NICK HOLDSWORTH (BRITISH 1978) 'BASS HOUSE No. 20', a pixelated image of the Mid Century Modern house built for Saul Bass in 1958, signed bottom left, mixed media on paper laid on board, approximate size 119cm x 89cm, frame size 124cm x 94cm, Condition Report: small marks to the frame, hanging hardware in envelopes verso
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gouache on paper, signed, titled label verso mounted, framed and under glass image size 54cm x 48cm, overall size 78cm x 71cm Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).
mixed media monoprint on paper, signed, titled, numbered 1/1 and dated '92 mounted, framed and under glass image size 61cm x 46cm, overall size 89cm x 72cm Condition is good overall, with no visible or known issues. Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. The Fine Art Society, Edinburgh staged "John Byrne: In The Studio" in December 2024.
mixed media on paper, signed and titled mounted, framed and under glass image size 21cm x 50cm, overall size 43cm x 70cm Note: Gordon Wyllie was born in Greenock and in 1949 was accepted to study at the Glasgow School of Art. Under the tutelage of such luminaries as Edward Odling and Mary and Willie Armour, Gordon distinguished himself, graduating in 1953 after an eminent final year. He was awarded the post-diploma, or Masters course, won the Scottish Academy Award and also the Newbery Medal, the school's most prestigious prize. This was all the more remarkable considering that Gordon had, in his diploma year, returned home to care for his father, whose seriously deteriorating health ended in death two months before the degree show, and Gordon himself had suffered a bout of pneumonia. With a scholarship award, he studied that summer at Hospitalfield, Arbroath, as a post-graduate under Ian Fleming. Fleming inspired Gordon and encouraged him in abstraction, with which he occupied himself for the next few years. Meanwhile, he trained at Jordanhill College of Education in Glasgow to become a teacher, in the vanguard of the resurgence of art teaching in Scottish schools by the new art masters, undoubtedly because they painted actively while teaching full-time. Passionate about art education, he was instrumental in influencing many students to pursue a career in the creative industry. A former pupil aptly described his classroom as a "guided exploration rather than a formal lesson". His love of the Scottish countryside is mirrored in his work and undoubtedly stemmed from the bank of images he built when, as a youngster, he travelled with his parents around the country. Argyll and the Western Isles were his favourite destinations, where he was fascinated by the crofts and farms sprouting from the land. Small houses typified his landscapes and still-lifes included abstracted landscapes; flowers, particularly poppies, fruit and fish feature in his later output. In 1996, he was awarded the Alexander Graham Munro prize at the RSW exhibition in Edinburgh. His work featured regularly in one-man and combined shows and at his last one-man show in London in 2003, demand for his paintings remained high, as it has done ever since.
Otto Piene (deutsch, 1928 - 2014), Feuerbild, Gelb, mixed media auf Leinwand, 1996, unten rechts signiert und datiert, verso zweimal signiert und einmal datiert, Maße: 50 x 40 cm, Rahmen: 58 x 48 cm. Guter, altersbedingter Zustand, Provenienz: von Schweizer Kunsthändler (direkt von Künstler gekauft).
‡PHILIP MUIRDEN (1932-2023) mixed media - entitled verso, 'Dock Wheel', signed, 68 x 48cms, framed and glazed, pencil on paper - entitled, 'Man & Trap No.1', fully signed, 49 x 53cms, framed and glazed, pencil on paper - entitled, 'Milford Haven, Belgium Fisherman', signed, 47 x 67cms, framed and glazed (3)Auctioneers Note: Philip Muirden was born in Pembrokeshire and educated at Haverfordwest Grammar School. He went on to study at Cardiff College of Art before completing a Master’s Degree at The Royal Academy of Art. Philip became a lecturer at Mansfield College of Art from 1965 to 1972 and a Senior Lecturer at Newport College of Art from 1972 to 1991. A draughtsman of the very highest order, Philip’s drawings of marine subjects are both breath-taking and brilliant in their observation and what he described as ‘retinal experience’. There is a strong surreal element to his paintings, showing very imaginative and poetic handling with what he termed ‘considerations of surreal and social themes’. During his life as an artist Philip Muirden always avoided the production of works with a unified, pre-conceived brand image. His output contains celebrations of his ‘retinal images’, such as the wonderful fishing boat subject matter he painted. His intellectually inspired work and reflections on the human condition were frequently presented.Provenance: decreased estate, PembrokeshireComments: frames/glazing loose, combined image of paintings not to scale, see description for measurements, inspection advised
‡ PHILIP MUIRDEN (1932-2023) mixed media - collection of seven paintings all themed around fishing vessels and their workers, titles include, 'Marina', 'Departure', 'Ready to Go', 'Welders', 'Lecky', 'Boat Cover' and 'Landing', six are signed, all similar sizes, 30 x 40cmsAuctioneers Note: Philip Muirden was born in Pembrokeshire and educated at Haverfordwest Grammar School. He went on to study at Cardiff College of Art before completing a Master’s Degree at The Royal Academy of Art. Philip became a lecturer at Mansfield College of Art from 1965 to 1972 and a Senior Lecturer at Newport College of Art from 1972 to 1991. A draughtsman of the very highest order, Philip’s drawings of marine subjects are both breath-taking and brilliant in their observation and what he described as ‘retinal experience’. There is a strong surreal element to his paintings, showing very imaginative and poetic handling with what he termed ‘considerations of surreal and social themes’. During his life as an artist Philip Muirden always avoided the production of works with a unified, pre-conceived brand image. His output contains celebrations of his ‘retinal images', such as the wonderful fishing boat subject matter he painted. His intellectually inspired work and reflections on the human condition were frequently presented.Provenance: decreased estate, PembrokeshireComments: framed, ready to hang
‡ PHILIP MUIRDEN (1932-2023) mixed media - collection of eleven painting of various subject matter, most are signed, various sizes the largest being 22 x 30cmsAuctioneers Note: Philip Muirden was born in Pembrokeshire and educated at Haverfordwest Grammar School. He went on to study at Cardiff College of Art before completing a Master’s Degree at The Royal Academy of Art. Philip became a lecturer at Mansfield College of Art from 1965 to 1972 and a Senior Lecturer at Newport College of Art from 1972 to 1991. A draughtsman of the very highest order, Philip’s drawings of marine subjects are both breath-taking and brilliant in their observation and what he described as ‘retinal experience’. There is a strong surreal element to his paintings, showing very imaginative and poetic handling with what he termed ‘considerations of surreal and social themes’. During his life as an artist Philip Muirden always avoided the production of works with a unified, pre-conceived brand image. His output contains celebrations of his ‘retinal images’, such as the wonderful fishing boat subject matter he painted. His intellectually inspired work and reflections on the human condition were frequently presented.Provenance: decreased estate, PembrokeshireComments: ten are framed
‡PHILIP MUIRDEN (1932-2023) mixed media - three painting of different subjects, one titled, 'Large Boat', two are signed, similar sizes the largest being 73 x 53cmsAuctioneers Note: Philip Muirden was born in Pembrokeshire and educated at Haverfordwest Grammar School. He went on to study at Cardiff College of Art before completing a Master’s Degree at The Royal Academy of Art. Philip became a lecturer at Mansfield College of Art from 1965 to 1972 and a Senior Lecturer at Newport College of Art from 1972 to 1991. A draughtsman of the very highest order, Philip’s drawings of marine subjects are both breath-taking and brilliant in their observation and what he described as ‘retinal experience’. There is a strong surreal element to his paintings, showing very imaginative and poetic handling with what he termed ‘considerations of surreal and social themes’. During his life as an artist Philip Muirden always avoided the production of works with a unified, pre-conceived brand image. His output contains celebrations of his ‘retinal images’, such as the wonderful fishing boat subject matter he painted. His intellectually inspired work and reflections on the human condition were frequently presented.Provenance: decreased estate, PembrokeshireComments: all three framed and glazed
‡PHILIP MUIRDEN (1932-2023) mixed media - three painting of different subjects, one titled, 'Cod Job', all three signed, all similar sizes 74 x 54cmsAuctioneers Note: Philip Muirden was born in Pembrokeshire and educated at Haverfordwest Grammar School. He went on to study at Cardiff College of Art before completing a Master’s Degree at The Royal Academy of Art. Philip became a lecturer at Mansfield College of Art from 1965 to 1972 and a Senior Lecturer at Newport College of Art from 1972 to 1991. A draughtsman of the very highest order, Philip’s drawings of marine subjects are both breath-taking and brilliant in their observation and what he described as ‘retinal experience’. There is a strong surreal element to his paintings, showing very imaginative and poetic handling with what he termed ‘considerations of surreal and social themes’. During his life as an artist Philip Muirden always avoided the production of works with a unified, pre-conceived brand image. His output contains celebrations of his ‘retinal images’, such as the wonderful fishing boat subject matter he painted. His intellectually inspired work and reflections on the human condition were frequently presented.Provenance: decreased estate, PembrokeshireComments: all three framed and glazed
Friedensreich Hundertwasser (1928-2000): 'Kreisverkehr der Straßengekreuzigten', mixed media on paper, ed. 437/3000, dated 1971Work: ca. 57 x 39 cm Frame: 90,5 x 75,5 cm Serigraph in colours with metal embossing in seven colours and reflective glass dust overlay on brown paper. On the lower edge with the signature embossed stamp 'Hündertwasser Regentag' as well as with three stamps from the printer and publisher and three Japanese stamps. Printed by Dietz Offizin and published by Ars Viva, Zurich. One of 3000 numbered copies. Sheet 10 of the portfolio 'Look at it on a rainy day'. Ref.: - Koschatzky 53.
Three works by contemporary Cumbrian artists Eileen Anderson and Ray Ogden comprising "Pear Jazz", a colourful depiction of a pear set against an abstract background, mixed media, signed; "On A Mission", a stylised image of a hare running, linocut, signed, 3/25; and "River Dance", a serene depiction of a family of otters underwater, print, signed, 28/250, all in card mounts, latter 41 cm x 51 cm overall
Michael Graham Bilton (Cumbrian, contemporary)"Red Summer", an abstract depiction of the artist's environs, vibrant colours conveying the unusual heat of the season, mixed media, signed, in card mount and silvered frame under glass, 95 cm x 75 cm overall, together with Thank You card from the artist on purchase[Michael was born in Cambridge and spent most of his life in Leicestershire where he was the head of Foundation Studies at Loughborough College of Art and Design, and worked as an abstract artist part-time. He discovered his love for the Swaledale landscapes when travelling through the area, and it soon became his key source of inspiration. When given an opportunity for an early retirement, he chose the Dales without hesitation and continues to paint the surrounding landscapes on large canvases, working mainly in oil paints. He has exhibited in a number of galleries across the UK including the York Art Gallery and the Bowes Museum and has previously been recognised by the Royal Academy.]

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