We found 3827 price guide item(s) matching your search

A fine French engraved gilt brass gorge cased alarm carriage clock with calendar and push-button repeat. Retailed by Grohe, London, late 19th century, The two train gong striking movement with silvered platform lever escapement and signed Grohe, London to backplate, the circular white enamel Roman numeral dial further signed GROHE, 7 WIGMORE STREET, LONDON to centre, with blued steel Breguet hands and set into a foliate engraved rectangular gilt brass mask with subsidiary date of the month and alarm setting dials to lower margin, the `gorge` case overall engraved with panels of scrolling foliate decoration a matted ground, the rear door with conforming scroll decorated brass panel incorporating shuttered winding holes, 13cm (5ins) high excluding handle, on original gilt brass base with conforming engraved decoration between mermaid engraved supports to angles, 17.5cm (7ins) high overall.

A French gilt brass petit sonnerie striking carriage clock with push-button repeat. Margaine, Paris, circa 1900. The two train eight-day movement with silvered platform lever escapement and striking the hours and quarters on two gongs, the backplate stamped with the beehive trademark for Margaine and inscribed J.C. & Co. FIRST QUALITY EXTRA, the rectangular white enamel Roman numeral dial with blued steel Breguet hands in a gilt `corniche` type case with hinged carrying handle, 15cm (6ins) high excluding handle.

A French gilt brass carriage clock in a one-piece case. Japy Freres, the case by L. Lange, Paris, mid 19th century, The eight-day two train bell striking movement with platform cylinder escapement and JAPY FRERES ANNEES MEDAILLES D`OR.. punch stamped trademark beneath number 58 to backplate, the rectangular white enamel Roman numeral enamel dial with blued steel Breguet hands, the gilt caddy moulded case of squat proportions with hinged carrying handle thick bevel cut glasses and gilt back door with shuttered winding holes on moulded skirt base stamped L.LANGE, 1296 to underside, 12cm (4.75ins) high excluding handle. One-piece cases by L. Lange are discussed in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS Their history and development pages 145 and 158 where it is noted that such cases were often used to house movements by Japy Freres.

A French gilt brass carriage clock. Duval, Paris, circa 1840. The eight-day outside countwheel bell striking movement with platform lever escapement and rectangular silvered brass Roman numeral dial with Breguet blued steel hands and signed DUVAL RUE D ORLEANS 8 A PARIS in an upward curve to the lower edge of the outer minute track, the early multi-piece bevel glazed case with hinged baton handle and gilt back panel with shuttered winding holes, on moulded skirt base, 15cm (6ins) high excluding handle. The case of the current lot can be closely compared with an engraved example illustrated in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS Their history and development plate VII/3 page 159.

A French engraved gilt brass carriage clock with push-button repeat. Retailed by Parkinson and Frodsham, late 19th century, The eight-day two train gong striking movement with silvered platform lever escapement and rectangular white enamel Roman numeral dial inscribed PARKINSON & FRODSHAM, CHANGE ALLEY, CORNHILL, LONDON beneath chapter ring and with blued steel Breguet hands, the gilt `corniche` type case with foliate scroll engraved decoration throughout, 12.5cm (5ins) high excluding handle.

A ship`s brass bulkhead timepiece. Unsigned, English, circa 1830. The rectangular movement with five-wheel train, horizontal platform lever escapement with monometallic balance, four column turned pillars pinned through the back and stamped B1455 next to lower left hand corner of the backplate, the 5.5 inch circular cream painted Roman numeral dial with blued steel Breguet hands, Slow/Fast regulation lever to upper margin and repeat numbered to lower border, the cylindrical cast brass case with push-button clasp for the hinged bevel-glazed bezel and with concentric band decoration to exterior, the steel backplate with two integral loops for attachment to a bulkhead, 18cm (7ins) diameter. The movement of the current lot, although unsigned, closely compares to to an example with silvered dial signed Arnold, 84 STRAND sold in these rooms 16th February 2011 (lot 33). Both movements share the same rectangular cartouche stamp for the letter `B` of the serial number (stamped to the backplate of each movement).

A brass inlaid mahogany bracket timepiece. Barwise, London, early 19th century, The four pillar single fusee movement with anchor escapement and pendulum holdfast to the shouldered backplate, the 6 inch circular convex white Roman numeral painted dial signed BARWISE, LONDON to centre and with blued steel Breguet hands within a cast brass glazed bezel, the shallow-arch top case with curved reeded moulding terminating in scrolls to arch above brass ring side handles, foliate scroll inlaid shaped panel beneath dial and conforming quarter moulding to the skirt base with disc feet, 34.5cm (13ins) high.

A French gilt brass four glass mantel clock. Retailed by Aird and Thomson, late 19th century, The eight-day two train bell striking movement with twin mercury jar pendulum and visible Brocot escapement to the recessed centre of the two-piece white enamel Roman numeral dial with blued steel Breguet hands and signed AIRD & THOMSON between the winding squares, the heavy brass bevel-glazed case with channel cut corners to the moulded cornice and rounded uprights above cavetto moulded skirt base with conforming detail to angles and incorporating bracket feet, 36cm (14ins) high.

A French Sevres style porcelain inset ormolu mantel clock. Unsigned, circa 1870. The eight-day bell striking movement with circular white enamel Roman numeral dial with Breguet hands within repeating leaf cast bezel, the case with ovoid surmount painted with gilt bordered vignettes of exotic birds above egg-and-dart cornice and front with leaf cast fan shaped mounts to upper quadrants and shaped cherub decorated panel beneath dial, the sides with curved panels further decorated with exotic birds, on acanthus cast and chased moulded plinth base with foliate trails to skirt and turned feet, 35.5cm (14ins) high.

A William IV rosewood small bracket clock. Frodsham and Son, London, circa 1830. The current five pillar twin fusee movement with half deadbeat escapement, formerly striking on a bell mounted on the backplate and stamped FRODSHAM, GRACECHURCH STREET, LONDON to centre, fitted to the original 4 inch square single sheet silvered brass Roman numeral dial signed FRODSHAM & SON Gracechurch Street, LONDON to centre and with brass Breguet hands, in a case with brass carrying handle to the gadroon carved upstand above cavetto and ripple carved cornice and brass fillet inset canted angles to front door, on plinth base with moulded skirt and disc turned feet, (movement a well matched replacement, lacking bell), 28cm (11ins) high excluding handle.

Early twentieth century Swiss ladies` gold (18ct) fobwatch by Colombe with spiral Breguet 15 jewel movement, white enamel circular dial, Arabic numerals, subsidiary seconds at six and rose chip diamonds inset to engraved floral decoration to reverse. Inscribed to Josephine Woods from E Wieser, Montreaux 1904 to cuvetteFurther images and condition reports are available at www.reemandansie.com

A 19thC gold open faced dress watch, purchased as lot 163 in Sotheby`s November 1979 sale of the Belin Collection, described then as ` a gold open faced cylinder watch, signed on the gold cuvette `Breguet a Paris` and numbered 25969, the movement of Lepine calibre, silver guilloche dial with roman numerals, the case engine turned, rubbed, circa 1820`, the suspension loop with old gold collection tag numbered `109`, 1.9" diameter - offered together with Sotheby`s 1979 catalogue for the Belin Sale

An Aemontoia Spiral Breguet silver cased pocket watch with an enamelled dial and subsidiary second dial, movement incomplete, the case engraved with a lion crest.

An 18 carat gold full hunter pocket watch, the four piece hinged case hallmarked London 1875, the white enamel dial with black Roman numerals, blued steel spade hands, and subsidiary seconds dial, the three quarter plate English lever movement no.54594, with brass pointed tooth escape wheel and tangential pallets, the bimetallic split balance with fine overcoil Breguet balance spring, and regulator index on the balance cock, the case engine turned overall, an engraved monogram within a shield cartouche to the front cover, 50mm diameter

An 18 carat gold full hunter centre seconds chronograph pocket watch, no.124564, the four piece hinged case hallmarked Chester 1899, the white enamel dial with black Roman numerals, gilt spade hands, and blued steel centre seconds, the three quarter plate fully jewelled English lever movement with bimetallic split balance with Breguet overcoil balance spring, the balance cock and separate cock for the escapement both foliate engraved, the latter with polished steel regulator, the case 60mm diameter, engraved to the front with a monogram

E.J Dent, Watchmaker to the Queen, London, an 18 carat gold open faced pocket watch, no.14116, the two piece case hallmarked 1848, with white enamel dial, black Roman numerals, Breguet hands, and sunken subsidiary dial, the three quarter plate fifteen jewel English lever movement with split bimetallic compensating balance and flat balance spring, engraved balance cock with regulator index and ruby endstone, and winding and set on back plate, the case 45mm diameter

John Roger Arnold, London, an 18 carat gold chronometer pocket watch with `Z` balance, no.1748, the three piece case hallmarked London 1808, casemaker TH (possibly Thomas Hardy), the white enamel dial signed Arnold 1748, with black Roman numerals, outer seconds dial, gilt spade hands, and subsidiary seconds dial, the full plate lever fusee movement signed Jno R Arnold London Inv et Fecit no.1748, balance cock engraved with scrolling foliage and diamond endstone, blued steel helical balance spring and two-arm monometallic `Z` balance with compensation weights, and blued steel maintaining power, the case 55mm diameter, on an 18 carat gold fetter link chain, 77g. Also see Christie`s New York 15 June 2011 lot 145. John Roger Arnold (1769-1843) was the son of John Arnold, one of the most famous British watch and clock makers. In 1783 John Roger started working with his father before moving to Paris as an apprentice to Abraham-Louis Breguet in 1792. He was admitted as a member of the Clockmakers` Company in 1796 and became Master in 1817. After the death of John Arnold senior, John Roger continued on his own, upholding his father`s reputation as one of the leading watch and clock makers of his age.

Holland & Holland, a gentleman`s stainless steel wristwatch, no.1185, circa 2000, the two piece hinged case foliate engraved to the reverse, initials ALC at the centre, and onion crown, the engine turned silver dial with black Roman numerals, silvered seconds dial at the centre, and Breguet hands, the Holland and Holland automatic movement no.1185, cal.ETA2892.A2, with fausses cotes decoration, the case 44mm including lugs, on a stitched tan leather strap, in a Holland and Holland leather bound box modelled as a miniature gun case

A WILLIAM IV MAHOGANY BRACKET CLOCK signed on the painted dial Chas Taylor Bristol, with Breguet hands in figured lotus case applied with carved rosettes and on lobed feet, the twin fusee movement with shouldered plates, regulation on the pendulum, and bell, 43cm h ++The dial partly repainted and scratched, the movement original, apparently complete and in running order, sold without warranty. The top and especially the back of the case bleached and with lifting and some repaired veneers, the wood denatured

A GENTLEMAN`S 18CT GOLD YELLOW AND WHITE GOLD WRISTWATCH BY VERTEX circa 1930, the rectangular white dial having black Arabic numerals, blued steel breguet hands and square subsidiary seconds dial, the case detailed with two reeded horizontal bands, on a later leather strap

* Breguet. A miscellaneous collection of manufacturers photographs and others originating from the archives of John W. R. Taylor, Publicit_ Francais, A.B. Vitoria Koch, Etablissement Cin_matographique des Arm_es, Peter Green, M. J. Gething and others,most inscribed verso (unpublished?), some good ground portraits of early Breguet types, aircraft types include 1-3 series, Michelin II-V, Type 14, 19 and 20 with others, inc. many rare aircraft with pilots, mechanics and other personnel, approx. 100 images, contained in a folder (approx. 100)

* Spanish Civil War. A collection of photographs of many aircraft types used in this conflict, originating from various sources including Ejercito del Aire, Photo Archivo Dario Vecino, Howard Levy and others,aircraft types include Breguet 19, Caproni Ca 310, Douglas D.C-2, Fiat C.R. 32, G-50 and B.R.20, Heinkel He.46, 59, 111 and 112, Junkers Ju.87, Messerschmitt Bf.109, Northrop `Delta`, Nieuport-Delage 72, Rata, Savoia-Marchetti S79 and 81, Tupolev SB-2 and other types, good aircraft portraits, ground crews at work, damaged machines and others of similar interest, some taken post war, approx. 120 images, contained in a folder, some with signs of past damp damage (approx. 120)

A 19th Century Quarter Repeater Key-wind Pocket Watch by Breguet & Fils, with engraved gilt dial, scroll engraved backplate, silver outer case

A French gilt metal quarter repeating watch, white enamel dial signed Breguet a Paris, concentric calendar dial, in a guilloche case, plunge repeat through the pendant, 55mm dia. Tests as silver.

Massey & Windham, Birchin Lane, London, an 18 carat gold open faced pocket watch, no.1659, the three piece case hallmarked London 1834, with white enamel dial with black Roman numerals, pipping and subsidiary seconds dial, and fine gold Breguet hands, the three quarter plate lever fusee movement with gold domed three armed oversprung balance, ruby endstone, and separate cock for the pointed tooth escapement and tangential lever, the engine turned case 50mm, with 18 carat gold watch chain and locket, 57g gross (chain and locket) Massey & Windham are recorded as working in London between 1833-39.

J. Hargreaves, Liverpool, an 18 carat open faced chronograph pocket watch, the four piece case hallmarked Chester 1894, with white enamel dial, black Roman numerals, outer dial calibrated to 300 units, gilt spade hands, and Breguet centre second hand, the three quarter plate English lever movement with bimetallic split balance, overcoil balance spring, ruby endstone, and regulator index on the balance cock, the case 52mm diameter, with an 18 carat gold fetter and six link watch chain and a gold George III shield-back guinea, 65g gross (chain and guinea)

Le Roy, an 18 carat gold and half pearl open faced fob watch, circa 1840, the three piece hinged case with half pearl border, gold engine turned dial, black Arabic numerals, Breguet hands, and winding through dial, the verge fusee movement with pierced French style cock, polished endpiece, and silvered regulator disc, the engine turned case 35mm diameter

19th Century French Breguet ladies gold enamel and split pearl decorated fob watch, mounted on a 9ct gold clip (enamel a/f)

A Victorian brass skeleton timepiece. W. Richenson, Coventry, mid 19th century. The single fusee movement with six-spoke wheel crossings, anchor escapement and waisted scroll-pierced plates united by six baluster turned pillars, the dial with brass centre within lobed silvered Roman numeral chapter ring signed W, Richenson, Coventry to lower edge and with Breguet pattern steel hands, on turned feet, the clock 26cm (10.25ins) high, on stepped ovoid rosewood base with glass dome cover and turned feet, 37cm (14.5ins) high overall.

A Viennese mahogany miniature regulator wall timepiece. Unsigned, early 19th century. The four pillar single weight movement with deadbeat escapement, tapered plates and wood-rod pendulum, the 4 inch circular dial with engine-turned gilt centre within silvered Roman numeral chapter ring and milled bezel and with Breguet type steel hands, in a boxwood edged six-glass case with gilt egg-and-dart carved decoration to inside of the shallow arch tympanum above front door with square glazed dial aperture over long rectangular window, the sides with conforming glazed apertures over cavetto moulded base with curved terminal, (case with faults and possibly of later construction), 63.5cm (24ins) high.

A Victorian mother-of-pearl inlaid rosewood drop-dial wall timepiece. Ebenezer Rossiter, Clevedon, mid 19th century. The four pillar single fusee movement with anchor escapement and shouldered plates, the 12 inch circular convex white painted Roman numeral dial with blued steel Breguet variant hands and signed E. ROSSITER, CLEVEDON to centre within a cast brass bezel and octagonal surround inlaid with mother-of-pearl curved foliate panels, the drop-trunk with rectangular glazed lenticle within conforming inlay to angles flanked by fruiting foliate carved ears, the curved base with pendulum adjustment access flap within marquetry to borders, 74cm (29ins) high. Ebenezer Rossiter is recorded in Moore, A.J., THE CLOCKMAKERS OF SOMERSET 1650-1900 as working from Hill Road Clevedon circa 1875. The current lot has a paper trade label inscribed E. ROSSITER, 1 REGENT PLACE, Clevedon pasted to the inside of the backboard.

A French Empire style ormolu figural mantel clock, Unsigned, mid 19th century. The eight-day countwheel bell striking movement with circular white enamel Roman numeral convex dial with blued steel Breguet hands and foliate milled bezel, set into an ogee-shouldered plinth with foliate spray applied lower quadrants and supporting a music stand for a cherub stood on a cushioned stool and leaning on a columnar pedestal whilst playing his woodwind instrument to the right of the movement, on rectangular plinth base applied with a relief panel cast with a musical trophy to apron and on engine turned bell-shaped feet, 27cm high.

A French Louis Philippe ormolu and patinated bronze figural mantel clock, Durand, Paris, circa 1840. The eight-day striking movement with silk suspension and signed Durand a Paris to backplate, the circular gilt Roman numeral dial with recessed centre, Breguet hands and foliate cast bezel set into cast bronze rocky outcrop flanked by a pair of cherubs making arrows for cupid, on rectangular plinth base applied with cast bow and quiver ribbon-tied mount to apron above leaf mounded skirt, (formerly with `waterfall` automaton, lacking bell), 29cm high.

A French Charles X ormolu figural mantel clock `the bubble blower`, Unsigned, early 19th century. The eight-day bell striking movement with silk suspension, the dial with small white enamel Roman numeral cartouche numerals set into a floral wreath issuing ribbons incorporating pivoted shutters for the winding holes and with blued steel Breguet hands, fronting a rectangular plinth with mounts cast as quiver of arrows applied to angles and Trajan script engraved passage beneath chapter ring beside standing figure of a naked putto leaning over to blow bubbles (pipe and glass bubbles lacking), on plinth base applied with tied floral festoon cradling a winged cherub holding a flaming torch and a butterfly to front, the skirt with repeating leaf cast top moulding and compressed bun feet, 45cm high.

An early Victorian mahogany four-glass mantel clock with later wall bracket, Porthouse, London, circa 1840. The five-pillar twin fusee bell striking movement with shouldered plates and anchor escapement, the 5.25 inch square single-sheet silvered brass Roman numeral dial signed PORTHOUSE, Northampton Square, LONDON to centre with blued steel Breguet hands and fine foliate scroll engraved decoration to spandrels, the case with bevel glazed tablet upstand above cavetto and ripple moulded cornice and bevelled side glasses, on slender ogee shaped plinth base with moulded skirt and disc feet, 33cm (13ins) high; with later purpose-made wall bracket with conforming moulded platform above a scroll shaped support, 53cm (21ins) high overall. Provenance: The property of a private collector. Thomas Porthouse is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London c1820-60, Baillie notes in his entry that Thomas Porthouse was Turret Clockmaker to The Admiralty.

A fine Regency rosewood quarter striking bracket clock, Simmons, London, circa 1820. The five pillar twin chain fusee movement with anchor escapement, ting-tang striking the quarters on a pair of graduated bells and striking the hour on the larger of the two, the shouldered backplate with pendulum holdfast and signed Simmons, LONDON to lower margin, the 6 inch square silvered brass Roman numeral dial with blued steel Breguet hands and repeat signature to centre within a canted surround, the chamfer-top case with edge ribs to the hipped upstand above canted angles and rectangular fishscale pierced sound frets to sides, on plinth base with gadroon moulded skirt, (lacking finial and feet), 34cm (13.5ins high). Ebenezer Simmons is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1815-25

*A Fine Regency gilt brass mounted inlaid partridgewood lancet bracket clock, Grant, London, circa 1820. The five pillar twin fusee bell striking movement with anchor escapement, strike/silent lever and signed Grant, Fleet Street, LONDON to the lancet shaped backplate, the 7 inch circular silvered brass Roman numeral circular dial with repeat signature to centre, blued steel Breguet style hands and convex glazed cast bezel, the case with crescent shaped amboyna inlaid panel above dial and satinwood banded interlaced ebony line lozenge decorated panel infill to apron within ebony ground repeating lozenge border and with gilt slender three-quarter columns to angles, the sides with gilt lion mask ring handles above brass tracery pierced Gothic side frets, on stepped skirt base with ebonised mouldings and later cast paw feet, 41cm (16ins) high. John Grant junior who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Fleet Street 1817-67. The bespoke nature of the movement with its lancet shaped plates and the high quality of the veneers suggests that the current lot was made to order for a particularly discerning client.

A Regency mahogany bracket clock, William Stephenson, London, early 19th century. The twin fusee five pillar bell striking movement with anchor escapement and pendulum holdfast to the border-engraved shouldered backplate signed Wm. Stephenson, London to lower margin, the 7 inch white painted Roman numeral break-arch dial with blued steel Breguet hands and subsidiary STRIKE/SILENT dial to arch, the break-arch case with brass carrying handle and cavetto moulding above brass-fillet inset front door and rectangular fishscale sound frets to sides, on moulded skirt base with brass bracket feet, 37cm (14.5ins) high excluding handle. The current was probably made by William Stevenson who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as gaining his freedom of the Clockmakers` Company in 1794.

A Regency patinated bronze, ormolu and white marble `Weeks Museum` type figural mantel timepiece, Thomas Coleman, London, Circa 1815. The circular four pillar single chain fusee movement with anchor escapement and 3.5 inch circular white Roman numeral enamel dial with blued steel Breguet hands within a milled gilt bezel, the case surmounted with an ormolu bust of Arthur Wellesley, 1st. Duke of Wellington above drum supported on foliate scroll volutes and festoon applied block flanked by patinated bronze seated Classical females each reading a book, the left hand book gilt highlighted and signed T. Coleman, 6 Westmorland St., London, 1797 to the open pages, on marble plinth base applied with gilt grotesque mask flanked by foliate festoons and with lobed gilt bun feet, (lacking pendulum) 31cm (12ins) high. Thomas Coleman is recorded in Baillie, G.H, Watchmakers & Clockmakers of the World as being admitted to the Clockmakers` Company in 1794, gaining his Freedom in 1806. He was subsequently elevated to Liveryman in 1813 and recorded working from Westmorland Street, London until 1840. The presence of the ormolu bust surmount of Arthur Wellesley, 1st Duke of Wellington suggests that the current lot was made shortly after the defeat of Napoleon at Waterloo on 18th June 1815.

A Regency ormolu and black marble small drumhead mantel timepiece, Ganthony, London, circa 1820. The circular four pillar single chain fusee movement with Vulliamy type wide jaw pendulum suspension and signed Ganthony, London to backplate, the 3.5 inch circular gilt Roman numeral dial with engine turned centre and blued steel Breguet hands within a milled bezel, the case with gilt drum on scroll cast volutes and black marble plinth base with gilt foliate cast top moulding and skirt base with engine turned bun feet, (lacking pendulum), 20.5cm (8ins) high. Richard Ganthony is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as being admitted to the Clockmakers` Company in 1785 and gaining his Freedom in 1794. He was appointed Master in 1828 whilst working from Lombard Street, London and died in 1845.

A Regency brass mounted mahogany bracket clock, Probably by Thwaites and Reed, London, early 19th century. The five pillar twin fusee bell striking movement with anchor escapement and shouldered plates, the 8 inch circular white painted Roman numeral convex dial bearing signature THWAITES & REED, LONDON to centre, with blued steel Breguet hands within hinged cast convex glazed bezel, the chamfer-top case with brass pineapple final to the ebonised cushion moulded hipped upstand and ripple moulded cavetto cornice over brass fillet inset quadrant panel inlaid with brass decoration and flanked by conforming canted angles to front, the sides with brass ring handles above rectangular fishscale inset sound frets, on stepped plinth base with ball feet, 50cm (19.5ins) high overall.

A Scottish Regency mahogany eight-day longcase clock, James Whitelaw, Edinburgh, circa 1815. The four pillar rack and bell striking movement with 13 inch circular single sheet silvered brass Roman numeral dial with subsidiary seconds dial and signed James Whitelaw, Edindurgh to centre, with blued steel Breguet type hands, the drum-head case with brass bezel to the circular hood surround above waisted section and raised throat mouldings, the trunk with rectangular caddy moulded door flanked by reeded quarter columns above short recessed panel, the plinth base with conforming recessed panel and bracket feet, 208cm (82ins) high. James Whitelaw is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born in Edinburgh 1776 and dying 1846.

A 19th century French gold cased lady`s fob watch open faced with an engine turned silver dial, Roman numerals, key wind, slimline case, the inner cover inscribed `No 8425 Ch Oudion, Avenue De Breguet, Palais Royale` in the original fitted case with trade label, the watch with later fob suspension

Breguet et Fils. An early 19th century enamelled gold Turkish market pair cased pocket watch, the removable movement with dust cover inscribed ‘Breguet et Fils 24412’, the white enamel dial, 33mm diameter, with repeat signature contained in a polychrome enamelled case with arms and lances on a red enamelled ground, the inside cover numbered 24411, the outer case similarly enamelled.

Gravell & Son, London, a silver open faced pocket watch, London 1829, with white enamel dial, nlack Roman numerals and Breguet hands, the three quarter plate English lever movement with thre armed steel balance, and diamond endstone, the case 5cm diameter; a gilt metal and enamel open faced pocket watch, first quarter 19th century, the turned silver dial with a blue enamel chapter ring, and gilt Arabic numerals, the verge fusee movement with flat steel balance and engraved triangular balance cock, the repousee back cover with classical scene, 5.5cm diameter

A silver gentleman`s cushion shaped wristwatch, import marked London 1927, the two piece case with white dial, black Roman numerals (red 12), blued steel Breguet hands, and subsidiary seconds dial, with 15 jewel Swiss straight line lever movement, the case 3.1cm, no bracelet; Ingersoll Watch Co., Waterbury, a chrome open faced pocket watch, circa 1910, the two piece case with black dial, luminous Arabic hands and numerals, and subsidiary seconds dial, the 4 jewel three quarter plate pin pallet straight line lever movement signed Rot.H.Ingersoll & Bro USA, the case 4.5cm diameter, in its original box; . W.E. Watts, Nottingham, an Edwardian silver open faced pocket watch, the case import marked for London 1907, the four piece hinged case with white enamel dial, black Roman numerals, and subsidiary seconds dial, the case 5cm diameter; Longines, a lady`s stainless steel rectangular wristwatch, 1940s, the two piece case with silvered dial, the 15 jewel Longines movement no. 5408568, the case 2.8cm including lugs, on a brown leather bracelet; together with five other pocket watches and two silver cased watches of that period (11)

A 9 carat gold half hunter pocket watch, the four piece case import marked London 1928, the white enamel dial with black Arabic numerals, Breguet minute hand, and subsidiary seconds dial, the three quarter plate straight line club tooth lever movement with monometallic screwed balance, the case 4.8cm diameter, together with a 9 carat gold watch chain, 8.7g

A FRENCH BRASS-MOUNTED AND TURNED MAHOGANY PENDULE D`OFFICIER the silvered dial with arabic chapters and blued steel Breguet hands, the unsigned lever movement numbered 3079152 beneath a hinged brass flap, 14.5cm diam, c1910 ++In fine unrestored condition

A SILVER AND BLUE CHAMPLEVE ENAMEL MINIATURE CLOCK c. 1920s, having a circular silvered dial with black Arabic numerals, breguet hands, Swiss movement, signed Octava W. Co., in a rectangular case on splayed bracket feet, stamped Made In Germany, London import marks for 1929, in original leather case, 44mm high x 27mm wide x 18mm deep. See illustration

Bautte et Co, Geneve, an 18 carat gold quarter repeating open faced pocket watch, no.67784, circa 1850, the four piece hinged case with white enamel dial black Roman numerals, and fine Breguet hands, the eight jewel Swiss Duplex movement with three arm flat balance, overcoil balance spring and polished steel compensating regulator on the cock, striking on gongs, the case 4.7cm diameter

Dente, London, an 18 carat gold open faced pocket watch, the case hallmarked Chester 1840, the three piece hinged case with gold chased dial, gold Roman numerals, and blued steel Breguet hands, the three quarter plate English lever fusee movement no.2090, with cylindrical pillars, domed undersprung three arm balance, diamond endstone, and pointer index from cock to silver quadrant, the outer case engine turned with a vacant cartouche to the centre, the case 4.2cm diameter

D. Hubert, London, a gold pair cased quarter repeating pocket watch, no.2624, circa 1760, the two piece hinged case with textured silvered dial, black Roman numerals, and fine Breguet hands, the quarter repeating verge fusee movement with cylindrical pillars, pierced and engraved balance cock, silvered regulator disc, and three arm undersprung balance, with signed dust plate, the outer repousse case depicting Neptune, the case 4.5cm diameter

An enamel fob watch, circa 1920, the blue and red check enamel orb shaped case with a band of paste brilliants about the circumference, the silvered dial with Breguet hands, the fifteen jewel Swiss lever movement signed ‘Speck Watch’, on a double chain punctuated with blue enamel navette shaped spacers, to a bolt ring clasp, the case 2.2cm diameter

Maurice Lacroix, a gentleman’s stainless steel wristwatch, ref.13498, no.09329, circa 1990, the three piece case with a gilt metal bezel, the dial with a raised silver chapter ring, white textured centre, day and date apertures, black Roman numerals, and blued steel Breguet hands, the twenty-five jewel Maurice Lacroix automatic movement, cal ETA 2835-2, the case 4cm including lugs, on a black leather strap

Gold Repeating Pocket Chronometer with Musical Movement, c. 1820 Marked "SM", probably Geneva, in the style of Breguet, gold case, Ø 2 1/3 in., cylinder movement (working), quarter strike on gong, musical movement (working, but does not start automatically), case with minor scratches. Watch & Listen on: Youtube.com/AuctionTeamBreker Goldene Herren-Taschenuhr mit Repetition und Musikwerk, um 1820 Bezeichnet "SM", vermutlich Genf, in der Art von Breguet, Goldgehäuse, Ø 60 mm, Zylinderwerk (funktioniert), Viertelstundenrepetition, Musikwerk (funktioniert, löst jedoch nicht automatisch aus), leichte Kratzer am Gehäuse. Watch & Listen on: Youtube.com/AuctionTeamBrekerCondition: (3/3) Starting Price €2,000

An early 19 th c. open face verge pocket watch in yellow metal (tests 18 ct gold) with spurious marks for Breguet. Enamel decoration to rear and pearl mounted bezel.

An early 19th c. French verge open face pocket watch bearing spurious marks for Breguet, decorated with enamel to reverse of gilt metal case.

An early 19th c. verge pocket watch in gilt metal case, with enamel decoration to reverse, spurious marks for Breguet.

A 9 carat gold open faced pocket watch, no. 20129, Birmingham 1930, the three piece hinged case with white enamel dial, black Arabic numerals, and blued steel Breguet hands, the 15 jewel Swiss straight line lever movement with uncut bimetallic balance and overcoil balance spring, the case 4.8cm diameter

Emma Green, London, an early Victorian 18 carat gold open faced pocket watch, London 1843, the three piece hinged case with white enamel dial, black Roman numerals, blued steel Breguet hands, and subsidiary seconds dial, the English fusee lever movement with signed top plate, three armed steel balance with overcoil balance spring, and Bosley type regulator, the engraved triangular balance cock with diamond endstone, the case 4cm diameter; and a Swiss gilt metal cylinder fob