We found 5811 price guide item(s) matching your search
There are 5811 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
5811 item(s)/page
Lot 199
AN EARLY 20TH CENTURY TEA CADDY of shaped oval outline with an engraved cypher on the cover, by Harrison Brothers & Howson, London 1912, together with a pair of Edwardian trencher salts by James Dixon & son, Sheffield 1901 and a pair of Edwardian pepperettes; the caddy 3.3" (8.4 cms) high; 15.1 oz (5)
Lot 3
A mottle blue and beige vase having almost lustre like finish,marked Howsons 1913 to underside,and a 1931 dated Ruskin vase,signed W Howson Taylor and having bright yellow,orange and grey finish. Condition report - Howsons vase, no sign of damage or repair, 17cm tall, 9cm wide at base 14cm at widest Ruskin vase - no sign of damage or repair, 24cm tall, 9.5cm wide at base 12.5cm wide at top
Lot 19
Ruskin Pottery, a Crystalline vase, circa 1932, ovoid shouldered form, mottled yellow glaze with fissured crystals and matt blue interior, shape 297, impressed marks, 17cm high Note: see Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.125, for an illustration of this vase Provenance: William Howson Taylor Collection; Ferneyhough Collection (474); Victoria and Albert Museum Exhibition of Ruskin Pottery, 1975, number 60; Birmingham Museum and Art Gallery (125)
Lot 21
Ruskin Pottery, a Crystalline vase, 1932, conical bulbous or gourd form, white hare's fur streaks with speckled crystal spotting, impressed marks, 14.5cm high Provenance: William Howson Taylor Collection; Ferneyhough Collection (464); Victoria and Albert Museum Exhibition of Ruskin Pottery, 1975, number 68; Birmingham Museum and Art Gallery (116)
Lot 107
Five pocket knives, to include two George III mother of pearl and silver fruit knives, and one silver plated with blades signed Rodger Cutlers in maker's leather case (5).Condition report: Overall condition fairPlated pocket knife, one mother of pearl panel crackedSilver pocket knife with hallmarks for Harrison Brothers & Howson, Sheffield, 1921Victorian mother of pearl and silver pocket knife with hallmarks for Sheffield, 1859, maker's mark partially indistinct, some light scratches to mother of pearlMother of pearl and silver pocket knife with hallmarks for Sheffield, 1819, maker's marks partially indistinct, possibly James Crawshaw, blade engraved A Dewhurst, scratches to mother of pearlMother of pearl and silver pocket knife with hallmarks for James Crawshaw, Sheffield, 1819, blade engraved I Dewhurst, cracks and nibbles to mother of pearl
Lot 574
A Victorian silver cream jug by Goldsmiths & Silversmiths Co., London 1894, with a nulled and foliate border, a leaf capped scroll handle and on a circular foot, 14cm (5 1/2in) long; a silver oval sauce boat by Horace Woodward & Co. Ltd., Birmingham 1918, with a flying scroll handle, a reed and stitch border and on three stepped pad feet, 15cm (6 in) long; a pair of late Victorian shaped oblong pedestal dishes by Harrison Brothers & Howson, Sheffield 1892, with beaded scroll borders, pierced and chased with scroll decoration and on shaped oval pedestal feet, 12cm (4 3/4in) long, 437g (14.05 oz) gross Condition Report: There is no condition report available for this lot and is sold as seen Condition Report Disclaimer
Lot 66
A cased silver bladed, fish serving set, Harrison Brothers & Howson, Sheffield 1878, each piece with intricately pierced blade and ivory handle, within a fitted case, along with an EPNS example and a cased carving set with antler handles (3) Trevanion Auctioneers & Valuers do not ship items containing ivory outside the EU. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
Lot 95
An Edwardian silver oblong pierced bowl by Harrison Brothers & Howson, London 1902, with a reeded border and pierced with loop decoration, on an oblong foot, 14cm (9 1/2in) long, 344g (11.05 oz) Condition Report: Marks to handle clear, marks to bowl lightly rubbedSlightly wobblesNo splits or personal engravingLight scratches and wear commensurate with age and useCondition Report Disclaimer
Lot 192
Carr's of Sheffield Ltd, a heart shaped silver plain polished photograph frame, Sheffield 1988, photograph size 8cm, blue velvet back, new in a Carr's box, and two silver rectangular photograph frames by Harrison Brothers & Howson Ltd, London 2016, photograph size 9x6cm, blue velvet backs, new and boxed.
Lot 15
A Pair of Edward VII Silver Urn Pattern Vases, by Harrison Brothers & Howson, Sheffield 1905/06, with C and S scroll mounts to rim, partly reeded body, on plain circular footrim, 7ins high, a small silver two-handled specimen vase on swept square foot, Chester 1908, 6ins high, (all bases loaded)
Lot 557
* PETER HOWSON OBE (SCOTTISH b 1958), IMAGINE pastel on paper, signed 60cm x 45cm Mounted, framed and under glass. Note: A Howson tribute to John Lennon MBE. John Winston Ono Lennon was an English singer, songwriter, musician and peace activist who achieved worldwide fame as the founder, co-lead vocalist, and rhythm guitarist of The Beatles. His songwriting partnership with Paul McCartney remains the most successful in history. On 8th December 1980 Lennon was shot twice in the back and twice in the shoulder at close range by Mark David Chapman at approximately 10.50pm outside the Dakota Apartment Building in New York. At 11.15pm he was pronounced dead. His senseless death was headline news around the world and for many of his generation it was an "everyone remembers where they were when they heard" moment just as it had been when the assassination of US President John F Kennedy shocked the world almost two decades earlier. The day after Lennon's death, his wife, Yoko Ono, made an announcement in which she stated "John loved and prayed for the human race. Please do the same for him".
Lot 719
* ADRIAN WISZNIEWSKI RSA HonFRIAS HRSW (SCOTTISH b 1958 - ), TUBER-BABES oil on canvas, signed and dated 2008 214cm x 183cm Unframed (as intended). Provenance: Acquired for a noted private London collection from The Lemon Street Gallery, Truro, Cornwall in 2008. A handwritten letter dated 10.11.08 by Wiszniewski to the owner accompanies this lot. Wiszniewski states: "I am really pleased that Tuber-babes has found its way into your collection. I began painting Tuber-babes in 2005, worked on it over a six-month period into 2006 and then left it until the beginning of 2008 when it was completed. The painting (process) can be a long one and I spend that time developing the subject matter - drawing and re-drawing. I was intrigued to see where the painting story might take me. What would be the pivotal point. The point of the painting Tuber-babes balances on the relationship of two worlds - the rural (earthiness) and the urban (urbane). The rural world is populated by the Tuber-babes, their children are of the earth and of nature and are linked umbilically with it. They are however dominated by the more sophisticated and elevated who look down on the Tuber-babes as curios. They survey them with a superior air in the way that ancient gods might from their mountain top. They smile and toy with their 'playthings' and use a pointer as an educational prop. The Tuber-babes, however, like all other 'vegetables' that populate the canvas have an energy and an unflappable life-force - a fact that might prove dangerous if it were denied. This point is underpinned by the view from the window; a garden recedes into farmland and to a horizon where the twin Trade Towers stand distant and aloof. Yours Adrian Wiszniewski". Note: Adrian Wiszniewski creates work characterised by a strong drawing element and fertile imagination. Populated with contemplative figures set in vividly coloured Arcadian landscapes, his paintings are rich with symbolic, political and philosophical depths. Adrian Wiszniewski (pronounced Vishnevski) was born in Glasgow in 1958 and studied architecture at The Mackintosh School of Architecture in Glasgow 1975–79; then trained at Glasgow School of Art, 1979–83. Wiszniewski is one of the leading members of the New Glasgow Boys responsible for the revival and resurgence of figurative painting under the tutelage of Sandy Moffat OBE; a group of artists that included Steven Campbell, Ken Currie and Peter Howson. His multiple awards include the Haldane Trust Award in 1982, the David Cargill Scholarship in 1983, the Mark Rothko Memorial Award in 1984, the I.C.C.F. Best Design Award New York in 1993 and the Lord Provost Gold Medal from City of Glasgow in 1999. His work can be found in many international public collections including The Gallery of Modern Art in New York, The Metropolitan Museum, New York,The Setagaya Museum, Tokyo, Japan, The Scottish National Gallery of Modern Art, Edinburgh, Tate Britain, London and The Victoria and Albert Museum, London. Wiszniewski has had numerous major solo exhibitions over many years including in London, Sydney, Edinburgh, Glasgow, Ghent and Tokyo.
Lot 515A
* KEN CURRIE (SCOTTISH b 1960), THE BOILER ROOM charcoal, titled and dated 1992 label verso 168cm x 99cm Framed and under glass. Labels verso: Galleri Christian Dam, Copenhagen; Raab Boukamel Galleries, 9 Cork Street, London. Note: Ken Currie is a Scottish artist and is one of the most prominent New Glasgow Boys along with his contemporaries including Peter Howson, Adrian Wiszniewski and Steven Campbell. Thirty-nine of Ken Currie's works are included in UK Public Collections including The Tate (London), The National Galleries of Scotland, Glasgow Museums & Galleries, The People's Palace and Winter Gardens (Glasgow), Manchester Art Gallery, Middlesbrough Institute of Modern Art (MIMA), The Fleming Collection, The Scottish National Gallery of Modern Art, The Scottish National Portrait Gallery, Edinburgh University, Glasgow Caledonian University, The National Trust (Scotland) and Aberdeen University. In 2013 Currie was awarded a rare solo show at the Scottish National Portrait Gallery.
Lot 824
•PETER HOWSON OBE (SCOTTISH B. 1958) CITY HARD MAN Pastel on glass paper, signed, 29.5 x 21cm (11 1/2 x 8 1/4") Condition Report: The work appears to have a light tiny mark which may be a loose fragment on the surface located bottom left quarter section, generally though in good condition with no significant issues.
Lot 122
A pair of Art Deco silver four division toast racks, each of plain form with angular central carry handles, maker Harrison Brothers & Howson, Sheffield 1934, 3.7oz, length 8.2cmCondition report: Both slightly tarnished.Marks are clear.One is bent/squashed to handle section (now sits lower than other dividers).
Lot 235
Peter Howson (b.1958) - Tired woman, etching, signed, titled, dated '94, and numbered 20/50 in pencil to the lower margin, full sheet dimensions 51 x 42.5cm , having Angela Flowers Gallery PLC 199/205 Richmond Road London label versoCondition report: Framed and glazed.Slight fine spotting to paper at top of margin.Otherwise good.
Lot 158
SPANISH INTEREST - RICHARD FORD - 'HANDBOOK FOR SPAIN', 1845, VOLS I, II & III, published by Centaur Classics 1966, Gerald Howson - 'The Flamenco of Cadiz Bay', published by The Bold Strummer Ltd. 1994, 'A Romantic In Spain' published by Alfred Knopf 1926 and 'The Story of Nations - Spain', published by Fisher Unwin 1897 (6)
Loading...-
5811 item(s)/page