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Click here to subscribeA pair of Ruskin Pottery stoneware vases by William Howson Taylor, dated 1905, meiping form, painted to the shoulder with fruiting grape vine in green on a bright yellow ground, and a near pair of Ruskin vases painted with ivy on a yellow ground impressed Ruskin Smethwick mark and date and no.167, hairline crack to base rim of one, 20cm. high (4)
A Ruskin Pottery stoneware tobacco jar and cover by William Howson Taylor, dated 1907, shouldered form, painted with a frieze of ivy leaf to both cover and rim, in white on a blue souffle glaze, and a Ruskin Pottery jar and cover covered in an orange lustre glaze, dated 1909, impressed Ruskin Pottery Smethwick roundel and date,, hairline to rim of cover, 16cm. high (2)
A Ruskin Pottery stoneware vase by William Howson Taylor, dated 1907, compressed body with tapering neck, covered in a purple souffle glaze, and another Ruskin Pottery shouldered vase dated 1911, impressed marks, date marks, hairline to top rim of 1911 vase, 22cm. high (2) Provenance The Albert E Wade Collection, Sotheby's London, 2002, lot 211 (1907 vase)
A pair of Ruskin Pottery covered pots by William Howson Taylor, covered in a pale blue lustre glaze, A Ruskin scent bottle with metal mount and ivory stopper covered in a pale blue lustre glaze, a Ruskin Ginger jar and cover painted with a floral frieze and five other Ruskin Pottery lustre items, impressed Ruskin England 6cm. high (9)
A pair of late Victorian silver grape scissors cast with shells, gadroon mounts and rose, 7.25ins overall, possibly by Harrison Bros and Howson, Sheffield 1895, in black leather covered case, by The Goldsmiths & Silversmiths Company, a George V silver sauce boat and matching oval two-handled sugar basin, by James Deakin & Sons, Sheffield 1921, and a small selection of other silver items, various (combined weighable silver 23ozss)
A Victorian silver two handled Sugar Bowl with embossed floral decoration, engraved with initials and inscribed 'July 5th, 1879', London, 1877, maker Martin Hall & Co. and a Victorian cream jug with similar decoration and engraved to match, Sheffield, 1879, maker Harrison Brothers & Howson. (19.4ozs).
A LATE VICTORIAN CANTEEN OF HANOVERIAN PATTERN FLATWARE & CUTLERY in an oak box with lift-out, fitted trays:- Twelve table spoons, twelve table forks (three-prong), twelve dessert spoons, twelve dessert forks (three-prong), six coffee spoons, twelve tea spoons, a soup ladle, two sauce ladles, a basting spoon, a sugar sifter ladle, six egg spoons, a pickle spoon & fork, a mustard spoon, three salt spoons, a butter knife, a pair of salad servers, a pair of fish servers - all by Elkington & Co., Birmingham 1896/1898/1914 also the following pieces with pistol handles:- twelve forks & twelve knives (scimitar blades), twelve smaller knives (scimitar blades) twelve table knives & twelve side knives (with later stainless steel blades) and twelve fruit / dessert forks, by Harrison Bros. & Howson, Sheffield 1897-1911, all of the above monogrammed to match; 166.5 oz weighable silver; the box 20.9" (53 cms) wide
HUGH GERARD BYARS, LADY WITH A BUTTERFLY oil on canvas, signed and dated `14 100cm x 100cm Unframed Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ``New Glasgow Boys`` school of painters.
* DONALD MCLEOD, THE EXECUTIONER oil on canvas, signed with initials (top left), titled verso 123cm x 123cm Framed Note: Donald McLeod is a Glasgow-based artist, who trained at Glasgow School of Art. He worked in Surrey during the `80s and returned to Scotland in 1990 to work as a studio assistant to Peter Howson. He has worked as a full-time artist since 1995. McLeod makes extensive use of what might be called `Scottish colours` - the browns, golds and greens of the Scottish landscape. Many of his paintings depict tales, poems and myths. According to the artist, the title of this painting was taken from a line in the lyrics for Bob Dylan`s famous song ``A Hard Rain`s A-Gonna Fall``. McLeod`s work is widely regarded and can be found in many collections, both private and public, in Europe and North America.
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