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Lot 1
Benjamin Ferrers, d. 1732, Portrait of Lady Mary Fleming, wife of Harry Maule of Kellie, later inscribed with the identity of the sitter and an erroneous birth date; inscribed Benj Ferrers Pinxt, oil on canvas in a painted oval, 73x61cm.; 28.75x24in. The sitter was daughter of William, 5th Earl of Wigton, and his wife, Henrietta, daughter of Charles Seton, 2nd Earl of Dunfermline. She was the sister of the 6th and 7th Earls of Wigton, and in 1695 she married the Hon. Harry Maule, of Kellie. He was the son of George Maule, 2nd Earl of Panmure and his wife, Lady Jean Campbell.
Lot 1
Benjamin Ferrers, d. 1732, Portrait of the Hon. Harry Maule, husband of Lady Mary Fleming, later inscribed with the identity of the sitter and an erroneous birth date, oil on canvas in a painted oval, 74x62cm.; 29.25x24.5in. The sitter was the son of George Maule, 2nd Earl of Panmure and his wife, Lady Jean Campbell. In 1695 he married Lady Mary Fleming, the daughter of William, 5th Earl of Wigton.
Lot 1
*** Williamson, 18th Century, Portrait of John, 6th Earl of Wigton (1673-1743), later inscribed with the identity of the sitter; signed and inscribed on the reverse, oil on canvas, 74x62cm.; 29.25x24.5in. The sitter was the son of William Fleming, 5th Earl of Wigton, and his wife, Henrietta, daughter of Charles Seton, 2nd Earl of Dunfermline. He was sent to France for his education and remained a staunch Jacobite throughout his life. He married three times, firstly to Margaret, daughter of Colin Lindsay, 3rd Earl of Balcarres. He married secondly Mary, daughter of William Keith, 8th Earl Marischal, and married as his third wife, Eupheme, daughter of George Lockhart of Carnwath, County Lanark.
Lot 1
Benjamin Ferrers, d. 1732, Portrait of lady Mary keith, Countess of Wigton (D.1721), Wife of John, 6th Earl of Wigton , later inscribed with the identity of the sitter; inscribed and dated Benj Ferrers Pinxt 1712, oil on canvas in a painted oval, 73x60cm.; 28.75x23.75in. The sitter was the daughter of William Keith, 8th Earl Marischal, and his wife, Mary, daughter of James Drummond, 4th Earl of Perth. She married, John, 6th Earl of Wigton, as his second wife, and the present work may even be a marriage portrait.
Lot 1
Sir John Baptist Medina, 1659-1710, Portrait of John Flemming, 6th Earl of Wigton (1673-1743), oil on canvas in a painted oval, 75x62cm.; 29.5x24.5in. The sitter was the son of William Fleming, 5th Earl of Wigton, and his wife, Henrietta, daughter of Charles Seton, 2nd Earl of Dunfermline. He was sent to France for his education and remained a staunch Jacobite throughout his life. He married three times, firstly to Margaret, daughter of Colin Lindsay, 3rd Earl of Balcarres. He married secondly Mary, daughter of William Keith, 8th Earl Marischal, and married as his third wife, Eupheme, daughter of George Lockhart of Carnwath, County Lanark.
Lot 1
Circle of William Aikman, 1682-1731, Portrait of the Honourable Charles Fleming, Later 7th Earl of Wigton (1675-1747), inscribed with the identity of the sitter, oil on canvas in a painted oval, 72x60cm.; 28.25x23.5in. The sitter was the son of William, 5th Earl of Wigton and his wife, Henrietta, daughter of Charles Seton, 2nd Earl of Dunfermline. He succeeded his brother to the earldom circa 1744. He was a staunch Jacobite and died unmarried.
Lot 1
Circle of Alexis Simon Belle, 1647-1734, Portrait of Field Marshal, The Hon. James Keith (1696-1758), later inscribed with the identity of the sitter, oil on canvas, 115x88cm.; 45.25x34.75in. The sitter was the second son of William, 9th Earl Marischal and his wife, Lady Mary Drummond, daughter of the 1st Earl of Perth. He served as a Field Marshal in the army of Frederick the Great of Prussia, and fought bravely during the Seven YearsÕ War. He was eventually killed at the Battle of Hochkirck.
Lot 1
Attributed to Sir John Baptist Medina, 1659-1710, Portrait of George Keith, 8th Earl of Marischal (died 1694), later erroneously inscribed with the identity of the sitter, oil on canvas, 116x89cm.; 45.75x35in. The sitter was the son of William Keith, 5th Earl of Marischal, and his wife, Mary, daughter of John Erskine, Earl of Mar. He served in the French army, where he became a colonel. He held a command, ex parte Regis, at the Battle of Preston in 1648, where the royalists were soundly defeated, and again, on 3rd September 1851 at Worcester, where the Scots were overwhelmed by Cromwell. He was taken prisoner and sent to Windsor castle. After his release, he participated in the ceremonial opening of Parliament, riding Ôout before, with a permission cap, and a baton in his handÕ. He married Mary Hay, the daughter of the 2nd Earl of Kinnoull, in 1662. She was Lady of the Bedchamber to the Queen. He succeeded his brother, the 6th Earl in 1671.
Lot 1
Colvin Smith, 1795-1875, Portrait of William, 15th Lord Elphinstone (1828-1893), later inscribed with the identity of the sitter, oil on canvas, 141x110cm.; 55.5x43.25in. The sitter was the son of James Drummond Fullerton-Elphinstone, and his second wife, Anna Maria, the only child of Admiral Sir Edward Buller, Bt, MP. He succeeded his cousin John Elphinstone Fleming, 14th Lord Elphinstone, who died unmarried in 1861. He married Constance Euphemia, the second daughter of the 6th Earl of Dunmore in 1864.
Lot 1
Circle of Sir Henry Raeburn R.A., P.R.S.A., 1756-1823, Portrait of Gertrude, wife of Admiral Sir Edward Buller, Bt. of Trenant Park, inscribed with the identity of the sitter, oil on canvas, 74x62cm.; 29.25x24.5 The sitter was the mother of Anna Maria, who married James Buller Fullerton Elphinstone, the father of William, 15th Lord Elphinstone.
Lot 1
Sir John Lavery R.A., R.S.A., R.H.A., 1856-1941, Portrait of William, 15th Lord Elphinstone (1828-1893), indistinctly signed, oil on canvas, 35x30cm.; 13.75x11.75in. The sitter was the son of James Drummond Fullerton-Elphinstone, and his second wife, Anna Maria, the only child of Admiral Sir Edward Buller, Bt, MP. He succeeded his cousin John Elphinstone Fleming, 14th Lord Elphinstone, who died unmarried in 1861. After a decorated career in the Royal Navy, where he held the rank of Captain and received the 5th Class of the Turkish Order of the Medjidie, he was created Baron Elphinstone in 1885. He married Constance Euphemia, the second daughter of the 6th Earl of Dunmore in 1864.
Lot 1
E*** Hastings, Portrait of Diana Maria Clavering (D.1821), 1st Wife of Lt Col. James Buller-Fullerton-Elphinstone, signed and dated 1813, pastel on paper laid on canvas, 65x53cm.; 25.5x20.75in. The sitter was the daughter of Charles John Clavering. In 1820 she married James Buller-Fullerton-Elphinstone as his first wife.
Lot 1
English School, late 18th/early 19th century, Portrait of Sir Carnaby Haggerston, 3rd Baronet of Haggerston, oil on canvas, 119x87cm.; 46.75x34.25in. The sitter was the son of William Haggerston, and his wife, Ann, daughter of Sir Philip Mark Constable, 3rd Bt. On 20th November 1721 he married Elizabeth, daughter of Peter Middleton, of Stockeld,
Lot 1
Mather Brown, 1761-1831, Portrait of Henry Blundell (1724-1810), signed, oil on canvas, unframed, 78x65cm.; 30.75x25.5in. The sitter was a prominent local citizen of Liverpool and a keen art collector. He was the son of Robert Blundell, and his wife, Catharine, daughter of Sir Rowland Stanley of Hooton. In 1760 Blundell married Elizabeth, daughter of Sir George Mostyn, and they lived together at Ince-Blundell Hall. He ammassed a fine collection of art and it was said that "a vigorous weeding-out could only have heightened the value of the collection". The present portrait was probably painted shortly before his death in 1809, and it is likely that Mather Brown produced two replicas of this portrait. Literature Dorinda Evans, Mather Brown, Early American Artist in England, 1982, p.199, no.24
Lot 1
Bailey £20 error notes, comprising DH70 388744, with additional pink and purple area of colour to obv., DH70 388748, standard flawless note, plus DH70 388749 and DH70 388750, being devoid of portrait, all bold writing and most of design, having only background design, signature and numbers, with hologram, all extremely fine (4)
Lot 1
A Royal Doulton stoneware commemorative tobacco jar and cover modelled in low relief with portrait medallions and Art Nouveau floral panels a beaker similar and three other Royal Doulton stoneware tobacco jar and covers impressed and incised marks tiny nicks to rims chip to cover of one tobacco jar 17cm. high
Lot 1
Bakst Leon--Andre Levinson L'Oeuvre de Leon Bakst pour La Belle au Bois Dormant preface by Andre Levinson Paris: M. de Brunoff 1922 quarto the side edge uncut two title-pages with headers one signed by the artist and publisher twenty-two pages fifty-five plates including a Portrait of Leon Bakst by Pablo Picasso signed and dated 1-4-22; numbered 395 from a series of 500 395 by 290mm. 15.5 by 11.5in
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282265 item(s)/page