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IRINA FORRESTER (BRITISH, CONTEMPORARY) Red Orchids with Peppers, 2021, Mixed media on canvas, unframed, signed, inscribed and dared verso 50 x 40cm Condition: Minor signs of wear commensurate with age and use

Clemens C. Gröszer (Berlin 1951 - Berlin 2014). A.P. VII. 1989/1991. Mischtechnik/Lw., 140 x 80 cm, o. Mitte monogr. und dat. C. G. 1989/1991, verso betitelt sowie sign. und dat., auf dem Keilrahmen Etikett des Kunstkabinetts Hanna Bekker vom Rath. - Ausstellungen: Hanna Bekker vom Rath, Art Frankfurt. - Provenienz: Kunstkabinett Hanna Bekker vom Rath; Privatsammlung Hamburg. - Deutscher Maler, Graphiker und Bildhauer. G. studierte 1972-76 Gemälderestaurierung und Malerei in Berlin, um danach als freier Maler zu arbeiten. 1980-83 bildete er sich als Meisterschüler von W. Förster an der Berliner Akademie weiter. Nach Anfängen mit Landschaftsmalerei entwickelte er seit den 80er Jahren seine veristisch-manieristische Portraitkunst. Er stellte u.a. gemeinsam mit W. Tübke aus. Mus.: Berlin (Nat.-Gal.), Cottbus. Gröszer, Clemens C. (Berlin 1951 - Berlin 2014). A.P. VII. 1989/1991. Mixed media/canvas, 140 x 80 cm, up. middle monogr. and dat. C. G. 1989/1991, on the reverse titled as well as sign. and dat., on the stretcher label of Kunstkabinett Hanna Bekker vom Rath. - Exhibitions: Hanna Bekker vom Rath, Art Frankfurt. - Provenance: Kunstkabinett Hanna Bekker vom Rath; private collection Hamburg. - German painter, graphic artist and sculptor. G. studied 1972-76 painting restoration and painting in Berlin, and then worked as a freelance painter. 1980-83 he continued his education as a master student of W. Förster at the Berlin Academy. After beginnings with landscape painting, he developed his veristic-manieristic portrait art since the 80s. He exhibited together with W. Tübke, among others. Mus.: Berlin (Nat.-Gal.), Cottbus.

Salvador Dalí (Figueres 1904 - Figueres 1989). Venus au Joueur d'Orgue. 1971. Kolorierte Kaltnadel, 39 x 58 cm, r. u. mit Bleistift sign. Dalí, l. u. num. 75/150, unter Passepartout und Glas gerahmt, ungeöffnet. - Aus der Folge 'Suite mythologique nouvelle'. - Literatur: WVZ: Michler/Löpsinger 484. - Spanischer Universalkünstler, Hauptvertreter des Surrealismus. Nach dem Studium an der Madrider Akademie machten sich zunächst Einflüsse der 'pittura metafisica' de Chiricos und Carràs auf Dalís Werk bemerkbar. Während seiner Paris-Reise 1929 schloß er sich der Gruppe der Surrealisten um A. Breton an. Die künstlerische Auseinandersetzung mit den Schriften S. Freuds zur Traumdeutung förderte seine Neigung zum Phantastischen und Irrealen. Viele seiner Motive sind als Ikonen der modernen Kunst auf der ganzen Welt bekannt. Mus.: Figueres, St. Petersburg (Florida), Zürich u.a. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Das druckgraphische Werk 1924-1980' (1994) u.a. Dalí, Salvador (Figueres 1904 - Figueres 1989). Venus au Joueur d'Orgue. 1971. Coloured drypoint, 39 x 58 cm, lo. ri. autographed Dalí, lo. le. num. 75/150, matted and framed under glass, uninspected out of frame. - Literature: Cat. rais.: Michler/Löpsinger 484. - Multitalented spanish artist, main exponent of surrealism. He studied at the Madrid Academy a. was initially influenced by the 'pittura metafisica' of de Chirico and Carrà. During a Paris trip in 1929 he affiliated at the surrealist A. Breton. Freuds theories of interpretation of dreams fostered D.s inclination to the fantastac a. surreal. Some of his motifs are among the most famous and popular creations of modern art. Mus.: Figueres, St. Petersburg (Florida), Zürich a. others. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Catalogue raisoné of etchings and mixed-media prints, 1924-1980' (1994) a. others.

Arnold Leissler (Hannover 1939 - Hannover 2014). Landschaft mit Hülsenfrüchten. 1973. Öl und Mischtechnik/Lw., 30 x 30 cm, r. u. sign. und dat. Leissler 73, auf der Rückseite des originalen Rahmens betitelt, min. besch. - Deutscher Maler. L. studierte an der Werkkunstschule Hannover und erhielt ein Stipendium der Villa Massimo. Anschließend setzte er seine Ausbildung an der Akademie Nürnberg fort. Mus.: Hannover (Sprengel-Mus.). Leissler, Arnold (Hannover 1939 - Hannover 2014). Landscape with Pulses. 1973. Oil and mixed media/canvas, 30 x 30 cm, lo. ri. sign. and dat. Leissler 73, min. dam. - German painter. L. studied at the Werkkunstschule Hannover and received a scholarship from the Villa Massimo. He then continued his training at the Nuremberg Academy. Mus.: Hannover (Sprengel-Mus.).

Salvador Dalí (Figueres 1904 - Figueres 1989). Pirueta de Plátano. 1977. Kaltnadel und Lichtdruck, 23,5 x 17 cm, r. u. mit Bleistift sign. Dalí, l. u. num. 21/200, unter Glas gerahmt, ungeöffnet. - Literatur: WVZ: Michler/Löpsinger 927. - Spanischer Universalkünstler, Hauptvertreter des Surrealismus. Nach dem Studium an der Madrider Akademie machten sich zunächst Einflüsse der 'pittura metafisica' de Chiricos und Carràs auf Dalís Werk bemerkbar. Während seiner Paris-Reise 1929 schloß er sich der Gruppe der Surrealisten um A. Breton an. Die künstlerische Auseinandersetzung mit den Schriften S. Freuds zur Traumdeutung förderte seine Neigung zum Phantastischen und Irrealen. Viele seiner Motive sind als Ikonen der modernen Kunst auf der ganzen Welt bekannt. Mus.: Figueres, St. Petersburg (Florida), Zürich u.a. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Das druckgraphische Werk 1924-1980' (1994) u.a. Dalí, Salvador (Figueres 1904 - Figueres 1989). Pirueta de Plátano. 1977. Dry point and collotype, 23,5 x 17 cm, lo. ri. autographed Dalí, lo. le. num. 21/200, framed under glass, uninspected out of frame. - Literature: Cat. rais.: Michler/Löpsinger 927. - Multitalented spanish artist, main exponent of surrealism. He studied at the Madrid Academy a. was initially influenced by the 'pittura metafisica' of de Chirico and Carrà. During a Paris trip in 1929 he affiliated at the surrealist A. Breton. Freuds theories of interpretation of dreams fostered D.s inclination to the fantastac a. surreal. Some of his motifs are among the most famous and popular creations of modern art. Mus.: Figueres, St. Petersburg (Florida), Zürich a. others. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Catalogue raisoné of etchings and mixed-media prints, 1924-1980' (1994) a. others.

Gottfried Brockmann (Köln 1903 - Kiel 1983). Das eingebildete Huhn. 1928. Mischtechnik/Papier/Holz, 43 x 33,5 cm, u. Mitte monogr. B,, verso sign. und dat. G. Brockmann Ddf. 1928, betitelt und Aufkleber des Kölnischen Kunstvereins. - Ausstellungen: Das Gemälde war ausgestellt: Bilderheimat. Kunst aus Schleswig-Holstein in einer Kieler Privatsammlung. Schleswig-Holsteinische Landesbibliothek Kiel, 1996, Kat.-Nr. 110; Overbeck-Gesellschaft Lübeck 1985, Kat. S. 143; Kunstforening Oslo und Trondheim 1978, Kat.-Nr. 25; Kunsthalle Kiel und K.-E.-Osthaus-Museum Hagen 1976, Kat.-Nr. 126; SHLM Schloss Gottorf, Schleswig 1964, Kat.-Nr. 76; Kölnischer Kunstverein 1963, Kat.-Nr. 12. - Literatur: Bilderheimat. Kunst aus Schleswig-Holstein in einer Kieler Privatsammlung. Schleswig-Holsteinische Landesbibliothek Kiel, 1996, Kat.-Nr. 110, Würdigung und Abb. S. 136f. - Deutscher Maler, Zeichner und Graphiker. B. absolvierte zunächst eine Malerlehre, war aber bereits zu dieser Zeit als künstlerischer Autodidakt u.a. im Umkreis der Dada-Gruppe 'Stupid' tätig. 1926 nahm er ein Studium an der Düsseldorfer Akademie auf, dort erhielt er bereits 1927 ein eigenes Atelier. H. Campendonk nahm ihn 1928 als Meisterschüler an. Ab 1932 begann er an der Akademie als Dozent zu arbeiten, eine Festanstellung scheiterte aber nach der Machtübernahme der Nationalsozialisten. 1952 ließ er sich in Kiel nieder, wo er ab 1954 an der Muthesius-Kunstschule unterrichtete und 1975 Professor wurde. Mus.: Berlin (Nat.-Gal.), New York (MoMA), Wuppertal (Von-der-Heydt-Mus.), Kiel (Kunsthalle), Schleswig (Schloß Gottorf). Lit.: AKL, Vollmer u.a. Brockmann, Gottfried (Köln 1903 - Kiel 1983). Hen and Egg. 1928. Mixed media/paper/wood, 43 x 33,5 cm, lo. middle monogr. B., on the reverse sign. and dat. G. Brockmann Ddf. 1928, titled 'Das eingebildete Huhn' and label of Kölnischer Kunstverein. - Exhibitions: The painting was exhibited: Bilderheimat. Kunst aus Schleswig-Holstein in einer Kieler Privatsammlung. Schleswig-Holsteinische Landesbibliothek Kiel, 1996, cat. no. 110; Overbeck-Gesellschaft Lübeck 1985, cat. p. 143; Kunstforening Oslo und Trondheim 1978, cat. no. 25; Kunsthalle Kiel und K.-E.-Osthaus-Museum Hagen 1976, cat. no. 126; SHLM Schloss Gottorf, Schleswig 1964, cat. no. 76; Kölnischer Kunstverein 1963, cat. no. 12.Gottorf, Schleswig 1964, Kat.-Nr. 76; Kölnischer Kunstverein 1963, Kat.-Nr. 12. - Literature: Bilderheimat. Kunst aus Schleswig-Holstein in einer Kieler Privatsammlung. Schleswig-Holsteinische Landesbibliothek Kiel, 1996, cat. no. 110 and p. 136s. - German painter, draughtsman and graphic artist. B. was trained as house painter, but began to work as autodidact artist and came in contact with the Dada group 'Stupid'. In 1926 he began studying at the Düsseldorf academy, where he got his own studio as early as 1927. He became master student of H. Campendonk in 1928. He worked as teacher at the academy since 1932, but was dismissed soon after the Nazis took over. In 1952 he settled in Kiel, where he taught at the Muthesius-Kunstschule since 1954 and became professor in 1975. Mus.: Berlin (Nat.-Gal.), New York (MoMA), Wuppertal (Von-der-Heydt-Mus.), Kiel (Kunsthalle), Schleswig (Schloß Gottorf). Lit.: AKL, Vollmer a. others.

Udo Lindenberg (Gronau/Westfalen 1946). Jonny Controlletti. Mischtechnik/Bütten, 47,5 x 35,5 cm, r. u. sign. Udo Lindenberg, unter Passepartout und Acrylglas gerahmt. - Gutachten: Zertifikat der Galerie im Fischereihafen Rostock, 31.0.2011. - Provenienz: Vom Einlieferer erworben in der Galerie im Fischereihafen Rostock, 31.08.2011. - Deutscher Musiker und Künstler. L. ist einer der bekanntesten und erfolgreichsten Sänger deutscher Sprache. Seit Mitte der 90er Jahre ist er auch als bildender Künstler tätig. Lindenberg, Udo (Gronau/Westfalen 1946). Jonny Controlletti. Mixed media/wove paper, 47,5 x 35,5 cm, lo. ri. sign. Udo Lindenberg, matted and framed under acrylic glass. - German rock star and painter.

Salvador Dalí (Figueres 1904 - Figueres 1989). Les huit péchés capiteaux. 1966/67. Acht farbige Aquatintaradierungen, 19 x 14 cm, r. u. mit Bleistift sign. Dalí, l. u. num. 70/125, ungerahmt in Originalkassette, jede Radierung in einem grauen Umschlagblatt mit Bildtitel in Deutsch, Französisch und Englisch. - Spanischer Universalkünstler, Hauptvertreter des Surrealismus. Nach dem Studium an der Madrider Akademie machten sich zunächst Einflüsse der 'pittura metafisica' de Chiricos und Carràs auf Dalís Werk bemerkbar. Während seiner Paris-Reise 1929 schloß er sich der Gruppe der Surrealisten um A. Breton an. Die künstlerische Auseinandersetzung mit den Schriften S. Freuds zur Traumdeutung förderte seine Neigung zum Phantastischen und Irrealen. Viele seiner Motive sind als Ikonen der modernen Kunst auf der ganzen Welt bekannt. Mus.: Figueres, St. Petersburg (Florida), Zürich u.a. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Das druckgraphische Werk 1924-1980' (1994) u.a. Dalí, Salvador (Figueres 1904 - Figueres 1989). Les huit péchés capiteaux. 1966/67. Eight coloured aquatint etchings, 19 x 14 cm, lo. ri. autographed Dalí, lo. le. num. 70/125, unframed in original case, each etching in a grey wrapper with picture title in German, French and English. - Multitalented spanish artist, main exponent of surrealism. He studied at the Madrid Academy a. was initially influenced by the 'pittura metafisica' of de Chirico and Carrà. During a Paris trip in 1929 he affiliated at the surrealist A. Breton. Freuds theories of interpretation of dreams fostered D.s inclination to the fantastac a. surreal. Some of his motifs are among the most famous and popular creations of modern art. Mus.: Figueres, St. Petersburg (Florida), Zürich a. others. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Catalogue raisoné of etchings and mixed-media prints, 1924-1980' (1994) a. others.

Salvador Dalí (Figueres 1904 - Figueres 1989). Aquellos armarios tinosos. 1977. Kaltnadel und Lichtdruck, 23,5 x 17 cm, r. u. mit Bleistift sign. Dalí, l. u. num. 21/200, unter Glas gerahmt, ungeöffnet. - Literatur: WVZ: Michler/Löpsinger 870. - Spanischer Universalkünstler, Hauptvertreter des Surrealismus. Nach dem Studium an der Madrider Akademie machten sich zunächst Einflüsse der 'pittura metafisica' de Chiricos und Carràs auf Dalís Werk bemerkbar. Während seiner Paris-Reise 1929 schloß er sich der Gruppe der Surrealisten um A. Breton an. Die künstlerische Auseinandersetzung mit den Schriften S. Freuds zur Traumdeutung förderte seine Neigung zum Phantastischen und Irrealen. Viele seiner Motive sind als Ikonen der modernen Kunst auf der ganzen Welt bekannt. Mus.: Figueres, St. Petersburg (Florida), Zürich u.a. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Das druckgraphische Werk 1924-1980' (1994) u.a. Dalí, Salvador (Figueres 1904 - Figueres 1989). Aquellos armarios tinosos. 1977. Dry point and collotype, 23,5 x 17 cm, lo. ri. autographed Dalí, lo. le. num. 21/200, framed under glass, uninspected out of frame. - Literature: Cat. rais.: Michler/Löpsinger 870. - Multitalented spanish artist, main exponent of surrealism. He studied at the Madrid Academy a. was initially influenced by the 'pittura metafisica' of de Chirico and Carrà. During a Paris trip in 1929 he affiliated at the surrealist A. Breton. Freuds theories of interpretation of dreams fostered D.s inclination to the fantastac a. surreal. Some of his motifs are among the most famous and popular creations of modern art. Mus.: Figueres, St. Petersburg (Florida), Zürich a. others. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Catalogue raisoné of etchings and mixed-media prints, 1924-1980' (1994) a. others.

Maria Moser (Geb. 1947 Frankenburg am Hausruck. Tätig ebenda)Ohne TitelMit furiosem Duktus gemalte, abstrakte Arbeit aus dem Jahr 2013. Die Statik des quadratischen Formats bricht Moser durch impulsiv aufgebrachte Farbspuren in Schwarz sowie leuchtendem Rot und Blau auf grünem Grund auf, welche durch ihre Kalt-Warmkontraste die Wirkung steigern. Moser studierte 1968-1973 an der Wiener Akademie und eroberte sich seitdem durch eine Reihe von Auszeichnungen und zahlreiche Einzel- und Gruppenausstellungen einen Rang in der deutschen und österreichischen Kunstszene. Mischtechnik/Papier; R. u. sign.; 36 cm x 36 cm. Rahmen.Mixed media on paper. Signed.

Otto Gleichmann (1887 Mainz - 1963 Hannover)Sitzende Frau mit blauem SchulterschleierExpressionistisches, eine stille Melancholie ausdrückendes Werk Gleichmanns aus seiner Zeit der Verfemung in der NS-Zeit. Über Gleichmann, der sich 1918 der "Hannoverschen Sezession" angeschlossen hatte und zum Künstler- bzw. Freundeskreis von Kurt Schwitters und Theodor Däubler gehörte, wurde 1936 ein Ausstellungsverbot verhängt. Im Jahr danach wurden 27 Werke aus deutschen Museen beschlagnahmt und einige in der NS-Ausstellung "Entartete Kunst" gezeigt. Mischtechnik/Papier bzw. Karton. R. u. sign. dat. 1943 und mit Werk(?)"No= 498" bez.; 63 cm x 47 cm. Rahmen.Mixed media on paper or cardboard. Signed, dated 1943 and inscribed with (work-?) no. 498.

Leonor FINI (1907-1996) mixed media "young woman" - Weight: 50 g - Region: France - Sizes: H : 210 mm L : 110 mm - Condition: patina of use - normal wear / worn / patina of use - Author / artist: Leonor FINI - Object type: peinture

Group of designer costume jewellery; Joel Degen stainless steel and adonised aluminium brooch, Anne Finlay mixed media brooch and two pairs of cufflinks (6)

Mixed media on paper, signed 'Priddet'? bottom right, 48.5 x 41 cm, framed and glazed

Rozsa Szucs (Hungarian), 'Study Landscape', 2010, mixed media on canvas, signed, titled and dated verso., 40 x 50 cm, unframed

Portrait of Lewis Hamilton, mixed media on canvas, 2017, signed 'AH', 100 x 150 cm, unframed

*** RE OFFER JULY £20-30*** Eric O Borketey (Ghana 20th century) The Pitoo seller. Mixed media and acrylic, signed and dated 18.7.89 lower right, 30 x 20cm, together with two other works by the same hand (3)

British School, city skyline, mixed media, indistinctly signed, framed

ROSSITER: Mixed Media early 20th Century study of yellow Iris signed lower right, framed and glazed, 35cm x 51cm

Annie French (1872-1965) Glasgow School of Art 1896-1902, Royal Academy and Paris Salon exhibited, Art Nouveau mixed media of two females, one with mirror, 30 x 23cm (raised crease in board top left). Droit De Suite Royalty charges with a hammer price more than the UK sterling equivalent of €1,000 will apply. From €1,000 to €50,000 Royalties due are 4%. *Updated condition report (04/05/2022) Please note this painting shows signs of possible restoration. Both ends of the painting show cuts around 2 inches from the sides, glue is visible. There is also a small area towards the centre at the bottom where the paper is missing. Additional images added.*

Annie French (1872-1965) Glasgow School of Art 1896-1902, Royal Academy and Paris Salon exhibited, Art Nouveau mixed media of a lady in a forest, 30 x 23cm (two raised creases across board). Droit De Suite Royalty charges with a hammer price more than the UK sterling equivalent of €1,000 will apply. From €1,000 to €50,000 Royalties due are 4%.

SARA RADSTONE (1955): A mixed media abstract study "The weight the weight we carry is love", signed bottom right and dated '84, framed and glazed. Image size 41.5cm x 29.5cm (Sara Radstone is probably better know as a ceramicist)

A mixed media costume study for a production of Richard III, 52cm square

Rose **** (late 19th century)Triptych, set of three Still Lives, Plums, White and Pink Helleboresthe central picture indistinctly signed, mixed media, the largest 19cm x 23cm, framed as one

Thomas O'Donnell (Irish Artist, 20th century)Study of Four Headsmonogrammed and signed, inscribed to verso, mixed media on paper, 33cm x 27cm

DENNY LONG, etching and mixed media "Pine and Moon", details to reverse, 14cm x 11cm

Gilberto Zorio (geb. 1944) Senza titolo [1] gemengde techniek op papier, gesign. r.o., '92, 56 x 76 cm. Mixed media on paper

Jaume Plensa (geb. 1955) 'Macbeth' Serie van vier reliefdrukken. [4] vier maal gemengde techniek, gesign., 2001, 4/50, 60 x 50 cm. Macbeth (four works), 2001 Mixed media on handmade paper and plastic 22-1/2 x 20 inches (57.2 x 50.8 cm) (sheet, each) Ed. 4/50 Signed and numbered in pencil along lower edge

A pair of framed and glazed mixed media surreal studies, circus performers, signed T. Pliszcz. H.63 W.46cm

DIRT (XXth Century)Yo Futur, 2016Mixed media on skate deck, signed in marker pen315 x 78 in .

PAULINE R MUIR (SCOTTISH CONTEMPORARY) EBULLITION Mixed media, signed lower right, 50 x 70cm  Title inscribed verso Condition Report:Available upon request

IRENE LESLEY MAIN (SCOTTISH b.1959) ROSES FROM THE GARDEN Mixed media, signed lower right, dated (1941), 35 x 30cm Title inscribed to Main Fine Art label verso Condition Report:Available upon request

IRENE LESLEY MAIN (SCOTTISH b.1959) VILLAGE, NORTHERN GREECE Mixed media, signed lower left, dated (1986), 29 x 34cm  Title inscribed to Main Fine Art label verso Condition Report:Available upon request

SALLY CARLAW (SCOTTISH) BLUE PUFFIN  Mixed media, signed lower right, 24 x 17cm Title inscribed verso  Together with another abstracted landscape and a beach scene with palm trees by the same hand (3) Condition Report:Available upon request

JACK COIA (1898-1981) NEAR SAN GALGANO - MEMORY SKETCH  Mixed media, signed lower right, dated (19)70, 25 x 34cm, together with another by the same hand titled, Piazza Cisterna (2) Title inscribed to Glasgow School of Art label verso  Condition Report:Available upon request

SCOTTISH SCHOOL  COW  Mixed media on canvas, indistinctly signed lower right, 60 x 60cm Condition Report:Available upon request

NAN BLAIR (SCOTTISH) A collection of four figurative works in oil and mixed media to include, Seated Nude, 51 x 40cm (largest), The Last Pose, The Wee Hard Chair etc. (4) Condition Report:Available upon request

A group of pictures, to include Barbara Harris, Plymouth Sunset, mixed media, signed, 19cm x 24cm, Up The Rockies, acrylic on paper, signed, 20cm x 24cm, floral study, watercolour, signed and dated LE 07, 37cm x 24cm, after Ann Keily, Southwold IV, signed limited edition print, 9.5cm x 14cm, etc. (a quantity)

20thC School. Figural study, mixed media, unsigned, 78cm x 49cm.

20thC School. Fantasy Planetary Scenes, mixed media, set of three, two portrait and one landscape, each indistinctly signed and dated 2001, 60cm x 37cm.

Sue Wood (Mid 20th century)Abstract Composition in Reliefsigned, fibreglass and mixed media, 57cm x 69cm; another similar mid-20th century abstract leaf picture (2)

Graham Sutherland Abstract Studysigned, mixed media, 32.5cm x 21.5cm

Philip Hughes (B1936), "Source de la Foux, France", mixed media, with Francis Kyle gallery label and hand written artists label verso dated 23/7/1986, housed in a silvered glazed frame, the painting 29.5cm x 24.5cm

Philip Hughes (B1936), "Neates Glen, Blue Mountains, Australia", mixed media, with Francis Kyle gallery label and hand written artists label verso dated 1986/87, housed in a silvered glazed frame, the painting 29.5cm x 24.5cm

F. Magli, mixed media abstract study, signed and dated "2000&7", housed in a white painted glazed frame, the study 49cm x 59cm

S. Povall (20th Century) abstract study, mixed media on paper, signed to the margin, housed in a glazed frame, the frame 34cm x 34cm

Contemporary British artist, "Above Achiinard", mixed media, housed in a wooden glazed frame, the frame 66cm x 61cm

A GILT FRAMED AND GLAZED MIXED MEDIA ENTITLED HARRY PAYNE'S - THE BROKEN SHAFT SIGNED C G FELLOWS - H 25 CM W 40 CM

A FRAMED AND GLAZED MIXED MEDIA STUDY OF A NUDE BEFORE BUILDINGS 57CM X 43CM

(XX). A beach scene with boats 'Fishing Boasts at Bottels Bay, Cape Peninsula, South Africa' see verso, signed lower right, mixed media on paper, framed and glazed, 30 x 44 cm

Karl Neumann Mixed Media Signed 59 x 90 cms

JAIME RICO AMADOR (Pamplona, 1978)."Peces 2".Mixed media (acrylic, transfer and drawing) on board.Size: 100 x 70 x 3,5 cm.Jaime Rico Amador graduated in Fine Arts at the Complutense University of Madrid (2004). He obtained an intermediate degree at the Ecole Nationale d'Art Villa Arson, Nice. In 2010 he was awarded the Villa de Aoiz Painting Prize. His most recent solo exhibitions include those held in the galleries Mdv (2012) and Mala Madrid (2010), Ormolú in Pamplona (2006, 2008, 2010), Artevistas in Barcelona (2008), Nave 10 in Valencia (2008), and group exhibitions in the galleries Paz Feliz in Madrid (2011), Muz-Martínez in Alicante (2011) and Ormulú (2011). In post-industrial cities, the global webs of networks and circuits coexist with massive industrial architecture. Jaime Rico Amador reflects on the disorientation of the passer-by immersed in jungles of steel and fibre optics. Each of his pictorial series is dedicated to this: in some he focuses on human flows, others are dedicated to children, others review the post-apocalyptic aesthetics that mythical films have given us. The sum of all of them offers a polyhedral vision of the urban environment. In his paintings, the past leaves an indelible patina on a present that is being built day by day, and denotes a constructive fever that masks this distrust of the future. This can be seen in this "Vertical Desert" where scaffolding and cranes are impregnated with mouldy pollution, and the tiny figures flee towards a void without a horizon. Despite staging dystopian megalopolises, Rico Amador's paintings are strangely warm and poetic because they speak to us of the sensitive memory of space.

JUAN NAVARRO BALDEWEG (Santander, Cantabria, 1939)."Flautist", 1987.Mixed media on canvas.Signed and dated in the lower left corner.Measurements: 46 x 37.5 cm; 47.5 x 39.5 cm (frame).Architect, painter, academician of Fine Arts and winner of the National Prize for Plastic Arts. In 1959, he settled in Madrid to study engraving for a year at the San Fernando School of Fine Arts. Subsequently, he enrolled at the Escuela Técnica Superior de Arquitectura. He has been a visiting professor at the American universities of Pennsylvania, Yale, Princeton and Harvard. His architectural production includes: the Casa de la Lluvia in Santander; the Castilla-León Conference and Exhibition Centre in Salamanca; the Municipal Library of San Francisco el Grande (Madrid); the Cultural Centre in Villanueva de la Cañada (Madrid); the library of the Faculty of Music at Princeton University; and the Altamira Research Centre and Museum, which houses a copy of the famous cave paintings. A renowned painter, he has had solo exhibitions on around twenty occasions and has taken part in numerous group exhibitions. His work is present in several Spanish centres, such as the Museo Español de Arte Contemporáneo and the Centro de Arte Reina Sofía, both in Madrid; the Museo de Bellas Artes in Vitoria; the Fundación Caja de Pensiones in Barcelona; the Dobe Collection in Zurich; and the Malmö Museum in Sweden.

LUIS FERNANDO PELÁEZ (Jericó, Antioquía, Colombia, 1945)"Sur II (Cow)", 2003.Mixed media. Iron, glass and resins.Provenance: Fernando Pradilla Gallery (Madrid).Size: 120 x 50 x 25 cm.The work belongs to the series Sur, for which the artist was inspired by the poem "Morada al sur", by the Colombian poet Aurelio Arturo, which deals with the landscape and the past from a nostalgic point of view. The piece, which captures the atmosphere of the poem, features a cow in a sea of resin, which seems to want to cross over, migrating towards the surface. This material, together with the rust of the metal, are not casual, but rather seek to transmit a sensation of the transmutation of the passage of time. A similar work was exhibited at the 2019 Paris fair, however, in this case the protagonist was a bull.Luis Fernando Peláez is a Colombian artist who began his academic training in architecture. Despite this, he decided to dedicate himself professionally to sculpture, although he also works with other media, such as photography. He has had numerous exhibitions and has participated in important art events, including the 2014 Vancouver Biennial, ARCO 2005, the Sixth Architecture Biennial (2005) and the XXV Sao Paulo Biennial (2002). He has also exhibited in galleries in Germany, France, Portugal, Spain, Uruguay, Peru and Cuba and has won numerous awards, including the Salón Nacional de Artistas Colombianos (1987), the V Bienal Americana de Artes Gráficas (1986) and first prize at the Bienal Panamericana de Arquitectura de Quito (2006). His works are defined by a clear language, in which he rescues elements of everyday life, to which he inspires an aura of solitude and silence. Today his work can be found in important private collections, and also in important public institutions where his work can be visited, for example the Museo de Antioquia in Medellín, the Museo de Arte Contemporáneo in Sao Paulo, the Museo de las Américas in Washington, the Luis Ángel Arango Library in Bogotá and the Suramericana Collection in Medellín.

FREDERIC AMAT NOGUERA (Barcelona, 1952)."L'estrany i l'ocell", 1994.Mixed media on paper adhered to wood.Signed and dated in the lower left-hand corner.Size: 46 x 38 cm; 52,5 x 44,5 cm (frame).A painter, engraver and set designer, Amat's work belongs to the experimental and conceptual tendencies of the 1970s. His themes revolve around death, violence, sex and architectures, real or imaginary. Trained in Barcelona, between 1975 and 1982 he travelled around North Africa, Mexico and the United States. He has not only worked in the field of painting, but has also developed his facet as a sculptor, as well as creating stage designs linked to dance and theatre. He has directed and organised various opera performances, such as Caldara's "Maddalena ai piedi di Cristo". He has exhibited his work both nationally and internationally, notably in France, Germany, Italy and the United States. Between 1993 and 1994 he was the subject of a major retrospective at the Museo Rufino Tamayo in Mexico, the Joan Miró Foundation and the Instituto de América in Granada. In 2007 he was awarded the National Visual Arts Prize of Catalonia, granted by the Catalan Government, in recognition of the exhibition held at the Carles Taché Gallery. Today his work is divided between important private collections and different art centres, notably the Museum of Contemporary Art of Barcelona.

FREDERIC AMAT NOGUERA (Barcelona, 1952)."Gran testa", Barcelona, 1998.Mixed media on canvas and cardboard.Signed and dated in the lower left-hand corner.Size: 53 x 73 cm; 68 x 88 cm (frame).A painter, engraver and set designer, Amat's work belongs to the experimental and conceptual tendencies of the 1970s. His themes revolve around death, violence, sex and architectures, real or imaginary. Trained in Barcelona, between 1975 and 1982 he travelled around North Africa, Mexico and the United States. He has not only worked in the field of painting, but has also developed his facet as a sculptor, as well as creating stage designs linked to dance and theatre. He has directed and organised various opera performances, such as Caldara's "Maddalena ai piedi di Cristo". He has exhibited his work both nationally and internationally, notably in France, Germany, Italy and the United States. Between 1993 and 1994 he was the subject of a major retrospective at the Museo Rufino Tamayo in Mexico, the Joan Miró Foundation and the Instituto de América in Granada. In 2007 he was awarded the National Visual Arts Prize of Catalonia, granted by the Catalan Government, in recognition of the exhibition held at the Carles Taché Gallery. Today his work is divided between important private collections and different art centres, notably the Museum of Contemporary Art of Barcelona.

David Allison (British Contemporary) mixed media with Acrylic on paper titled "Uncovered", framed 31cm x 36cm October 2006

Allen Freer (British b.1926) Lake District, signed verso, mixed media, oil and ink, measurements 27.5 x 31.5 cm, frame 44 x 48 cm

British School (20th Century) Collage with Roman Classical Elements in a Landscape, mixed media, measurements 103 x 69 cm, frame 78 x 115 cm

Zsuzsi Roboz (Hungarian 1929-2012), Vigil, Nude portrait of a woman wearing a pink hat, signed lower left, mixed media on paper, 2008, measurements 61 x 45.7 cm (SH), frame 77 x 62 cm Exhibition label verso for Messums Fine Art entry number 22 Zsuzi Roboz was a London based Hungarian painter who was especially known for her portraiture. She has works in many large public collections including the Tate Britain and National Portrait Gallery