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PETER HOWSON (BRITISH, B. 1958)Spectre of Stockholmsigned 'HOWSON' (lower left)chalk and pastel63 x 48cmARRProvenanceBlains, Bruton Street, LondonFlowers East, LondonHaunch of VenisonExhibitedGlasgow Museums and Art Galleries, Peter Howson; A Retrospective, 1993, no. 557Condition reportThe sheet is sound and the surface in good condition throughout; framed and under glass, unexamined out of frame.
PETER HOWSON (BRITISH, B. 1958)Muffled Coatsigned 'HOWSON' (lower right)pastel and charcoal63 x 47cmARRProvenanceBlains, Bruton Street, LondonFlowers East, LondonHaunch of VenisonExhibitedGlasgow Museums and Art Galleries, Peter Howson; A Retrospective, 1993, no. 557Condition reportThe sheet is sound and the pastel and charcoal surface in good condition throughout. Framed and under glass; unexamined out of frame.
SET OF THREE VICTORIAN SILVER FIVE-BAR TOASTRACKS,maker Harrison Brothers & Howson, Sheffield 1899, on four ball feet, 8.5cm wide, 169g grossCondition report: Condition good to fair. No major damages, though one rack has corrosion to base of two feet. Each is slightly misshapen as often happens with these racks. No case. Gross weight in description. Additional images available.
A silver Christening mug, Harrison Brothers & Howson, Sheffield 1895, part wrythen-fluted with floral border, vacant cartouche, 8cm, 4oz; a cut-glass scent bottle with silver collar, 18.5cm; and a pair of cut-glass candlesticks with silver collars; and three white metal / silver-plated novelty teaspoons.
A PAIR OF NOVELTY SILVER SALT AND PEPPER SHAKERS by L J Millington, Birmingham, 1997, in the form of 12 bore shotgun cartridges, 5.5cm high; together with a further four salt and pepper shakers, including an example by Harrison Brothers & Howson, Sheffield, 1897 of cylindrical form decorated with floral swags in relief, and three others similar, c.264 grams (6)The estate of the late Sir David & Lady Black, removed from Beech Farm. OFFERED WITHOUT RESERVE
A 20TH CENTURY SILVER SALVER by Harrison Brothers and Howson, Sheffield, 1926, with a lobed border on four scroll feet, 31cm wide; together with another smaller salver, by Hawksworth, Eyre & Co Ltd, London, 1926, on four pad feet, 17.5cm wide, gross weight c.40oz (2) The estate of the late Sir David & Lady Black, removed from Beech Farm. OFFERED WITHOUT RESERVE
An Elizabeth II silver mounted rectangular photograph frame, London 2008 by Harrison Brothers & Howson Ltd, height 28cm, a silver mounted rectangular photograph frame with beaded border, Sheffield 2000 by Carrs of Sheffield, height 20.5cm, and another .925 silver mounted rectangular photograph frame, height 14cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
A pair of Elizabeth II silver mounted graduated rectangular photograph frames with beaded borders, London 2005 and 2007 by Harrison Brothers & Howson Ltd, heights 23cm and 27.8cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
A Victorian silver cylindrical mustard with domed hinged lid, decorated in relief with foliate scrolls and flowers, above similarly decorated sides, on an engraved circular foot, Sheffield 1885 by Harrison Brothers & Howson, height 8cm, and another similar silver mustard with spiral half-reeded and foliate decoration, London 1888 by Lambert & Co, height 9.5cm, together with a silver Fiddle pattern mustard spoon, Exeter 1846 by Robert Williams & Sons, and a silver Old English pattern mustard spoon, London 1821 by William Bateman I, total weight 253.8g.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Ruskin PotteryVase, 1910Stoneware, mottled red flambé glaze. 29.4 cm highProduced by Ruskin Pottery, West Smethwick, England. Underside impressed RUSKIN/POTTERY/1910.Footnotes:ProvenancePrivate collection, CambridgeThence by descent to the present owner LiteraturePaul Atterbury and John Henson, Ruskin Pottery: The Pottery of Edward Richard Taylor and William Howson Taylor, 1898-1935, England, 1993, pp. 63, 108The present vase was on long-term loan to the Fitzwilliam Museum, Cambridge from 2013 to 2021 where it was displayed in the Lower Marley Gallery.For further information on this lot please visit Bonhams.com
* PETER HOWSON OBE (SCOTTISH b. 1958),CRUCIFIXION 2009charcoal on paper, signed and dated '09, titled label versoimage size 30cm x 22cm, overall size 57cm x 47cm Mounted, framed and under glass. Label verso: Flowers Gallery, London.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
* PETER HOWSON OBE (SCOTTISH b. 1958),UNTITLEDpastel on paper, signedimage size 30cm x 23cm, overall size 49cm x 41cmFramed and under glass.Note: This picture has recently been authenticated by Peter Howson (05.10.21).Condition report: Condition is very good overall, with no visible signs of restoration, damage, or known issues.
* PETER HOWSON OBE (SCOTTISH b. 1958),DANCE FRENZYmixed media on paper, titled and dated 1985 label versoimage size 25cm x 19cm, overall size 42cm x 36cmFramed and under glass. Label verso: William Hardie Limited, Glasgow.Note: This picture has been recently authenticated by Peter Howson (05.10.21).
* MARY BATCHELOR (SCOTTISH 1944 - 2017),DINGHY AT IONAoil on board, signed; titled label versoimage size 24cm x 24cm, overall size 43.5cm x 43.5cmFramed and under glass.Artist's label verso.Note: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.
A British Pattern 1888 Mk.2 Bayonet, the blade stamped with crowned VR, inspector's marks, EFD and issue date 5 '00, lacks scabbard, with an associated leather frog; a Swedish M1896 Mauser Bayonet, with blued finish, milled grip with conical locking stud, with steel scabbard and retaining clip; a French M86/93/16 Epee Bayonet, numbered A5317, with brass grip, cruciform blade and gold painted steel scabbard; another Example, in relic condition; a Folding Pocket Knife, the blade stamped Harrison Brothers & Howson, with tin opener and marlin spike; a Fleam, with three folding blades and horn grip scales (6)
1940's silver mustard pot, of squat bellied form with capped scroll handle and gadrooned rim, upon three shell mounted paw feet, hallmarked Nayler Brothers, London 1945, together with a George V small silver five bar toast rack, hallmarked Harrison Brothers & Howson, Sheffield 1913, and pair of Edwardian silver sugar tongs, hallmarked Josiah Williams & Co, London 1901, approximate total weight excluding glass liner 9.51 ozt (296 grams)
A pair of silver candlesticks, with detachable sconces, Corinthian capitals and square stepped beaded bases, Sheffield 1897, maker Harrison Brothers & Howson. Height 16 cm (see illustration). CONDITION REPORT: One candlestick has denting to each of the four corners to the capital, the fluted column is showing a split to the fluted sections and the fluted column appears to have a repair and there appears to be a few holes remaining, the stepped square base has flattened points to the corners and some denting to the base rim and wear to the hallmarks leaving the makers mark partially obscured. The other candlestick is in slightly better condition, however it does have a repair to the base of the fluted column and similar denting and wear to the stepped square base and to the corners. Each candlestick is weighted.
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5811 item(s)/page