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A Ruskin pottery jug by William Howson Tayler with mottled green, orange and grey glaze, angular handle and impressed marks to base, date 1933 and incised signature, 18 cm high

Howson Brothers Plate on Copper Salver, with gadrooned edge, engraved centre, on scroll feet.

Six Watercolours of Local Interest Watercolours, including 'Chipping Campden Thatch', by B. Warren, 30 x 19 cms, 'Thatch Cottage' by Jenny Stewart, approx 34 x 23 cms, 'Montpellier Terrace' by Evelyn Howson, 19 x 26 cms, 'Montpellier Parade' by Tony Stimpson, approx 34 x 50 cms, 'Across the Cornfield' by Maddalena Pacini approx 15 x 8 cms and a preparatory sketch depicting an exotic beach, approx 28 x 15 cms, all watercolours framed and glazed.

PETER HOWSON OBE (Scottish, born 1958); pastel on paper 'Mayhem', signed, inscribed and dated 2013 verso, 65 x 50cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour on paper, untitled, signed and dated 2013 recto, 50 x 40cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour on paper, untitled, signed and dated 2012 recto, 50 x 40cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour on paper 'Jobe', signed and dated 2013 recto, 42 x 30cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour heightened with white on paper, untitled, signed and dated 2012, 42 x 30cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour heightened with white on paper, untitled, signed and dated 2012, 42 x 30cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour on paper, untitled, signed and dated 2012, 42 x 30cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour heightened with white on paper, untitled, signed and dated 2012, 42 x 30cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); in and watercolour on paper, untitled, signed and dated 2014, 52 x 42cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour on paper, untitled, signed and dated 2012, 7 x 8cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour on paper, untitled, signed and dated 2012, 8 x 7cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour on paper 'David and Bathsheba', signed, inscribed and dated 2013 verso, 42 x 30cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); pencil on paper, untitled, signed and dated 2009, 42 x 30cm, unframed and on sketchbook single page with perforations down one side. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); pencil sketch, untitled, signed and dated 2009, 28.5 x 37cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink heightened in white on paper, untitled, signed and dated 2010, 30 x 23cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour on paper, untitled, signed and dated 2012, 30 x 23cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour heightened in white on paper, untitled, signed and dated 2012, 30 x 23cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour heightened in white on paper, untitled, signed and dated 2012, 30 x 23cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour heightened in white on paper, untitled, signed and dated 2012, 30 x 23cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); ink and watercolour on paper 'Isiaiha', signed, inscribed and dated 2009 verso, 30 x 23cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

PETER HOWSON OBE (Scottish, born 1958); pencil heightened in white on paper, untitled, signed and dated 2013, 30 x 20cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Condition is good; Provenance: via art broker directly from the artist.

A circular silver salver with scalloped edge by Harrison & Howson, Sheffield 1932, diameter 25.5cm, 18.8oz.

A cased pair of silver knife rests, George Howson, Sheffield, 1909/1910, 78mm.

A canteen of Hanoverian pattern silver plated cutlery, Harrison Brothers & Howson, for nine place settings Condition report Report by GHAll the cutlery apart from the fish eaters are plain without engraved decoration or monograms etc.

A set of twelve silver fish knives and forks by Harrison Brothers & Howson, Sheffield 1959, 1381g (44.4 oz)

A collection of silver small flatware, mainly tea spoons, mainly 20th century, one knife loaded and with a plated blade; a set of six tea knives by Harrison Brothers & Howson, Sheffield 1930, loaded, in a case; and a plated and turned wood coaster, in a John Lewis card box, 848g (27.25 oz) weighable

A George V silver navette shaped bowl, hallmarked Sheffield, 1926, (George Howson) Harrison Brothers & Howson, with gadrooned rim and two classical scrolling handles, raised on a gadrooned rim oval base, length 290mm, weight 12oz/375grms.

A Modern Novelty Hallmarked Silver Toothpick, FGH (Harrison Brothers & Howson), Birmingham 1998, as a stork; together with a teaspoon and a Ruskin pottery brooch. (3)

Edwardian Period - Pair of Fine Quality Silver Candlesticks of Tapered Form, Raised on Octagonal Shaped Bases. Hallmark Sheffield 1910. Maker G.H ( George Howson ) 25 ozs - Loaded Bases. Each 7.5 Inches High. Wonderful Condition.

PETER HOWSON OBE, ' Jesus Is Stripped Of His Clothes ' limited edition lithograph, signed in pencil and numbered 3/25, framed and glazed. Measures 25cm x 25cm.

‡ Peter Howson OBE (Scottish b.1958) Vince Signed, also signed and titled verso Pastel 29 x 22cm Provenance: Beaux Arts Gallery, London

A Martin & Co, Cheltenham, five piece carving set with steel blades and tines on horn handles with silver terminals and ferrules, Harrison Brothers & Howson, Sheffield 1905, in an oak case

A silver Harrison Brothers and George Howson of Sheffield tea pot, 1925, together with a silver cream jug, Birmingham, 1925

A Victorian cased pair of fish knives with etched decoration and ivory handles by Francis Howard, Sheffield, 1891; a stilton knife by Hilliard & Thomason, Birmingham, 1887 and a fruit knife with mother-of-pear handle by Harrison Brothers & Howson, Sheffield 1891 (4)

An Edwardian cased silver fish server set with ivory handles by Harrison Brothers & Howson, Sheffield, 1909, knife 32cm; a George V Sheffield silver sugar tongs, 10 cm, 18g; a cased set of six Sheffield silver coffee spoons by Viners, 1961, 53g; a silver-backed brush with engine turned design by W I Broadway & Co, Birmingham, 1977 and a pair of Corinthian-style silver plated candlesticks by Richard Hodd & Son, London 15cm H (5)

A service of Art Deco silver flatware, George Howson, Sheffield 1946-50, comprising: 4 table spoons; 12 table forks; 12 dessert forks; 12 soup spoons; 12 dessert spoons; 12 teaspoons; 6 coffee spoons; 2 sauce ladles; 4 salt spoons and 1 mustard spoon; 12 table knives and 12 dessert knives with steel blades and ivorine handles; 2 carving knives, steel and fork, all engraved with the initial R; together with four various silver napkin rings and an assortment of further plated cutlery, all housed in a free standing oak canteen fitted with three drawers above a pair of cupboard doors, 117.9ozt

A Modern Silver Fountain Pen, Ballpoint Pen and Propelling Pencil, marks of BMS, Birmingham 2007 and Harrison Bros & Howson, London 2006, with engine turned decoration, 13.5cm long (3)

A Georgian style silver sauce boat, by Harrison Bros & Howson, Sheffield 1945, 165g; together with a pierced bon bon dish.

SET OF SIX GEORGE V SILVER AND MOTHER OF PEARL DESSERT KNIVES AND FORKSmaker Harrison Brothers & Howson, Sheffield 1920, comprising six knives and forks, the silver mounted to mother of pearl handles, the knives 19cm long

A silver pedestal bowl, the ribbed basin with shell and gadroon border, diameter 28 cm, 895g, Harrison Brothers & Howson (George Howson), London 1904. CONDITION REPORT: In very good condition. Hallmarks very clear.

A quantity of silver smalls, to include a cut glass perfume bottle with silver collar by Harrison Brothers & Howson Ltd, Birmingham, 1988; cut glass vase with silver collar by Robert Pringle Sons, London, 1923, together with various silver spoons etc. (12)

A Harrison Brothers and Howson Ltd, silver sugar caster, Birmingham 1989, 146g

A.T. HOWSON OF LONDON PHONO FIDDLE IN CASE WITH BOWS AND SHEET MUSIC 88CM L

A set of six George V ivory handled silver knives and forks, by Harrison Bros. & Howson; together with two glass and silver mounted table salts; and two pairs of miniature silver spoons.

A cased set of early Victorian silver fish servers, makers James William & Henry Harrison and William Howson, Hallmarked for Sheffield 1849, the slice blade decorated with a Chinese fisherman, knife 330mm.

A pair of George V silver toast racks, by George Howson, hallmarked Sheffield 1930, of boat shape, on four paw feet, Length 153mm weight 8.1oz/253grms

A matched pair of George V silver toast racks, by George Howson, hallmarked Sheffield 1922 and 1930, of boat shape, on four paw feet, Length 153mm weight 7.7oz/241grms

A George V silver navette shaped bowl, hallmarked Sheffield, 1926, (George Howson) Harrison Brothers & Howson, with gadrooned rim and two classical scrolling handles, raised on a gadrooned rim oval base, length 290mm, weight 12oz/375grms.

A George V silver tea kettle on stand, by Harrison Brothers & Howson, hallmarked London 1913, or rounded rectangular form, with shell and gadrooned border, with plated burner, Height 318mm, gross weight 45.5oz/1418grms.

A Victorian silver pedestal coffee pot, by Harrison Brothers and Howson, hallmarked Sheffield 1895, with fancy fluted decoration, there is a crest also engraved on the top, this is of the Barnard Family of London, height 260mm, gross weight 24.5oz/765grms.

EDWARD R. WILKES. A Howson Pottery flambé vase by Edward R. Wilkes. Marked E. R. Wilkes England. Height 8cm.

* PETER HOWSON OBE,LAST PRAYERetching, signed, titled and numbered 21/100 in pencil32cm x 24cmMounted, framed and under glass

* ALLY THOMPSON (1955 - 2016), UNTITLED oil on canvas 152cm x 91cm Framed. Note: Lots 51 - 117 are the contents of the studio of Ally Thompson. ALLY (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.

* PETER HOWSON OBE,BOSNIAN WAR STUDYpastel on paper, signed60cm x 43cmMounted, framed and under glass

* PETER HOWSON OBE,HEAD STUDY Ipastel on paper, signed27cm x 20cmFramed and under glass

* PETER HOWSON OBE,STUDY OF A MANpencil on paper, signed15cm x 19cmMounted, framed and under glass

* PETER HOWSON OBE,SHOUTpastel on paper, signed27cm x 20cmFramed and under glass