We found 5812 price guide item(s) matching your search

A Three-Piece Victorian Silver Condiment-Set with a George V Silver Mustard-Pot to Match, by Harrison Brothers and Howson, Sheffield, The Condiment-Set 1894, The Mustard-Pot 1931, each chased with foliage and flowers, the mustard-pot on three lion-mask capped feet, with blue glass liner and associated beaded spoon, the pepperettes 9cm high, weight of silver 12oz 9dwt (5)

Edward VII pair of silver candlesticks with knopped and reeded stems, on oval feet, by Harrison Brothers & Howson, Sheffield, 1905, (loaded bases),.

A Victorian cased five-piece carving set with silver-mounted carved ivory handles, Harrison Brothers & Howson, Sheffield 1880

A pair of late Victorian silver shell nut-dishes on ball feet, Harrison Bros. & Howson, Sheffield 1896, to/w a pair of four-division toast racks, Sheffield 1915 (4), 8.3 oz

PETER HOWSON Warriors of The Kirk, signed, print, 1/100, dated, (20)05, 35 x 52cm Condition Report: Available upon request

AFTER PETER HOWSON, EXPELLING A DEMON colour print 27.5cm x 37cm Mounted, framed and under glass

A silver hallmarked ruler measuring in cm from zero to fifteen and in inches from zero to six. Hallmarks for Birmingham date letter b 2001, makers mark for Harrison Brothers & Howson Ltd. Weighs 40.5g. Measures 16cm wide by 3cm deep.   

A Victorian Aesthetic Movement silver square scent bottle, bright-cut engraved with flowering stems, hinged cover enclosing a glass stopper, Harrison Brothers & Howson, London 1884

A silver mounted desk top magnifying globe / paperweight by Harrison Brothers & Howson Ltd. Assayed Birmingham 2003, 9.25cm diameter.Condition report intended as a guide only.Good condition.

A George VI silver salver by George Howson, Sheffield, 1946, 32.2cm, 32.5 oz.

* PETER HOWSON OBE (SCOTTISH b 1958), SELF ink and wash on paper, signed, titled and dated 2013 19cm x 20cm Mounted, framed and under glass

Two-handled silver sugar bowl by Harrison Brothers & Howson, Sheffield, gross weight 166g Condition reports are not available for the Interiors Sales.

A signed Peter Howson limited edition lithograph, The Leaning Dosser, no.22/28, 75 x 56cms, framed

A signed Peter Howson limited edition etching, Rupert (from a series - Saracen Heads), no.11/30, 32 x 25cms, framed

A signed Peter Howson woodcut print, untitled, no. 34/40, 30 x 20cms, framed

A silver mounted whisky noggin by Hukin & Heath (John Thomas Heath & John Hartshorne Middleton), Birmingham 1908, a cut glass bowl with silver lid by Harrison Brothers & Howson Ltd, Birmingham 1990, four rattail teaspoons by Josiah Williams & Co (George Maudsley Jackson), London 1890, and other silver spoons and napkin rings, total weighable silver approximately 9.4oz.

* PETER HOWSON OBE (SCOTTISH b 1958), SELF ink and wash on paper, signed, titled and dated 2013 19cm x 20cm Mounted, framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), HEAD STUDY pen on paper, signed in pencil 15cm x 15cm Mounted, framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), CROWN OF THORNS pastel on paper, signed and dated 2012 20cm x 12cm Mounted, framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), THE DISCIPLE pastel on paper, signed and dated 2012 29cm x 20cm Mounted, framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), THE DISCIPLE II pastel on paper, signed and dated 2012 29cm x 20cm Mounted, framed and under glass

A George V silver sauceboat, by Ollivant and Botsford, London, 1912, of typical form with reeded rim, together with an Edward VII silver cream-jug, by Henry Wigfull, Sheffield, 1904 and a sugar-bowl, by Harrison Brothers and Howson, Ltd., Birmingham, 1989, the sauceboat 19cm. wide, 9oz. 14dwt. (3)

Five sterling silver teaspoons hallmarked Sheffield 1921, maker: Harrison Brothers & Howson, 68 grams approx

[§] PETER HOWSON O.B.E. (SCOTTISH B.1958) GAME BOYS Signed, oil on canvas 75cm x 90cm (29.5in x 35.5in)

[§] PETER HOWSON (SCOTTISH B.1958) BIG GIRL Pastel and charcoal 20cm x 28cm (4in x 8in) Exhibited: William Hardie, Glasgow

[§] PETER HOWSON O.B.E. (SCOTTISH B.1958) FACE OF GOD Signed and inscribed with title and dated '94 in pencil to margin, A/P X/X, lithograph 63cm x 53cm (24.75in x 21in)

[§] PETER HOWSON O.B.E. (SCOTTISH B.1958) JOURNEY'S END I, 2002 Signed, pastel 44cm x 58cm (17.25in x 22.75in) Exhibited: Flowers East, London

[§] PETER HOWSON O.B.E. (SCOTTISH B.1958) TEMPTATION Signed, pastel 46cm x 59cm (18in x 23.25in)

[§] PETER HOWSON O.B.E. (SCOTTISH B.1958) IT'S OVER, 2006 Signed, pastel 46cm x 59cm (18in x 23in)

Set of four George V silver and ivorine handled fish forks and four fish knives by Harrison Brothers and Howson, Sheffield, 1930, in fitted oak case

A Victorian cased Albany pattern silver teaspoon, sugar tong and sifting spoon set, by John & William F Deakin, assayed Sheffield 1898-99, in Fisher of London fitted box, together with a set of six silver soup spoons, by Josiah Williams & Co, assayed London 1919-21, in Thos. Proctor & Son Ltd, Newcastle-on-Tyne fitted box, a set of six silver handled fruit knives, Harrison Brothers & Howson, in fitted box, and a set of six silver handled butter knives, by Frank Cobb & Co Ltd, assayed in Sheffield 1914, in fitted box. (weighable silver 360.6g). (qty)

Ruskin high fired stoneware vase by William Howson Taylor, dated 1911, ovoid body with cylindrical lightly flared neck in sang de boeuf glaze impressed marks, H21.5cm Condition Report Very minor surface scratches and marks to the base made through the firing process. Excellent condition.Click here for further images, condition, auction times & delivery costs

British Army WWII boxed medals comprising 1939/1945 Star, Italy Star, Defence Medal and War Medal addressed to J Howson, Astley Bridge, Bolton together with 1939/1945 Star, France & Germany Star and Defence Medal addressed to R D England, Bradford, W Yorkshire

A collection of silver items, to include two Garrard & Co cased condiment sets, cased apostle spoons by Harrison Brothers & Howson, Sheffield, 1921, a sherry decanter label, together with bloodstone handled fruit knife and fork (Qty.)

A George V bachelors silver octagonal three-piece part coffee service of plain form with cane covered handles and finials, comprising - coffee pot, 5.25ins high, hot water pot, 5.25ins high, and two-handled sugar basin, by Harrison Brothers & Howson, London 1912 and 1913 (gross weight 20ozs)

A late Victorian silver oval coffee pot with reentrant corners, gadroon mounts and part reeded body, ebonised angular scroll handle and turned finial, 8.75ins high, by Harrison Brothers & Howson, Sheffield 1889 (gross weight 19ozs), and a similar circular sugar bowl with moulded rim, on circular footrim, 2.75ins high, by Mappin & Webb, Sheffield 1888 (weight 5ozs)

A silver teapot and matching sucrier of oval form, Sheffield 1917, makers Harrison Bros & Howson.

A pair of Victorian silver candlesticks, by Harrison Bros & Howson, Sheffield 1890, the square stepped bases decorated with two egg and dart type bands and supporting the fluted columns topped with foliate sconces and square part marked and detachable nozzles to match the base, loaded (2) 27.50 x 11 x 11cm (11 x 4 x 4in)

A George V silver stilton scoop together with a pair of Victorian silver sandwich servers, the plain scoop by George Howson, Sheffield 1911, with simple teardrop shaped ivory handle, overall length 20cm, the servers by Atkin Bros., Sheffield 1890, with a pair of sprung loaded fan shaped blades, the top blade with integral thumbpiece and decorated with foliate engraving and with carved ivory coloured handle, overall length 26cm (2)

WWII period silver sugar and cream in the Art Deco style by Harrison Brothers & Howson (George Howson) Sheffield 1945, 410g 

A SILVER RECTANGULAR TWIN HANDLED TRAY, with canted corners, pierced gallery and reeded handles, by Harrison Brothers & Howson, London 1913, 39cm long, 34.5oz

A PAIR OF EDWARDIAN SILVER ENTRÉE DISHES AND COVERS, with shaped, foliate cast and reeded borders by George Howson, Sheffield 1902, 28.5cm long, 98oz overall (one handle lacking) (2)

Golf Clubs - Set Wilsons 3-9 irons, sand and pitching wedges, Regal & Lynx no. 2 irons, Howson Driving iron, Jack Nicklaus 9° titanium driver, Taylor Made Bubble shaft 9.5 driver, Interface putter, bronty chipmaster MK II, Titleist carry stand bag, Greenhill Trolley, Waterproofs, golf balls, tees, Pitch repairers and markers etc

* PETER HOWSON OBE (SCOTTISH b 1958), PEN STUDY OF A MAN ink on paper, signed and dated 2005 18cm x 20cm Unframed

(ARR) Howson (Peter, 1958-). The Heroic Dosser, 1987, woodcut on two sheets of conjoined paper, printed and published by Glasgow Print Studio, 1987, in an edition of 30, signed Howson '87 and numbered 18/30 to lower margin, image size 177 x 116.5 cm (69.75 x 46 ins), sheet size 182.5 x 121 cm (72 x 47.5 ins), framed and glazed (Qty: 1)Provenance: From the Collection of Robin Garton. One of three large woodcuts (together with the Lonely Hero and the Noble Dosser) made at Glasgow Print Studio in 1987, when Howson was working in his studio in the Gallowgate area of Glasgow, close to a hostel for the homeless. Peter Howson studied at Glasgow School of Art, and in the 1980s became a leading member of a new generation of young Scottish artists named the New Glasgow Boys. A retrospective of Howson's prints was held at Flowers Gallery, Cork Street, London, 6 July-6 August 2016.

An Edison Standard Phonograph, serial number 633009, in oak case, A J Howson brass horn; thirty four wax cylinders Condition Report: generally good condition, mechanism winds and turns cylinder, cannot guarantee full working order, age related wear and tear, minor surface corrosion in places, horn inscribed AT Howson, maker, London, a couple of four minute cylinders too

A good quality Victorian 5-piece ivory and silver-handled carving set, by Harrison Brothers and Howson, hallmarks Sheffield 1888

A cased silver oyster dish and knife, George Howson, Sheffield 1919 and 1920 CONDITION REPORT: 96g gross

A Ruskin pottery vase by William Howson Taylor, with iron filing frosted type detail on a mottled blue and yellow ground and with impressed and incised marks to base and date 1931, 29.5cm tall approx

* PETER HOWSON OBE (SCOTTISH b 1958), HEAD STUDY pastel on paper, signed 37cm x 28cm Framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), OFFENDER pastel on paper, signed and dated '07 60cm x 45cm Mounted, framed and under glass.

* PETER HOWSON OBE (SCOTTISH b 1958), HANK THE YANK AND SH**** BREEKS pastel on paper, signed and dated '07 28cm x 20cm Mounted, framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), HADGEY'S HAMMER HORROR pastel on paper, signed and dated '07 28cm x 20cm Mounted, framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), BRAIN OF BRITAIN, TWO POOFS, AND A SCOTTISH RUFFIAN pastel on paper, signed and dated '07 28cm x 20cm Mounted, framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), A-HALL MADNESS WITH SOYA AND SEAGULLS pastel on paper, signed and dated '07 28cm x 20cm Mounted, framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), INMATE pastel on paper, signed and dated '07 28cm x 20cm Mounted, framed and under glass

* PETER HOWSON OBE (SCOTTISH b 1958), THE CRUCIFIXION oil on canvas, signed 182.9cm x 121.9cm (72 x 48 inches) Framed. Provenance: Lot 165 Christie's London 16th April 2008 where sold for £19,700 (premium) and acquired by a lady, the current vendor. Literature: Robert Heller, Peter Howson , Edinburgh, 2003, p. 151, illustrated. Note: The painting depicts the model Elaine Johnson. In discussing the present work Howson stated,'I was actually captivated by her as a model. She's probably the perfect model for me. I did many drawings and quite a few paintings'. 'One of them - yet again - landed Howson in the soup of controversy. He painted Elaine nude, crucified on the cross. He recognizes this was 'a pornographic, almost a blasphemous painting' - though he considers it a good one. The late Cardinal Winning, no stranger to controversy himself, was unimpressed and shocked, calling the work 'evil'. At the time, Howson was unmoved by the criticism. (R.Heller, Peter Howson , Edinburgh, 2003, p. 150). The Crucifixion was painted in 1999, only a few years after Howson returned from Bosnia having experienced the horrors of war. His subsequent hugely successful exhibition at The Imperial War Museum re-defined war art as Howson depicted graphic scenes with honest and disturbingly brutal reality. Perhaps his most controversial work from Bosnia was " Croatian and Muslim " in which two Croatian men were violently raping a Muslim woman. The setting was a domestic home, not a battlefield and there are no guns or obvious paraphernalia of war. The two vulgar figures committing the rape are not obviously soldiers and they certainly aren't obviously of any specific nationality or religion and nor is the female victim. If this painting had been untitled and never shown as part of the Bosnia exhibition at the IWM, there's no real evidence that it has anything to do with war. However Howson deliberately titles the piece, "Croatian and Muslim" not "Soldiers and Victim" or anything similarly vague but specifically with the two words which he knows will define the work. Had he wished to be even more confrontational, he might have titled it "Christian and Muslim", for there can be little doubt that in his mind, religion, war and the suffering of the innocent are the key themes of this work. Although hung for the IWM exhibition, the institution declined to acquire the painting for their permanent collection. This exclusion caused uproar and a considerable polarisation of opinion. Many argued that validity of the painting was compromised as the work had been produced based on oral accounts rather than an actual witnessed event. Others challenged the museum’s decision arguing that Croatian and Muslim had been rejected because of its graphic imagery and politically provocative nature. This uncomfortable and public situation was resolved when David Bowie chose to purchase the painting. Speaking in the New York Times at the time Bowie described it as ‘the most evocative and devastating painting’. It was reported that Bowie paid a mere £18,000 for the painting which was resold as lot 209 11th November 2016 Sotheby's London for £173,000 (premium). Not for the first time, Howson returned to the themes of religion and the suffering of the innocent with The Crucifixion in 1999. Despite the artist's reported remarks, it's very difficult to fathom how this work even partially fulfils the literal definition of "pornographic". The stark nakedness may be uncomfortable for some, but this painting is surely about suffering and especially the suffering of women. It was no great surprise to learn that the purchaser of this painting in 2008 (and the current vendor) is a woman. In every respect, The Crucifixion is Howson-max. It is powerful, thought provoking and controversial.

A George VI silver oval basket with elaborate pierced decoration on a raised base by Harrison Brothers & Howson, Sheffield, 1937, 8 x 23 cm, 318g

A silver short candelabra, Harrison Brothers & Howson Ltd, Birmingham 1988, 21cm wide with a cased pair of cut glass butter dishes and silver butter knives (2)

[§] PETER HOWSON (SCOTTISH B. 1958)EALING COMMON Signed and inscribed with title and dated '98 in pencil to margin, numbered 6/25, etchingPlate Size: 30cm x 25cm (11.75in x 9.75in)