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Lot 191
Stuart Devlin, a novelty silver gilt and enamelled commemorative globe, London 1981, for the marriage of Prince Charles and Lady Diana, the embossed shell decorated with the arms and mottos of each, within floral garland wreaths, opening to reveal double portrait busts on green and white enamel floral roundel, inscribed, 8cm diameter, 16.84ozt, in fitted box
Lot 394
Arthur Ransome, Edgar Allan Poe A Critical Study, Stephen Swift & Co Ltd. 1912, First Edition Second Issue, Demy 8vo; blank before half-title; photogravure portrait frontispiece, after a daguerreotype, with tissue guard; ; dark navy blue coarse buckram, lettered gilt on spine; fore- and lower- edges uncut
Lot 402
Dr Fridtjof Nansen, Farthest North Vols I & II, George Newnes London 1898, Octavo, two volumes. Original cloth over bevelled boards, upper boards blocked in gilt, silver and red, with vignettes, Portrait frontispiece in volume I and monochrome frontispiece in II, 64 monochrome plates, one color-printed plate, one color-printed folding map by John Bartholomew & Co., monochrome illustrations and diagrams, 46 full-page, one full-page map
Lot 139
Peter Capaldi mounted signature piece 16 x 12 with a 10 x 8 colour photo portrait and autograph. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 150
Katie Holmes genuine authentic signed autograph display. High quality professionally mounted 17x11inch overall sized display. 3D double mounted in acid free mountboard. Consists of an 8x10 inch colour portrait photograph and signature piece matted below the photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 155
Jeff Fahey 10x8 signed 3/4 length portrait colour photo picture from the 2010 movie Machete. Jeffrey David Fahey (born November 29, 1952) is an American film and television actor. He has portrayed Captain Frank Lapidus on the ABC series Lost and the title role of Deputy Marshal Winston MacBride on The Marshal. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 161
Jason Lewis 10x8 signed 3/4 length portrait colour photo. Jason Lewis (born June 25, 1971) is an American actor and former fashion model. He is known for his role as Jerry Jerrod in the HBO series Sex and the City. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 166
Michael Winslow signed 10x8 b/w portrait head-shot photo. American actor, beatboxer and comedian billed as the "Man of 10, 000 Sound Effects"[1] for his ability to make realistic sounds using only his voice. He is best known for his roles in all seven Police Academy films as Larvell Jones. He has also appeared in Spaceballs, Cheech and Chong's Next Movie, The Love Boat and commercials for Cadbury and GEICO. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 180
Beverley Knight signed 10x8 3/4 length portrait colour photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 181
Maxwell Caulfield signed 10x8 shirtless full body shot portrait colour photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 189
Jesse Metcalfe signed 10x8 colour photo portrait with no shirt. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 194
Matthew Rhys signed 10x8 colour photo half body portrait. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 206
RAF flown cover dedicated to Air Commodore F. M. E. West VC. Cover has a portrait of F. West VC and illustrates him in combat over the Western Front in August 1918. Diamond Jubilee postmark cancelled Gibraltar, 5 Set. 1978. Flown cover. Signed Sqn. Ldr. B. J. Sprosen. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 227
The Rt. Hon. Lord Hurd of Westwell CH, CBE, PC Douglas Hurd signature piece MP and Conservative Party politician, who served in the governments of Margaret Thatcher and John Major from 1979 1995. Photo glossy black white portrait of Lord Douglas Hurd, together with a short resume of his career and with his signature below in blue ink on white card. RAF WW2. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 17
Nikolaos Gyzis (Greek, 1842-1901)Oriental man with beard signed 'N.Gysis' (middle right)oil on panel 20 x 16.5 cm.Footnotes:This delightful and psychologically acute portrait of a whimsical and spirited Oriental—probably the same bearded sitter who posed for the artist's Oriental with pipe in the collection of the National Gallery in Athens—stands as a lucid demonstration of Gysis's extraordinary painterly impulse. His limited but intense palette seems to burst out of the dark background—not only the signature Gysis red but also his mesmerising turquoise blue, which, as noted by N. Misirli, 'conveys the impression that the painter dipped his gaze in the deep blue waters of the Aegean.'1 The vigorous brushwork, especially in the modelling of the headpiece, generates a sense of mobility, accentuating the picture's close-up immediacy and compelling energy.Gysis's life-changing trip to the Orient in 1873 led to the development of a new personal style that retained elements of the Munich School teachings remoulded, however, through the eyes of a Greek. As argued by T. Tsatsos, 'colour became as critical for Gysis' design as light was for ancient Greek sculpture. It imbued his design with an instantaneous, fleeting, yet vibrant feel.'21 See N. Misirli, Gysis [in Greek], Adam editions, Athens 1995, p. 80.2 T. Tsatsos, About Painting [in Greek], Estia publ., Athens 1970, p. 48.For further information on this lot please visit Bonhams.com
Lot 21
Georgios Bouzianis (Greek, 1885-1959)Portrait of young man (self-portrait) signed, inscribed and dated 'Jo Busianis/Paris/931/' (lower right); signed and inscribed 'Manes Bild' on the pass-par-toutwatercolour and pencil on paper63 x 48 cm.Footnotes:ProvenanceHeinrich Barchfeld collection, Leipzig.Alexander Fischer collection, Munich. Private collection.ExhibitedAthens, National Gallery - Alexandros Soutzos Museum, Athens Cultural Capital of Europe, Yorgos Bousianis, October 21 - December 8, 1985, no. 34 (discussed, p. 47, and illustrated in the exhibition catalogue).Athens, Municipal Gallery, Hommage Bouzianis, 1990 (illustrated in the exhibition catalogue, p. 38).LiteratureBouzianis Watercolours, Agra editions - The Friends of Bouzianis', Athens 1982, p. 86 (listed), p. 42 (illustrated).D. Deliyannis, Yorgos Bouzianis 1885-1959, Adam editions, Athens 1996, no. 314, p. 296 (catalogued), p. 97 (illustrated).This stunning portrait from the artist's Paris output (1929-1932)1 formerly in the collection of German sculptor Alexander Fischer,2 with whom Bouzianis co-exhibited at the Chemnitz Kunsthütte in May 1927, demonstrates some of the key signature traits—swift rendering of the subject, fluidity of line and pulsating spread of colour—that bestowed Bouzianis's noteworthy reputation among the European avant-garde in the 1920s. Reviewing the artist's 1928 exhibition at Barchfeld's in Leipzig, Dr. H. Hofmann argued that Bouzianis's watercolours confirm his status as one of the greatest artists of his time.3 1 Professor D. Deliyannis, who prepared the artist's monograph, uses this portrait to illustrate his point that 'during his Paris years, Bouzianis focused on diligently rendering the world of appearances—landscapes and faces—and on adapting to the requirements of the watercolour medium without lessening its dynamic quality.' D. Deliyannis, preface to Yorgos Bousianis, exhibition catalogue, National Gallery - Alexandros Soutzos Museum, Athens 1985, pp. 47, 57. 2 Alexander Fischer (1903-1981), who held Bouzianis in great admiration and respect, had in his possession a significant number of his works, of which he owned one or two and the rest (7 oils, 32 watercolours and 30 drawings) he held in trust, since WWII, on behalf of gallery owner in Leipzig and Bouzianis's lifetime supporter and soul mate Heinrich Barchfeld. After Fischer's passing in 1981, his inheritors sold almost all works to Greek collectors who brought most of them to Greece. Part of the Fischer collection was shown in the Bouzianis 1985 retrospective at the National Gallery in Athens. See George Bouzianis, Letters to H. Barchfeld [in Greek], National Bank of Greece Cultural Foundation, Athens 1989, pp. 44, 305.3 H. Hofmann, Leipziger Abendost daily, 6.9.1928.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 18
Oil on canvas, oval (Dimensions: 78cm x 54cm (30.75in x 21.25in)) Note: Penelope, nee Naunton, married first husband Paul Bayning, 2nd Viscount Bayning of Sudbury, Suffolk. He died 1638. The couple were painted individually by Van Dyck. Married second husband Philip Herbert , 5th Earl of Pembroke in 1639. Resided at Wilton House. One child, William. Provenance: Bonhams, Edinburgh Summer Antiques Sale 25/6/2015, lot 178, catalogued as 'Manner of Gerrit van Honthorst.' According to label verso - The collection of Alexander Fraser, 2nd Lord Saltoun. The Saltoun title links back directly to the Duff family of Duff House, Fife. William Duff, 1st Earl of Fife and builder of Duff House and its significant art collection, owned this portrait and it hung in his private drawing room in his personal residence Rothemay House (a.k.a Rothiemay Castle). James, 2nd Earl of Fife, added to the family art collection and published a book listing the paintings room by room in his residences: Catalogue of the portraits and pictures in the different houses belonging to James, Earl of Fife , published by Thomas Collins c.1807. 94 pages. See Getty Museum copy free online. As well as over 17 listed Van Dycks, including a full length portait of Lady Penelope, this particular portrait is listed on page 78, painting No.6 in the private drawing room of Rothemay. No attribution for the painter is given. William, 1st Earl, resided at Rothemay, rather than Duff House, until his death, after a serious dispute with William Adam, architect of Duff House. The present portrait remained in situ in Rothemay House throughout the lifetime of James, 2nd Earl, who lived in London mainly and occassionally at Duff House. It stayed in the family until the mid 1960s. In 1944, Simon Alexander Fraser, son of 2nd Lord Saltoun, was killed in action. Left without an heir, Rothiemay estate was sold to Lord Brockett in 1946. In 1964, the estate was sold to H.D. Ward Ltd and Rothemay was demolished. Sometime around this date, the painting found its way to an art dealer in Birmingham, from whom it was purchased by the vendor at Bonhams.
Lot 38
Oil on canvas (Dimensions: 73cm x 57in (28.75in x 22.5in)) Note: Sir Edward Stradling, 2nd Baronet (1601-1644) was an English politician at the time of the Civil War. He inherited the baronetcy in 1637 upon the death of his father, the poet and politician Sir John Stradling, 1 st Baronet. Edward was a keen businessman and was elected as a member of Parliament for Glanmorgan in the Short Parliament of 1640. During the first English Civil War, Stradling marched with troops from Glamorgan to join Charles I at Shrewsbury in 1642. He was Colonel of a regiment of foot at the Battle of Edgehill, a conflict in which he was taken prisoner. He died the next year and was buried at Jesus College Chapel in Oxford on 21st June 1644. Therefore, this portrait could not have been painted after 1642. He married Mary Mansel and had one son, with whom he lived at the family seat of St. Donat’s Castle in Wales. St Donat’s was in the Stradling family from around 1300 until the death of Sir Thomas Stradling in 1738. The castle fell into a state of decline until it was purchased by the American newspaper and magazine tycoon William Randolph Hearst in 1925 for $130,000. Hearst undertook an extensive redevelopment programme of the castle, spending vast sums of money on furniture, decorations, and works of art. His spending was so significant that at the peak of his buying, Hearst's expenditure accounted for a quarter of the world's entire art market. It is most likely during this period that Hearst purchased this portrait of Sir Edward Stradling by the Studio of Anthony Van Dyck, returning it to its original home. Provenance: The Dukes of Bedford, Woburn Abbey; by descent to Hastings William Saxville Russell, 12th Duke of Bedford; His sale Christie's January 19th 1951, Lot 93; William Randolph Hearst for display at St. Donat's Castle; William Randolph Hearst's London editor Hampstead; unnamed London businessman who purchased the picture with the Hampstead residence and, when transferring his affairs to Israel, gifted the painting to the present owner as a pension fund payment in 1990. Private UK Collection
Lot 87
Signed and titled, indistinctly signed verso, oil on board (Dimensions: 16.5cm x 26.5cm (6.49in x 10.43in)) Note: With thanks to Kenneth McConkey for his help in cataloguing this painting. In the summer of 1887 John Lavery was recalled to Ulster to paint a large plein air group portrait of the Smiley family who lived at Drumalis, Larne, in county Antrim. Smiley was co-owner of The Northern Whig , and through his wife, his business interests extended to the Coats, Clark, Kerr thread-making conglomerate that came together in Paisley in 1896. Lavery’s grand project, however, did not go well, and from two other extant small oil sketches, we can infer that the skies were unpredictable and sometimes overcast. The painter, nevertheless, managed to complete a portrait of his patron’s four-year-old son (unlocated), which was shown in the winter exhibition of the Royal Society of British Artists in 1887. He and Hugh Houston Smiley remained in contact and the artist returned to Larne during August 1890, expressing his enthusiasm in an undated letter to his friend, Robert Macaulay Stevenson, and suggesting that he, James Guthrie and other Glasgow School painters might join him. Although this did not happen, Smiley enlisted George Walton, the architect brother of fellow ‘Glasgow Boy’, EA Walton, to redesign the interiors of the Larne house in 1893. The present small sketch which dates from Lavery’s first sojourn, can nevertheless be placed securely on the rocky county Antrim shore because of the unique character of a coastline that features black volcanic basalt boulders. Thrown up over four hundred million years ago these relics of lava layers, broke through the limestone crust and can be seen in the cliffs and sands of the area. They proved exciting to geologists in the first post-Darwinian age, in indicating that the world was much older than the Biblical creationists of the day had calculated. Although he would return regularly to Ulster in later years, these tiny Larne beach scenes were among the first pictures painted of Lavery’s native province.
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282258 item(s)/page