ROCKY III - Hand-Drawn Fred Lucky StoryboardsA set of storyboards hand-drawn by Fred Lucky from the production of Sylvester Stallone's sports drama Rocky III. After an extensive training montage, Rocky Balboa (Stallone) faced off with Clubber Lang (Mr. T) for the title of World Champion. This set consists of 51 storyboards of the iconic fight sequence rendered in mixed media on drawing paper and vellum by Lucky. Shot descriptions and dialogue samples are also written in the margins. The set exhibits some ink smudging from production and small pinholes from hanging. Dimensions: (each) 8.5" x 11" (21.75 cm x 28 cm)Sold without copyright; see notice in the Buyer's Guide Estimate: $1,000 - 1,500ΔThis lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
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SPAWN - Hand-Drawn and Printed John Bell Violator Concept ArtworkHand-drawn and printed John Bell Violator concept artwork from the production of Mark A.Z. Dippe's comic book action thriller Spawn. A demonic agent of Hell, the Clown (John Leguizamo) tormented cursed superhero Spawn (Michael Jai White) in the form of a satanic monster known as The Violator.Rendered in mixed media, this lot consists of a black-and-white, hand-drawn image on cardstock paper, as well as two color and 11 black-and-white printed images. It exhibits minor signs of wear from age and use. Dimensions: 14" x 22" x 0.25" (35.5 cm x 56 cm x 2.5 cm)Sold without copyright. See notice in the Buyers Guide. Estimate: $600 - 800This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
STAR TREK: THE MOTION PICTURE - Hand-Illustrated Jack Johnson Space Suit Sketches "Overlay" with Printed Template CopiesAn "overlay" of space suit sketches hand-illustrated by production illustrator Jack Johnson with printed template copies from Robert Wise's sci-fi film Star Trek: The Motion Picture. Spock (Leonard Nimoy) and Kirk (William Shatner) donned their Starfleet spacesuits when they attempted to make contact with V'Ger outside the Enterprise.This lot consists of an overlay illustration featuring three spacesuit costume sketches rendered in mixed media on letterhead from Apogee, Inc., Johnson's company, as well as printed copies of Apogee illustrations created as design templates. All exhibit bent corners, pinholes, and tearing from production. Dimensions (each): 11" x 17" (28 cm x 43.25 cm)Sold without copyright; see notice in the Buyer's Guide. Estimate: $500 - 700ΔThis lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
STAR WARS: REVENGE OF THE SITH (2005) - Hand-Drawn Erik Tiemens Alderaan Supertower Concept IllustrationAn Alderaan supertower concept illustration hand-drawn by Erik Tiemens from the production of George Lucas' Star Wars: Revenge of the Sith. In the film's finale, the Skywalker's infant daughter was delivered to Bail Organa's (Jimmy Smits) family in a supertower on Alderaan to be raised under their protection. This illustration is rendered in mixed media, including black ink, on white paper and depicts an elaborate supertower with mountains in the distance. It is labeled "SW3 Alderaan Supertower Structure 9.13.2002" and signed "E. Tiemens." It exhibits some stray markings and creasing. Dimensions: 22" x 14" (56 cm x 35.75 cm)Sold without copyright; see notice in the Buyer's Guide Estimate: $400 - 600This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
STAR WARS: RETURN OF THE JEDI (1983) - Hand-Drawn and Annotated Paul Huston Endor StoryboardAn Endor storyboard hand-drawn and annotated by Paul Huston for the production of Richard Marquand's Star Wars: Return of the Jedi. The Rebels joined forces with Ewoks to fend off the Empire's AT-ST "chicken walkers" on Endor.This storyboard depicting an AT-ST stomping through the forest is rendered in mixed media on paper and signed by chief model maker Huston. It features graphite annotations regarding necessary model miniatures for the film's Endor sets, including "breakaway trees," "squashable bushes," and "logs." The storyboard exhibits staining and creasing along its edges from production. Dimensions: 8.5" x 11" (21.75 cm x 28 cm)Sold without copyright; see notice in Buyer's Guide. Estimate: $1,500 - 2,500ΔThis lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
STAR WARS: STAR TOURS - Pair of Hand-Drawn David Carson Death Star Battle StoryboardsTwo storyboards hand-drawn by David Carson for the production of Disney's Star Wars: Star Tours. In the theme park attraction, visitors in a motion simulator guided by RX-24 (Paul Reubens) accompanied Rebel fighters as they destroyed the Death Star.These storyboards, one each marked "We enter the trench" and "Down among the deathstar towers," are rendered in mixed media on Lucasfilm stationery by Carson, the attraction's art director and storyboard artist. They are labeled "Simulator Attraction Preliminary Storyboards, dated "8-15-85," and numbered "84" and "86," respectively. Both exhibit staining and edge wear. Dimensions (each): 14" x 8.5" (35.75 cm x 21.75 cm)Sold without copyright; see notice in Buyer's Guide. Estimate: $800 - 1,200ΔThis lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
STAR WARS: STAR TOURS - Pair of Hand-Drawn David Carson StoryboardsTwo storyboards hand-drawn by David Carson for the production of Disney's Star Wars: Star Tours. In the theme park attraction, visitors traveled through the galaxy in a motion simulator guided by RX-24 (Paul Reubens).These storyboards, one each labeled "They disappear!" and "We're approaching the Rebel fighters..," are rendered in mixed media on Lucasfilm stationery by Carson, the attraction's art director and storyboard artist. They are marked "Simulator Attraction Preliminary Storyboards," dated "8-15-85," and numbered "94" and "95," respectively. Both exhibit staining and edge wear. Dimensions (each): 14" x 8.5" (35.75 cm x 21.75 cm)Sold without copyright; see notice in Buyer's Guide. Estimate: $800 - 1,200ΔThis lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
STARSHIP TROOPERS - Hand-Drawn John Bell Set of Vehicle SketchesA set of hand-drawn John Bell vehicle sketches from Paul Verhoeven's sci-fi satire Starship Troopers. Several modes of advanced transportation were used to move civilians and citizens throughout the futuristic film.This lot consists of five black-and-white sketches by production illustrator John Bell. Rendered in mixed media on white paper, these sketches are dated between "11.95" and "12.95" and feature vehicles such as a public transportation unit and a troop deployment carrier. They exhibit minor signs of wear, including some creasing on the borders. Dimensions: 12" x 17" (30.5 cm x 43.25 cm)Sold without copyright; see notice in Buyer's Guide. Estimate: $400 - 600This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
SUPERMAN LIVES - Hand-Drawn and Printed Jack Johnson Spacecraft Concept ArtHand-drawn and printed Jack Johnson spacecraft concept art from the production of Tim Burton's unproduced superhero adventure Superman Lives. This lot consists of two hand-drawn, black-and-white spacecraft sketches rendered on vellum in mixed media and signed by art department illustrator Johnson, and 10 printed black-and-white paper sketches featuring spacecraft interiors, exteriors, and cityscapes. It exhibits torn edges and creasing on the vellum sketches and push pin holes in the corners of the paper sketches. Dimensions: 11" x 17" x 0.25" (28 cm x 43.25 cm x 0.75 cm)Sold without copyright. See notice in the Buyers Guide. Estimate: $500 - 700This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
SUPERMAN LIVES - Hand-Drawn and Printed Jack Johnson Spacecraft Concept ArtHand-drawn and printed Jack Johnson spacecraft concept art from the production of Tim Burton's unproduced superhero adventure Superman Lives. This lot consists of three hand-drawn black-and-white spacecraft sketches rendered on vellum in mixed media; two sheets of tracing paper featuring hand-drawn images of a spacecraft and a creature; and seven printed black-and-white paper sketches featuring spaceship exteriors. Two of the vellum sketches and one of the tracing paper sketches are signed by art department illustrator Johnson. It exhibits torn edges and creasing on the vellum sketches and push pin holes in the corners of the paper sketches. Dimensions: 11" x 17" x 0.25" (28 cm x 43.25 cm x 0.75 cm)Sold without copyright. See notice in the Buyers Guide. Estimate: $500 - 700This lot will be auctioned on Thursday, June 23rd. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, June 21st; Wednesday, June 22nd; or Friday, June 24th.
GREMLINS - Hand-Painted John Alvin Final One-Sheet Poster ArtworkThe final one-sheet poster artwork hand-painted by John Alvin for the promotion of Joe Dante's horror comedy Gremlins. The iconic final theatrical one-sheet featuring the tagline "Cute. Clever. Mischievous. Intelligent. Dangerous" was designed by Intralink Film Graphic Design with and featured artwork by famous Hollywood posterist Alvin.This large painting of Gizmo (Howie Mandel) emerging from Billy Peltzer's (Zach Galligan) box is rendered in mixed media on canvas. The piece is symbolic of the more subtle film advertising style in the 1980s, which intended to engage the viewer by revealing very little of Gizmo. It also features a sly nod to Steven Spielberg's production company Amblin with the Amblin logo featuring Elliott and E.T. The Extra-Terrestrial on Billy's pants button. This beautiful work comes mounted behind UV-filtering plexiglass in a white wooden frame and a black interior. The painting exhibits visible scuffing and white discoloration along its edges. Dimensions: 32" x 42" x 2.5" (81.5 cm x 106.75 cm x 6.5 cm)Sold without copyright; see notice in Buyer's Guide. Estimate: $50,000 - 70,000This lot will be auctioned on Tuesday, June 21st. The auction will begin at 8:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 22nd; Thursday, June 23rd; or Friday, June 24th.
ISMAEL GONZÁLEZ DE LA SERNA (Guadix, Granada, 1898 - Paris, 1968).Untitled, 1937.Mixed media on panel.With stamps from private collections: E. James and Daniel-Henry Kahnweiler.Presents label of the Clovis Gallery, Paris.Measurements: 39 x 46,5 cm; 57 x 64 cm (frame).In the year this piece was made, 1937, Ismael González took part in the Spanish Pavilion at the International Exhibition in Paris, thus proving his worth as a painter and establishing his career in the eyes of the critics and the public. However, although this was a good professional period, the ravages of the war had left a strong impression on the artist that is reflected in his painting. This work is an example of this, as we can see how he gradually eliminated his Cubist influence and introduced a much more expressive and tragic chromatic range. In this still life, the main motif, the fruit bowl, still retains this cubist heritage both in form and in the artist's treatment of shadow. However, the space with the background open to the outside, the score and the presence of the letters show us a compositional conception with a classical heritage. Ismael González de la Serna began his art studies in Granada and completed them in Madrid, at the San Fernando School of Fine Arts. In his early years he developed an eclectic pictorial style, drawing on Impressionist, Symbolist and Modernist sources. One of the first examples of his youthful language can be found in the illustrations he made for his childhood friend Federico García Lorca, in what was to be his first book, "Impresiones y paisajes" (1918). That same year, Ismael de la Serna held his first exhibition in Granada, and shortly afterwards he presented his works at the Ateneo in Madrid. In 1921 he moved to Paris in order to broaden his artistic horizons, joining the circles of the School of Paris. Among his Parisian friends was Pablo Picasso, who influenced his work but was, above all, the Granada painter's protector. During this period De la Serna's style was permeable to the influences of the avant-garde, particularly Cubism and Expressionism, which he worked in a highly personal manner. Likewise, the initial influence of Impressionism was always evident in his work. The year 1927 marked the beginning of a period of strong influence on his work, which began with the painter's solo exhibition at the influential Paris gallery of Paul Guillaume. This exhibition was followed by many others, both in Paris and in Berlin, Brussels, Copenhagen, Granada and Mexico. In 1928 he was commissioned by the director of "Cahiers d'Art", Christian Zervos, to illustrate a special edition of twenty sonnets by Góngora. The key to his recognition lies in his sensual interpretation of the forms of Cubism, based on the relevance of a drawing with a sinuous and highly decorative line, combined with strong chromatic contrasts. With a marked spatial sense and without ever abandoning figuration, De la Serna mainly depicted still lifes, in which he emphasised the sensory aspect of his painting with metaphorical sensory references such as music, fruit or open windows. He also worked on landscapes and portraits. After inaugurating the activities of the Asociación de Artistas Ibéricos in Madrid with a solo exhibition in 1932, the painter embarked on new avenues of artistic experimentation which, after the Second World War, led to a more schematic and simplified style of painting, close to contemporary abstract solutions. Ismael de la Serna is represented in the Patio Herreriano Museum in Valladolid, the Reina Sofía Museum in Madrid, the Fine Arts Museums of Granada and Seville, the ARTIUM in Vitoria, the Popular Museum of Contemporary Art in Vilafamés and the Museum of Modern Art in Paris, among many others.
ANTONIO AZZATO (Venezuela, 1973)."Menina; Liberty Neon (mini)". Blend multicolour series".Mixed media on plaster.Enclosed certificate issued by the author.Includes box made by the artist.Signed.Measurements: 40 x 28 x 18 cm.Round sculpture in which the silhouette of Las Meninas by Velázquez is presented in a conceptual way. A figure that has influenced Antonio Azzato's artistic conception, which he has been studying for more than a decade. With this design, which consists of an abstraction of the iconic image created by Velázquez, Azzato has managed to bring a personal vision and a new artistic life, turning Las Meninas into transcendental works, which are now established as a symbol of Madrid's heritage. In this case Azzato proposes a double homage, as he not only rescues the silhouette of Velázquez's Menina, but also prints different iconic elements linked to the city of New York on her skirt. Pieza follows the line of works that were exhibited for the Meninas Madrid Gallery project, which began in April 2018 as part of the Madrid Capital de Moda project, organised by the Madrid City Council in collaboration with the Asociación Empresarial del Comercio Textil y Complementos (ACOTEX), which is part of Madrid Capital de Moda.Antonio Azzato began his academic training in the field of industrial engineering. He continued his studies with a master's degree in commercial management and marketing at the Instituto de Empresa in Madrid. Years later he moved to New York where he was introduced to the study of interior design, studying at the Parson School. His interest in art has been constant since his childhood, which is why his works reflect a great knowledge of the history of art. Always from a new and contemporary perspective, influenced by urban art. His works are a reflection of this language where the spectator approaches icons or historical references, but through new textures and materials, generating new discourses and interpretations about the history of art and the relationship of the public with the work. His pieces can be found in different countries, also making different designs for restaurants, interventions, or his own artistic project art by Azzato.
ANTONIO AZZATO (Venezuela, 1973)."Menina; Splash Neon (mini)". Blend multicolour series".Mixed media on plaster.Enclosed certificate issued by the author.Includes box made by the artist.Signed.Measurements: 40 x 28 x 18 cm.Round sculpture in which the silhouette of Las Meninas by Velázquez is presented in a conceptual way. A figure that has influenced Antonio Azzato's artistic conception, which he has been studying for more than a decade. With this design, which consists of an abstraction of the iconic image created by Velázquez, Azzato has managed to bring a personal vision and a new artistic life, turning Las Meninas into transcendental works, which are now established as a symbol of Madrid's heritage. In this case Azzato proposes a double homage, as he not only rescues the silhouette of Velázquez's Menina, but also prints different iconic elements linked to the city of New York on her skirt. Pieza follows the line of works that were exhibited for the Meninas Madrid Gallery project, which began in April 2018 as part of the Madrid Capital de Moda project, organised by the Madrid City Council in collaboration with the Asociación Empresarial del Comercio Textil y Complementos (ACOTEX), which is part of Madrid Capital de Moda.Antonio Azzato began his academic training in the field of industrial engineering. He continued his studies with a master's degree in commercial management and marketing at the Instituto de Empresa in Madrid. Years later he moved to New York where he was introduced to the study of interior design, studying at the Parson School. His interest in art has been constant since his childhood, which is why his works reflect a great knowledge of the history of art. Always from a new and contemporary perspective, influenced by urban art. His works are a reflection of this language where the spectator approaches icons or historical references, but through new textures and materials, generating new discourses and interpretations about the history of art and the relationship of the public with the work. His pieces can be found in different countries, also making different designs for restaurants, interventions, or his own artistic project art by Azzato.
Six original artworks to include: modernist abstract painting, oil on canvas, indistinctly signed and dated verso., 79 x 103 cm; student painting of a dalek 60 x 74 cm; framed relief of a giraffe 50 x 87 cm; Paul Shreder, caricature portrait of a professor, 1961, 37 x 93 cm; mixed media Mona Lisa on paper, 60 x 76 cm; and caricature of a gentleman holding map of London 'Thanks for the Safari in London', signed 'Gabris 1970' 122 x 51 cm (6)
* VAENA ROBERTSON, FORGET-ME-NOTS mixed media on board, signed and titled verso image size 22cm x 25cm, overall size 48cm x 48cm Mounted, framed and under glass. Note: a wife of the artist James Downie Robertson. Provenance: the Private collection of a Scottish gentleman, a close friend of the artist.
Matt Wilde (Northern British 1970-): 'Urb-Bliss' Manchester, mixed media on canvas signed, titled and dated July 2006 verso 122cm x 183cm (unframed) Notes: Since graduating from Liverpool John Moores University with a degree in Fine Art in 1998, Matt Wilde has held solo exhibitions in London, Liverpool and Manchester. He draws inspiration from urban environments and the vibrancy of the towns and cities, concerned primarily with capturing the 'immediacy' of those surroundings that people become immersed in. His technique of applying the paint quickly to the canvas in a sketch-like manner lends itself to the fast-paced lifestyles of today's society and there is humour and wit in the scenes, as well as moments of human isolation in the chaos of busy town life.Condition Report:Excellent condition - Ready to hang
HAZEL NAGL RSW RGI PAI (SCOTTISH b.1953) HIGHLAND FERRY Mixed media, signed lower right, 15 x 24cm (6 x 9.5") Title inscribed verso Hazel Nagl is renowned for her sense of colour, space and light in her landscapes and still lifes. Nagl studied Drawing and Painting at the Glasgow School of Art, and she was elected to the Royal Glasgow Institute and to the Royal Scottish Society of Painters in Watercolour. Notable exhibitions and public collections include The Royal Bank of Scotland; Glasgow University; The Fleming Collection and Scottish & Newcastle Breweries. Condition Report:Available upon request
LILIAN STRANG NEILSON (SCOTTISH 1938-1998) SUNRISE OVER A SEAWALL, CATTERLINE Oil on board, signed lower centre, 106 x 121cm (41.75 x 47.75") Title inscribed to label, and date (1963) inscribed in ink verso Condition Report:Painting shows signs of marking, lifting collage areas, wear and damage to board. Edges of wooden panel are jagged, some splintering wood and peeling paint particularly below artist's signature. Collage and mixed media element of work does have intended scratched/rougher areas, but some wear may be related to age and handling also. Please refer to images and request any further photographs if required.
GARY ANDERSON (SCOTTISH b.1960) TWO CHICKENS Mixed media on paper, signed lower right, dated (19)93, 7 x 13cm (2.75 x 5") Title inscribed to Ewan Mundy Fine Art LTD label verso Gary Anderson is a painter and draughtsman, born in Baillieston, Glasgow, he studied at the Glasgow School of Art. His work is expressive, colourful and imaginative, deriving inspiration from the circus and Chinese watercolours. Notable awards include: John D Kelly Award, 1981; D W T Cargill Award, 1984; Arthur Young Prize, 1987. Exhibitions include: the Compass Gallery, Glasgow, Open Eye Gallery and the Fine Art Society, London. Ewan Mundy Fine Art has shown his work in New York, London and Glasgow. Condition Report:Available upon request
ROBERT MULHERN (SCOTTISH) DARK SONNET Mixed media on paper, signed lower right, dated (1993), 83 x 57cm Robert Mulhern is a contemporary and Post War artist, and he has exhibited across Scotland. Often through depictions of the figure, his work offers an intimate view into the deep significance and symbolism of encounters, emotions and the human condition. Condition Report:Available upon request
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38744 item(s)/page