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Lot 671
HARRISON BROTHERS & HOWSON; a pair of late Victorian hallmarked silver sugar tongs, Sheffield 1897, another pair of sugar tongs (af), two Sheffield hallmarked silver spoons, a hallmarked silver coffee spoon, fish knife and hallmarked silver topped dressing table jar, combined weighable silver approx 4.3ozt/134g.
Lot 77
A set of twelve late-Victorian silver-mounted mother-of-pearl fruit knives and forks,by William Gibson & John Langman (Goldsmiths & Silversmiths Co), Sheffield 1891,carved spiral handles, engraved initials to the blades, the collars have the makers' mark of the Harrison Brothers & Howson, length 20.1cm. (24)
Lot 856
A 1930s silver circular cream jug having a scroll handle and step mounted foot sold along with a condiment pot having a Chippendale style rim, raised on three cabriole feet and three dishes, a pair having pierced and scroll rims, the other with Chippendale style rims, along with a teaspoon having decorative threading to the terminal, marks for Birmingham, London, Sheffield, 1896, 1904, 1909, 1921 and 1936, makers Roberts & Dore Ltd, Harrison Brothers & Howson, James Dixon & Sons Ltd, James Deakin & Sons and Stewart Dawson & Co Ltd, 234g gross
Lot 874
Zwei paar Leuchter mit Lyren & Tischvase, Silber, England, 1866-1908925er Silber, paar Leuchter, Schaft in Form einer Lyra auf ansteigendem spitzovalem Fuß mit Zungenmuster im Relief, H 21 cm, Fuß gefüllt, punziert, Hawksworth, Eyre & Co Ltd. - James Kebberling Bembridge, Sheffield 1866; 925er Silber, paar Einzelleuchter, Schaft in Form einer Lyra auf ovalem Fuß, einmal Rahmen der Leier gebrochen und eine Saite lose, H 20 cm, Fuß gefüllt, Harrison Brothers & Howson - George Howson, Sheffield 1908; 925er Silber, konische Vase mit blütenförmig sich öffnender Mündung auf ansteigendem, rundem Fuß, H 22,5 cm, Fuß gefüllt, Birmingham 1863, verschlagene Meisterpunze, zus. ca. 1900 g
Lot 34
Patrick Caulfield (1936 - 2005), 'Deco Jug' (1999), pen on card, 29 x 20 cm, framed and glazed 43 x 34 cm; and Richard Wentworth (b. 1947), Hinge, Black pen on paper, 29 x 20 cm, framed and glazed, 43 x 34 cm, both signed and dated on the reverse.Both these works were produced for the 'Colour for Kosovo' project published in January 2000 by DAW for UNICEF. They were designed to be coloured in by refugee children from Kosovo and other artists in the booklet include Craigie Aitchison, Tracey Emin, Gilbert and George, Antony Gormley, Damien Hirst, Peter Howson, Paul McCartney, Julian Opie and Bridget Riley. A copy of the published booklet is included with the lot.
Lot 244
A George III Irish silver cream jug. James Fray (maker's mark rubbed), Dublin, 1818. Of shaped, rectangular form and raised on four ball feet, engraved to sides with scrolling foliate motifs and vacant shaped cartouches, the angular handle to gadrooned border, 11.8cm high (inc. handle). The jug together with: a Victorian silver teapot, Sheffield, 1890, Harrison Brothers & Howson, of fluted design with a wicker handle, the body engraved with decorative motifs along the rim, the hinged cover with conforming engraving and fluted finial, 19cm wide; a Victorian silver hot water pot, London, 1890, Susannah Brasted, of baluster form with a wicker handle, engraved along the footrim, approx. 16.5cm high; and a Victorian silver cream jug, Chester, 1896, probably George Nathan & Ridley Hayes (maker's mark rubbed), the plain body of baluster form and with angular reeded handle to reeded border, 10cm high, total weight approx. 28.3ozt (4)
Lot 211
A George VI silver four piece tea set. Harrison Brothers & Howson, Sheffield, 1945. The set comprising a teapot, coffee/hot water pot, sugar and milk jug, all of rectangular form, with canted corners and angular handles, the pots with ebonised wooden handles and finials, teapot 12.7 cm high (inc. handle) coffee/hot water pot 19cm high (inc. handle), total weight approx. 55.1ozt (4)
Lot 287
Collection of silver and silver plate comprising a set of five cut glass swan salts or trinket boxes, with siler plated adjustable wings, unmarked, a pair of Victorian silver asparagus tongs, with foliate pierced blades, bearing marks for Harrison Brothers & Howson, Sheffield, 1898, 23.5cm approx, 193g approx overall, a Georgian silver toddy ladle, marks indistinct, with whalebone handle and another toddy ladle with whalebone handle, bearing marks for George Edward Hunt, Chester, 1938 (8) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Lot 279
An unusual contemporary silver nail care tool, TP, Birmingham, 1996, 11.8g; a silver luggage tag, leather strap, Harrison Brothers & Howson Ltd, Birmingham, 1996, 8.6g; a silver letter opener, Artform Jewellery, Sheffield, 1997, 30g, box and cert.; a contemporary silver lady's rope link bracelet; a white metal horseshoe and ball keyring, circular tag engraved EA, stamped Tiffany & Co Ster 925;
Lot 466
An Edwardian silver oval two handled tea tray, by George Howson, with shaped gadrooned border and engraved monogram, Sheffield 1903, 71cm over handles, 88.6oz.**conditionreport**Small dent to the base. Visible surface scratches to the top and base. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 88
A George V silver quaichs by William Hutton & Sons Ltd, and a milk jug by Harrison Bros & Howson. The quaichs of plain form, Sheffield 1917, width 14cm; the faceted jug hallmarked Sheffield 1931, height 7cm, total weight 9.11 oz. The estimated in-house shipping to a UK mainland address is available from £20
Lot 95
* STEVEN CAMPBELL (SCOTTISH 1953 - 2007), THE GREEN MAN oil on canvas, signedunframed, as intendedoverall size 215cm x 200cmNote: Steven Campbell was born in Glasgow and originally worked as a maintenance engineer in a steelworks in Cambulsang before attending Glasgow School of Art and becoming one of the leading Scottish figurative painters of his generation. Campbell worked alongside the artists Ken Currie, Peter Howson and Adrian Wiszniewski, a group which later became known as the 'New Glasgow Boys'. While their artistic output was not homogenous they all shared an interest in figurative painting during the early 1980s which broke away from the conceptual and minimal trends in Modern art at the turn of the twentieth century. After graduating from Glasgow School of Art in 1982 Campbell won a Fulbright Scholarship to study at the Pratt Institute in the United States. Campbell worked from a studio in Brooklyn until 1986 and this period was key in establishing his status as an internationally renowned artist whilst raising awareness of Scottish contemporary art on a global scale.Campbell had further solo exhibitions across the world in locations as far-reaching as Galerie Pierre Huiber in Geneva (1986) and Marlborough Fine Art in Tokyo (1990). His work is influenced by a diverse range of literary fiction from tales by the author P.G. Wodehouse to murder mysteries, resulting in his artworks appearing to be humorous and unsettling. Campbell was also influenced by children's book illustrations accounting for his use of a rich and vibrant palette which intensified after his U.S. period. Campbell's surreal compositions cannot be read as a conventional fictional narrative and his imaginary worlds intentionally challenge the viewer with their dreamlike quality leaving his artwork open to multiple interpretations. In The Scottish Contemporary Art Auction of 28th August 2022 lot 104 and untitled oil on paper laid down on linen, unframed overall size 207cm × 157cm sold for £18000 (hammer).Transportation: Aardvark Art Services Ltd will collect this picture from us and deliver to all but the most remote UK mainland addresses for a charge of £100 + vat, although assistance with unloading may be required.
Lot 86
* PETER HOWSON OBE (SCOTTISH b. 1958), PSYCHE 2001 oil on canvas, signedunframed, as intendedoverall size 200cm x 275cmProvenance: Depicted on page 171, "Peter Howson" by Robert Heller, first published 2003 by Momentum, London.Note 1: Believed to be the largest work by Howson to be offered at auction. Ex Flowers Gallery, London. Further authenticated by the Peter Howson Studio.Note 2. Aardvark Art Services Ltd will collect this picture from us and deliver to all but the most remote UK mainland addresses for a charge of £100 + vat, although assistance with unloading may be required. Note 3: "Psyche" is an important and monumental example of Peter Howson's work from the early 2000s. Executed on a large scale, he has applied the paint with impressively bold and direct brushwork - this handling helps to charge the work with a sense of vigorous movement and energy. Howson's tutor at the Glasgow School of Art, Sandy Moffat, described the qualities of his student's work ... his touch remains powerful and dramatic; as in his low-life scenes of prostitutes, thieves and dance hall fights...''It is exactly his ability to capture the menacing tone, to penetrate the darker heart of urban humanity, which raises Howson's painting from the ordinary passionless naturalism of academic realists to an entirely different level of creative achievement.'(S. Moffat, New Image Glasgow, exhibition catalogue, Third Eye Centre, Glasgow, 1985). In 2023, Howson was the subject of a major retrospective at the Edinburgh City Art Centre titled When the Apple Ripens: Peter Howson at 65. Howson's work can be found in collections including the Metropolitan Museum of Art, New York; the Tate Gallery, London; the British Museum, London; the Victoria & Albert Museum, London; the Gallery of Modern Art, Glasgow; and the Scottish National Gallery of Modern Art, Edinburgh. His paintings are held in numerous corporate and prestigious private collections around the world.
Lot 100
* STEVEN CAMPBELL (SCOTTISH 1953 - 2007), SNAIL CIRCUS : THE BROKEN SHELL SCAM limited edition woodcut print on paper, signed, dated 2004 and numbered 3/20framed and under glassimage size 121cm x 61cm, overall size 155cm x 90cmNote: Steven Campbell was born in Glasgow and originally worked as a maintenance engineer in a steelworks in Cambulsang before attending Glasgow School of Art and becoming one of the leading Scottish figurative painters of his generation. Campbell worked alongside the artists Ken Currie, Peter Howson and Adrian Wiszniewski, a group which later became known as the 'New Glasgow Boys'. While their artistic output was not homogenous they all shared an interest in figurative painting during the early 1980s which broke away from the conceptual and minimal trends in Modern art at the turn of the twentieth century. After graduating from Glasgow School of Art in 1982 Campbell won a Fulbright Scholarship to study at the Pratt Institute in the United States. Campbell worked from a studio in Brooklyn until 1986 and this period was key in establishing his status as an internationally renowned artist whilst raising awareness of Scottish contemporary art on a global scale.Campbell had further solo exhibitions across the world in locations as far-reaching as Galerie Pierre Huiber in Geneva (1986) and Marlborough Fine Art in Tokyo (1990). His work is influenced by a diverse range of literary fiction from tales by the author P.G. Wodehouse to murder mysteries, resulting in his artworks appearing to be humorous and unsettling. Campbell was also influenced by children's book illustrations accounting for his use of a rich and vibrant palette which intensified after his U.S. period. Campbell's surreal compositions cannot be read as a conventional fictional narrative and his imaginary worlds intentionally challenge the viewer with their dreamlike quality leaving his artwork open to multiple interpretations. In The Scottish Contemporary Art Auction of 28th August 2022 lot 104 and untitled oil on paper laid down on linen, unframed overall size 207cm × 157cm sold for £18000 (hammer).
Lot 102
* STEVEN CAMPBELL (SCOTTISH 1953 - 2007), NATURAL FOLLIES AT BEE JUNCTION limited edition etching on paper, signed, titled and numbered 42/50framed and under glassimage size 97cm x 69cm, overall size 131cm x 100cm Note: Steven Campbell was born in Glasgow and originally worked as a maintenance engineer in a steelworks in Cambulsang before attending Glasgow School of Art and becoming one of the leading Scottish figurative painters of his generation. Campbell worked alongside the artists Ken Currie, Peter Howson and Adrian Wiszniewski, a group which later became known as the 'New Glasgow Boys'. While their artistic output was not homogenous they all shared an interest in figurative painting during the early 1980s which broke away from the conceptual and minimal trends in Modern art at the turn of the twentieth century. After graduating from Glasgow School of Art in 1982 Campbell won a Fulbright Scholarship to study at the Pratt Institute in the United States. Campbell worked from a studio in Brooklyn until 1986 and this period was key in establishing his status as an internationally renowned artist whilst raising awareness of Scottish contemporary art on a global scale.Campbell had further solo exhibitions across the world in locations as far-reaching as Galerie Pierre Huiber in Geneva (1986) and Marlborough Fine Art in Tokyo (1990). His work is influenced by a diverse range of literary fiction from tales by the author P.G. Wodehouse to murder mysteries, resulting in his artworks appearing to be humorous and unsettling. Campbell was also influenced by children's book illustrations accounting for his use of a rich and vibrant palette which intensified after his U.S. period. Campbell's surreal compositions cannot be read as a conventional fictional narrative and his imaginary worlds intentionally challenge the viewer with their dreamlike quality leaving his artwork open to multiple interpretations. In The Scottish Contemporary Art Auction of 28th August 2022 lot 104 and untitled oil on paper laid down on linen, unframed overall size 207cm × 157cm sold for £18000 (hammer).
Lot 97
* STEVEN CAMPBELL (SCOTTISH 1953 - 2007), THE ROSSLYN EXPERIENCE limited edition woodcut print on paper, signed, dated 2004 and numbered 2/20framed and under glassimage size 121cm x 61cm, overall size 155cm x 90cmNote: Steven Campbell was born in Glasgow and originally worked as a maintenance engineer in a steelworks in Cambulsang before attending Glasgow School of Art and becoming one of the leading Scottish figurative painters of his generation. Campbell worked alongside the artists Ken Currie, Peter Howson and Adrian Wiszniewski, a group which later became known as the 'New Glasgow Boys'. While their artistic output was not homogenous they all shared an interest in figurative painting during the early 1980s which broke away from the conceptual and minimal trends in Modern art at the turn of the twentieth century. After graduating from Glasgow School of Art in 1982 Campbell won a Fulbright Scholarship to study at the Pratt Institute in the United States. Campbell worked from a studio in Brooklyn until 1986 and this period was key in establishing his status as an internationally renowned artist whilst raising awareness of Scottish contemporary art on a global scale.Campbell had further solo exhibitions across the world in locations as far-reaching as Galerie Pierre Huiber in Geneva (1986) and Marlborough Fine Art in Tokyo (1990). His work is influenced by a diverse range of literary fiction from tales by the author P.G. Wodehouse to murder mysteries, resulting in his artworks appearing to be humorous and unsettling. Campbell was also influenced by children's book illustrations accounting for his use of a rich and vibrant palette which intensified after his U.S. period. Campbell's surreal compositions cannot be read as a conventional fictional narrative and his imaginary worlds intentionally challenge the viewer with their dreamlike quality leaving his artwork open to multiple interpretations. In The Scottish Contemporary Art Auction of 28th August 2022 lot 104 and untitled oil on paper laid down on linen, unframed overall size 207cm × 157cm sold for £18000 (hammer).
Lot 236
An Edwardian matched silver pierced condiment set; including a set of four silver salts by Harrison Brothers & George Howson, London 1901, of oval form with pierced designs of birds and dogs amongst foliage, on four bracket feet, 8.0 cm wide; together with a pair of pepperettes with urn-shaped finials, 9.0 cm high; a pair of matched mustard pots, one with horse motif by Charles Stuart Harris in 1896, another by George Howson in 1901; and a silver sugar caster by S.W Smith & Co., Birmingham 1901, 17.0 cm high; all in conforming design with blue glass liners, along with four silver mismatched condiment spoons; Total weighable 21.64 ozt. (9)
Lot 94
A set of twelve silver handled Dessert Knives, by Harrison Brothers & Howson, hallmarked Sheffield, 1955, monogrammed, 21.5cm long, together with a George III silver Hanoverian pattern spoon, Thomas Evans, London 1773, initialled, 20cm long, a filled silver candlestick, four silver plated coasters etc., (a lot)
Lot 18
Silver circular cake basket with swing handle, pierced and embossed, by Harrison & Howson, Sheffield 1853, 30cm, 656g.CONDITION REPORT: Good condition. No apparent damage on piercing and wear on embossed highlights. Clear hallmarks, some scratching. Handle tight, though minor partial crack visible in the centre - probably bent and straightened at some time.
Lot 858
An Edwardian silver hexagonal tea caddy, by Nathan & Hayes, Chester, 1908, 97mm and one other demi-fluted silver tea caddy, George Howson, London, 1912.***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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6423 item(s)/page