We found 16876 price guide item(s) matching your search

A pair of blackout curtains, 66" x 72"

A box of various curtains etc.

A set of three C.F.A. Voysey design “The Stag”, machine made, cotton lace curtains manufactured by Rose’s Mill Ltd, Ayrshire, unused, 180cm x 240cm***CONDITION REPORT***In unused conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Two mid 20th century cream linen and ‘crewel work’ curtains, embroidered with chain stitch in multicoloured wools, both are unlined, one 229cm long x 116cm wide, the other 213cm long x 125cm wide***CONDITION REPORT***One curtain has a large 15cm x 15cm rip at the side of the curtain, the other is in good condition, both need a professional clean.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A large mid 17th century Flemish tapestry (possibly Antwerp) depicting Samson sleeping in the lap of Delilah while one of the Philistines is cutting off his locks, after the painting by Rubens. Cut in half, then re joined. possibly the top and bottom and sides also cut. The sides having two maroon curtains attached either side. 409cm wide(not including curtains). Appears to have been turned in around the edges but these have not been inspected 409 cm wide x 208cm high Provenance- Brede Place, East Sussex, a former residence of the Frewen family from 1712-1936.***CONDITION REPORT***The tapestry has been cut down from a larger tapestry. It is in need of specialist conservation cleaning and needs repairing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Includes four large, heavy gilded bronze brackets, crafted in the Gothic Revival style, designed to hold rods, tubes, dowels, or bars for displaying curtains, draperies, tapestries, and more. These antique architectural supports feature intricately modeled dragons with outstretched claws and lengthy, serpentine tails, all set against a backdrop of ornate botanical decorations. Weight: 7Lbs, Each.  Dimensions: 12''L x 6''W x 5.5''H, eachCondition: Age related wear.

Karl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 Berlin Zwischen den Vorhängen. 1967. Aquarell. Rechts unten signiert sowie links unten mit der Werknummer „6728” bezeichnet. Verso handschriftlich betitelt und datiert. Auf chamoisfarbenem Velin. 69,5 x 49,8 cm (27,3 x 19,6 in), blattgroß. [AR] Weitere Werke aus der Sammlung Dr. Maier-Mohr werden in unserem Evening Sale und in unserem Contemporary Art Day Sale am Freitag, 7. Juni 2024, angeboten – siehe Sonderkatalog „Eine private Sammlung – Dr. Theo Maier-Mohr”. • Von ungewöhnlich starken Kontrasten getragene, ganz auf die Betonung der Vertikale ausgerichtete Komposition. • Im Spätwerk Schmidt-Rottluffs nimmt das Stillleben eine zentrale Rolle ein. • Vermehrt widmet er sich seinem direkten Umfeld und dem „stillen Leben der Dinge”, wie er es selbst einmal formulierte. • In „Zwischen den Vorhängen” öffnet er den Blick in die hell erleuchtete Ferne, erschafft einen atmosphärischen Raum am Übergang von Innen- und Außenwelt. • Erstmals auf dem internationalen Auktionsmarkt angeboten (Quelle: artprice.com). Das Werk ist im Archiv der Karl und Emy Schmidt-Rottluff Stiftung, Berlin, dokumentiert. PROVENIENZ: die kleine galerie, Kampen/Sylt. Sammlung Dr. Theo Maier-Mohr (1970 vom Vorgenannten erworben). Seitdem in Familienbesitz. „Ich glaube, die meisten Bilder handeln von Vorgängen; ich wollte immer das Sein aufweisen und das stille Leben der Dinge.” Karl Schmidt-Rottluff, 1960, zit. nach: Hans Kinkel, Das stille Leben der Dinge, in: Gunther Thiem (Hrsg.), Schmidt-Rottluff. Retrospektive, München 1989, S. 69-70. Mit dem vorliegenden Aquarell „Zwischen den Vorhängen' gelingt Karl Schmidt-Rottluff eine von ungewöhnlich starken Kontrasten getragene, ganz auf die Betonung der Vertikale ausgerichtete Komposition. Über die grün und blau akzentuierte Blume mit ihren zackigen Blättern lenkt er den Blick aus dem mit schwarzen Vorhängen eingerahmten Vordergrund ins hell erleuchtete Zentrum und öffnet den Blick in die Ferne. Wie so charakteristisch für das Spätwerk des Künstlers gewährt er mit dem Aquarell einen Blick in sein privates Umfeld, in die Räume und auf die Gegenstände, die ihn in seinem Alltag umgeben. Es sind persönliche Zwiesprachen mit den Objekten, Wiedergaben der formalen Schönheit der Dinge und Auseinandersetzung mit ihrem ganz eigenen Wesen. 'Ich glaube, die meisten Bilder handeln von Vorgängen', hat Schmidt-Rottluff einmal selbst formuliert, 'ich wollte immer das Sein aufweisen und das stille Leben der Dinge.' (Karl Schmidt-Rottluff, 1960) Mit wenigen Worten fasst er zusammen, was die besondere Ausdruckskraft seiner Stillleben ausmacht. Gerade in seinen späten Aquarellen kommt jedoch oftmals eine weitere, geistige Ebene hinzu, die über das reine Erfassen des Gegenstandes hinausgeht. Der in der Kunstgeschichte so berühmte Blick aus dem Innenraum in die mal mehr, mal weniger definierte Außenwelt wird in 'Zwischen den Vorhängen' zitiert und durch den ungewöhnlich starken Hell-dunkel-Kontrast zusätzlich betont. Durch die im Spätwerk zunehmende Zersplitterung des Strichs und die Abstrahierung des Gegenstands entstehen neue, atmosphärische Räume, wo die Grenze zwischen Gegenständlichem und Geistigem nicht mehr eindeutig gezogen werden kann. [AR] Aufrufzeit: 08.06.2024 - ca. 19.12 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONKarl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 Berlin Zwischen den Vorhängen. 1967. Watercolor. Signed in lower right, lower left inscribed with the work number '6728'. Titled and dated on the reverse. On off-white wove paper. 69.5 x 49.8 cm (27.3 x 19.6 in), the full sheet. Further works from the Dr. Maier-Mohr Collection will be offered in our Evening Sale and Contemporary Art Day Sale on Friday, June 7, 2024 – see collection catalog 'A Private Collection - Dr. Theo Maier-Mohr'. • This composition is characterized by unusually strong contrasts and places emphasis entirely on the vertical. • Still life plays a central role in Schmidt-Rottluff's late work. • He increasingly turned to his immediate surroundings and the 'quiet life of things', as he himself once put it. • In ' Zwischen den Vorhängen' (Between the Curtains), he opens the view into a bright distance, creating an atmospheric space at the transition between inner and outer world. • For the first time offered on the international auction market (source: artprice.com). The work is documented in the archive of the Karl and Emy Schmidt-Rottluff Foundation, Berlin. PROVENANCE: die kleine galerie, Kampen/Sylt. Dr. Theo Maier-Mohr Collection, Hesse (acquired from the above in 1970). Ever since family-owned. 'I think most of the pictures are about processes; I always wanted to show the essence and the quiet life of things.' Karl Schmidt-Rottluff, 1960, quoted from: Hans Kinkel, Das stille Leben der Dinge, in: Gunther Thiem (ed.), Schmidt-Rottluff. Retrospektive, Munich 1989, pp. 69-70. In the present watercolor ''Zwischen den Vorhängen', Karl Schmidt-Rottluff created a composition based on unusually strong contrasts and with a strong emphasis on the vertical. Through the flower with its jagged leaves accentuated in green and blue, he guides the beholder's eye from a foreground framed by black curtains into the brightly lit center and opens the view into the distance. As is so characteristic of the artist's late work, the watercolor offers a glimpse into his private environment, into the rooms and objects of his everyday life. They are a personal dialog with the objects, accounts of the formal beauty of things and an examination of their nature. 'I believe that most paintings are about processes,' Schmidt-Rottluff once wrote, 'I always wanted to show the essence and the quiet life of things.' (Karl Schmidt-Rottluff, 1960). In just a few words, he sums up the special expressiveness of his still lifes. In his late watercolors in particular, however, there is often a further, spiritual level that goes beyond the pure apprehension of the object. The view from the interior into a more or less defined outside world, known throughout art history, is referenced in ' Zwischen den Vorhängen' and also emphasized by the unusually strong contrast of light and dark. The increasing fragmentation of the line and the abstraction of the object in the late creative phase results in new, atmospheric spaces where the boundary between the representational and the spiritual can no longer be clearly identified. [AR] Called up: June 8, 2024 - ca. 19.12 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Hans Unger 1872 Bautzen - 1936 Dresden Selbstbildnis mit Pfeife und Hut. 1932. Öl auf Malpappe. Rechts oben signiert und datiert. 108 x 55 cm (42,5 x 21,6 in). PROVENIENZ: Sammlung John Knittel (1891-1970), Schweiz (seither in Familienbesitz). Hans Unger gehört zu den zentralen, wenn auch bisher weniger beachteten Vertretern des Symbolismus und Jugendstils in Deutschland um die Jahrhundertwende. Ursprünglich als Dekorationsmaler am Königlichen Hoftheater Dresden ausgebildet, nimmt er daselbst ein Studium an der Kunstakademie in der Landschaftsklasse Friedrich Prellers auf, nach dem er auf seinen Reisen durch Italien und im Austausch mit der Goppelner Schule mit der aufgehellten freien Palette des Impressionismus Bekanntschaft macht. Ungers künstlerische Tätigkeit fasziniert durch die Vielzahl an Techniken und Materialien, mit denen er sich zwischen Symbolismus, Impressionismus und Jugendstil beschäftigt, darunter Plakatkunst, Illustrationen für Zeitschriften wie 'PAN' und 'Jugend', Bühnenvorhänge und Mosaiken. 1897 kauft die Dresdner Gemäldegalerie sein Werk 'Die Muse', mit der er größere Bekanntheit als Maler erlangt. Im selben Jahr begibt sich Unger nach Paris, um dort ein halbes Jahr an der Académie Julian zu studieren. In den 1920er Jahren ist Unger viel auf Reisen und erkundet ebenso nordafrikanische Länder. In diesen Jahren wird der Einfluss orientalischer Kunst und das gleißend helle Licht in seinen Kompositionen und seiner Palette spürbar. Mit eindringlichem Blick vor strahlendblauem Hintergrund liefert Unger hier ein intensives Selbstporträt. [KT] Aufrufzeit: 08.06.2024 - ca. 15.26 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).ENGLISH VERSIONHans Unger 1872 Bautzen - 1936 Dresden Selbstbildnis mit Pfeife und Hut. 1932. Oil on cardboard. Upper right signed and dated. 108 x 55 cm (42.5 x 21.6 in). PROVENANCE: John Knittel Collection (1891-1970), Switzerland (ever since family-owned). Hans Unger is one of the central, albeit hitherto less recognized, representatives of Symbolism and Art Nouveau in Germany at the turn of the century. Originally trained as a decorative painter at the Royal Court Theater in Dresden, he began to study at the Dresden Art Academy in Friedrich Preller's landscape class, after which he became acquainted with the brighter palette of Impressionism on his travels through Italy and through the exchange with the Goppeln School. Unger's artistic activity is particularly fascinating for the variety of techniques and materials he employs between Symbolism, Impressionism and Art Nouveau, producing poster art, as well as illustrations for magazines such as 'PAN' and 'Jugend', as well as stage curtains and mosaics. In 1897, the 'Gemäldegalerie' in Dresden bought his work 'Die Muse', which earned him greater fame as a painter. In the same year, Unger went to Paris to study at the Académie Julian for six months. In the 1920s, Unger traveled extensively and also visited North African countries. During these years, the influence of oriental art and the glistening light in his compositions and his palette became palpable. Here, Unger presents an intense self-portrait with a penetrating gaze against a bright blue background. [KT] Called up: June 8, 2024 - ca. 15.26 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N).

Crowson Fabric - pair of curtains with pleated headers (width at header - 80cm, drop - 165cm); another pair of curtains (width at header - 65cm, drop - 140cm); with tie backs and pleated pelmets; bed spread (255cm x 270cm); king-size valance; pale ground fabric with overall classical design, decorated with classical architecture, figures and foliage

2 pairs of Clive Christian curtains with liners and pelmets from stately home - Gold and cream satin and cotton, this pattern currently retails at £200 per square metre - Approx size W: 180cm x L: 250cm each curtain

Assorted Printed Lined and Interlined Curtains Comprising; cream damask pelmets, pair of Colefax & Fowler, Gallica curtains and pelmets, 4ft wide 3ft drop,Pair of Greef blue and yellow floral curtains and pelmet, 4ft w, 3.5ft drop ,Three John Lewis Harewood Pattern Curtains, 4ft 7w by 6ft 3'' drop, Pair of "Fancy Stripe" From The Archive II Collection by Warner, curtains and pelmet, 4ft 7'' wide by 6ft 3'' drop

Three Pairs of Green Lined and Interlined Curtains, with pink, blue and green floral and leaf pattern, 250cm wide by 200cm drop, 175cm wide by 200cm drop, approximately 370cm wide by 200cm drop, together with four tasselled tie backs

A pair of coral curtains, lined and interlined, approx 340cm drop, with width at pencil pleat end approx 140cm, with tie-backs, some staining

A pair of red curtains decorated with floral sprays, lined, approx. 205cm drop, 235cm ungathered width

A near pair of Jane Seymour Arts and Crafts tulip design lined curtains. drop:210, top gather:180, bottom gather:250cm. drop:195, top gather:200, bottom gather:250cm.Both are slightly differently sized, please check carefully before bidding.

3 Pairs of lined curtains, featuring Natural History Museum Collection Kingfisher pattern fabric, labelled. Largest pair - drop:232, top:220, bottom:230cm. Other 2 pairs - drop:185, top:125, bottom:225cm. With a pair of tie backs.

2 pairs of lined, interlined, padded and weighted oriental design curtains, purchased from a Surrey country house, with a large header and 2 tiebacks. Each curtain - drop:230, top gather:110, bottom gather:250cm.

AN ASSORTMENT OF VARIOUS CURTAINS AND PELMETS

A mixed lot of assorted items including a pair of curtains, a portable gramophone player (AF), copper lantern etc. etc.

Selection of good quality curtains. Not available for in-house P&P

Two Sets of Matching Vintage William Morris for Liberty of London Pattern Curtains, 121x130cm drop and 260x177cm Drop

Steiff Millennium Band 2000, white tag 038808, LE 2000, comprising five mohair Teddy Bears and a stage made of wood with velvet curtains, a musical box playing "When the Saints Go Marching In" (untested) all bears with white tags, with certificate, Good to Good Plus, with Good to Good Plus packaging, stage dimensions 23"/58cm by 20"/51cm, bears 8.25"/21cm.

A Canon 7s 35mm Rangefinder Camera silver, body F, shutter fires but there is no gap beween the curtains, self timer lever missing, viewfinder cloudy, rangefinder patch is clear, with f/1.8 50mm lens, barrel F, optics P, heavy haze.

A Kiev IIIa Rangefinder Camera, silver, serial number A556021, body G, shutter working but curtains are slow, light meter responds to light, with Jupiter-8 f/2 5cm lens, barrel G, optics G, with slight spotting, in rigid card maker's box.

A Contax II Rangefinder Camera, silver, serial number K60612, body F, shutter works but curtains are slow, with a Carl Zeiss Jena Sonnar f/2 5cm lens, barrel G, optics F with haze,

A Selection of Kiev Rangefinder Cameras comprising a Kiev IV camera with Jupiter-8M f/2 50mm lens, a Kiev IV with Jupiter 8 f/2 5cm lens, a Kiev 4a, with a Helios 103 f/1.8 53mm lens, and a Kiev 4a with Jupiter 8M f/2 5cm lens, bodies F-G, all shutters have slow curtains, lens barrels G, optics F with dust and haze.

A Selection of 35mm SLR Cameras comprising a Contax FBM, silver, body F-G, shutter escapement seems to work accurately, but shutter curtains are sticking, meter needle responds to light, with a Tessar f/2.8 50mm lens, barrel G, optics P, a Pentacon FBM, silver, body F-G, shutter escapement seems to work accurately, but shutter curtains don't open, meter needle does not respond to light, with a Tessar f/2.8 50mm lens, barrel G, optics P, in ERC, and a Nikkormat FT2, silver, body F-G, shutter speeds seem to work accurately, meter not tested,

A Zeiss Ikon Contarex Super 35mm Camera Body silver, body VG, serial number 98371, shutter curtains do not close completely, speeds seem to be approximately right, meter untested, internal display operates with aperture control, with body cap.

A Contax III Rangefinder Camera, silver, serial number E7294, body F, shutter works but curtains are slow, light meter not responding, with a Zeiss Opton f/4 135mm lens, barrel G, optics F with haze,

Pair of good quality floral embroidered curtains on a cream ground with linings and pleats, 6ft wide x 4ft drop, together with two matching feather filled cushions

Two pairs of Sanderson Carisbrooke curtains, 90in x 90in, in original packaging

Consisting of a woven carpet, 146 x 188 cm. and a set of curtains

Miniature palace room, rococo, various materials with walls covered in silk, painted and marbled paneling simulating a balustrade and matted floor, a pair of credenzas with mirrors, a bookcase, six lamp plates with mirror, two curtains, a table, thirteen chairs, two stools and various objects such as two oil portraits, a crucifix, a lamp, an inkstand, a book stand and a bird cage hanging from the ceiling, display cabinet in marbled wood and painted in shades of green with gilt decoration on the sides "Cartels, shells and vegetal motifs", Portuguese, 18th C. (3rd quarter), restoration, faults and defects, non-original feet, Dim. - (total) 118 x 108,5 x 58,5 cm

Two pairs of floral print curtains, each approx. 117cm long x 110cm wide, (4)

Pair of floral curtains

Pair of blue/green/turquoise mid 20th Century curtains

A box of curtains and cushions, five boxes containing various sundries, hand tools etc. and a stick stand and contents

A box of various curtains

Assorted curtains

A pair of vintage Liberty print curtains. Fall 196cm

Pine Framed Wall Mirror, 88 x 118cm. XIX Century pine blanket box, wicker example curtains.

Pair of floral patterned interlined curtains with cream background - 180cm wide x 136cm drop EACH ~ signs of use

Vintage pink & paisley eiderdown (100cm x 154cm), 1950's green & black curtains, linen, pair of tiebacks etc

A PAIR OF MODERN HEAVY LINED CURTAINS

Curtains Up -an autobiography by Lennox Lewis SIGNED with an unusual inscription bringing the curse of the Author on anyone who took this book away from Christina Keogh, Liberian. Ex libris

Large Sovereign wheeled floral suitcase with curtains, bedding and umbrella. Not available for in-house P&P

A pair of cut velour curtains, each curtain 205cm x 125cm.

2 pairs of Chintz Laura Ashley curtains (both approx 7' drop x 43" wide) with green piped edge, 2 pairs of matching tie backs and matching pelmets (both 12' long approximately)

2 pairs of chintz Laura Ashley curtains ( 7' drop x 62" wide approximately) with 2 matching pelmets ( 17' long approximately) and 2 pairs of tie backs.

A pair of large chintz Laura Ashley curtains, (drop 7' x 104 wide) with matching pelmet ( 13 1/2" drop x 21' long) and green tasselled tie backs.

2 pairs of short chintz Laura Ashley curtains, one having a beige gathered edge with matching pelmet both with matching tie backs. 1 pair 38" drop x 43" wide pelmet. 16" deep x 19' long gathered. 2nd pair 44" drop x 62" wide.

A pair of lined and thermal lined cotton pleated curtains, cream ground decorated with repeating yellow and floral stripes, and complete with a pair of tie backs. Drop 260cm, each width 225cm. 

A quantity of curtains, with heraldic decoration and a wine rack

Liberty and Sanderson Printed Textiles, comprising a pair of Liberty 'Cottage Garden' pattern curtains with header tape and lining, 230cm by 144cm drop, a length of Liberty 'Makhtal' printed cotton 100cm by 130cm, another in 'Esfahan' printed cotton 120cm by 100cm,Arthur Sanderson & Sons 'Pheasant Moon' printed linen length 140cm by 200cm, and 'Honeysuckle Minor' Designed by William Morris 120cm by 200cm,(one box)Dutton Manor, Lancashire

Circa 1950s Curtains Designed by Jane Daniels for David Whitehead of floral design printed in grey on a white cotton ground comprising; one pair both unlined, 16cm drop by 240cm wide, and three single curtains lined and unlined, 165cm drop by 212cm wide, 200cm drop by 117cm wide, 165cm drop by 240cm wide, (5) Damages to the side of one curtain, small hole to another near the edge, fading and some discolouration overall.

A collection of wood veneers together with a pair of curtains

A Pair of Warners Curtains, in the porcelain de chine paperwork*from the Tradewinds collection*

A homemade rug, fabric, curtains etc.

A pair of lined curtains, pencil pleat, blue check cream floral, 71" wide x 71" drop, two pairs curtains, pencil pleat, 77" wide x 87" drop and matching bedspread.

A picture easel, tripod and a box of cream turquoise curtains.