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Click here to subscribeDenby Sweeting (British 1936-2020), Ducks and Ducklings in a country lane, oil on board, signed bottom left-centre, measurements 22 x 36 cm, frame 38 x 52 cm. Together with a further mixed media work on paper of two ducks, initialled bottom left, measurements 9 x 15 cm (2)Provenance: consigned from the artist's estate
LEE AGUINALDO (1933-2007).57,5 × 64 cm.Frottage, mixed media. Als frottage bezeichnet man eine Rubbeltechnik mit Blei- oder Malstiften auf unebenem Grund, mit der Muster und Bilder kreiert werden können. Hier überlagern sich Formen, Linien und Farben mit Fotos aus der Film- und Modewelt, was eine traumähnliche Gedankenlandschaft hervorruft. Unter Glas gerahmt.Provenienz: Schweizer Privatsammlung, erworben 1966 direkt vom Künstler in den Philippinen.
Julião Sarmento (b. 1948)"Febre (5)" (#1089)Mixed media on canvas Signed and dated Cabriz 1994 on the reverseWith label from Galleria D'Arte Moderna, Bologna, on the reverse. With authenticity certificate. Exhibitions: Galleria D'Arte Moderna, Bologna, Italy, 1998; "Julião Sarmento Noites Brancas Retrospectiva", Serralves, Oporto, Portugal, 2012, Cat. pp. 148-149. Provenance: Galeria Antiks, Lisbon, Portugal; Private Collection, Portugal. 115 x90 cm
Robert Woolner (b.1946) Blue Touch Signed and dated 2018 Mixed media 96cm x 72.5cm (including frame) Horatio's Garden will receive 50% of the hammer price. Framed and mounted Robert Woolner was born in Jamaica in 1946. He trained at Camberwell School of Art where his tutors included Euan Uglow, Franc Auerbach and Robert Medley. Drawing was at the centre of his practice. In the 1960's Woolner was influenced by the impact and scale of American Abstract Expressionism. During his career, his work has moved from figuration towards abstraction. Robert was Director of Art at Canford School from 1986 to 1990 and moved to Vanners Studio in North Dorset in 1989. The studio provided an exhibition space for his own and his students' work. He ran courses in painting and mixed media until 2006. Since 1991 he has had at least one solo show a year in Dorset, London and Paris and was a regular gallery artist with the Alpha House Gallery. Woolner's work has featured in Reinventing the Landscape (Canterton Books), Wessex Artists (Evolver Pubs) and a monograph produced by Fishbar Publications (Works 2000 to 12016). He has received awards from the Dept. of Environment and Black Swan Arts.
Quetsche - Theodor Storm. Der kleine Häwelmann. Holzschnitte von Gisela Mott-Dreizler. Witzwort 2013. Mit 21 doppelblattgroßen Farbholzschnitten. Bemalter Originallederband (Michael Knop, Berlin) in gelber Originalleinenkassette.67. Buch der Quetsche. - Künstlerexemplar, wie die acht Vorzugsxemplare im bemalten Unikateinband und mit einer beigelegten farbigen Mixed media-Graphik (Häwelmanns Fall. Tempera über Holzschnitt. 33 : 21 cm. Signiert und datiert). Es erschienen insgesamt 40 nummerierte Exemplare. - Die farbenprächtigen Holzschnitte von Gisela Mott-Dreizler füllen die gesamten Seiten aus und bilden sowohl ganzseitige Illustration als auch Untergründe für den von Klischees gedruckten Text. - Auf starkem Hahnemühle-Bütten. - Wohl leider die letzte von sechs Theodor Storm-Ausgaben, die Reinhard Scheuble im Laufe von 25 Jahren edierte.38 : 25 cm. [44] Seiten.
ARETZ, GERD (geb. 1930), "Reiterinnen", o.re. signiert und datiert (19)59, Mischtechnik/Papier, HxB: Passepartoutausschnitt ca. 82x54 cm, Außenmaße Rahmen ca. 105x77 cm. Gebräunt. Im Passepartout hinter Glas gerahmt (Passepartout gebräunt). Altersspuren. | ARETZ, GERD (born 1930), "Reiterinnen", top right signed and dated (19) 59, mixed media / paper, HxW: Passepartout cutout approx. 82x54 cm, external dimensions frame approx. 105x77 cm. Tanned. Framed in the passepartout behind glass (passepartout browned). Signs of age.
ARETZ, GERD (geb. 1930), 2 Figürliche Kompositionen, 1x "Katze", u.re. signiert, Mischtechnik/Papier, HxB: ca. 62x47,5 cm (64x49,5 cm mit Rahmen); 1x "Frauen- und Pferdekopf mit Pokal", am linken Rand signiert und datiert (19)69, Farbkreide/Papier, HxB: ca. 48,5x62,5 cm (51x65 cm mit Rahmen). Je leicht gebräunt und wenige minim. Flecken. Je mit verglastem Rahmen. Altersspuren. | ARETZ, GERD (born 1930), 2 figurative compositions, 1x "Cat", below right signed, mixed media / paper, HxW: approx. 62x47.5 cm (64x49.5 cm with frame); 1x "Woman's and Horse's Head with Cup", signed and dated (19) 69 on the left edge, colored chalk / paper, HxW: approx. 48.5x62.5 cm (51x65 cm with frame). The slightly browned and a few minimal. stains. Each with a glazed frame. Signs of age.
WESNER, ROLAND (1940-1987), 2 Figürliche Kompositionen, 1x "Attikagesellschaft", verso mit Bleistift betitelt, signiert und datiert 1981, Mischtechnik/Karton, HxB: ca. 37x34,5 cm (51x49 cm mit Rahmen); 1x "Komposition mit Akt", unsigniert, Mischtechnik/Karton, HxB: ca. 35x36,5 cm (49x51 cm mit Rahmen). Part. Beriebspuren an den Rändern (von Rahmenabdruck). Je mit verglastem Galerierahmen. Der Rahmenkarton je bezeichnet. | WESNER, ROLAND (1940-1987), 2 figurative compositions, 1x "Attikagesellschaft", on the reverse titled, signed and dated 1981, mixed media / cardboard, HxW: approx. 37x34.5 cm (51x49 cm with frame); 1x "Composition with Nude", unsigned, mixed media / cardboard, HxW: approx. 35x36.5 cm (49x51 cm with frame). Part. wear marks on the edges (from frame impression). Each with a glazed gallery frame. The frame cardboard is each labeled.
H. HARDY A Victorian mixed media study of a working dog in a hay field with poppies to the fore, 19cm x 26cm, signed and dated 1870, in decorative double mount and slender gilt frameCondition report: Condition good, it is a mixture of watercolour and pastels on tinted paper, no stains, rust spots, rips, or repairs, lively image, the hound well observed, clearly signed and dated lower right, few losses to the gilding on the frame but in an expensive line drawn double mount, no gallery label or known provenance.
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