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* Sandra Blow, RA (British, 1925-2006), Sketch Book Page, stamped with Estate stamp, mixed media collage, 17 x 13cm (7 x 5in). Provenance: The Sandra Blow Estate, St. Ives. This Sketch Book Page shows the artist`s typical use of manipulates materials, like torn paper and canvas cut-outs. This page could be part of preliminary work for a final brightly coloured large-scale work. It is this technique and process that highlights how Henri Matisse`s work influenced Blow. In the 1950s and early 1960s, she regularly exhibited at the London gallery Gimpel Fils, who gave her, her first solo exhibition in 1951 and whose association with St Ives artists like Barbara Hepworth, Ben Nicholson and Peter Lanyon inspired her move to live in 1957 in St Ives. Returning to London in 1960 Blow acquired a large studio at Sydney Close in Kensington, where she worked for the next 24 years. In 1961 she started a 14-year stint teaching at the Royal College of Art, where David Hockney, Patrick Caulfield and Ron Kitaj were students. Not only did Blow feature in the first John Moores biannual exhibition in Liverpool but was included in the Young Artists Section at the Venice Biennale the following year. She also won the International Guggenheim Award in 1960 and won second prize at the third John Moores exhibition at the Walker Art Gallery in 1961. In 1978 Blow was elected to the Royal Academy and took part in every Summer Exhibition at Burlington House where she also had her retrospective in 1994. She was also a prominent member of the Chelsea Arts Club.
Djoka Ivackovic (Né en 1930) Peinture 22.XI.67, 1967Technique mixte sur papier marouflé sur toileDatée en bas à gauche et signée en bas à droiteTitrée, datée et contresignée au dos44 x 40 cm - 17 3/8 x 15 3/4 in. Mixed media on paper laid on canvasDated lower left and signed lower rightTitled, dated and signed on the reverse
Winston Churchill Masakeng Saoli. AFRICA IMAGES (sic). signed and dated 91; inscribed with the title on the reverse. mixed media on paper. Exhibited:. Commonwealth Games, Canada, 1994. 35 by 64cm. Comments/Condition:. minor cockling, edges oxidised, otherwise good, not viewed out of the frame
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