We found 38563 price guide item(s) matching your search
There are 38563 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
38563 item(s)/page
Lot 253
Jules Chadel (French, 1870-1941), Vulture, signed lower left with initials "JC", Indian ink on paper, 23 x 24 cm, Beverly Pepper (American, b. 1924), Standing girl, ink on paper, signed lower right 'B Pepper / Rome '53', 31 x 19 cm, Rosslyn Ruiz (British, b. 1935), An abstract composition, signed lower right "Ruiz" and to the reverse, mixed media, 40 x 28 cm; together with Elizabeth Steig (British, 20th Century), Still life of flowers in a double-handled urn and blue spoonback chair, signed lower right "Liza", acrylic on paper, 34 x 46 cm, Modern British School, 20th Century, Sailing boats along the river, watercolour, 27.5 x 45 cm; Kary Edez-Shaw (British, 20th Century), Landscape, watercolour, signed lower right, 19.5 x 28 cm; After Eugène Boudain (French, 1824-1898), Trouville, colour print, 20 x 42 cm (3) Paper discoloured to the background with some creasing. Under glass and may be stuck down. Two punch holes to the left-hand side.
Lot 340
KEITH DALE (Contemporary) MIXED MEDIA 'Industry by Night' Signed and dated (19) 94 lower right titled on artist's label verso 8 3/4" x 10 1/2" (25cm x 26.5cm) also IAN SCOTT MASSIE (Contemporary) A FRAMED SUIT OF THREE WATERCOLOUR 'The Peaks' Signed, artist's printed label verso varying sizes
Lot 1417
A 20th century mixed media Tondo artwork on board of a young girl, signed P Muller to the corner having a painted water colour cloud background of pastel colours, a detailed pencil drawing under layer with colouring added with chalk pastel to the dress, hat and face of the child, framed and glazed in a wooden frame with gilt scroll work. Measures 73 cm x 73 cm.
Lot 3470
A collection of various paintings and prints, to include; Mariam Sorrell "Untitled Composition", mixed media (Provenance; Art for Life Cancer Research Auction), J L Sumner "Blue Monkey", a limited edition coloured woodcut,numbered 23/50, two Japanese floral prints, and prints of London, with other similar pictures. (qty) Provenance: Prints of London were part of Spike Milligan's personal collection.
Lot 12
Fraser Crawford (b.1976). Jack of Hearts. Mixed media. Signed and titled. 38.7 x 29. Framed. Fraser Crawford is a figurative artist who has exhibited widely,including at two Royal Academy Summer shows. His work is held in privatecollections in the UK, Europe and the United States.My late mother had renal failure. I was very pleased to be involved in a project which could help others in this situation and as I am more than aware of how difficult this can be. I am pleased that my card is part of the Hearts suit, as this is a cause that is close to my own heart.Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
Lot 17
Robert Fitzmaurice (b.1960). 3 of Spades. Mixed media on card. 28 x 20cm. Framed. Robert Fitzmaurice: I am a visual artist whose output involves painting, mixed media and collage. My figurative style is fragmentary and references both the art of the past and contemporary culture. I usually work in series with each work involving an interplay between one or more figures and ambiguous forms in order to invoke a particular mood, e.g. contemplative, melancholy, or dramatic. The figures operate in a shallow, theatrical space and tend to possess the frontality and expressive shorthand common to votive art of all cultures. These elements combine to suggest an absurd universe where meaning is fluid and open to interpretation. Often I will start a series of works with an idea inspired by something recently seen or read. Other times I may work more instinctively from images found in books, postcards, the cinema or online. I may also start a new work by tracing an old drawing, or the overpainting and collaging of earlier works, especially proof prints and print matrices. The composition is then subjected to a number of revisions and embellishments. The paint layers involve open brushwork, impasto and glazes, and are often further modified by the introduction of sand, sawdust or collage elements. Colour decisions are driven by the emotional tone and to balance the composition. I am very interested in how the mind assigns value to imagination and experience and how these meet to produce a work or art. My tendency to simplify, filter and truncate is in response to the fragmented and bewildering surfeit of images available to contemporary audiences. Artists of different periods and cultures have used the human figure in order to convey a narrative or personify a concept. By referencing the formal potency of these otherwise outmoded and compromised systems I wish to draw attention to a common ground, or sometimes a point of departure, in order to highlight the absurdities that continue to divide us. The power dynamics of childhood, family and rites of passage feature strongly as I consider they have a universal significance that transcends religion, myth or dogma. Originally from Coventry I studied Fine Art in Sunderland before moving to Reading in 1984 for my MFA. After years of making art around a day-job I became a full-time artist in 2015. I hold a studio in the town at OpenHand OpenSpace and participate regularly in exhibitions nationally and internationally. www.fitzmaurice.works. Interview with the artist: Why did you want to take part in this fundraising initiative I was invited to participate in the 2016 TLC Art Auction and really enjoyed being part of that. I therefore didn't hesitate to get on board with this project.Can you tell us about your artwork What inspiration did you draw on to create your designMy design includes a small central sprite realised through the union of the three spades. In my work I am interested in invoking the figure through a mixture of figuration and abstraction. The spades suit suggested to me a rather austere and weathered character which I have sought to reflect in my choice of materials and surface effects. What is it about the charity Transplant Links that made you want to support them I am very impressed by the important work TLC does in developing countries. Their work makes life-saving operations a reality for those in need. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
Lot 46
Bridget Moore RBA NEAC RWS (b.1960). 5 of Clubs, 'Little Balancers'. Signed verso: 'Bridget Moore, Gouache, 2017, Little Balancers'. 21.5 x 17.2cm. Framed. Bridget Moore makes paintings based upon a mix of images and observations from child and early adulthood memories, from imagination and things noticed from the everyday, which provide a source of information and become vehicles for paintings. Her grandparents’ home is a constant recurring theme in her work, as are sideshows and circuses which provide strong earthy imagery. Her composition and use of colour give a strong sense of mood and feeling. Bridget works mainly in gouache, mixed media and oil. The initial idea or notion for a painting often starts with a drawing made in a sketchbook, which can be from direct observation and notes made with ideas from imagination. From these, compositions are worked out in small gouaches. These are painted on card and are built by layering colours to achieve the effect she wishes. Sometimes these gouaches can be used as a starting point for much larger oil paintings. These are worked by building and layering colour, thin paint to begin with, then fatter paint on top. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
Lot 400
§ Vittorio Sopracase (Italian, 1942-2016) Untitled signed lower right "Sopracase" mixed media on canvas laid on panel, unframed 24 x 26cm (9 x 10in) Born in 1942 in Istria at the head of the Adriatic Sea and escaping with his family during the Second World War to a small town on the Northern coast of Italy, Vittorio Sopracase went on to study at the Arts Academy in Carrara, Tuscany. Following his graduation, he exhibited internationally and took part in over 500 exhibitions throughout his career, including the Parisian Salons. He became well known for continuously experimenting with different materials, styles and techniques. His works are notably held in the collections of the Guggenheim Museum, New York and among numerous private collections worldwide. Unframed and fine.
Lot 401
§ Vittorio Sopracase (Italian, 1942-2016) "Calano Le Ombre" signed lower right mixed media on panel, unframed 21 x 25cm (8 x 10in) Born in 1942 in Istria at the head of the Adriatic Sea and escaping with his family during the Second World War to a small town on the Northern coast of Italy, Vittorio Sopracase went on to study at the Arts Academy in Carrara, Tuscany. Following his graduation, he exhibited internationally and took part in over 500 exhibitions throughout his career, including the Parisian Salons. He became well known for continuously experimenting with different materials, styles and techniques. His works are notably held in the collections of the Guggenheim Museum, New York and among numerous private collections worldwide. Unframed and fine.
Lot 402
§ Vittorio Sopracase (Italian, 1942-2016) "La Grand Duchesse" signed lower right mixed media on panel, unframed 20 x 30cm (8 x 12in) Born in 1942 in Istria at the head of the Adriatic Sea and escaping with his family during the Second World War to a small town on the Northern coast of Italy, Vittorio Sopracase went on to study at the Arts Academy in Carrara, Tuscany. Following his graduation, he exhibited internationally and took part in over 500 exhibitions throughout his career, including the Parisian Salons. He became well known for continuously experimenting with different materials, styles and techniques. His works are notably held in the collections of the Guggenheim Museum, New York and among numerous private collections worldwide.
Lot 403
§ Vittorio Sopracase (Italian, 1942-2016) "Tempo sospeso" signed lower right "Sopracase" mixed media on panel, unframed 19 x 37cm (7 x 14in) Born in 1942 in Istria at the head of the Adriatic Sea and escaping with his family during the Second World War to a small town on the Northern coast of Italy, Vittorio Sopracase went on to study at the Arts Academy in Carrara, Tuscany. Following his graduation, he exhibited internationally and took part in over 500 exhibitions throughout his career, including the Parisian Salons. He became well known for continuously experimenting with different materials, styles and techniques. His works are notably held in the collections of the Guggenheim Museum, New York and among numerous private collections worldwide.
Lot 355
§ Scottie Wilson (Scottish, 1889-1972) 'SW-16'; and 'SW-30' both signed "Scottie" lower right mixed media on paper (2) 36 x 26cm (14 x 10in) Provenance: The London Gallery Ltd, 23 Brook Street, London, W1; The Zwemmer Gallery, 26 Litchfield Street, London, WC1; The collection of the late Eric Stevens, removed from Hampstead, LondonCondition: One is unglazed. Some staining on the first one along the centre. Paper discoloured slightly on both and some surface dirt present.
Lot 388
§ Lindsay Kemp (British, 1938-2018) 'Divine' signed upper top "Lindsay" mixed media 42 x 28cm (16 x 11in) Provenance: Acquired directly from the artist by the vendor at an exhibition at the Bloomsbury Theatre, mid 1970s Exhibited: London, Bloomsbury Theatre, Lindsay Kemp Exhibition, mid 1970s Other Notes: The present subject is an image of 'Divine', the character played by Kemp in his 'Flowers' production, which was a performance or 'pantomime' version of Genet's 'Our Lady of the Flowers'. Looks to be stuck down and there are some brown foxing marks to the middle of the figure.
Lot 405
§ Andrew Johnstone (British, 1933-2015) Three Ships from Corinth, 1995 signed and dated lower left "AJ '95"; signed and titled to the reverse mixed media on board 37.50 x 77cm (15 x 30in) Provenance: Wilson Stephens Fine Art, 11 Cavendish Road, London, NW6, where purchased by the present owner in 1995
Loading...-
38563 item(s)/page