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Bernard Leach (1887-1979) at Leach Pottery Bowl celadon glaze, incised motifs impressed potter's and pottery seals 7cm high, 16cm diameter.

Bernard Leach (1887-1979) at Leach Pottery Preserve pot and cover tenmoku brushwork on blue painted mark and impressed pottery seal 11.5cm high.

Charlotte Epton (1902-1970) at Leach Pottery Jug, circa 1927-1930 treacle glaze, the jug with incised bands of decoration impressed potter's and pottery seals 25.5cm high. Information: Charlotte Epton was a potter who worked with Bernard Leach in St. Ives between 1927 and 1930, and with Michael Cardew at the Winchcombe Pottery. A fire at the Leach Pottery meant most of her work from the St. Ives period was destroyed. She exhibited at the Beaux Arts Gallery in Bond Street in 1928. She was married to Edward Bawden after meeting at the Royal College of Art.

Janet Leach (1918-1997) at Leach Pottery Two trays wax-resist and tenmoku bands, on bun feet impressed potter's and pottery seals 16cm and 11cm across (2).

John Leach (b.1939) at Muchelney Pottery Dish, 1995 wax-resist decoration impressed potter's seal and dated 25cm diameter, together with a David Frith nuka glaze dish, 28cm diameter (2).

A Leach studio pottery bowl with celadon glaze, impressed mark. (Dimensions: Height 8.5cm.)(Height 8.5cm.)

A Jeremy Leach (b. 1941) Lowerdown Pottery stoneware small lidded jar, impressed marks to base. (Dimensions: Height 9.5cm.)(Height 9.5cm.)

A David Leach studio pottery spherical vase, the pink tinted ground with overall crackle glaze, faint indistinct impressed mark. (Dimensions: Height 19cm)(Height 19cm)

A box of studio pottery including Leach St Ives, Winchcombe, Eric Leaper, etc. and Jessie Tate Monaco Midwinter plates

A large John Leach Muchelney Pottery casserole dish, together with other studio pottery items

A large box of studio pottery to include Leach, Lamorna etc

A wooden loom shuttle; a treen horseshoe crumb tray; a Leach Pottery cylindrical vase; costume jewellery; a Willow pattern Staffordshire bowl; brassware; Vivienne Westwood faux pearly necklace; a sed pearly brooch, qty

Various Leach Studio pottery dinnerware, comprising of soup tureen, 22cm H and various graduated shaped bowls. (a quantity)

Bernard Leach, stoneware hot water pot and cover of plain baluster form with mottled glaze, St. Ives pottery mark and Bernard Leach personal mark (chips to lid and spout), 5.25ins high

Four items of Studio pottery, a Stoneware jug with temoko glaze possibly by Bernard Leach(unsigned) plus bowl, a David Winkley glazed stoneware jug and one other

A tall Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1900, shouldered form, modelled with vertical ribs and incised veins, covered in a sage green and mushroom glaze, incised 7-1900 Martin Bros, London & Southall, Christie's lot label, 26.5cm. high Provenance Frank Trier, friend and financial supporter of the Martin Brothers, thence by descent British Decorative Arts, Christie's South Kensington, 10th June 1997 lot 176, purchased by Daryl. Exhibited The South London Pottery Exhibition, Camberwell Art Gallery, 1922, loaned by Frank Trier for the exhibition. Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue number 7. British Studio Pottery from Bernard Leach to Lucie Rie, Chichester Cathedral exhibition/Pallant House, catalogue number 2.

Bernard Leach, attributed a Leach Pottery stoneware pot and cover, circular form, the cover incised with a simple Japanese character, covered in a celadon glaze impressed Leach Pottery seal mark, annotated in pencil Bernard Leach, 9.5cm. diam. (2) Provenance The George Twyman Collection of Martin Ware

A tall and impressive Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1905 shouldered form, modelled in relief, with incised veins, glazed blue and green on a tan ground, incised 2 1905 Martin Bros London & Southall, 22cm. high Provenance Charles de Grunchy. De Grunchy was one time architect master at the Royal Academy Schools and is listed as a patron on the Martin Brothers. He loaned pots (probably gourds) to the Fulham exhibition of pots and prints, 1929. John Radcliffe Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue no. 9. British Studio Pottery From Bernard Leach to Lucie Rie, Chichester Cathedral (Pallant House), 2005, catalogue number 1. Fantasies in Clay, Martin Brothers Art Pottery (1873-1923), Blackwell The Arts and Crafts House, Bowness, 2008. Literature Dr Jeffrey Jones Studio Pottery in Britain 1900-2005, A & C Black Publishers, page 34 this vase illustrated. Page 35 includes an identical vase, in unfired state, is shown in a portrait photograph of Walter Martin in the studio, circa 1900.

Ray Finch (1914-2012) a Winchcombe Pottery charger, decorated with simple tenmoku brushed design on a speckled ash glaze, a Dolomite glaze charger possibly Lowerdown Pottery, a Chris Lewis tea canister and cover, a Chris Lewis charger, a Paul Barron vase and a large collection of studio pottery including Simon Leach, Clive Bowen and Svend Bayer impressed seal mark, 33cm. diam. (a lot) Provenance The Tony Hill collection of studio pottery.

John Leach (born 1939) a Muchelney Pottery stirrup jug, with running ash glaze to the shoulder, another John Leach vase, a Lowerdown Pottery miniature vase painted with a fern design, a Svend Bayed bowl and six others, impressed seal marks, 26cm. high (10) Provenance The Tony Hill collection of studio pottery.

‡ Janet Leach (1918-1997) a stoneware vase, ovoid with flaring neck and lug handles, with simple brushed ash motif to both sides, glazed interior, impressed seal marks, 25.5cm. high Provenance The Tony Hill collection of studio pottery.

Bernard Leach CBE (1887-1979), attributed a Leach Pottery slip-ware bowl, rounded rectangular form, combed tan and brown glaze to well, impressed seal mark, 33.5 x 25cm. Literature Bernard Leach Potter and Artist, Crafts Council, page 103 catalogue number 105 for two comparable circular dishes.

Bernard Leach CBE (1887-1979) a Leach pottery stoneware bowl, footed form, covered in a running hare's fur glaze, and another Leach Pottery earthenware bowl impressed seal marks, chip to top rim, 17cm. diam. (2)

David Leach OBE (1911-2005) a Lowerdown Pottery porcelain box and cover, circular, shallow domed form, painted to the top with a willow tree, in iron oxide, tenmoku and blue, a David Leach canister and cover and a stoneware canister and cover by Richard Batterham, impressed seal mark, 10.5cm diam. (6)

John Leach (born 1939) a tall Muchelney Pottery stoneware cider flagon, dated 1995, sack form with loop handle, salt glazed finish, impressed seal marks, dated 1995, 36cm. high Provenance Purchased by the vendor directly from the potter in 1995.

Mary Gibson-Horrocks (born 1923) three stoneware tiles probably made at the Leach Pottery, St Ives, two dated 1946, each painted and incised with designs, one with Mary on a donkey with Joseph, a bird and a bell flowers on a riverbank, in blue and tenmoku on celadon ground, painted MGH and 1946, 10.3cm square, (3) Provenance Mary Gibson-Horrocks

Mary Gibson-Horrocks (born 1923) Industrie et Spe, 1943 a slip decorated charger, slip decorated with a stylised bird perched on a rock outcrop, the rim with inscription Industrie et Spe (Courage and Hope), in brown on a sand ground, incised monogram and date 1943 to reverse 32cm. diam. Provenance Mary Gibson-Horrocks Mary Gibson-Horrocks joined the Leach Pottery in 1944 before leaving in 1947 to set up a pottery in Surrey with MIchael Cardew.

Leach Pottery a porcelain teapot and cover, incised with a band of stylised leaf panels, glazed to the foot in celadon, a Leach Pottery jug and cover sugar basin, incised with an oak leaf motif, glazed celadon, five Leach Pottery bowls painted Z motif and a collection of Leach Pottery impressed seal marks, 15cm. high (teapot), (a lot) Provenance Mary Gibson-Horrocks

‡ Bernard Leach CBE (1887-1979) a Leach Pottery shallow bowl, painted to the interior with two flowers in blue and tenmoku on an oatmeal ground, and a larger Leach Pottery bowl painted with Z brush stroke motif, painted BL to small bowl, repaired, 12cm. diam. (2) Provenance Mary Gibson-Horrocks

‡ Bernard Leach CBE (1887-1979) a large Leach Pottery tile, painted with a weeping willow tree, in blue and tenmoku on an off white ground, painted BL monogram and Leach Pottery mark to bottom corners, impressed seal marks to reverse, repaired damages, 15cm. square Provenance Mary Gibson-Horrocks

‡ Bernard Leach CBE (1887-1979) a large Leach Pottery tile, painted with a figure walking towards a hut, a range of rounded mountains in the background, in tenmoku on an off white ground, painted BL monogram and Leach Pottery mark to bottom corners, impressed seal marks to reverse, 15cm. square Literature Bernard Leach A Potter in Japan, Faber, page 58 for a drawing of a comparable farmer. Bernard Leach Potter and Artist, Crafts Council, page 128 figure 141 for a dish with a comparable landscape illustrated. Provenance Mary Gibson-Horrocks

‡ Bernard Leach CBE (1887-1979), attributed a Leach Pottery stoneware tile painted with a climbing kiln with smoking chimney, a farmer working the land in the foreground, impressed Leach Pottery seal marks to reverse, 10.2cm. square Provenance Mary Gibson-Horrocks, Literature Bernard Leach A Potter in Japan, Faber, page 107 for a pen and ink drawing by Bernard Leach of Hamada's small kiln, Mashiko, for comparison, and page 62 for illustrations of a Tamba Kiln.

‡ Bernard Leach CBE (1887-1979), attributed a Leach Pottery tile, painted with a Japanese well, in tenmoku on an oatmeal ground, impressed Leach Pottery seal marks to reverse, repaired corner, chip to base rim, 10cm. square Provenance Mary Gibson-Horrocks Literature Bernard Leach Potter and Artist exhibition, 11th December 1997-29th March 1998, Crafts Council Gallery, London, page 128 catalogue number 140 for a dish with a comparable image illustrated.

‡ Bernard Leach CBE (1887-1979) a Leach Pottery tile painted with a windswept tree in a Japanese mountain landscape, in tenmoku on an oatmeal ground, painted BL and Leach Pottery monogram, impressed Leach Pottery seal marks to reverse, minor chips to edges, 10cm. square Provenance Mary Gibson-Horrocks

‡ Bernard Leach CBE (1887-1979) a stoneware tile painted with a cloud pine tree, dated 1934 in tenmoku on an oatmeal ground painted 34 and BL monogram to front, impressed M pottery seal marks to reverse, 10.5cm. square Provenance Mary Gibson-Horrocks,

‡ Bernard Leach CBE (1887-1979) a stoneware tile dated 1934, painted with an exotic flower in tenmoku on an oatmeal ground, painted 34 date and BL monogram, impressed M Pottery seal marks to reverse, 10.5cm. square Provenance Mary Gibson-Horrocks Literature Bernard Leach Potter and Artist, Crafts Council, page 125 catalogue number 137 for a comparable bird painted on a dish.

‡ Bernard Leach CBE (1887-1979) a tile dated 1934, painted with a stylised flying hawk, in circular border the corners dated 1934, in tenmoku on an oatmeal ground, painted BL monogram, 1934 date and impressed M pottery seal marks to reverse, 10.5cm. square Provenance Mary Gibson-Horrocks, Literature Bernard Leach Potter's Book, Faber & Faber, page 104 for a similar design of a dated tile with two swallows, illustrated.

‡ Bernard Leach CBE (1887-1979) a Leach Pottery stoneware tile, painted with a seashell in tenmoku on an oatmeal ground, painted L:each Pottery seal mark and monogram, impressed Leach Pottery seal marks to reverse, 10.5cm. square Provenance Mary Gibson-Horrocks,

Stoneware, dry brown body with dark speckle, a white splash with iron speckle around the body, the interior with dark brown glaze, impressed JL and Leach Pottery seals H 9.7cm, W 14.1cm, D 5.8cmPROVENANCE: Private Collection, Miami, United States ACQUIRE: Leach Pottery, St Ives, April 1990CONDITION: Perfect condition with no damage or restoration

Stoneware, rectangular body with layered rich tenmoku over iron glazes, crawling in areas to reveal the body beneath, impressed BL and Leach Pottery sealsH 36.8cm, W 14.0cmPROVENANCE: Private Collection, Miami, United States ACQUIRED: Sotheby's, London | 8 October 1982 | Art Pottery & Studio Ceramics, Lot 128 CONDITION: Old epoxy filler at the shoulder, significant crawling of the glaze and shallow firing cracks at the corners.

Stoneware, dry black body with mottled white and tenmoku splashes front and back, the interior and short flared lip with mottled white glaze, two lugs mounted at the shoulder, impressed JL and Leach Pottery seals H 15.4cm, D 11.7cm PROVENANCE: Private Collection, SurreyCONDITION: Perfect condition with no damage or restoration

Stoneware, dry red brown body beneath layered poured splashes in mottled green brown and cream ash glazes, the tall body tapering at the neck set with a cylindrical collar, impressed JL and Leach Pottery sealsH 57.6cm, D 25.2cmPROVENANCE: Austin/Desmond Fine Art EXHIBITED: 'Janet Leach, William Marshall and Jason Wason, Austin/Desmond Fine Art, June-July 2011, No.24 CONDITION: Perfect condition with no damage or restorations

Stoneware, layered tenmoku over iron glaze with finger wipe motif front and back, impressed BL and Leach Pottery sealsH 19.5cm, W 13.2cm, D 8.5cmPROVENANCE: Private Collection, Miami, United States ACQUIRED: Sotheby's, London | 8 October 1982 | Art Pottery & Studio Ceramics, Lot 130CONDITION: Perfect condition with no damage or restoration

Stoneware, dry dark brown body with dark iron speckle, the distorted slab built form with broad undulating rectangular lip, mottled white and brown splashes front and back, impressed JL and Leach Pottery sealsH 31.6cm, W 20.0cm, D 15.0cmPROVENANCE: Private Collection, London CONDITION: Perfect condition with no damage or restoration

Stoneware, green ash glaze with dark olive green speckle, a heather splash to the shoulder, the squashed and compressed form with strongly carved crisscross markings around the body, impressed JL and Leach Pottery sealsH 12.5cm, D 17.0cmPROVENANCE: Austin/Desmond Fine Art EXHIBITED: 'Janet Leach, William Marshall and Jason Wason', Austin/Desmond Fine Art, June-July 2011, No. 4 CONDITION: Perfect condition with no damage or restorations

Stoneware, dark olive green running glaze over a dry iron body with finger wipes to front and back, impressed JL and Leach Pottery seals H 12.9cm, W 12.2cm, CONDITION: Perfect condition with no damage or restoration

Stoneware, dry brown body with rough inclusions, a flash of transparent ash glaze, a roughly beaten and combed impression front and back, impressed JL and Leach Pottery sealsH 11.8cm, W 15.3cm, D 13.8cmPROVENANCE: Austin/Desmond Fine Art EXHIBITED: 'Janet Leach, William Marshall and Jason Wason', Austin/Desmond Fine Art, June-July 2011, No. 11 CONDITION: Perfect condition with no damage or restorations

Porcelain, dark tenmoku glaze with contrasting matt and shiny surface over a finely fluted body, impressed DL and Leach Pottery sealsH 8.3cm, D 13.7cmPROVENANCE: Private Collection, Miami, United States ACQUIRED: Westminster Gallery, Boston, United States, 1982CONDITION: Perfect condition with no damage or restoration

Stoneware, dry brown body with strong white splash front and back, the interior and short flared lip with white glaze, two lugs mounted at the shoulder, impressed JL and Leach Pottery seals H 13.4cm, D 12.4cm PROVENANCE: Private Collection, SurreyCONDITION: Perfect condition with no damage or restoration

Stoneware, dry black body with a tenmoku glazed interior and rim, cut-sided body, impressed JL and Leach Pottery marks H 13.9cm, D 12.6cm CONDITION: Perfect condition with no damage or restoration

Stoneware, dry black body with strong white splashes front and back, the flared rim in white glaze with a soft iron speckle, two small flattened lugs mounted at the the shoulder, impressed JL and Leach Pottery seals H 20.6cm, D 10.4cm PROVENANCE: Paul Rice, November 1981CONDITION: Perfect condition with no damage or restoration

Stoneware, dry black body, white glaze with iron speckle to the interior and running in poured drips from the rim to the exterior, impressed JL and Leach Pottery sealsH 7.8cm, D 16.7cmPROVENANCE: Austin/Desmond Fine Art EXHIBITED: 'Janet Leach, William Marshall and Jason Wason', Austin/Desmond Fine Art, June-July 2011, No.9 CONDITION: Perfect condition with no damage or restoration

Stoneware, running green ash glaze with iron splashes, the flared rim with repeated impressed markings, impressed WM and Leach Pottery sealsH 7.5cm, D 21.8cmPROVENANCE: Austin/Desmond Fine Art EXHIBITED: 'Janet Leach, William Marshall and Jason Wason', Austin/Desmond Fine Art, June-July 2011, No.33 CONDITION: Perfect condition with no damage or restorations

Janet Leach Conical Shape Studio Pottery Vase, the lower portion, with broad, circular, base, rising in the manner of a coil pot, with visible rings, to a steeper plain section above, the whole in a cream glaze overlaid with a speckled turquoise, deepest at the top, and decorated with abstract line patterns; impressed monogram mark to side base; some firing faults; plus Staffordshire bulbous jug with applied hunting scenes; white to the body, royal blue to neck, spout and half handle; crack to lip and firing faults

A box of studio pottery including Leach St Ives & Winchcombe, together with three hand-painted teapots, and other items

A QUANTITY OF STONEWARE POTTERY to include an Andrew Holden studio pottery teapot with impressed marks to the base, together with a David Leach dish, a Helen Finney dish and lid, footware shaped pottery, teapots etc (20)

A MATCHED PAIR OF LEACH POTTERY ST IVES STUDIO STONEWARE BOWLS, glazed in 'Z' Japanese calligraphic design, brown glaze with blue lines on an oatmeal ground, each with studio impressed seal mark, c.1955, 14.5cm diameter

Marion WHYBROW Leach Pottery St Ives THe Legacy of Bernard Leach

A Leach Pottery, St Ives ribbed ovoid water jug, scroll handle, glazed in shades of brown and grey, 19.5cm high, impressed seal mark

John Leach (b.1939) a Muchelney Pottery stoneware vase, having ribbed body and glazed in brown and duck egg blue, impressed marks to base, 16cm high