Pamela Greenwood and Simone Sardett, a collage of three women at market, 54cm x 74cm, a wedding, fishermen and two further scenes, all stitch signed, wool, fabric, hessian (5) Pamela Greenwood studied under Bernard Leach at St. Ives. She subsequently moved to France and set up Manoir-Le-Leger pottery with Simone Sardett. Visit www.sworder.co.uk for larger image and condition reports.
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Pamela Greenwood and Simone Sardett, A collage of two potters at work, representing Pamela Greenwood and Simone Sardett, 54cm x 65cm, together with six further collages of women, wool, fabric, hessian, all stitch signed (7) Pamela Greenwood studied under Bernard Leach at St. Ives and subsequently set up a pottery and fabric workshop with Simone Sardett - 'Manoir-St.-Leger' in France. Visit www.sworder.co.uk for larger image and condition reports.
Pamela Greenwood and Simone Sardett, a large collage of Jesus with a flock of sheep, 90cm x 170cm, together with a further six collages, subjects including milking and a sheep, all stitch signed by Pamela, Simone or both, wool, wool, fabric, hessian (7) Pamela Greenwood studied under Bernard Leach at St. Ives and subsequently set up a pottery and fabric workshop with Simone Sardett,- 'Manoir-St.-Leger' in France. Visit www.sworder.co.uk for larger image and condition reports.
Pamela Greenwood and Simone Sardett, a collage of Joseph leading a donkey with Mary and the baby Jesus, 115cm square, together with a further twelve religious scenes, all stitch signed, wool, fabric, hessian (13) Pamela Greenwood studied under Bernard Leach at St. Ives and subsequently set up a pottery and fabric workshop with Simone Sardett,- 'Manoir-St.-Leger' in France. Visit www.sworder.co.uk for larger image and condition reports.
A collection of Aylesford pottery; a speckled glaze bowl with wax resist decoration to the exterior and stylised manganese grape and vine motif internally; together with a jug with a crackled red oxide glaze (jug has crack in handle), both probably Leach period (1954-56); four further later pieces; a combed slip decorated oval dish; two square dishes; and a small vase decorated with a stylised willow tree (after David Leach).
A Lowerdown Pottery circular box and cover by David Leach, painted in blue and iron red with simple flower repeat, a David Leach Lowerdown Pottery large teapot and cover, a Lowerdown Pottery part tea set and a Ruth Duckworth part coffee set various impressed marks, minor chips to tea ware covered box 10.5cm. diam.
EWEN HENDERSON (ATTRIB.) BEAKER VASE, 1980S irregular form with textured mottled brown-buff unctuous glaze, unmarked, 10cm high; and a JANET LEACH (1918-1997) SLENDER TURNED VASE, Raku glazed stoneware, twin lug handles, mottled black-ochre glazes, impressed monogram and St. Ives Pottery rebus, 17.5cm high (2)
A Bernard Leach St. Ives studio stoneware tile with incised decoration of a single snake's head fritillary, signed with initials "B L" to the front, and the back with four impressed St. Ives seals, 10 cm x 10 cm, and a small blue and white pottery bowl in the Oriental studio manner decorated with coastal landscapes to the interior and exterior in the early Bernard Leach manner, 14 cm diameter x 5.25 cm high (2)
A Leach Pottery stoneware Unomi by Richard Jenkins covered to the foot with a salt glaze, and a Atsuya Hamada stoneware faceted vase impressed seal marks to Unomi 8cm diam. Provenance Richard Jenkins collection. The Hamada vase was thrown and decorated in 1958 on his visit to the Leach Pottery.

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