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Verner Panton (1926-1998), a pair of velour curtains, two cushions, three additional cushions covers (with signature to selvedge), all in the multicoloured `Kurven` design, middle size Part of the Spectrum range for Mira X.

Three pairs of good quality interlined curtains, the beige fabric decorated with woven patterns of red flowers and light brown leaves, width of each pair 160cm, drop 300cm, also with this lot are three matching pelmets, six ties, and seven tails (illustrated) Please note that the six ties have been removed from this lot

4 Fine ‘0’ gauge LMS Coaches. 3 Exley: Royal Mail Coach RN 30222, 3rd class Dining Car RN 7082, 1st/3rd class non-corridor coach RN 18181. Together with a fine-scale kit built 1st class Dining Car mounted on two 6-wheel bogies, with seats, tables, table lights and curtains. GC, some light restoration and cleaning required.

A pair of velvet curtains

Quantity crocheted bordered and embroidered tablecloths, quantity of cutwork and drawn thread table linen, curtains and sundry linen, (1 box)

A pair of red velvet curtains with gold braiding, believed to have been made for King George VI and Queen Elizabeth in 1941 for Windsor Castle

A quantity of blue velvet curtains and others similar and a collection of curtain rings and fittings

A Book: Curtains Lectures or Matrimonial Misery displayed, 1770.

A four poster Bed with octagonal and leafage carved front posts, blue drapes and curtains

Two pairs of Nina Campbell, Canton Cargo Oriental Vase, lined and inter-lined curtains, 78 cm x 249 cm drop and 132 xm x 258 cm drop

Two pairs of lined and inter-lined glazed peach cotton curtains with baskets of fruit, parrots and exotic birds, 97 cm x 254 cm drop and 138 cm x 236 cm drop

Pair of lined and inter-lined lime green on cream ground curtains, from the Design Archives `Liaisons`, printed in France 87 cm x 254 cm drop

Pair of lined and inter-lined curtains in hues of red/blue and gold printed with tassels, c/w tie backs, 75 cm x 238 cm drop

Pair of cream glazed cotton lined and inter-lined yellow with repeating pattern curtains with contrasting yellow gingham trimming and tie-backs, 140 cm x 202 cm drop, to/w a matching 5ft bed valance

Three pairs of lined Sanderson, William Morris pattern curtains

An Arthur Brett, 17th century style four poster bed, full canopy, with mirrored panel top. The button back headboard upholstered in green tartan possibly Ralph Lauren fabric, with matching curtains. With wrythen turned and acanthus carved supports. Approx 253 cm high x 190cm wide x 242cm deep. Accompanied by a pair of mahogany bowfront, four drawer bedside tables, modern. (3)

A large quantity of assorted textiles, two bed covers, curtains and tie backs etc (four boxes)

TWO PAIRS OF INTERLINED CURTAINS with tasselled tie-backs, 88" drop, 75" wide

A pair of gold curtains

STARR RINGO: (1940-) English Musician, Drummer with The Beatles. Signed 4 x 5 photograph depicting Starr standing in a full length pose behind a pair of large white curtains. Signed (`Ringo *`) in bold black ink across a clear area at the centre of the image. Matted in ivory and framed and glazed in a plain black frame to an overall size of 8.5 x 10.5. VG

Framed tapestry panel, two other tapestry panels, a needlework cushion and a pair curtains

Stainless steel canteen, boxed, assorted glass and chinaware, suitcase with embroidery silks, wools, hankies, scarves, etc., another case with various fabrics, curtains etc., a box with tea towels, table napkins, tea cosies, (5)

Two large damask table cloths and a pair of paisley with red ground, curtains and pelmet

A pair of early/mid-20th Century machine woven floral curtains, approx 252cm x 260cm, together with an embroidered needlework panel.

A quantity of curtains and linen.

Two pairs of matching floral curtains, each curtain approximately 112cm wide, 295cm drop; and a pair of matching pelmets, each 60cm high, 172cm wide, 17cm deep; together with a pair of floral curtains, lined and interlined, each curtain 110cm wide, 312cm drop; together with a matching curtain pelment, 67cm high, 170cm wide, 20cm deep

Two pairs of cream silk curtains, lined and interlined, each curtain 100cm wide, 315cm drop; a pair of carved giltwood mounted curtain pelmets, each of serpentine from with central carved shell, each pelmet 32cm high, 190cm wide, 27cm deep; and two matching table covers, approximately 220cm diameter

A set of four Curtains, 90`` x 96`` each.

Jane Churchill curtains, Mulberry and other fabrics to include Colefax and Fowler

A pair of cream silk curtains, with tie backs and swags, 255cm x 400cm

Modern Die-cast toys, a Watneys Red Barrel bar lamp, curtains, camera accessories etc.

Curtains, glass carbuoy etc.

A gilt framed porcelain plaque, 20th century, of rectangular form painted with a nude female reclining on bed, surrounded by bedding and with curtains behind, with two dogs, bears signature, width of plaque 39 cm.

CURTAINS, two pairs, in red silk, lined and interlined, 75cm gathered by 240cm dropped. (4)

CURTAINS, a pair, in gold silk, lined and interlined, with swags and tails, 110cm gathered by 340cm dropped. (2)

CURTAINS, two pairs, in satin finish floral fabric, lined and interlined, both pairs 79cm gathered by 276cm drop. (4)

CURTAINS, a pair, in neutral fabric lined and interlined, 102cm gathered by 205cm drop. (2)

CURTAINS, three pairs, cream damask, lined and interlined, 105cm gathered by 332cm drop. (6)

CURTAINS, two pairs, in primrose moire taffeta cotton, each interlined and fringe trimmed, each curtain 294cm W ungathered x 228cm drop. (4)

Three boxes of assorted floral decorated curtains, etc

A pair of red silk curtains, together with a pair of red, cream, blue and fawn striped linen curtains

A collection of curtains to include two pairs of cotton curtains, the red ground with printed gold pattern, together with a matching single curtain and tie backs, plus a pair of blue and gold tartan curtains, two pairs of red and green tartan curtains and two pairs of blue embossed curtains

A pair of neutral coloured slub silk, interlined curtains, together with a pair of cotton interlined curtains, the blue ground decorated with gold elephant pattern, two pairs of linen tab curtains, etc

Four pairs of green damask interlined curtains with floral decoration, together with assorted matching pelmets

Two pairs of lined cotton curtains, the blue ground with repeating Classical pattern, together with a further single curtain

Three pairs of lined cotton curtains with velveteen floral pattern

Two pairs of cotton interlined cream striped curtains, together with matching pelmets

A collection of Bolton twill traverse curtains, etc, plus various wheeled runners, stage fittings, fixings, etc

Textiles - vintage curtains including Liberty, Sanderson, Laura Ashley, William Morris and other designs; qty

Textiles - retro fabrics including Heals Flower Shop designed by Hans Jurgen Holzer; a David Whitehead floral panel; a pair of 1950s yellow and black checked bathroom curtains and others; 1960s Conran fabric samples; Tibor Caius 304; Sanderson Primitif design; Peter Hall Verdure design; etc

Various curtains and pelmets

A pair of burgundy curtains with tie-backs (approximately 88 inches drop) together with a small quantity of textiles and lamp shades

Pair of cream lined and inter-lined curtains with crewel-type leaf pattern and integral tasseled pelmet, 160 cm wide x 272 cm long

Two pairs of Zoffany lined and inter-lined curtains, red small check pattern with green diamond stitching and motif, one pair 110 cm wide x 220 cm long, the other 80 cm wide and 220 cm long

A pair of William Morris style curtains, lined, and a further pair of floral pattern curtains.

A box of Curtains, patchwork piece a/f, fabric lengths, aprons etc.

A pair of beige Curtains with Pelmet together with one other pair.

William John Leech RHA (1881-1968) Interior of a Cafe (1908) Oil on canvas, 73.7 x 83.8cm (29 x 33") Signed and dated 1908 Provenance : Purchased at the RHA 1909 by the Hon. Lawrence Waldron; Subsequently bought by Senator Brennan who left it to Harry Clarke,who in turn left it to Lennox Robinson; Purchased from the Dawson Gallery, Dublin 11/12/1950 for £150 (A photocopy of the original receipt will be given to the new owner) by the present owner's father and thence by descent. Exhibited: Royal Institute of Oil Painters, 1908, Cat. No. 400 priced £80; Royal Hibernian Academy, Dublin, 1909, Cat. No. 81 priced £63 where purchased by the Hon. Lawrence Waldron; Salon des Artistes Français, Paris, 1914; where awarded a bronze medal; Royal Hibernian Academy, Dublin, 1969, "William John Leech Memorial Panel" No. 4; "Irish Art from Private Collections 1870 - 1930" Wexford Arts Centre, 1977, Cat. No. 29; "The Irish Impressionists", The National Gallery of Ireland, Dublin, 1984, Cat. No. 117; "The Irish Impressionists" The Ulster Museum, Belfast Cat. No. 117; 1996 The National Gallery of Ireland "William John Leech: An Irish Painter Abroad" Cat. No 4; 1997 Exhibition above toured to Musée des Beaux Arts, Quimper and the Ulster Museum Belfast. Literature: "Painters of Ireland: 1660 - 1920" by Anne Crookshank and The Knight of Glin 1979 P275 (Ill. p 278) 'The Irish Impressionists" by Julian Campbell NGI 1984 P260 "Leech in Brittany" by Dr Denise Ferran Irish Arts Review 1993 P227 "William John Leech" by Dr Denise Ferran 1992 p12 - 13 "Les Peintres de Concarneau" by H. Beleoch 1993 France P154 "William John Leech: An Irish Painter Abroad" by Dr Denise Ferran 1996 P103 (Ill p105) Some suspicion and slight distancing of the peasants from the artist/viewer can be detected in this work of 1908, which combines the group of peasants and their bar interior into a meticulously finished studio painting. The old peasant sitting becapped at the extreme left is the subject in 'A man with a bottle' (private collection). Since that is dated 1903, it seems probably that Leech worked on this painting for a long time. Here the man sits amicably drinking a cup of coffee with two of his friends - one of whom has a small liqueur glass on the table in front of him. All three look toil-worn with shoulders rounded by work in the fields, with bent backs and expressively painted boned hands. It is especially in the face of the standing figure that the viewer can detect distrust and suspicion. It is possible that Leech worked from a photograph or a postcard to complete the details of the bar interior, especially in the row of bottles above the bar, and added the figures from studio poses. The exaggerated space in the foreground, which directs the eye to the figures in the middle distance, suggests the angle of a camera lens, and the questioning gaze of the standing figure captures a momentary 'off guard' expression. The well stocked shelves of bottles and china cups which glisten in the reflected light and shine under the brass lamp may possibly be those of the Hotel des Voyageurs, where Leech stayed from 1907. Leech conveys the intimacy of this darkened interior, disturbed by the intrusion of light from the left, perhaps from a door, just opened. The gentle, withdrawn figure of a young girl reading, silhouetted against the lacy curtains of the lighted window, creating depth with light on dark, in a series of decreasing rectangles. The painting of the head and shoulders of a young red-haired woman in the framed picture on the wall of the cafe interior indicates the direction Leech's painting style was to take. Its simplified, bold areas of paint, lightened palette and strong play of light depart from the more academic treatment of the room's interior. 'Interior of a cafe' is a carefully constructed composition which combines drawing from life into a meticulously 'finished' studio panting. Here he makes use of sunlight and shadows to contrast the lighted areas of the three faces engrossed in conversation in dramatic chiaroscuro against the brown shadows which verge into black. To the right, enveloped in shadow, is the figure of a fourth man who waits, leaning on the counter, seeking service. When Leech exhibited 'Interior of a cafe' at the RHA in Dublin in 1909, the review in The Irish Times declared: "His interiors of French cafes are distinguished by a brilliance of execution, a realistic treatment, and a mastery of composition, which makes them singularly attractive." Leech had exhibited another work, 'Interior of a kitchen - Brittany' (whereabouts unknown) at the RHA in 1908, showing his interest at that time in the intimiste world of darkened interiors. The work failed to sell, however, and Leech exhibited it at the Royal Institute of Painters in Oil that October. It was possibly this work which was exhibited at the Salon des Artistes Francais in 1913, for which he was awarded a Bronze Medal. Leech later stated that the Salon work was bought by an American gallery in Philadelphia, but extensive research has failed to trace it. Leech also exhibited an Interior of a cafe in the Sinn Fein-organized exhibition 'Aonach', in Dublin, in December 1909. The review in Sinn Fein recognized that 'The picture of the Interior of a Cafe shows him to be a skilled draughtsman, possessing masterly technique..." Dr. Denise Ferran

Two pairs of modern curtains, and a quantity of cushions

A pair of watered silk curtains with applique leaves and flowers, 280cm x 123cm wide