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Lot 1
RONALD OSSORY DUNLOP (1894-1973): Portrait of Mrs Beatrice Eden, signed, mixed media, 48 x 35.5cm (19 x 14in) Exhibited: The Redfern Gallery 1931 Beatrice Beckett was just 18 when she married the future Prime Minister Anthony Eden in 1923. They had two sons but were divorced in 1950. She eventually moved to New York and remarried.
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Peter Farmer Figures dancing; three studies Nude figure studies; The first three pastel The second mixed media The first three each signed and dated 72 lower right The second signed and dated 75 lower right The first three each 47cm x 32.5cm The second 50.5cm x 66cm Provenance: Lasson Gallery 82-84. Jermyn Street London
Lot 1
Maurice Cockrill R.Cam.A. (1936 - ), "First Study for 'Ash' Series", signed, inscribed and dated 1996 on verso, mixed media, 19 x 37cm.; 7. 5 x 14. 5in. * Taught art at Liverpool College of Art and Liverpool Polytechnic. Took part in group shows including Neptune and Everyman Theatres in Liverpool, Bluecoat Gallery there, Liverpool Academy, Portal Gallery and the Royal Cambrian Academy. Also showed one-man in Liverpool and in the early 1980's moved to the metropolis, showing at Bernard Jacobson Gallery. Retrospective exhibition of his works at the Walker Gallery, Liverpool in 1995.
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Robert Fachard (b.1921) Relief Mixed media sculpture Signed with initials lower left 15cm x 25cm Bryan Kneale (b.1930). Abstract sulpture Mixed media Signed and dated 1961 within the base Bears receipt upon the base from the Royal College of Art signed by the artist and dated 27.7.87 17.5cm high including stand. And Manner of Kenneth Martin (1905-1984) Brass abstract sculpture Limited edition 11/50 Bears signature and inscribed with edition number upon the base 16.5cm high
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F...W... (20th century) Study of a Chamois, Standing on a Hillside Signed with the artist's initials with a personal inscription "Kenneth", gouache and mixed media on tinted paper, unfinished, 13cm by 12.5cm (5in by 4 3/4in); together with three further pictures H. Griffiths after W.H. Bartlett "Taking a Stage, near Derrycunnihy Cascade, (Killarney) Inscribed verso "Bartlett's Scenery of Ireland, circa 1820", a coloured engraving, 15cm by 19cm (6in by 7 1/2in); After Samuel Howitt "Male Fallow-Deer" Inscribed "Republished by Edward Orme, Bond Street, 1812", coloured etching, 14.5cm by 19cm (5 3/4in by 7 1/2in); Robert Hainuch Mountain Goats on a Hillside in Winter Signed artist's proof, inscribed "Piz Albris, 13th October 1944", a limited edition proof 13/62, 37.5cm by 47.5cm (14 3/4in by 18 3/4in); Eileen Alice Soper (1905-1990) Study of a Young Deer Beside a Tree Signed, pencil and watercolour, unfinished, 28cm by 35cm (11in by 13 3/4in) (5) *The first example is possibly the work of Frank Wallace
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Howard Carter (20th century contemporary) "Cricket Icon II", Signed and dated "87" (1987), also extensively inscribed on various exhibition labels verso including "Kumar Shari Ranjitsinhji His Highness The Jam Saheb of Nawanganar" (Cambridge University, Sussex & England) W.G. Grace (Gloucestershire & England), and numbered "21" "87179" on the artist's own label, mixed media on panel, 14cm by 7cm (5 1/2in by 2 3/4in *Provenance. With Crane Kalman Gallery, 178 Brompton Road, London SW3, their exhibition entitled H. Carter, "Carvings in Wood"
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Carlos Nadal (1917-1998) "La Plaza Mayor", Signed and dated "72" (1972), also signed, inscribed and dated "72" verso in the artist's own hand, oil and mixed media on card laid on canvas, 31.5cm by 42cm (12 1/2in by 16 1/2in) *Exhibited at the Duncalfe Galleries Harrogate and London, "Expressionist Exhibition 1988"
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Grace Pailthorpe (1883 - 1971), Surrealist landscape, signed and dated 29.9.67, mixed media, 38 x 56cm.; 15 x 22in. * Grace Pailthorpe was the only daughter of ten children. During the First World War she saw active service as a surgeon in France and helped run a field ambulance unit. By the early twenties she was devoting herself to psychological medicine and had begun her training with a pupil of Freud, Dr Ernest Jones. She spent the rest of the decade in groundbreaking research into women's prisons, delinquency and birth trauma. In 1932 she helped found The Institute for the Scientific Treatment of Delinquency. This led to the establishment of the 'Psychopathic Clinic' later to be called the Portman Clinic that in 1948, became part of the NHS. Pailthorpe's artistic career began at the age of 52, as a consequence of meeting Reuben Mednikoff, a professional artist. They set about immediately on a scientific project whose central aim was to use art 'as a shortcut to the unconscious'. Within a few years her work was exhibited at landmark Surrealist exhibitions in London and in New York. Her artistic work pushed forward her investigation into the unconscious, linking her professional interests with Surrealist practice. She saw this practice as psychologically liberating and it led her to pioneering work in the development of art therapy in the late thirties. After the Second World War, Pailthorpe returned to psychoanalytical practice and continued to paint, although in private. She preferred painting in watercolour, a medium that allowed a speed and fluency of execution which she could equate with the 'automatic' practices of Surrealism; 'I felt that there must be somewhere a quicker way to the deeper layers of the unconscious than by the long drawn-out couch method and I had a feeling that it was through art. At any rate it should be used in conjunction'. She seldom exhibited during the last 25 years of her life.
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