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Spanish NASA poster - Dark energy, showing a sinister green bat emerging from the cosmos, together with a poster of James Webb space telescope/Stephan's Quintent portrait, Hickson compact Group 92, taken by the new wide field camera 3 (WFC3) aboard NASA's Hubble space telescope of a group of 5 galaxies, along with a collection of war fighter jet photos.
NOËL GILFORD ADENEY (1890-1978) A framed oil on canvas, 'Artist At Work', self portrait, signed bottom left and dated '41, labelled verso. Image size 59cm x 44cm. Daughter of William Gilford, studied dress making at The Slade school of Art, 1910-15 and married Bernard Adeney who was a member and former President of The London Group of Artists.
OMAS "ALEKSANDR PUSHKIN" FOUNTAIN PEN.Vanilla coloured resin barrel and silver ornamentation and cap.Limited edition. Exemplary 0114/1000.Nib in 18 kts. white gold. F point.Screw cap. Piston-loaded.No case.Measures: 14.3 cm. length, 13 mm. diameter.The designs are simple but incisive and full of pathos, an unusual choice to adorn a prestigious fountain pen. The design is inspired by the evocative but simply constructed language in the seemingly simple works of Alexsandr S. Pushkin, to whom this new OMAS masterpiece is dedicated. The subtle golden threads that border the drawings not only enhance the patterns but also serve as a reminder of the complex texture of the great writer's stories. Pushkin's work, partly autobiographical, did much to inform the wider world about Russian culture, history, theatre, philosophy, nature and the Russian way of life. His writing gives the reader immense scope for personal reflection thanks to the haunting way in which he dealt with the themes of life and death.The warm colour of gold and the distinguished enamel, reminiscent of the paper used for manuscripts, act as a background for the images. These depict the poet's head at the top of the cover, a page from Eugene Onegin created with diamond engraving techniques, and a symbolic goose feather in the clip.Pushkin's face, based on a self-portrait, can also be found in the middle of the ink tank with clouds above and generous human soil below.Like his face, Pushkin's name can also be found twice: in Cyrillic script on one end of the fountain pen and in signature form on the body.
Camden, William. Britannia: or a Chorographical Description of Great Britain and Ireland....revised.... with large additions, by Edmund Gibson vol 1 (only, of 2), engraved portrait, plates and text illus. (without the Robert Morden county maps); old mottled calf, gilt decorated and panelled spine, folio printed for James and Jon Knapton....(1730) And two other books
A LARGE QUANTITY OF 19th and 20th Century ROYAL PORTRAIT THEMED PRINTS ETC, to include two large framed portraits of King George V and Queen Mary, approximate size 70cm x 50cm excluding frames, together with framed portraits of Queen Victoria, Edward VIII, Queen Elizabeth II, Charles I, Henry II, Elizabeth I, Anne Boleyn,Henry VIII, Charles II, etc, together with other portrait prints of historical fugures including Duchess Devonshire after Gainsborough and Anne More, together with two mirrors (two boxes and loose)
Various early 18th-19th century portrait engravings. Including a mezzotint of The Royal Family, with King William,, Queen Mary, George and Anne of Denmark after B. Lens, a portrait of Richard II after S.F. Ravenet, Earl Rivers his Book & Caxton his Printer to Edw. after C.Grignion, Master John Prideauux Basset after A Ramsay, Maria Carolina (Queen of the Two Sicilies) after F Liani and an early 19th century engraving of Mary Wilcox as Caraboo (6)
Fred Stead (1863-1940), portrait of a Margaret Firth, aged 18 months, oil on board. In giltwood frame, 26.8cm x 34cm exc. frame Exhibited at Bradford Art Galleries and Museums: Margaret Firth: A Retrospective. Condition Report: Damage to top edge of the frame. Galleries label on the back. Cracks in the paint on the face.
Martha Bird (c.1798-1818), pencil and red ink sketch of classical ladies, and two other unrelated pencil sketches. The first with the Nine Muses, circa 1830, labelled verso, 12.7cm x 9.5cm, together with a pencil portrait of Mrs Mary 'Perdita Robinson' circa 1779 and another titled Louisa on the Sofa, circa. 1828, each labelled verso, in giltwood frames (3)
A large portfolio of prints, engravings, woodcuts, sketches and watercolours. 18th/19th centuries, including a portrait of Kant, Queen Victoria, Lord Chancellor Hardwicke, studies of terriers, a print after Cecil Aldin, John Leech's Pictures of Life and Character, German landscapes and others
TERESA D'ELIA (1918-2011), Male Dancer, oil on canvas, framed. 51 x 64 cm. Note: Listed in Who's Who in American Art, 1947; Who's Who of American Women, and Who's Who in The East, 1952. Studied at Art Students League NYC with Yasuo Kuniyoshi (1937-1940).Awards: Portrait of America 1945, San Francisco Museum of Fine Arts 1st Prize and Springfields Art League, Mass. 1st Prize.
A late 19th century French gilt bronze twin handled comport, the circular dish with convex inset enamel and gilt decorated panel painted with Ottoman female bust portrait, monogrammed E.M, raised on floral scroll cast supports to integral white marble square base, with six loose blue glass beads, h.22.5cm, dia.34cm
A 19th century double portrait miniature, depicting two children, one playing a harp, housed within a floral gilt metal frame, 12 x 12cm. Ivory submission ref: UDNWXU8SSmall mark/crease to top right above the head of lady playing the harp. Slight discolouration to border. Line / crease to right hand side of portrait (behind chair running vertically) approx 2cm in length

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282261 item(s)/page