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Lot 728

Henry VII (1485-1509), Late Portrait issues, Groat, Dublin, type IA, mm. cross on obv., pierced cross on rev., double-arched crown with straight band, bust breaks plain tressure, English and French titles, 1.95g/10h (S 6455; DF 194). About very fine, reverse legend blundered in places with a unusual mint-mark for the issue £200-£260

Lot 729

Henry VII (1485-1509), Late Portrait issues, Groat, Dublin, type IA, double-arched crown with straight band, bust breaks plain tressure, 1.92g/11h (S 6455; DF 194). Area of weakness in obverse legend, otherwise very fine for issue, toned £200-£260

Lot 730

Henry VII (1485-1509), Late Portrait issues, Groat, Dublin, type IA, mm. cross on obv. only, double-arched crown with straight band, bust breaks plain tressure, English and French titles, 1.82g/12h (S 6455; DF 194). Fine, scarce £80-£100

Lot 731

Henry VII (1485-1509), Late Portrait issues, Groats (2), both Dublin, type IA, mm. cross on obv. only, double-arched crown with straight band, bust breaks plain tressure, English and French titles, reads henrid : dei, 1.80g/10h (S 6455; DF 194); type III, open flat crown, no tressure, rev. indented cross-ends, 1.70g/8h (S 6464; DF 200) [2]. First with a small plug at 12 o’clock, second with a flan crack at 7 o’clock, otherwise fine and better £100-£150

Lot 732

Henry VII (1485-1509), Late Portrait issues, Groat, Dublin, type IIC, open crown, saltires on tressure, reads sivi tas dbv lne, 1.62g/6h (DNW 172, 41, same rev. die; S 6460; DF 198). Fine, rare £120-£150

Lot 733

Henry VII (1485-1509), Late Portrait issues, Groat, Dublin, type IID, open crown, no tressure, crosses by head, reads sivitav vlibli, 1.78g/12h (S 6461; DF 199). Good fine, struck on an irregular flan, rare £200-£260

Lot 734

Henry VII (1485-1509), Late Portrait issues, Groat, Dublin, type III, open flat crown, no tressure, reads henricvs di gracia, rev. indented cross-ends, reads civitas dvbl, 1.90g/11h (S 6464; DF 200). About very fine for issue, traces of reverse cross visible in portrait, toned £200-£260 --- Provenance: Patrick Finn FPL 5, September 1995 (431)

Lot 735

Henry VII (1485-1509), Late Portrait issues, Groat, Dublin, type III, open flat crown, no tressure, blundered rev. legend reading idt osii tot ivi, 1.82g (DNW 168, 1067, same obv. die [paired with a unblundered rev.]; S 6464; DF 200). Very fine, grey tone, scarce £150-£180

Lot 736

Henry VII (1485-1509), Late Portrait issues, Groat, Dublin, type III, open flat crown, no tressure, reads henricvs di gracia, rev. indented cross-ends, reads civitas dvbl, 1.80g/1h (S 6464; DF 200). Good fine £150-£180

Lot 750

Henry VIII (1509-1547), Posthumous issue, Sixpenny Groat, type I, Dublin, mm. boar’s head, early Tower bust, 1.89g/4h (S 6485; DF 217). Good fine, reasonable portrait for issue £120-£150

Lot 798

Scotland, Alexander II, Short Cross and Stars coinage, Sterling, Phase C [in the name of William the Lion], Roxburgh, Peris Adam, bust left with sceptre, legend retrograde, rev. peris adam on r, 1.32g/1h (SCBI 35, 82, same obv. die; B 5f, fig. 66C; S 5034). Struck on a neat round flan, slight crease, otherwise good fine, portrait better, very rare £600-£800 --- Provenance: Found in North Norfolk

Lot 806

Ireland, Henry VII, Late Portrait issues, Groat, Dublin, type I, mm. lis on obv. only, broad facing bust within fleured tressure, open crown with straight band, 1.85g/1h (S 6451; DF 193). Very fine for issue, struck on a broad flan, toned £200-£260

Lot 96

Henry II (1154-1189), Short Cross coinage, Penny, class Ib, Winchester, Gocelm, gocelm · on · winc, 1.48g/8h (Winchester Mint 2457a, this coin; SCBI Mass 502, this coin; N 963; S 1344). Very fine, strong portrait £150-£200 --- Provenance: From the Wainfleet (Lincolnshire) Hoard, 1990; J.P. Mass Collection, Part II, DNW Auction 65, 16 March 2005, lot 511 [from Baldwin 1993]

Lot 175

1st century BC-1st century AD and later. A silver portrait of winged Victory in profile, looking left, dressed in a short peplum, later incorporated into the base of a silvered bronze brooch. See the Boscoreale treasure in Strong, D., Greek and Roman Silver Plate, London, 1966. 11.9 grams, 29mm (1"). Property of a gentleman from Vienna; from his private collection formed since 1970. The delicate image of Victory was probably originally decorating a silver cup or vessel. The style of manufacture resembles that of Boscoreale cups, allowing a date to be established between 1st century BC and 1st century AD. The figure of Victory can be associated with the triumphal program of the first Roman emperor, exalting his victorious campaigns in East and Pannonia and the pacification of the empire. [No Reserve] For this specific lot, 5% import VAT is applicable on the hammer price Fine condition.

Lot 196

6th-8th century AD. A gold finger ring with square bezel divided by a median cross flanked by two facing portrait busts and '[.]NONOI?' legend below. 10.07 grams, 24.43mm overall, 18.79mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16) (1"). Property of a London lady, part of her family's collection; acquired in the 1970s; accompanied by an independent specialist report and valuation, ref. no.178363/13/07/2021; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10867-178363. Very fine condition. A large wearable size.

Lot 214

3rd-2nd millennium BC. A head of a nobleman or prince, carved in lapis lazuli; facial features formed in a stylised but semi-realistic fashion, featuring a long thin nose, large almond-shaped eyes, delicate and sensual lips and long ears ornamented with earrings; mounted on a custom-made display stand. Cf. a similar head from Lagash in the Louvre, accession number AO 4351, representing a man with shaven head; cf. the portrait of Gudea, King of Lagash (circa 2100-2090 BC) preserved in the MET, accession number 49.26, from Girsu (modern Tello); see a male head in white limestone in Berlin, Staatliche Museen, in Moortgat, A., The Art of Ancient Mesopotamia, London, New York, 1969, figs.168, 169. 273 grams total, 18.5cm including stand (7 1/4"). Property of a Kensington lady; acquired Austria in 1993; previously in the Trimbacher collection; formerly acquired in Germany in 1980; accompanied by an archaeological expertise by Dr. Raffaele D’Amato; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10581-173401. This incredible statuette head presents strong similarities with the head of a statuette in Louvre, for style and shape. The similarity of the eyes and the shape of the nose with the Louvre statuette is extraordinary and, as on another statue of Ur-Ningirsu, son of King Gudea, one side of the upper lip is higher than the other side. The striking similarities with Ur-Ningirsu and with the Louvre statuette (recently identified as a possible portrait of the same person), allows for the hypothesis that our head belongs to a portrait of a royal member of the Gudea family. Another element which shows similar features with the royal family of Lagash is the tip of the nose, which appears to be rounded if seen on the front and slightly squared-off when viewed from the side. Rarely does Sumerian statuary survive with coloured pigment, but the remains of blue colouration and lapis lazuli around the eyes suggests that the head may have originally featured light blue and blue pigments around the eyes for emphasis. The baldness of the head indicates that the figure possibly represents a prince-priest. [A video of this lot can be viewed on the Timeline Auctions website] Fine condition.

Lot 30

Ptolemaic Period, 332-30 BC. A carved black granite head of a male with realistic features, the oblong face showing several signs of age related to the conventional Ptolemaic representation of an ageing face: the forehead deeply marked by a set of horizontal wrinkles and side of the mouth with deep grooves; the unusually large almond-shaped eyes executed asymmetrically, with the left eye smaller than the right; the short-cropped hair arranged in curls and adorned with a diadem; the reverse showing traces of an undecorated pillar; mounted on a custom-made display stand. See Bianchi, R.S., The Striding Draped Male Figure of Ptolemaic Egypt, 1978, in Herwig Maehler and Volker Michael Strocka (ed.), Das ptolemäische Ägypten. Akten des internationalen Symposions 27. - 29. September 1976 in Berlin, Mainz am Rhein: Verlag Philipp von Zabern; Bothmer, B.V., The Signs of Age, Bull. Mus. Fine Arts, Boston, 1951, 49, 277; Bothmer, B.V., Egyptian Antecedents of Roman Republican Verism, 1988, Quad. Ric. Scient., 116; Bothmer, B.V. et al., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, Brooklyn: The Brooklyn Museum, 1960; Walker, S. & Higgs, P., Cleopatra of Egypt, from History to the Myth, London, 2001, p.112, fig.138, pp.180-183, figs.189-190, 226, no.207, for similar sculptures; see Bothmer, 1951, 69-74; Bothmer, 1988, 47-65, for discussion of signs of the ageing face. 2.7 kg total, 21cm including stand (8 1/4"). From the private collection of a New York collector; part of his family collection since at least the early 1970s; inked collection number '93' to the reverse; thence by descent from his grandfather in 1975; accompanied by a scholarly note by Dr Alberto Maria Pollastrini. Dr Alberto Maria Pollastrini writes: 'The head was originally part of a standing statue, probably a 'striding draped male figure', a typology well attested in the corpus of Ptolemaic artistic production (Bianchi 1978, 95-102"). According to the strong similarities with the dark grey schist portrait head preserved in the Walter Art Gallery of Baltimore, Md.; no. 22.9 (W.A.G. no. 230) (Bothmer et alii 1960,153-154, pl. CIX, figs. 293-294), I can suggest a dating of the head under consideration in the 2nd century BCE.' [No Reserve] Fair condition.

Lot 347

Late 19th-mid 20th century AD. A hand-painted miniature portrait of a young Sikh prince sitting on a cushion wearing a bejewelled dastar and supporting a sheathed shamshir in his right hand; behind him, a bearded attendant in white robes with a fly-whisk over his shoulder and holding a shamshir against his left leg; ornamental corners and border; Sikh School. 49 grams, 25.6 x 18.5cm (10 x 7 1/4"). From the private family collection of a West London gentleman; previously in the personal collection of Harmadar Singh Thind; thence by descent. Fine condition.

Lot 83

A NAIVE 19TH CENTURY PORTRAIT OF A LADY wearing a bonnet and shawl, in an unusual inlaid oak frame with an overpainted photograph portrait of a gentleman

Lot 99

LOUIS MONTAIGU oil on board - portrait of a man lighting a cigarette at night, signed lower right, purchase inscription verso, dated July 1960, 33.5 x 25.5cms

Lot 133

A Gilt Framed Oval Portrait of a Young Boy

Lot 209

SILVER MOUNTED PORTRAIT FRAMES (3) - Birmingham hallmarks for 1924, 23 x 17cms, 1921 16 x 12cms and 1925 16 x 11cms, various maker's marks and conditions, the former two lacking the easels

Lot 157

Worth Ellsworth, framed oil on canvas, male portrait, signed and dated. H.75 W.65cm

Lot 21

A large unframed oil on stretched canvas, elephant portrait. H.70 W.140cm

Lot 49

9CT GOLD DIAMOND PORTRAIT PENDANT

Lot 126

19th Century English School portrait of a lady in a lace bonnet, oil on canvas, oval, 52cm x 42cmCondition report: In an associated frame and with tears and marks to the canvas, some marks to the paint, framed overall 65cm x 54cm

Lot 70A

A gold plated Waltham pocket watch, a small French white metal cased pocket watch, a further chrome cased pocket watch and a miniature photographic portrait on glass (4)Qty: 4Condition report: Waltham pocket watch ticking but missing subsidary second hand, wear to the gold plate; small pocket watch not ticking, untested, wear to the case; other pocket watch missing glass; photographic picture with losses

Lot 837

Oil on Canvas - Portrait of a Pigeon by Sean Aherne.Beautiful detail. Gilded frame.66 x 58cm

Lot 925

Vintage Oil on Canvas by Jewish Artist J. Rut. Portrait of a Rabbi in deep thought. Beautiful Gilded Frame.53 x 63cm

Lot 983

Antique Tapestry Portrait. Depicting Life on a Farm.Oval Shape, In Frame - 34 x 30cm

Lot 51

After Richard Cosway, an oval gilt frame portrait miniature of Mrs Fitzherbert wearing a portrait jewel of George IV. 8.5cm x 7cm.

Lot 52

A fine quality 18th century English George II portrait miniature. 4cm x 3cm.

Lot 95

John Emanuel (born 1930), a framed mixed media portrait of a seated maiden. Signed J Emanuel. 36cm x 27cm.

Lot 96

Golda Rose (1921-2016), framed oil on canvas, abstract portrait, titled to the back Teresa. Monogramed. Dated October 1978. 50cm x 40cm.

Lot 297

A pair of Victorian light beech photograph frames (with portrait photographs)

Lot 311

A 19th century petit-point needlework portrait, Duke of Wellington, later framed, 32 x 22cm

Lot 479

A pair of 19th century carved ivory portrait reliefs, Napoleon and Louis XVIII, 6 x 8.5cm

Lot 559

After Jean Baptiste Greuze, oil on canvas, Portrait of a young girl, Archeus Fine Art - Concise History of Forgery label verso, 50 x 45cm

Lot 602

English School c.1890, oil on canvas, Portrait of a child, indistinctly signed, 25 x 21cm

Lot 617

J. Greenwell, oil on board, Portrait of the locomotive Lord Farrindon, signed, 39 x 60cm

Lot 646

19th century English School after Rembrandt, oil on canvas, Self portrait, 53 x 43cm

Lot 651

J.H. de Groot (19th C.), oil on canvas laid on board, Portrait of a gentleman, signed, 39 x 30cm

Lot 883

TWO CIRCA 1930 PORTRAIT PRINTS OF FEMALE FIGURES, comprising a Percy Bell Hickling print and a female figure wearing Gypsy style clothing, indistinct artist name, framed, approximate sizes 40.5cm x 27cm (2)

Lot 886

PAINTINGS AND PRINTS etc, comprising a profile portrait of a horse, indistinctly signed, oil on canvas, framed, approximate size 63cm x 75cm (patched repair, frame damaged), coastal landscape, oil on canvas signed Wright, overpainted photograph of a male figure, needlework picture of dogs and F.M. Bennett hunting print (5)

Lot 895

ASSORTED PRINTS etc to include a Barrie A.F. Clark Spitfire print, approximate size 65cm x 108cm including frame, various aviation prints, William Finch foil prints of a lion and tiger, David Hawker steam train prints, oil on canvas portrait of a tiger, signed Watson etc

Lot 401

TONY FORREST (BRITISH 1961) 'WILD THING', a portrait of a tiger signed limited edition print 31/195, with certificate, approximate sizes 44x34cm frame 64x54cm (ARR) (condition:- small marks to the frame)

Lot 402

DARRYN EGGLETON (SOUTH AFRICA 1981) 'QUEEN OF THE SAVANNAH' a portrait of a lioness, signed limited edition print 73/195, with certificate, approximate sizes, image 46cm x 46cm frame 53cm x 53cm, (condition:- dents, chip and paint loss to frame)

Lot 405

ZINSKY (CONTEMPORARY) 'WINTER IS COMING' a portrait of Kit Harington as Jon Snow, signed limited edition print 15/95, with certificate, approximate sizes image 49cm x 49cm frame 70cm x 71cm (ARR)(Condition:- small dent and paint loss to frame)

Lot 410

HENRY ASENICO (AMERICAN 1971) 'PRELUDE TO A TREASURE' THREE QUARTER LENGTH PORTRAIT OF A FEMALE FIGURE, signed with limited edition print 35/95, with certificate, approximate sizes image 69cm x 34cm frame 90cm x 54cm (Condition:- chip and dents to frame)

Lot 418

GARY BENFIELD (BRITISH 1965) 'NOBLE' a portrait of a Stag, signed limited edition print 77/195, with certificate, approximate sizes - image 81cm x 68cm, frame 102cm x 89cm (ARR) (Condition:- small dents and chips to frame 2mm scratch to one of the antlers)

Lot 420

NUALA MULLIGAN 'DIAMONDS ARE A GIRLS BEST FRIEND', a portrait of Marilyn Monroe, signed limited edition with diamond dust 35/95, no certificate, approximate sizes - image 101cm x 75cm, frame 109cm x 83cm (ARR) (Condition:- good condition)

Lot 423

MARK SPAIN (BRITISH CONTEMPORARY) 'WHITE SHAWL' a portrait of a female figure, signed bottom right, oil on canvas, approximate sizes - image 79cm x 59cm, frame 112cm x 92cm (ARR) (Condition:- dent to bottom right corner of the frame)

Lot 424

CRAIG ALAN (AMERICAN CONTEMPORARY) 'ONE SPEED DEAN' a portrait of James Dean, signed bottom right, mixed media on board, approximate sizes - image 102cm x 101cm, frame 111cm x 111cm (Condition:- painting varnish is lightly scratched in places with areas of heavy scuffing to the top corners, frame chipped and scratched)

Lot 338

JOHN OBRISSET (ACTIVE ABOUT 1705-27), A 17TH CENTURY PRESSED TORTOISESHELL PORTRAIT PLAQUE OF CHARLES I, now set on a Perspex mount, inscribed labels verso. Plaque 10.5cm by 9cm, stand 18cm high CONDITION REPORTA small hairline crack to the lower centre. A tiny chip to the edge where it meets the brass surround. In otherwise good condition commensurate with age. 

Lot 191

HENRI MATISSE 'Portrait of a Woman j18', 1943, collotype, edition: 950, printed by Fabiani, 30cm x 25cm.

Lot 192

PABLO PICASSO 'Portrait de Mme Z', 1943, on silk, Dessin de Picasso ref: Spadem, 75cm x 75cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

Lot 220

AFTER JACQUES-EMILE BLANCHE 'Portrait of Marcel Proust', quadrichrome, 44cm x 37cm, framed and glazed.

Lot 373

20th CENTURY SCHOOL 'Portrait of a Little Girl', 1934, oil on canvas, indistinctly signed and dated upper left, 70cm x 55cm, framed.

Lot 402

CONTEMPORARY AFRICAN SCHOOL, Ife manner, Male portrait, terracotta, 34cm H.

Lot 403

CONTEMPORARY AFRICAN SCHOOL, Ife manner, Male portrait of a young woman, terracotta on wooden base, 31cm H.

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