR SILVER FRUIT FORKS, DESSERT FORKS, DESSERT KNIVES AND FISH KNIVES HARRISON BROTHERS & HOWSON, SHEFFIELD 1926 Engraved RBH The fish knives 22cm (8 1/2in) long Loaded Together with a similar set of nine fish knives and forks by Harrison Brothers & Howson, Sheffield 1926, the forks 18.5cm (7 1/4in) long, loaded
An incredible Victorian silver pistol grip handled knife and fork set for twenty two. By Harrison Brothers & Howson, with filled leaf scroll pistol grips, the blades and forks in solid silver, Sheffield 1889; together with three dessert forks and a knife from the same suite, a detached fork weighs 1 toz, weight overall 4.1kg approximately.Length of dinner knife 22cm. Length of dinner fork 19cm.There are 22 dinner forks and 22 knives. Also three dessert forks and one dessert knife. Three forks are detached from their handles and four need putting back more securely into the handles. Eight knives need the blades reset back into the handles more securely. Overall the handles are good, no seam splits, very minor dents and some rubbing to the hallmarks. The shell scroll details still very clear.
A silver bottle coaster by M C Hersey & Son Ltd, London 1994, Towcester Racecourse Memorial evening engraving to side; a small silver tazza with tudor rose to centre and bell flower border Sheffield 1915, 10.5cm diameter, 3cm high, 1.7oz; a silver pedestal dish by Harrison Brothers & Howson (George Howson), London 1908, paneled body, 11cm diameter, 6.5cmm high, 4.7oz.
A harlequin suite of Victorian silver fiddle, thread & shell pattern flatware with pistol grip cutlery, six settings, the dinner knifes with steel blades stamped VR over GARRARD LONDON, dating 1883, 10 3/8in. long, starter knives with steel blades one marked GARRARD, others stamped with various or blank, fish knives with silver blades, five hallmarked Harrison Brothers & Howson, Sheffield, 1880, one by Francis Higgins III, 1883, six each of dinner forks, 9 ¼in. long; starter forks, 7in. long; fish forks; table spoons; dessert spoon; teaspoons; two sauce ladles, three salt spoons and a mustard spoon, various maker's, each with stag head crest to handles, total weight without dinner & starter knives 103 tr.oz. (57)
A pair of Victorian silver fish servers, Harrison Brothers & Howson, Sheffield 1861, the silver pierced prongs and blade, having foliate decoration with engraved fish, the largest,13in. (33cm.) long, weight 8.4 tr.oz., together with a set of eight silver plate napkin rings, oval form, inscribed 'La Brasserie du Square'. (10)
A set of four late Victorian silver open salts, Harrison Brothers & Howson, Sheffield, 1900, of pierced twin handle oval form, having vacant shield shaped cartouches and foliate pierced design, cobalt blue glass liners, spoons not matching, weight without liners 3.9 tr.oz. * Condition: Spoons silver but not matching, various dates etc, otherwise good.

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6423 item(s)/page