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Bernard Leach (1887-1979) Self Scrutiny an etching on paper, dated 1916, signed in the print BL, titled and dated, numbered in pencil 22/25, image 15 x 8.5cm. Literature Simon Olding The Etchings of Bernard Leach Crafts Study Centre/Leach Pottery page 106 catalogue number 77 for a comparable print.
Bernard Leach (1887-1979) Portrait of Saneatsu Mushanokoji a soft ground etching on paper, 1916, signed in the print Leach numbered in pencil 18/25 11 x 8.5cm. Literature Simon Olding The Etchings of Bernard Leach Crafts Study Centre/Leach Pottery page 102 catalogue number 74 for a comparable print.
David Leach - Lowerdown Pottery - A large later 20th Century hand thrown teapot of cylinder form with integral spout and upper lugs with bent bamboo handle, the body decorated with stylised grass motifs over a celadon glazed ground, impressed seal marks, height 19cm (small restoration to the tip of the spout)
Alfred Read Poole pottery "PRB" pattern vase, shouldered and squat, decorated with brown and white lines on mushroom ground with cream borders, 12cm high, David Leach pottery vase, in shades of brown, studio pottery dish with combed ochre and black glaze and another studio pottery small bowl
Jason Wason, British, b.1946 - A square studio ceramic platter in the Japanese taste, mid/ late 20th century, the white clay body of shallow dish form decorated with metal oxide and turquoise stripes, the platter supported upon rectangular block feet also with conforming decoration. Bearing two impressed maker`s seals to verso, 10cm high x 28cm wide x 25cm deep. (May be subject to Droit de Suite). Note: Wason was born in Liverpool and spent six years at the Leach Pottery (from 1976), giving him a strong sense of workshop discipline and technical competence in glaze techniques and also the ability to throw whatever shape he had in mind; after completing his commitment to producing the standard ware range of the Leach Pottery, he had the freedom to experiment with his own designs. He endeavoured to introduce into a pot a sense of motion, energy and vitality, and his pots are of a ritualistic and ceremonial nature, much inspired by travels in Africa, India and the Middle East, where his search for a nation`s pottery caused him to become involved in concerns for the preservation of indigenous peoples` physical and cultural survival. He has been working on his own from his home studio since the 1980s. Wason teaches ceramics at the Penzance School of Art, Penzance. He is married to the ceramics artist Joanna WASON, who works and teaches at the LEACH POTTERY, St Ives.
A Fulham pottery footed bowl, late 20th century, of circular form, decorated internally and externally with abstract patterns in multi-colours, bearing Fulham pottery stamp, seal and indistinct artist`s signature to underside, 25cm diam; a Yelland pottery vase, possibly by Michael Leach, late 20th century, of ovoid form, decorated with dark glaze and curved white linear patterns, bearing Yelland stamp to underside, 11cm high; together with three further studio pottery bowls, of various size, form and decoration, bearing marks, (5).
David Leach (1911-2005) a Lowerdown Pottery cut-sided porcelain bowl, covered in a rich reduced copper glaze, and another stoneware bowl by David Leach covered in a celadon glaze impressed DL mark 11.5cm. diam. Literature Kathy Niblett David Leach Richard Dennis Publications, page 94, plate 69 for a comparable piece.
Atterbury P. : Moorcroft 1897-1993 (2008); Haslam M. : Highland Stoneware; Batkin M. : Wedgwood Ceramics; Hopwood G. : Denby Pottery 1809-1997; Carlano A. : Contemporary British Studio Ceramics; Jenkins S. : Portmeirion Pottery; Hayward L. : Poole Pottery; Blunt R. : Chelsea China and Pottery; Cooper E. : David Leach; Jenkins S. : Midwinter Pottery; Coke G. : In Search of James Giles (Fine copy in slip case ); Gaunt W. : William De Morgan (Copy signed by authors). Together with 5 other volumes on this theme. Formats include Qto., 8vo., Hb. & Pb. CONDITION REPORT: Condition : Generally vg/f.

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