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Number 54 of only 99 UK-supplied, right-hand drive Giulia convertibles, professionally restored in the past and now awaiting your inspection.Launched in 1963, the Giulia Sprint GT featured classically stylish four-seater coachwork designed by Bertone's Giorgetto Giugiaro. Beneath the skin, the new coupé utilised the recently introduced 105-Series Giulia TI saloon's all-synchromesh, 5-speed manual gearbox, independent front suspension, coil-sprung live rear axle and - early cars excepted - all round Dunlop disc brakes. The Sprint GT offered a healthy 106bhp from its 1,570cc version of Alfa Romeo's all-aluminium twin-cam, inline-four, breathing through two twin-choke Weber 40DCOE 4 carburettors.Quite rightly, the Giulia Sprint GT remains a very fashionable and in-demand classic car to own and drive, noted for their good looks, driving enjoyment, and ease of tuning, with values having increased significantly in recent years. Building further on this appeal, but adding rarity, bespoke coachwork and wind-in-the-hair motoring to the mix, there is a Giulia model built between 1964 and 1966, with just 998 examples plucked from the Arese production line and sent to expert coach-builders 'Touring' at Nova Milanese to be subtlety transformed into svelte four-door cabriolets, a model known as the Giulia 'GTC'.With its roof removed, its floor strengthened, a slightly more sloping tail, larger boot, wind-up rear quarter-lights, and a hood that folded unobtrusively into a recess behind the rear seats, the GTC was the consummate Italian soft top. At a heady £2,000 when new, Alfa Romeo were sufficiently confident of GTC sales in the UK that it commissioned a small production run of just 99 examples in right-hand drive form.This rare Alfa Giulia GTC, finished in Alfa 105 Rosso, is the 54th of those 99 right-hand drive cars produced with possibly only 12 known to still exist. It was comprehensively restored some years ago by Richard Norris and Justin Banks of Alfaholics with an engine rebuild completed by Bob Dove. The body rebuild utilised a complete set of NOS body panels, but not before the chassis and sill sections were strengthened to address the inherent scuttle shake for which the GTC is known. This was followed by a complete retrim in black hide topped off with a replacement hood. Now, some years later, it's evident that the delightful Giulia has been well-cared for by subsequent owners and still presents superbly not only in terms of its looks, but also mechanically having been constantly maintained, as and when required, by its present long-term custodian. This delightful little cabriolet is accompanied by a comprehensive history file containing various bills and invoices, a large selection of previous MOT Certificates, and photographs of the rebuild.A must-have for any Alfa collector, this rare convertible has all the right elements that may make it rewarding in investment terms, however, imagine opening the curtains on a sunny Sunday morning and seeing this little red Alfa, nicely polished and top-down looking back at you. Now that's rewarding. SpecificationMake: ALFA ROMEOModel: GIULIA GTCYear: 1966Chassis Number: 760054Registration Number: KGO 346DTransmission: ManualDrive Side: Right-hand DriveMake: RHDInterior Colour: Black VynilClick here for more details and images
A Marion & Co. Ltd. Soho Reflex SLR Camera, black, body VG, repaired crack to ground glass, shutter curtains present & correct, requires re-tensioning for actual field use, mirror G-VG, together with a Carl Zeiss Jena Tessar f/4.5 15cm lens, optics VG-E, also with a Dallmeyer Adon No.2 Ser XI f/4.5 12" lens, optics F, some haze to front elements, together with six film holders, all in maker's carry case,
A Plaubel Makiflex Large & Medium Format SLR Camera, grey, on a monorail, shutter curtains present, body G, shutter fires but second curtain slow to return, requires attention, internal aperture release cable present, with a modified Linhof 6x9 medium format back, with bag style bellows attachment,
A collection of signed theatre flyers comprising an Autograph Album With 28 Flyers and Approximately One Hundred and Forty Signatures: The Royal Baccarat Scandal; Single Spies; Steel Magnolias; King Lear; The Black Prince; Sherlock Holmes The Musical; An Ideal Husband; M. Butterfly; The Merchant of Venice; Russ Abbot & Friends; Aspects of Love; Frankie & Johnny; Anything Goes; Last of the Red Hot Lovers; Look Back In Anger, Veterans Day, Exclusive, Another Time, Prin; Paris Match; Boswell For The Defence; The Cherry Orchard; Stairway To The Stars; Stop The World; A Life In The Theatre; Aladdin; Noel And Gertie; & Barnaby And The Old Boys. The Signatures Include: Alan Bennett, Simon Callow, Prunella Scales, Eric Porter, Ian McDiarmid, Anthony Hopkins, Julie Walters, Brian Cox, Bernard Cribbins, Elaine Paige, Emma Thompson, Kenneth Branagh, Jack Lemmon, Michael Gambon, Paul Scofield, Albert Finney, Sheila Hancock, Leo Mckern, Judi Dench, Samuel West, Cilla Black, Patricia Hodge, Simon Cadell, and Jill GascoinePLAYS & MUSICALS: AUTOGRAPH ALBUM with 32 flyers and approximately one hundred and thirty signatures: The Ride Down Mt. Morgan; The Glory of the Garden; Dick Whittington (Wimbledon); Verdict; Lady Audley’s Secret; 80 Years of the London Palladium; Rose-Marie In Concert; The Cabinet Minister; Our Town; Becket (2); The Sound of Music; Malcolm Arnold Pre-Concert Talk; Cinderella; Dick Whittington (Hackney Empire); It’s Ralph; Sooty & Friends; Jack & The Beanstalk (2); Elmo & Sandra; Babes In The Wood; Jim’s Blue Xmas Party; Cinderella (3, All Different); Dick Whittington & His Cat; Painting Churches; Good Rockin’ Tonite; The Cotton Club; The Fancy Man; & The Cutting. The Signatures Include: Buster Merryfield, Tom Conti, Arthur Miller (Author), Jill Gascoine, John Nettles, Diana Quick, Anita Harris, George Sewell, Rose-Marie, Maureen Lipman, Derek Nimmo, Derek Jacobi, Robert Lindsay, Liz Robertson, Malcolm Arnold (Composer), Pauline Quirke, Linda Robson, Timothy West, Jack Shepherd, Matthew Corbett, Ronnie Corbett, Howard Lew Lewis, Jim Davidson, Mike Osman, Ken Goodwin, Timmy Mallett, Cilla Black, Linda Regan, Josie Lawrence, Philip Bird, Debby Bishop, Paul Freeman and Sian ThomasPLAYS & MUSICALS: AUTOGRAPH ALBUM- with 28 flyers and approximately one hundred and eighty signatures, including: The Best of Friends; You Never Can Tell; When Did You Last See Your Trousers; The Importance of Being Earnest; The Business of Murder; A Touch of the Poet; Andromache; Blues In The Night; Me and My Girl; Shirley Valentine; Lettice and Lovage; Run For Your Wife; Hapgood; Curtains; The Browning Version; The Tutor; The Common Pursuit; Journey’s End; Married Love; Uncle Vanya; Winnie; Easy Virtue; The Deep Blue Sea; One Day Pendulum; Too Clever By Half; Driving Miss Daisy; How The Other Half Loves; & Exclusive Yarns. The Signatures Include: John Gielgud, Michael Hordern, William Gaunt, Hinge & Bracket, Richard Todd, Vanessa Redgrave, Timothy Dalton, John Barron, Carol Woods, Karl Howman, Louise English, Pauline Collins, Maggie Smith, Ernie Wise, Felicity Kendal, Nigel Hawthorne, Jean Anderson, Paul Eddington, Stephen Fry, Susan Hampshire, Michael Gambon, Robert Hardy, Virginia Mckenna, Jane How, Penelope Keith and Wendy Hiller
A pair of floral decorated single pleat curtains, drop 127cm, track length 100cm, decorated with fruit, together with single floral printed curtain width 144cm drop on 118cm pole, and matching examples being one pair of triple pinch pleat curtains with 212cm drop, and five other single curtains each with a drop between 2 and 243cm, all with floral decoration on a white ground, together with two blinds, all clean and bagged
Two pairs of tartan curtains approximately 180" drop and 60" wide, double pleat heading to each curtain, pure wool in Lovat green, beige and red colourway, lined and interlined. Some fading on edges. Together with two 8cm diameter poles, 95" long and complete with finials, wall brackets and rings.
A Sanderson floral fabricsto include various 'Garland of Roses' pieces: a pair of curtains, 112.5cm long x 229cm wide, another pair of curtains, 96cm long x 230cm wide, a single curtain, 101cm long x 220cm wide, another single curtain, 108cm long x 230.5cm wide and a panel of fabrictogether with various 'Sorilla Minor' pieces: a pair of curtains, 83cm long x 164cm wide, another pair of curtains, 90.5cm long x 210cm wide, a smaller pair of curtains, 63cm long x 53cm wide, another smaller pair of curtains, 77cm long x 58cm wide, a long pillowcase/seat cover, 159.5cm long x 40cm wide, another long pillowcase/seat cover, 144cm long x 39cm wide, a single pillow, 34cm long x 48cm wide and a panel of fabric (18)Note: All measurements are approximate. All panels of fabric have been measured right from the edge of the selvedge.Provenance: From the Property of a Gentleman, from a Period Winchcombe Town House. Some pieces with extensive wear, losses and rips. With time/UV fade. Some pieces with evidence of mould. Pieces would benefit from a cleaning.
After William Morris (1834-1896) for Arthur Sanderson & Sons Ltdto include 'Poppy' panel of fabric and three curtains, the panel 201.5cm long x 140.5cm wide, the first curtain 202cm long x 326cm wide, the second 192.5cm long x 153.5 wide, the other 191cm long x 151cm wide, 'Golden Lily' panel of fabric, 130cm long x 78.5cm wide, 'Chrysanthemum' panel of fabric, 198cm long x 130.5cm wide, another 'Chrysanthemum', panel of fabric, 'Michaelmas Daisy' panel of fabric, 'Bird and Anemone' panel of fabric, 'Blackthorn' panel of fabrictogether with, adapted from William Morris, exclusive design for Liberty of London Prints Ltd, 'Lodden' panel of fabric, 199cm long x 124.5cm wide, adapted from William Morris, Liberty of London Design, 'Honeysuckle' large panel of fabric, together with, adapted from Sidney Mawson, Liberty of London, 'Melbury' single curtain and large panel of fabric, the curtain 121cm long x 109cm wide, together with further textiles (22)Note: All measuresments are approximate. All panels of fabric have been measured right from the edge of the selvedge.Provenance: The Propery of a Gentleman, from a Period Winchcombe Town House All with signs of wear consistent with age and use. Some fabrics with notch missing from edges. Some with water damage. Some fabric with marks/stains/paint. Some pulls/loose thread. Some pieces with staples in. Some pieces with evidence of sellotape.
A pair of lavender and gold shot silk-effect curtains embroidered with sprigs of flowers; triple pinch pleat heading, cream cotton lining (each curtain approx. 183 cm hem width, 86 cm heading x 226 cm drop). A stain on one curtain front, some pilling on embroidered flowers, some stains and marks to lining. NB: Due to the shimmering quality of the fabric, it is difficult to photograph the colour accurately. Potential buyers are advised to view in person if possible.
A pair of heavy, yellow curtains with medieval-style floral design from Mulberry and Pierre Frey; pinch pleat heading, thermal lining with cream cotton top lining (each curtain approx. 180 cm hem x 237 cm drop). Some spot marks to lining particularly at the bottom, some fading to outside edges.
Two pairs of burgundy velvet curtains with one side edged with cream velvet; triple pinch pleat heading, cream cotton lining (each curtain approx. 218 cm hem width, 102 cm heading width x 223 cm drop). Some marks and fading to lining, a few marks on cream velvet, slight fading on inside edge.
A pair of lavender and gold shot silk-effect curtains embroidered with sprigs of flowers; triple pinch pleat heading, cream cotton lining (each curtain approx. 183 cm hem width, 86 cm heading x 226 cm drop). Some pilling on embroidered flowers, some stains and marks to lining. NB: Due to the shimmering quality of the fabric, it is difficult to photograph the colour accurately. Potential buyers are advised to view in person if possible.
Two pairs of burgundy velvet curtains with one side edged with cream velvet; triple pinch pleat heading, cream cotton lining (Pair 1: each curtain approx. 294 cm hem width, 129 cm heading x 223 cm drop; Pair 2: each curtain approx. 218 cm hem width, 102 cm heading width x 223 cm drop). Good condition apart from marks and stains to the bottom of the lining, slight fading on edges.
Two pairs of curtains in a striking woven fabric of black and gold patterned with leaves embroidered with gold and bronze thread edged in black velvet; triple pinch pleat heading, cream cotton lining (each curtain approx. 127 cm hem width, 70 cm heading x 226 cm drop). Few spots and marks on lining, a small snag to material on one curtain.
A pair of curtains with a woven terracotta and burgundy floral pattern on a heavy silk-effect background; triple pinch pleat heading, cream cotton lining (each curtain approx. 320 cm hem width, 160 cm gathered top x 275 cm drop). Each curtain is made with 3 drops of fabric. Signs of usage; some staining to lower edge of both curtains; one curtain has a number of small tears lower down, the other has some staining to the lining fabric.

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16874 item(s)/page