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Lot 701
HEREND. Service.29 Teile insgesamt. 6 Speiseteller, 6 Dessertteller, 1 Platte oval und 1 Schale mit Deckel. 6 Suppentassen mit Deckel und Untertassen. Dazu 1 Schale und 1 Sauciere mit Unterteil. "Fleur des Indes"-Motiv. Versand kann organisiert werden.HEREND. Service. 6 dinner plates, 6 dessert plates, 1 oval platter and 1 bowl with lid. 6 soup cups with lids and saucers. Comes with 1 bowl and 1 sauce boat with base. "Fleur des Indes" motif. Shipping can be organised.
Lot 710
Herend. Porzellan.2 Kaffeetassen mit Untertassen und Frühstückstellen. Dazu eine Zuckerdose und eine durchbrochene, ovale Schale. Versand kann organisiert werden.Meissen. Porcelain. 2 coffee cups with saucers and breakfast plates. Comes with a sugar bowl and an openwork oval bowl. Shipping can be organised.
Lot 711
Königlich Meissen Porzellan, Mokka-Service, 6 Personen.Indische Korallenrot-Malerei mit Goldrand. Rot. Bestehend aus einer Kanne, einer Zuckerdose, einem Milchkännchen, 6 Mokkatassen und Untertassen. Dazu 6 Mokkalöffel von Rosenthal, gestempelt 925. Versand kann organisiert werden.Royal Meissen Porcelain, Mocha Service, 6 persons.Indian coral red painting with gold rim. Red. Consisting of a pot, a sugar bowl, a milk jug, 6 mocha cups and saucers. Comes with 6 Rosenthal mocha spoons, stamped 925. Shipping can be arranged.
Lot 718
Kaffeeservice Lomonossow / St. Petersburg Porzellan.Kanne 19 cm hoch - Deckel mit feinem Brandriss; Kuchenplatte 21,5 cm Durchmesser; 6 Gebäckteller 15,5 cm Durchmesser; 6 Kaffeetassen und 6 Untertassen. "Made in USSR" somit Leningrad. Dekor "Kobaltnetz". Versand kann organisiert werden.Lomonosov / St. Petersburg Porcelain Coffee Service. Pot 19 cm high - lid with fine fire crack; cake plate 21,5 cm diameter; 6 pastry plates 15,5 cm diameter; 6 coffee cups and 6 saucers. "Made in USSR" thus Leningrad. Decor "cobalt net". Shipping can be organised.
Lot 1054
Regency mahogany sofa table, canted rectangular drop leaf top with walnut crossbanding, fitted with two frieze drawers with central lozenge decoration, two opposing false drawers, vasiform end supports with reeded edge and central roundel joined by ring turned and reeded stretcher, splayed supports on scaled brass cups and castorsDimensions: Height: 71cm Length/Width: 110cm Depth/Diameter: 69cm
Lot 602
MEISSEN "Mokkaservice im Dekor Rote Rose für 6 Personen" 20.Jh. II Wahl, unterglasurblaue Schwertmarke Meissen mit zwei Schleifstrichen, Kanne, Zuckerdose, Sahnekännchen, 6 Untertassen und 6 Tassen, Schatulle anbei, Kanne, H: 16,5 cm. Min. Alters-und Gebrauchsspuren. | MEISSEN "Mocha service in Red Rose decor for 6 persons" 20th century. 2nd choice, underglazed blue sword mark Meissen with two grinding strokes, pot, sugar bowl, creamer, 6 saucers and 6 cups, casket enclosed, pot, h: 16,5 cm. Min. signs of age and use.
Lot 611
MEISSEN 55-tlg. Speiseservice 'Blumenmalerei in Purpur', 1. Wahl, 20. Jh. Form 'Neuer Ausschnitt' mit Goldwelle, 16 Vorspeiseteller (D. ca. 22 cm), 8 Speiseteller (D. ca. 25,5), 6 Suppenteller (D. ca. 24), 6 Suppentassen (1x minimal bestoßen), 6 Untertassen, 7 Brotteller (D. ca. 16,5), 1 Deckelterrine (D. ca. 26,5), 1 große Schüssel (ca. 27,5x27,5), 1 Saucière mit festem Untersatz (L. ca. 24,5), 1 Ovalschale (l. ca. 27), 1 Ovalplatte (L. ca. 42,5) und 1 Schale (D. ca. 31,5). Überwiegend gut erhalten.| MEISSEN 55-piece dinner service 'Flower painting in purple', 1st choice, 20th c. Form 'New Cutout' with gold wave, 16 starter plates (d. approx. 22 cm), 8 dinner plates (d. approx. 25.5), 6 soup plates (d. approx. 24), 6 soup cups (1x minimally bumped), 6 saucers, 7 bread plates (d. ca. 16.5), 1 lidded tureen (d. ca. 26.5), 1 large bowl (ca. 27.5x27.5), 1 saucière with fixed saucer (l. ca. 24.5), 1 oval bowl (l. ca. 27), 1 oval plate (l. ca. 42.5) and 1 bowl (d. ca. 31.5). Mostly well preserved.
Lot 528
A Small Collection of Chinese Porcelain Coffee Cups, Custard Cups and Covers and Saucers, 18th Century, including - a pair of coffee cups enamelled with floral spray with pink scale border, 2.25ins (5.7cm) high, a pair of custard pots and covers enamelled with floral sprays and swags within green borders and with floral pattern finials, 4ins (10cm) high overall and twenty other pieces
Lot 93
An Elizabeth II Silver Mounted and Ebonised Cylindrical Vase and Mixed Silverware, the vase by Otiwell Silversmiths & Jewellers, London 2009, applied with the Invicta horse and engraved to rim "Allan Willett CMG, 6th April 2011" and to base "Kent Invicta Award" 10.5ins high, three silver two-handled prize cups largest 6ins high, and a silver cigarette box 3.25ins square, monogrammed, combined weighable silver 7ozs
Lot 1083
A Clarice Cliff Bonjour Liberty Stripe Part Tea Service, decorated in pale blue and cafe au lait bands on a cream ground, comprising four conical cups and saucers, each cup 2.5ins high, milk jug 4ins high overall and sugar basin 3ins wide x 2.35ins high, with black 'Bizarre Clarice Cliff Wilkinson' stamps to bases (10)
Lot 679
An English Bone China Part Tea Service, 19th Century with moulded spiral fluted bodies decorated in blue and gilt with trailing leaf scroll ornament, comprising teapot and cover 7ins high, stand, oval two handled sucriere and cover, milk jug, slop basin, ten tea bowls, eight tea cups, and twelve saucers
Lot 10
A MOTHER-OF-PEARL INLAID BLACK LACQUER 'ROMANCE OF THE WESTERN CHAMBER' BOX AND COVER, BY JIANG QIANLI, KANGXI PERIODChina, 1662-1722. Of circular form, supported on four short feet, covered in black lacquer, the cover finely inlaid in mother-of-pearl depicting a scene from Romance of the Western Chamber with a couple sitting on a scholar's rock in a fenced courtyard and a lady secretly watching, the moon rising above the fence, all encircled by a geometric border. The interior inlaid in mother-of-pearl with the seal of Jiang Qianli.Inscriptions: To the interior, 'Qianli'.Provenance: The Strong National Museum of Play, accession number 76.33.16 a (lacquered to base and interior of the cover). Old label 'made in China' to the base. Margaret Woodbury Strong (1897-1969) grew up in a prosperous family of collectors. Her interests ranged so widely that by 1960 she had amassed more than 27,000 collectible items and works of art. The vast majority of her collections related in some way to play and as her accumulation grew, Margaret planned a museum to house her collection. It eventually opened to the public in 1982, and grew dramatically over the following decades, expanding its collections, facilities, and resources, now spanning over 285,000 square feet. Today, the Strong National Museum of Play (known as just The Strong Museum or simply The Strong) is the only collections-based museum in the world devoted solely to the study of play. Condition: Very good condition with old wear, traces of use and age, a minuscule chip to the foot, expected minor age cracks, microscopic losses and nicks.Weight: 117.2 g Dimensions: Diameter 9.3 cmJiang Qianli, alias Qiushui, was a master craftsman from Yangzhou in Jiangsu province. For early studies of Jiang's work see Li Zhongqing 'A Mother-of-Pearl Lacquer Tray by Jiang Qianli', Wenwu, 1959, no. 11, pp. 59-61, and Paul Moss, Emperor, Scholar, Artisan, Monk - The Creative Personality in Chinese Works of Art, London, 1984, page 258. Jiang's name is also mentioned in a number of historical records, including the 1810 edition of the Jiaqing Yangzhou fu zhi (Chronicles of Yangzhou Prefecture in the Jiaqing period) in which Zhang Shiyuan and Yao Youtian record:"During the early years of the Kangxi reign, the scholar Zha Erzhan resided in Weiyang [another name for Yangzhou]. He was an accomplished painter of level distance landscape and the Mi school style of painting. An inch of paper or a foot of silk would be cherished if they were by his hand. There was also Jiang Qiushui whose skill produced mother-of-pearl inlaid lacquerware that was noted for its exquisiteness. These wares were widely sought after for use at banquets. A couplet says, 'Where there are drinking cups and serving trays, there one finds Jiang Qiushui. Where there are scroll paintings, there one finds Zha Erzhan'."The Romance of the Western Chamber, written by Wang Shifu (1250-1300) was immensely popular among all levels of society. Woodblock illustrations in the many editions helped conventionalize images that were instantly recognizable to the general public, thus creating a corpus of motifs that was widely used by painters, silk embroiderers, lacquer workers and other craftsmen.Professor Herbert Giles, whose History of Chinese Literature was published in 1924, refers to the Xixiang Ji as the play “which will best repay reading”. It is the typical story where a handsome student and beautiful girl attempt to cross the social divide, aided and incited by the girl's maid. The dialogue is punctuated with images of wind, snow, moonlight, and flowers, emphasizing both the passion and the romance felt by the struggling couple.Auction result comparison: Type: Closely related Auction: Sotheby's Hong Kong, 7 April 2014, lot 48Price: HKD 325,000 or approx. EUR 49,000 converted and adjusted for inflation at the time of writingDescription: A mother-of-pearl inlaid black lacquer dish, by Jiang Qianli, Qing dynasty, Kangxi periodExpert remark: Compare the closely related inlay technique as well as the depiction of a scene from the Romance of the Western Chamber. Note that this dish is by the same artist, but is signed with a four-character seal mark Jiang Qianli.康熙江千里髹黑漆嵌螺鈿《西廂記》蓋盒中國，1662-1722年。圓盒，四道弧形短足。髹黑漆，蓋盒上用精美螺鈿描繪了《西廂記》場景，月下，張生與鶯鶯坐在園中假山石上，身側丫鬟偷偷觀望。 款識：盒内嵌螺鈿“千里”字樣 來源：紐約Strong 國立美術館，收藏編號 76.33.16 a (見盒底)。盒底有舊標籤'made in China' 。Margaret Woodbury Strong (1897-1969) 成長於一個富裕的收藏家家庭。 她的興趣範圍非常廣泛，到 1960 年爲止，她已經積累了 27,000 多件收藏品和藝術品。她的絕大多數收藏都以特定方式與玩耍有關，隨著她的收藏不斷擴大，Margaret計劃建立一個博物館來展示她的收藏。美術館最終於 1982 年向公眾開放，並在接下來的幾十年裡，其收藏、設施和資源急速擴大，現在佔地超過 285,000 平方英尺。今天，Strong 國立游戲美術館（簡稱為 The Strong 美術館館或簡稱為 The Strong）是世界上唯一一家專注於遊戲研究的以收藏為基礎的博物館。品相：狀況極好，有磨損、使用痕跡和足部微小的缺損，老化裂縫、微小的損失和劃痕。 重量：117.2 克 尺寸：直徑9.3 厘米 江千里，字秋水，江蘇揚州人，一説浙江嘉興人。關於江千里早期作品研究可見《文物》，1959年，第11期，第 59-61頁，以及Paul Moss，《Emperor，Scholar，Artisan，Monk - The Creative Personality in Chinese Works of Art》，倫敦，1984年，頁258，包括1810年版嘉慶重修的《揚州府志》，也記錄了當時流行的一副對聯：“杯盤處處江秋水，卷軸家家查二瞻。”查二瞻就是查士標，康熙初年畫山水的名家。意思是說有錢人家都使用江千里的螺鈿漆器，牆上掛著查士標的山水畫，生活非常雅致。江千里技藝精湛，一生喜用《西廂記》故事作小件軟螺鈿鑲嵌，他開創了明代鑲嵌螺鈿細工的先河，名聲甲於海內外。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2014年4月7日，lot 48 價格：HKD 325,000（相當於今日EUR 49,000） 描述：清康熙黑漆嵌螺鈿「西廂記」故事圖盤，《江千里製》款 專家評論：比較非常相近的鑲嵌技術、西廂記主題。請注意此盤雖為江千里所製，但款識為四字的「江千里製」 。
Lot 77
A RARE WUCAI 'MONTH' CUP, KANGXI MARK AND PERIOD China, 1662-1722. Delicately potted with deep rounded sides rising from a short foot to a flared rim, superbly enameled around the exterior with a red-flowering peach tree with small blossoms among scant leaves, representing the third month, the reverse inscribed in underglaze blue with a poem followed by a seal mark, the recessed base with an underglaze-blue six-character mark da Qing Kangxi nianzhi and of the period.Inscriptions: To one side, 'Fenghua xinshe yan / shijie jiuchun nong' (The swallow returns when the blossoms sway in the breeze / It is the season in late spring when farmers return to their fields). One seal, 'Shang' (appreciation). Provenance: From the collection of Carl Gustav Kjellin, acquired in Shanghai during the 1940s, and thence by descent in the family. Carl Gustav Kjellin (1910-1990) was a Swedish diplomat who was stationed in China until 1945 and thereafter at the Swedish embassy in Tokyo. He acquired most of his collection of Chinese porcelain and works of art during his time in Asia. Condition: Perfect condition with only minor wear. Minimal firing irregularities, including a microscopic glaze blister of less than 2 mm to the rim. Weight: 28.5 g Dimensions: Diameter 6.5 cmThis finely potted cup is one of the so-called 'month cups', made at the imperial kilns during the Kangxi reign. One was made for each month of the lunar calendar. As in the case of the current example, these cups are so thinly potted that the blue of the inscription on the exterior can be seen through the porcelain from the interior of the vessel. Their decoration is characterized by very delicately painted decoration in underglaze blue and wucai enamels. Each of the cups has on one side a floral design appropriate to a particular month, and on the other side a poem which complements the design. Each of the cups also bears an underglaze blue seal character after the poem, which can be read as 'shang' (appreciation).Literature comparison: Compare a closely related cup included in the Oriental Ceramic Society exhibition Enamelled Polychrome Porcelain of the Manchu Dynasty (1644-1912), London, 1951, cat. no. 253. The Percival David Foundation in London has one of the few complete sets of cups for all twelve months, now in the collection of the British Museum, registration number PDF.815. The design on the current cup is very similar to the third month cup in the Percival David Foundation and bears the same poem, see Rosemary Scott, For the Imperial Court - Qing Porcelain from the Percival David Foundation of Chinese Art, New York, 1997, pp. 82-83, no. 23. The Palace Museum, Bejing owns at least two sets, illustrated in Chugoku toji zenshu (Complete works on Chinese ceramics), Kyoto, 1981-86, vol. 21, pl. 61, and in Kangxi, Yongzheng, Qianlong - Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, page 65, no. 48. One is in the Idemitsu Museum of Art, Tokyo, illustrated in Idemitsu Bijutsukan zohin zuroku, Chugoku toji (Chinese Ceramics in the Idemitsu Collection), Tokyo, 1987, pl. 221. One set in the Hong Kong Museum of Art was included in the exhibition 'The Wonders of the Potter's Palette', Qing Ceramics from the Collection of the Hong Kong Museum of Art, 1984-5, cat. no. 15.Auction result comparison: Type: Near identical Auction: Sotheby's London, 6 November 2019, lot 149 Price: GBP 112,500 or approx. EUR 149,000 converted and adjusted for inflation at the time of writing Description: A rare wucai 'month' cup, Kangxi mark and period Expert remark: Compare the near identical form, decoration, enamels, and size (6.5 cm).Auction result comparison: Type: Near identical Auction: Christie's Hong Kong, 29 May 2013, lot 1911 Price: HKD 2,670,000 or approx. EUR 393,000 converted and adjusted for inflation at the time of writing Description: A fine famille verte 'peach blossom' cup, Kangxi six-character mark within double-circles and of the period Expert remark: Compare the near identical form, decoration, enamels, and size (6.5 cm). Note that the enamels on this month cup are described as 'famille verte'. It appears that for these month cups, the terms 'famille verte' and 'wucai' are interchangeable, however to this author, the term 'wucai' seems more accurate due to the presence of underglaze-blue decoration. Auction result comparison: Type: Closely related Auction: Sotheby's Hong Kong, 3 April 2012, lot 45 Estimate: HKD 18,000,000 or approx. EUR 2,756,000 converted and adjusted for inflation at the time of writing Description: An extremely rare set of twelve wucai 'month' cups, marks and period of Kangxi Expert remark: Note that this lot comprises a complete set of twelve wucai month cups, the third month cup being near identical to the present lot.康熙款五彩桃花花神杯中國，1662-1722年。撇口、深腹、淺圈足、胎體輕薄、器型精巧絕倫，造型規整優美，胎質乳白、器薄如紙、晶瑩剔透；外壁用一年十二個月中的三月桃花來裝飾，並配以相應的詩句。圈足青花“大清康熙年製”六字款。 款識：風花新社鷰，時節舊春農；印：賞 來源：Carl Gustav Kjellin私人收藏，購於上世紀四十年代，之後在同一家族保存至今。Carl Gustav Kjellin (1910-1990) 是一名瑞典外交官，1945 年之前出使中國，此後在瑞典駐東京大使館工作。他收藏的大部分中國瓷器和藝術品都是在亞洲期間獲得的。 品相：狀況完美，只有輕微磨損。燒製不規則性，如邊緣小於 2 毫米的微觀釉泡。 重量：28.5 克 尺寸：直徑 6.5 厘米 康熙十二花卉杯上的花卉以水仙花開始，然後以此為迎春花、桃花、牡丹花、石榴花、荷花、蘭花、桂花、菊花、芙蓉花、月季花和梅花，一杯一花，腹壁一面繪畫，另一面題詩，詩句出自唐詩。每隻杯上繪一種應時花卉，指代歷史上的著名女性，併題上相應的詩句，慣稱“十二月花神杯”。 文獻比較： 比較一件非常相近的花卉杯，收藏於東方陶瓷學會，展覽於 《Enamelled Polychrome Porcelain of the Manchu Dynasty (1644-1912)》，倫敦，1951年，圖錄編號253。倫敦的Percival David基金會擁有為數不多的整套十二花神杯之一，現藏於大英博物館，圖錄編號 PDF.815。收藏於Percival David基金會的第三個月花神杯，有相似的設計和相同的詩句，見Rosemary Scott，《For the Imperial Court - Qing Porcelain from the Percival David Foundation of Chinese Art》，紐約，1997，頁82-83，編號23。北京故宮博物院擁有兩套十二花神杯，見《中國瓷器全集》，京都，1981-86年，卷21，圖61，和《故宮珍藏康雍乾瓷器圖錄》，香港，1989年，頁65，編號48。一套收藏於東京出光美術館，出版於《出光美術館藏品圖錄：中國陶瓷》，東京，1987年，圖221。一套在香港藝術博物館，展覽於《香港藝術館藏清代陶瓷：清瓷薈錦》，1984-5年，圖錄編號15。 拍賣結果比較： 形制：幾乎相同 拍賣：倫敦蘇富比，2019年11月6日，lot 149 價格：GBP 112,500（相當於今日EUR 149,000） 描述：清康熙五彩桃花花神杯 《大清康熙年製》款 專家評論：比較幾乎相同的外形、裝飾、琺瑯和尺寸 (6.5 厘米)。 拍賣結果比較： 形制：幾乎相同 拍賣：香港佳士得，2013年5月29日，lot 1911 價格：HKD 2,670,000（相當於今日EUR 393,000） 描述：清康熙五彩「桃花」花神盃，雙圈六字楷書款 專家評論：比較幾乎相同的外形、裝飾、琺瑯，和尺寸 (6.5 厘米)。請注意，這件花神月杯上的琺瑯被描述為“粉彩”和“五彩”似乎可以互換使用，但在筆者看來，由於飾有青花釉，因此描述為“五彩”似乎更為準確。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2012年4月3日，lot 45 估價：HKD 18,000,000（相當於今日EUR 2,756,000） 描述：康熙款及年代五彩十二花神杯 專家評論：請注意此組為完整的五彩十二花神杯，第三個月的花神杯和我們的拍品幾乎相同。 #byimperialcommand
Lot 88
A FINE PAIR OF FAMILLE ROSE TEA BOWLS AND SAUCERS, LATE YONGZHENG TO EARLY QIANLONG PERIODChina, circa 1730-1740. The dishes each with fluted sides and scalloped rim, finely decorated in gilt and bright enamels to the center with a roundel enclosing a lady seated on a rockwork bench below a flowering prunus tree and with two fluttering butterflies, and to the sides with colorful panels, some of which are decorated with diaper patterns including wan symbols and circular designs. The cups similarly decorated with a roundel at the well, colorful panels to the exterior walls below a scalloped rim, and neatly incised in anhua at the interior sides to depict bamboo stalks.Provenance: S. Marchant & Son, London, 2005. Richard and Maxine Markell, acquired from the above. A copy of the original invoice from S. Marchant & Son, London, dated 2 April 2005, dating the piece to the Yongzheng or early Qianlong period, circa 1735, and stating a purchase price of USD 3,500 or approx. EUR 5,100 (converted and adjusted for inflation at the time of writing), accompanies this lot. The base of one dish with an old label, 'Marchant London Qianlong 1736-1795'. Richard Markell (1932-2021) was the son of chiropractor Maurice J. Markell, who established the family business Markell Shoes focusing on orthopedic footwear and orthotic devices. Richard and his wife Maxine (1935-2019) were avid collectors of Asian art, specializing in Chinese porcelain. Over the years, the couple amassed an extraordinary selection of extremely well-enameled pieces. They bought from some of the best dealers of their generation, and their purchases spanned 250 years of Chinese porcelain production. Condition: Very good condition with only minor wear and remarkably bright enamels, few microscopic frits and nibbles to the rims, expected manufacturing flaws including dark spots.Weight: 70.7 g and 62.1 g (the dishes), and 40.7 g and 40.0 g (the cups) Dimensions: Diameter 10.7 cm and 10.6 cm (the dishes), and 6.5 cm (each cup)Each set with a well carved and fitted wood presentation stand. (6)Literature comparison:Compare a closely related tea bowl and saucer with fishermen at the center, now in the Hodroff Collection, formerly in the Martin-Hurst and Mottahedeh Collections, is illustrated by D. Howard, The Choice of the Private Trader, London, 1994, p.175, no.198. For a related example painted with a fisherman at the center, see David Howard and John Ayers, China for the West, Vol. I, London and New York, 1978, p. 156, pl. 139.Auction result comparison:Type: Closely relatedAuction: Christie's London, 10 April 2002, lot 408Price: GBP 1,998 or approx. EUR 4,500 converted and adjusted for inflation at the time of writingDescription: A pair of fluted famille rose tea bowls and saucers, circa 1730-40Expert remark: Compare the closely related form and decoration.雍正末期至乾隆初期一對粉彩茶碗與碟子中國，約1730-1740年。碟子扇形邊緣，中央開光，描繪了一位坐在花樹下的石凳上的貴婦，兩隻飛舞的蝴蝶，卍 符紋。對應茶碗内也有相對的圖案。 來源：倫敦S. Marchant & Son藝廊，2005年；Richard 與 Maxine Markell購於上述藝廊。隨附2005年4月2日出具的原始發票複印本，售價 USD 3,500 或相當於 EUR 5,100 (根據通貨膨脹率)。一個盤子下有舊標籤 'Marchant 倫敦 Qianlong 1736-1795'。Richard 與 Maxine Markell私人收藏。Richard Markell (1932-2021年) 是脊椎按摩師 Maurice J. Markell 的兒子，他建立了專注於矯形鞋類和矯形器具的家族企業 Markell Shoes。Richard 和他的妻子 Maxine（1935-2019年）是亞洲藝術的忠實收藏家，尤其在中國瓷器方面。多年來，這對夫婦收藏了一系列精美絕倫的陶瓷。他們從那時最好的經銷商那裡購買，跨越了 250 年的中國瓷器生產，最早的藏品可追溯至清初，大致反映了康雍乾隆三個時期粉彩硬彩的發展和西方對它們的欣賞。 品相：狀況極好，只有輕微磨損，邊緣上有輕微琺瑯磨損和磕損，製造缺陷如黑點。 重量：碟子分別爲70.7 克 與 62.1 克，茶碗分別爲40.7克與40.0 克 尺寸：直徑分別爲 10.7 厘米 與10.6 厘米 (碟子)，茶碗直徑分別爲 6.5 厘米 木底座。(6) 文獻比較： 比較一件非常相近的漁夫茶碗和醬碟，現收藏於Hodroff Collection，曾藏於Martin-Hurst and Mottahedeh Collections，見D. Howard，《The Choice of the Private Trader》，倫敦，1994，頁175，編號198。一件相近的例子，中間一樣畫有漁夫，見 David Howard和John Ayers，《China for the West》，卷I，倫敦和紐約，1978年，頁156，圖139。 拍賣結果比較： 形制：非常相近 拍賣：倫敦佳士得，2002年4月10日，lot 408 價格：GBP 1,998（相當於今日EUR 4,500） 描述：約1730-40年一對粉彩茶碗與醬碟 專家評論：比較非常相近的外形和裝飾。
Lot 41
Un groupe de coupes de fertilité en poterie en forme de phallus Moyen-Orient, peut-être la Perse, XIIe siècle ou plus tardchacun rendu naturaliste comme un récipient ouvert, à plusieurs reprises décoré de glaçures turquoise, bleu cobalt et blancle plus long 23,5 cm. longA group of pottery fertility cups in the form of phallusesMiddle East, possibly Persia, 12th Century or latereach naturalistically rendered as an open vessel, variously decorated in turquoise, cobalt blue and white glazesthe longest 23.5 cm. long(5) Footnotes:For a comparable example, see Sotheby's, Arts of the Islamic World & India including Fine Rugs & Carpets, 27 October 2021, lot 192.This lot is subject to the following lot symbols: * R* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
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