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Lot 703
†BRYAN WYNTER (British, 1915-1975); a mixed media drawing depicting two seagulls by a street lamp, signed lower right and dated '49, 35.5 x 24cm, framed and glazed.Condition Report: †This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgThere is a fine cut to the bottom edge of the paper, which runs in to the bottom of the image, up to the lowest rectangle/flagstone, which gets less obvious as it progresses. This can be seen in the main photograph as a faint line outside of the drawn border, near the centre of the lower edge of the paper. On closer inspection, light foxing is visible under UV light, although not visible to the naked eye. The page is yellowed, with stronger yellowing towards the edges of the paper.
Lot 2186
§ Eugene Brands (Dutch 1913-2002), 'Dream World', mixed media mostly oil, signed and dated 56, 32 x 32cm, with exhibition label from The National Gallery of South Africa. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.
Lot 2185
§ Eugene Brands (Dutch 1913-2002), 'Village in the Summer Night', mixed media mostly oil, signed, 13 x 49cm, with exhibition label from The National Gallery of South Africa. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.
Lot 61
Nevill Johnson (1911-1999) The Woodshed (1977) Mixed media, 57 x 72cm (22½ x 28¼'') Signed and dated (19)'77Exhibited: "The UTV Art Collection" Exhibitions including this work held at: Monaghan County Museum, March 2004; Northwest Institute, Derry, May 2004; The Linenhall Arts Centre, Castlebar, October 2004
Lot 140
Terence P. Flanagan PRUA RHA (1929-2011) A Flowering Post (1980) Mixed media on paper, 81 x 58cm (32 x 23") Signed and titled; inscribed with title versoProvenance: with David Hendrik's Gallery, Dublin (label verso); Sale, Whyte's, 25 November 2013, lot 188Exhibition: Dublin, David Hendriks Gallery, T.P. Flanagan, 22 November - 20 December, 1980, catalogue no. 14
Lot 104
Albert Christ-Janer (American, 1910-1973). Mixed media on gesso board painting depicting a textured abstract form in warm tones on a pale white background. Tendrils of whispy smoke-like forms drift horizontally across the canvas. Signed along the lower left.Albert Christ-Janer was a highly accomplished artist and educator, having held positions at various prestigious institutions such as Stephens College, Cranbrook Academy of Art, Pennsylvania State University, and Pratt Institute. Throughout his career, he made significant contributions to art education and his works are housed in esteemed institutions including the Metropolitan Museum of Art and the Whitney Museum of American Art.Height: 16 in x width: 20 in x depth: 1/4 in.Condition: There are no signs of restoration under UV light. Some minute losses along the extreme edges of the work. Along the lower left corner there is a network of yellow spots that may be foxing. The work is not framed.
Lot 121
Ulf Gripenholm (Swedish, b. 1943). Mixed media on paper painting depicting a seated nude woman. Pencil signed along the lower right.Unframed; height: 14 1/2 in x width: 16 1/2 in. Framed; height: 17 in x width: 18 1/4 in x depth: 1 in.Condition: The sheet is slightly toned. There are pinholes in all four corners; one in the lower right, one in the lower left, one in the upper right, and two in the upper left. Along the left thigh of the figure, there is an area of craquelure and two minute chips. Framed under glass; some wear to the frame. Not inspected out of frame.
Lot 128
Thomas Anthony "Tomie" dePaola (American, 1934-2020). Mixed media on paper depicting a design created for the Dayton's - Bachman's Annual Flower Show, 1989. Pencil signed and dated along the lower right.Sight; height: 24 in x width: 17 1/2 in. Framed; height: 32 3/4 in x width: 26 3/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright. The sheet is very lightly toned. There are no major visible tears, losses, or signs of restoration. There is a small, light crease along the upper edge, below the purple stream of smoke billowing from the chimney of the house. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Lot 111
Norris Embry (American, 1921-1981). Group of two mixed media on paper abstract paintings. Both signed along the lower right; one dated 1979 along the lower right.(Blue) Height: 18 in x width: 24 in. (Yellow) Height: 18 in x width: 22 1/2 in.Condition: The colors are bold and bright. There are no signs of restoration under UV light. There are creases, tears, and losses throughout. Neither are framed.
Lot 55
Mark Stock (German/American, 1951-2014). Mixed media drawing on paper titled "Dogs Like Flowers, Too," ca. 1990. With a label from Peter M. David Gallery Inc., Minneapolis affixed to the verso.Sight; height: 30 1/4 in x width: 20 3/4 in. Framed; height: 42 1/4 in x width: 32 1/4 in x depth: 1 1/2 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic mat. Framed under glass. Not inspected out of frame; light wear to the frame.
Lot 134
Red Grooms (American, b. 1937). Mixed media sculpture consisting of metal, foam core, plaster, plywood and additional media titled "Katherine Marcel and the Bride" depicting a slew of humorous caricatures including Katherine Dreier, Hilla Rebay, Frank Lloyd Wright, and Marcel Duchamp within a house, 1994-1998. The basement is portrayed as filled with works of art by Alexander Calder, David Nestorovitch Kakabadze, Wilhelm Lehmbruck, Walter Shirlaw, Anne Goldthwaite, and Marcel Duchamp. Signed along the lower right; numbered 1/48 along a plaque affixed to the verso.Red Grooms is known for his "sculpto-pictorama" sculptures such as the one featured here. With the original guide to the artwork.Height: 45 in x width: 35 in x depth: 5 1/2 in.Condition: The colors are bold and bright. There are no major visible breaks, losses, or restorations. There is a loss to one of the shingles along the left eave of the structure. Dust and debris gathered throughtout the recessed areas.
Lot 74
Jack Barkla (American, 20th/21st c). Mixed media painting titled "Bead Escape," 1993. Signed and dated along the lower margin; titled along the verso.Barkla is a lifelong resident of Minnesota having grown up in Edina and attended the University of Minnesota. He has performed and designed for numerous theater companies including the Guthrie. He also designed flower shows for Dayton's (later Marshall Fields and then Macy's) department store. Other clients of his have included Prince, Princess Grace of Monaco, and Jennifer Lopez.Height: 15 1/2 in x width: 13 in x depth: 1 1/4 in.Condition: The colors are bold and bright. There are no apparent losses or restorations. Some wear including losses to the gilt to the frame. Framed under glass. Not inspected out of frame.
Lot 13
Jaune Quick-to-See Smith (Salish & Kootenai Tribes of the Flathead Indian Nation, 1940-2025). Pastel drawing on paper titled "Kalispell 34M" depicting an abstract landscape in bold, sweeping colors, ca. 1970s. Pencil signed "Jaune Smith" along the lower left; titled along the verso.Lot Essay:Jaune Quick-to-See Smith was a renowned Native American artist and activist, best known for her bold, expressive works that combined abstract and figurative styles to address themes of Native identity, colonialism, and cultural preservation. Born in 1940 in St. Ignatius, Montana, Smith was a member of the Confederated Salish and Kootenai Tribes. She held a unique position in the art world as one of the leading Native American female artists, using her work to challenge stereotypes and explore the complex experiences of Native peoples.Smith’s art often incorporated mixed media, collage, and symbolism drawn from her indigenous heritage, blending traditional motifs with contemporary materials. She was recognized for her ability to fuse Native American culture with modern art movements, creating powerful visual statements that commented on the history of colonization and the ongoing struggles faced by Native communities.As a trailblazer for Native American women in the arts, Smith was instrumental in amplifying Native voices within the contemporary art scene. She worked to empower female Native artists, advocating for their inclusion and representation in both art institutions and broader cultural conversations. Smith’s contributions to the field extended beyond her artwork, as she also served as a mentor and educator, helping to inspire and nurture the next generation of Native American artists.Her work is featured in prominent museum collections, including the Smithsonian American Art Museum and the Whitney Museum of American Art, and she remains a significant influence in the movement to give Native women artists greater visibility and recognition.Sight; height: 30 in x width: 22 1/4 in. Framed; height: 32 1/4 in x width: 24 3/4 in x depth: 1 1/4 in.Condition: The colors are bold and bright. There are no tears, losses, or restorations. Two pinholes in the upper corners, likely original to the artistic practice. Floated in frame; hinged to a non-acidic backing board with two pieces of framer's tape. Framed under glass; light wear to the frame.
Lot 80
Malcolm Haynie Myers (American, 1917-2002). Mixed media on paper depicting a circus scene, 1977. Signed and dated along the lower right.Sight; height: 25 1/2 in x width: 38 1/2 in. Framed; height: 34 in x width: 46 1/4 in x depth: 1 3/4 in.Condition: There are no visible tears, losses, or restorations. Light undulation to the sheet. The work is housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Lot 7
George Chann (Chinese/American, 1913-1995). Mixed media on canvas abstract painting in blue, yellow, and red. Signed along the lower right.Provenance: Private Texas Collection, 2023; Private Minnesota Collection.Lot Essay:George Chann was a Chinese-American artist known for his significant contributions to modern art in the mid-20th century. Born in Canton, China, Chann immigrated to the United States in 1933, where he later became a prominent figure in the American art scene. His work is characterized by a fusion of Eastern and Western artistic traditions, blending traditional Chinese calligraphy with modern abstract expressionism. Chann's unique style and innovative approach garnered attention, leading to numerous exhibitions and accolades throughout his career.In the 1950s and 1960s, Chann played a key role in the California art scene, particularly in the San Francisco Bay Area. His paintings often featured bold brushstrokes, vibrant colors, and a sense of spontaneity that reflected his deep understanding of both Chinese and Western artistic philosophies. Chann's artistry transcended cultural boundaries, offering viewers a bridge between two worlds. His legacy continues to influence contemporary artists, highlighting the rich tapestry of cultural exchange in the realm of modern art.Unframed; height: 16 3/4 in x width: 21 1/4 in. Framed; height: 20 3/4 in x width: 25 in x depth: 1 in.Condition: The painting is in good condition overall. The surface is stable with no visible cracks or losses. When viewed under UV light, there are no visible areas of restoration. There is some soiling to the verso that does not affect the recto. The frame has some wear.
Lot 499
Ann Edwards (British, contemporary),Seven humorous bird and animal studies,Woodblock prints and mixed media on paper,Each signed in pencil,Various sizes, the largest 18.5cm x 63.5cm,Each framed and glazed;With Norval Morrisseau (Canadian Ojibwe, 1931-2007), 'Serenity', screen print on paper, 43cm x 55.5cm, framed and glazed (at fault) (8)
Lot 508
David Bailey CBE, British b.1938 - Kilroy Was Here, 2008;mixed media on canvas, signed and dated on the reverse 'Bailey 08', 101.5 x 76 cm (ARR)Provenance:Camera Eye Limited, London; private collection, purchased from the aboveExhibited:National Galleries of Scotland, Bailey's Stardust, 18th July-18th October 2015
Lot 337
Terry Atkinson, British b.1939 - Goya 3 - Letters from the Artist - Dear Sue, 1985; mixed media on board, titled on the reverse 'Goya 3 - L.F.A.', 122.2 x 243.8 cm (unframed) (ARR)Provenance:with Gimpel Fils, London (according to the label attached to the reverse)Exhibited:Mappin Art Gallery, Sheffield, touring to Leeds and Rochdale, 'Depicting History For To-Day', 1987-88Note:1985 was an important year for the artist as he was nominated for the Turner Prize. Atkinson was an original member of the conceptual artist's collaboration, Art & Language, founded in 1967.
Lot 332
Shiro Tsujimura, Japanese b.1947 - Seated nude; mixed media on canvas, signed lower right 'Siro', 51 x 31.5 cm: together with an ink on paper by the same artist of similar subject, 29 x 44 cm (2)Note: the Artist is best known in Japan as a ceramicist and has exhibited across the world. His works are in prominent international collections including Stockholm Museum of Art, Miho Museum, Japan and The Metropolitan Museum of Art, New York.
Lot 288
Jan Schreuder, Dutch 1904-1964 - No.5, 1961; oil and mixed media on canvas, signed and dated lower left 'JAN 61' and signed, titled and dated lower right 'Jan Schreuder No.5 1961', 61.2 x 49.8 cm (ARR) Note: Schreuder studied at The Academy in The Hague after which he moved to South America and founded the 'Iuadorea Art Centre' in Quito, Ecuador in 1952.
Lot 143
Twelve various advertising signs, 20th century, to include 'David Gillies/Net Manufacturer', 'Burgon & Wilkinson/Sheep Shears' and 'Franz Schneider & Co./Cigar Box Label Printers', mixed media,largest 57 x 71cm (12)Provenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportGeneral light marks, wear, folds and creases throughout. Some with old grazes, perforartions and holes. Some rippling. General knocks and wear to frames throughout.
Lot 142
Nineteen various food and drink advertising pictures, 20th century, to include 'Manders's Dublin Porter', 'Ernest Cox Finnan Haddocks' and 'Opening Time is Guinness Time', mixed media,largest 67 x 53cm (19)Provenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportGeneral dirt, marks and wear throughout, with some scuffs, perforations and wrinkles. Knocks and wear to frames. All examples appear original, with signs of age and use.
Lot 141
Ten various menswear advertising pictures, 20th century, to include 'Itshide Rubber Co. Ltd.', 'Brown & Sons...Gaiters and Leggings', and the 'Felt Hatters & Trimmers' Unions of Great Britain', mixed media,largest 63 x 48cm (10)Provenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportGeneral dirt, marks and light surface wear throughout, with some scuffs, wrinkles and perforations. General knocks and wear to frames. Some glazed.
Lot 472
Patrick Procktor (British, 1936-2003), Figure and fishtank, mixed media on paper, signed, 45cm x 60cm. Condition report:The paper is in good condition, a little uneven but no tears, holes or creases, a couple of dark spots to the top centre and a small drip mark to the right edge.Additional images have been uploaded to the lot page on our website for you to view.
Lot 464
Trevor Bell (British, 1930-2017)Homage to Roger,mixed media on paper, signed, dated '62, and titled verso,54.5cm x 63.5cm.Condition report:No foxing evident, no loss of pigment, paper is in good condition, no holes, tears or creases, additional images of the reverse uploaded to the lot page on our website for you to view.
Lot 457
Edgar Hubert (British, 1906-1985), Untitled abstract, mixed media, signed, 70x54cm.Provenance:With The Mayor Gallery, Brook Street, London, numbered 3388, labelled verso.Condition report:Appears to be on paper, bottom of the framing is loose and there are a couple of small pieces of debris under the glass, paint surface looks good and sound, no areas of damage visible, signed lower left. Numbered label on the back 3388 for The Mayor Gallery, London. Local private client consignment.
Lot 228
Michael Seward Snow, British 1930–2012 - Nova, 1959; oil and mixed media on board, signed, titled and dated on the reverse 'M. Seward Snow Nova 1959', 49.5 x 58.2 cm (ARR) Note: Snow was one of the group of Modernist artists associated with St. Ives, living and exhibiting there from 1952, alongside figures such as Terry Frost and Patrick Heron. His works are now in public collections including New County Hall, Truro and The Box, Plymouth
Lot 213
Austin Cooper, Canadian 1890–1964 - Conject 61a, 1960; gouache and mixed media on card, titled and dated on the reverse 'Conject 61a 27.10.60', 20.2 x 22.5 cm: together with another work on card of a similar size by the same artist, 'Congeries 188, 1957' (unframed) (2) (ARR) Provenance: with Gimpel Fils Gallery, London, GF14544 and 17520
Lot 933
A COLLECTION OF LATE 20TH CENTURY PAINTINGS BY VARIOUS ARTISTS, comprising two pen and watercolour female nude figure studies signed S. Wood, a pen drawing of actor Robert Patterson in character for Playboy of the Western World, signed Jim Russell lower right, an unframed Norman Whitehead watercolour of Westbrook Colliery - scuffs to the image, tears to the edges, a coastal moonlit coastal landscape by Alex Cross, two unsigned landscapes, an unsigned abstract mixed media study on board, approximate size 128cm x 54cm, and a Julia Rees collagraph (9)
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44230 item(s)/page