We found 44230 price guide item(s) matching your search
There are 44230 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
44230 item(s)/page
Lot 136
Pat Douthwaite (British, 1934-2002)Priestess figure in gold trousers collage and mixed media on blue paper65 x 50cm (25 9/16 x 19 11/16in).unframedFootnotes:ProvenanceThe artist's studio; thence by descent.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1447
MATILDA TUMIM (BRITISH, B. 1963) (2)Migrant (1996), two framed as one mixed media on wood framed size 23 x 26cm ARR Provenance The Blue Gallery, Walton Street, London; Private collection, UK together with another mixed media on wood by the same hand, St Magnus Tales, No. 24 (1993), two framed as one, framed size 20 x 20cm Provenance Contemporary Art Society Market; Private collection, UK (2)
Lot 1484
JOHN MCLEAN (BRITISH, 1939-2019)Balloch signed with initials and dated 'JM 97' (lower left) acrylic and mixed media on paper 57 x 76cm ARR Provenance Bourne Fine Art, Dundas Street, Edinburgh; Private collection, UKCondition reportAppears in generally good condition.Under glass and not examined out of frame.
Lot 1473
MICHAEL CORKREY (BRITISH, B. 1962) (2)Seascape, Diptych each signed and dated 'M. CORKREY 2006' (to backboard) oil and mixed media on canvas stretched over board each 100 x 100cm (2) ARR Provenance Private collection, UKCondition reportAppears in generally good condition.The blotches visible in the photos are original to the picture.
Lot 1314
EDGAR HUBERT (BRITISH, 1906-1985)Composition, June 1946 signed 'E Hubert' (lower right) mixed media on paper 36.5 x 25cm ARR Provenance The Fine Art Society, London, 2005; Property of a Nobleman Exhibited London, The Fine Art Society, Edgar Hubert 1906-1985, 2005, no.23Condition reportSmall crease lower left corner.Faint crease upper right corner.Otherwise appears in generally good condition.Under glass and not examined out of frame.
Lot 1270
DOD PROCTER (BRITISH, 1890-1972)Girl in a Black Dress (c. 1915) signed 'Dod Procter' (upper left) and inscribed with title (to back of stretcher) oil and tempera on canvas 77 x 62cm with an oil of a water fountain (verso) ARR Provenance The present owner's grandparents; thence by descent; Private collection, UK We are grateful to Toby Procter who has confirmed the authenticity of this work.Catalogue noteA solitary seated female figuregazes out past the viewer. Dressed in a medieval-esque black smock with abright lacquer-red cap which envelops her dark shoulder-length hair, the girlcrosses her arms and sits motionless, her piercing blue eyes staring into thedistance, her mind lost in thought and detached from the present. She sits infront of a decorative pattern of flower motifs which adorns a panel ofwallpaper, tapestry or silk cloth, alongside a plain blue/grey wall. In the top left-handcorner, the maker’s signature reads ‘Dod Procter’.This newly discovered work by DodProcter (1890-1972), from a private collection, is truly remarkable as itappears to be the earliest figurative work by the artist to have appeared onthe market in the last couple of decades. It provides a glimpse into Dod’searly years as an artist, exploring and developing a visual vocabulary whichwould then characterise her oeuvre from the 1920s. Only three other figurative works painted before 1920 by Dod, but which arguably post-date the present painting, are known to us in public collections: a portrait in oil from 1916 of her friend Sheelah Hynes (sister of the artist Gladys Hynes) at The Wolfsonian-Florida International University (Colour Magazine, June 1919), and two line drawings, one most certainly a preparatory sketch for the oil, at the Tate Archives (these are recto-verso on a sheet of paper and the second sketch, the figure wearing a hat, may be of Sheelah or Gladys). Another figurative work, The Charm, from this period was reproduced in Colour Magazine in December 1918.The composition and subject are typicalof Dod’s more mature figurative work from the 1920s, which led to her rise tofame in 1925 with The Model (exhibited at the RA in 1925) andsubsequently Morning (exhibited at the RA in 1927 and immediatelyacquired for the nation by the Tate, where it is still held today), propellingher to stardom and international acclaim. These works often depict the figurepositioned close-up at a three-quarter angle to the viewer and, viewed slightlyfrom above or sometimes from below, offer a sense of monumentality andweightiness akin to sculpture. The sitter, as in the present work, if notasleep, gazes into the void, the minimalist space and the various propsstrategically placed beside her creating a possible accompanying narrative.The presence of tempera in thiswork with its transparent quality, most notably in the bodice, is evidence ofits early dating. We know from her letters to Ernest Procter, whom she marriedin 1912, that during the 1910s Dod was experimenting and practising withtempera, a medium which was experiencing a revival at the turn of the 20thCentury, promoted by critics such as Roger Fry and artists such as MarianneStokes, herself a member of the Newlyn School in the last decade of the 19th century. On occasion Dod would use tempera as a means of mapping out a colourscheme before working on the final piece in oil. It would appear from thepresent work that she also worked in mixed media, namely tempera and oil.The bold lacquer-red pigment which Dod employed for the girl’s hatattests to the dating of this work and a similar colour was used for a stilllife entitled Poppies and Foxgloves (Modern Britishand Irish Art Day Sale, Christie’s, London, 21st March 2024, lot 145), which Dod described duringits production in a letter to Ernest in 1917. The hat itself may be the onelater worn by Dod’s model Lillian in Girl with a Red Cap (1923) (Paintings Sale, Woolley& Wallis, Salisbury, 21st March 2012, lot 249). Dod exhibited nationally in groupexhibitions with, but not solely, the Royal Academy, WIAC (Women’sInternational Art Club), Society of Women Artists, United Artists, AlliedArtists and in gallery shows such as the Leicester Galleries and Brook StreetGalleries. She also exhibited internationally with the British Artists’Exhibition in Buenos Aires in 1928, the Venice Biennale from 1922 to 1930, theCanadian National Exhibition, the Carnegie International in Pittsburgh from1924 to 1935, in a solo show at the Carl Fischer Gallery New York in 1936 and asolo show at the Carnegie in 1936-37, thereby gaining an internationalclientele.Greatly supported by the Britishpress, art journals and art critics, most notably Frank Rutter, the Francophileand proponent of Post-Impressionism, Dod was an important and highly recognisedmodernist painter and in 1942 became the second woman to be elected a RoyalAcademician (Laura Knight being the first). Her paintings are now held inimportant national and international institutions, such as the Tate and the CarnegieMuseum of Art in Pittsburgh.Trained in Newlyn under theauspices of Stephen and Elizabeth Forbes, who sought inspiration from the artcolonies in Brittany, Dod was part of the second generation of painters fromthe Newlyn School and a key member of the Newlyn and Lamorna art colonies, herartistic and social network counting among others Laura Knight, Gluck, GladysHynes, Ernest Procter, Gertrude and Harold Harvey, Cedric Morris and AJMunnings.We are grateful to Alexandra Kett-Baumann for her assistance with the cataloguing of this work and for preparing this catalogue note.Condition ReportOriginal canvas with the basis of another composition (verso); approximately 1inch surface abrasion to the sitter's chest, lower right; smaller abrasions to background, lower left and to curtain, lower right; further scattered frame abrasions to each border; canvas visible to the upper left border; Ultraviolet reveals retouching to the sitter's forehead, cheeks and chin but these barely fluoresce and are therefore likely to be the artist's hand. Held in a modern composite gilt frame in fair condition.
![Circle of Sadequain [Syed Sadequain Ahmed Naqvi] – 20th century mixed media on animal skin, bears signature, 62cm x 156cm, wi](https://cdn.globalauctionplatform.com/2ec6367a-dbc7-417d-b60e-b15b00ab790b/80377e47-9034-41d9-8b87-b165011cb490/468x382.jpg)
Lot 148
Circle of Sadequain [Syed Sadequain Ahmed Naqvi] – 20th century mixed media on animal skin, bears signature, 62cm x 156cm, within a gilt frame. Provenance: purchased from Rosebery’s Indian & Islamic Sale, 24th April 2017, lot no. 473, where catalogued as an autograph work by the artist. Rosebery’s provenance stated the work was purchased from the Noble Sage Gallery, Lahore, in 1983.
Lot 146
Sabir & Svetlana Gadzhiev – ‘Full Moon’, 21st century mixed media print with acrylic, from an edition of 15, sheet size 29cm x 39cm, within an ebonized frame, together with two ink drawings by Stan Smith and Karolina Gassner, a colour print by R.P. Brooks, three mixed media prints by Chloe McCarrick, and an acrylic abstract by Karolina Gassner.
Lot 197
Charles Knode – Countess Rastova and Princess Helene (Costume Designs for War and Peace), a pair of 20th century mixed media ink with gouache and fabric collage, both signed and inscribed, each 24.5cm x 18cm, both within gilt frames. Note: Charles Knode was a renowned costume designer celebrated for his work in theatre, film, and television. Knode designed the costumes for the BBC dramatisation of ‘War and Peace’ in 1972 and subsequently won BAFTA awards for his costume designs for the films ‘Bladerunner’ and ‘Braveheart’.
Lot 143
Anoushka Cole – ‘Project Fish’, 21st century screenprint, signed, titled and editioned 25/40 in pencil, 26cm x 37.5cm, within an ebonized frame, together with three etchings by Lorena Heerrero, John Douglas Piper and Peter Wareham, a linocut by Pamela Stewart and a mixed media print with collage by Victoria Hall.
Lot 190
λ HANS RICHTER (GERMAN 1888-1976) UNTITLED Mixed media collage on wood Signed, dated 1972 and variously inscribed (verso) 83 x 50cm (32½ x 19½ in.) UnframedExhibited: Milan, Galleria del Naviglio, March-April 1973Hans Richter was a German painter and abstract artist who was part of the Dada movement. He was the co-founder of the "Artistes Radicaux" in Zurich in 1919, believing that artwork should be political and support the revolution.
Lot 247
A LARGE STAINLESS STEEL ANGLEPOISE 'MOVIE' FLOOR LAMP DESIGNED BY CURTIS JERE, 1970s With shutter shades, on an adjustable arm, fitted for electricity The upright 130cm high, the hinged arm 105cm long Curtis Jeré is the collaboration of two metal sculptors Jerry Fels and Curtis Freiler who founded the company Artisan House in the USA in 1963. The brothers-in-law worked side by side creating wall and floor sculptures, mirrors, hanging fixtures and some illuminated pieces all with accentuating shapes, colours and textures in copper, steel, brass, bronze and other mixed media.
Lot 196
λ HANS RICHTER (GERMAN 1888-1976) PRO COUTIEL VARIATION Mixed media collage on wood Signed, titled, dated 1973 and variously inscribed (verso) 70 x 58cm (27½ x 22¾ in.) UnframedHans Richter was a German painter and abstract artist who was part of the Dada movement. He was the co-founder of the "Artistes Radicaux" in Zurich in 1919, believing that artwork should be political and support the revolution.
Lot 370
Vivien Schofield, Sicilian landscape, signed and dated, watercolour, 45x57.5cm.Footnote:"Vivien Schofield, born in Oldham and educated at Neville's Cross College in Durham, was an established artist living and exhibiting in Northamptonshire.and the surrounding counties. Her work was also shown at the Royal Institute of Painters in Watercolour at the Mall Galleries in London. She was president of the Wellingborough Art Society for 15 years, a member of the Kettering Arts Society and a key figure in the venerable Thursday Group of Painters in Northampton.Watercolour and mixed media were her favourite methods of depicting the landscape, both in Europe and closer to home. With mixed media her colour is vibrant whilst her watercolours often have an ethereal quality."
Lot 350
Vivien Schofield, Lyveden New Bield, nr Oundle, signed and dated, mixed media, 34.5x45cm.Footnote:"Vivien Schofield, born in Oldham and educated at Neville's Cross College in Durham, was an established artist living and exhibiting in Northamptonshire.and the surrounding counties. Her work was also shown at the Royal Institute of Painters in Watercolour at the Mall Galleries in London. She was president of the Wellingborough Art Society for 15 years, a member of the Kettering Arts Society and a key figure in the venerable Thursday Group of Painters in Northampton.Watercolour and mixed media were her favourite methods of depicting the landscape, both in Europe and closer to home. With mixed media her colour is vibrant whilst her watercolours often have an ethereal quality."
Lot 337
Vivien Schofield, Urbino, in the Marche, Italy, signed and dated, watercolour, 34.5x44cm.Footnote: "Vivien Schofield, born in Oldham and educated at Neville's Cross College in Durham, was an established artist living and exhibiting in Northamptonshire.and the surrounding counties. Her work was also shown at the Royal Institute of Painters in Watercolour at the Mall Galleries in London. She was president of the Wellingborough Art Society for 15 years, a member of the Kettering Arts Society and a key figure in the venerable Thursday Group of Painters in Northampton.Watercolour and mixed media were her favourite methods of depicting the landscape, both in Europe and closer to home. With mixed media her colour is vibrant whilst her watercolours often have an ethereal quality."
Lot 62
PEDRO CASQUEIRO - NASC. 1959, Untitled, mixed media on canvas, signed and dated December 1984 on the back. Notes: it was part of the exhibition "Pedro Casqueiro", Modern Art Centre of the Calouste Gulbenkian Foundation, Lisbon, June 1997, and is represented in the respective catalogue, pp. 26-27; and LAMBERT, Fátima - "Pedro Casqueiro - Nomadismo estético, pintura sedentária". Lisbon: Editora Caminho, 2006, p. 5., Dim. - 150 x 170 cm
Lot 50
FERNANDO BOTERO - 1932-2023, Untitled ("A costureira"), mixed media on canvas, signed and dated 1997. Notes: Provenance: D. Amélia Pereira, Portuguese employee of the Botero family, in Paris, for 42 years (between 1980 and 2022) - offered by the author. Cabral Moncada Leilões would like to thank Mr. Miguel Duque and Galeria Duque Arangoa, Colombia, for their collaboration in the expert assessment of this work, the sale of which was previously communicated to the Author's family. Dim. - 130 x 95 cm
Lot 344
HU YONGKAI (1945-)Lady in TurquoiseMixed media on paper, framed and glazed. 74cm (29 1/8in) high x 35.5cm (14in) wideFootnotes:胡永凱 仕女 綜合媒材紙本 鏡框題識：永凱筆。鈐印：胡Provenance: Plum Blossoms Gallery, 22 December 1995 (invoice)An English private collection.For further information on this lot please visit Bonhams.com
Loading...-
44230 item(s)/page