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Lot 192
JOHN LEACH (born 1939) for Muchelney Pottery; a stoneware vase with lug handles, green ash running glaze over toasted body, impressed JHL and pottery marks, height 14.5cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 26
DAVID LEACH (1911-2005) for Lowerdown Pottery; a fluted porcelain bowl covered in green celadon glaze, impressed DL mark, height 11.5cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 27
DAVID LEACH (1911-2005) for Lowerdown Pottery; a fluted porcelain jar covered in green celadon glaze and a stoneware bottle covered in tenmoku breaking to kaki glaze, impressed DL and L+ marks, tallest height 21cm (2). (D) CONDITION REPORT: Jar has firing crack to base; bottle nibbles to edge of base, otherwise appears good with no obvious signs of other faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 28
DAVID LEACH (1911-2005) for Lowerdown Pottery; a large fluted stoneware bowl, impressed DL mark, diameter 22cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 30
DAVID LEACH (1911-2005) for Lowerdown Pottery; a porcelain bottle of flattened form, iron brushwork on green ground, impressed DL mark, height 40.5cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 31
DAVID LEACH (1911-2005) for Lowerdown Pottery; a porcelain bottle of flattened form, iron brushwork on tenmoku ground, impressed DL mark, height 41.5cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 32
DAVID LEACH (1911-2005) for Lowerdown Pottery; a porcelain circular box covered in green celadon glaze, impressed DL mark; a square stoneware vase probably by David Leach, impressed L+ mark (partially glaze filled); and an octagonal box and cut-sided bowl by Jeremy Leach, impressed JL and L+ marks, tallest height 23.5cm (4). (D) CONDITION REPORT: Nibble to edge of base of octagonal box, otherwise appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 33
DAVID LEACH (1911-2005) for Lowerdown Pottery; a stoneware teapot with cane handle, tenmoku glaze with kaki foxglove decoration, impressed DL mark, height 11.5cm (excluding handle). (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 34
DAVID LEACH (1911-2005) for Lowerdown Pottery; a stoneware vase covered in oatmeal ash glaze, incised and painted decoration, impressed DL mark, and a Lowerdown jug covered in tenmoku and kaki glaze, impressed L+ and painted marks, tallest height 17cm (2). (D) CONDITION REPORT: Chip to edge of jug spout, otherwise appears good with no obvious signs of other faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 54
JANET LEACH (1918-1997) for Leach Pottery; two stoneware bowls, one squared-off on two sides, impressed JL and pottery marks, largest diameter 16cm (2). (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 58
Leach Pottery; a stoneware coffee set comprising coffee pot, milk jug, sugar bowl and six cups and saucers, covered in tenmoku breaking to kaki glaze, impressed pottery marks, coffee pot height 18.5cm (9). CONDITION REPORT: Small chip to inside of milk jug spout, otherwise appears good with no obvious signs of faults, damage or restoration.
Lot 60
Leach Pottery; four stoneware pots to include a Z bowl (af), a coffee pot (missing lid), a casserole (missing lid) and a ramekin, impressed pottery marks, bowl maximium diameter 14cm (4). CONDITION REPORT: Bowl has been in half and re-glued, coffee has hairline from rim, casserole cracked to base, otherwise appears good with no obvious signs of other faults, damage or restoration.
Lot 70
WILLIAM MARSHALL (1923-2007) for Leach Pottery; a cut-sided stoneware teapot with cane handle, covered in tenmoku breaking to kaki glaze, impressed WM and pottery marks, height 14cm (excluding handle). (D) CONDITION REPORT: Nibbles to end of spout, otherwise appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 71
WILLIAM MARSHALL (1923-2007) for Leach Pottery; a large bulbous stoneware vase, ribbed body covered in blue green glaze, collared rim covered in tenmoku breaking to kaki glaze, impressed pottery marks, made c.1964, height 28.5cm. (D) CONDITION REPORT: Chip under rim, otherwise appears good with no obvious signs of other faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 72
WILLIAM MARSHALL (1923-2007) for Leach Pottery; a salt glazed chimney vase, incised WM and impressed pottery marks, height 20cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 73
WILLIAM MARSHALL (1923-2007) for Leach Pottery; a stoneware yunomi covered in running olive green ash glaze, impressed WM and pottery marks, made c.1967, height 9cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 78
MICK ARNUP (1925-2008); a stoneware planter and a stoneware pedestal bowl, painted signature and dates of 1994 and 1996 respectively; a stoneware cut-sided box probably by Richard Batterham, and a Leach Pottery stoneware cup, largest diameter 17cm (4). (D) CONDITION REPORT: Cup has a hairline extending from rim to close to base, otherwise appears good with no obvious signs of other faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 72
§ Lucie Rie, (Austrian/British, 1902-1995), a fine porcelain vase with flared rim, with manganese glaze and sgraffito decoration, seal mark to base 19cm (7in) Provenance: Purchased by the vendor's mother directly from Lucie Rie at Albion Mews in the early 1980's Literature: British Studio Ceramics, Paul Rice, The Crowood Press, 2002 Illustration of Vase, Plate 88, page 91 Other Notes: Lucie Rie (1902-1995) was undoubtedly one of the leading ceramists of the 20th Century. She trained in Vienna and moved to London before the outbreak of the second world war. Initially her work was poorly received, Bernard Leach criticised her work as weak and "feminine" and the potter Michael Cardew once asked her whether "it was possible to like someone if you hated their pots". Gradually after the war she achieved recognition. Her tableware was the first of her work to be well received, seen as a product of a distinctively European aesthetic, and quite unlike the prevailing fashion of Oriental ceramics in Britain. Her training and roots in Modernism born in Austria and Germany profoundly reflected her design. She was never interested in mere ornamentation but in the balance and synthesis of the form. Her vases and bowls reflects this economy of form with flaring shapes and large recessed feet. She started to use sgraffito from the late 1940s apparently after looking at Neolithic and Bronze Age pottery in a museum in Averbury Wiltshire. Sgraffito is a form of decoration made by scratching through a surface to reveal a lower layer of contrasting colour; here achieved by scratching through the dark glaze with a needle to the underlying white glaze. Sgraffito allowed Rie to articulate points of transition in the form; the shoulder and necks of jars, or the springing point of a bowl. In the 1980s she introduced a new palette of brighter glazes, peacock blue, magenta and sage green. She continued to make pots in her favourite forms as well as some new shapes until a stroke in 1990 prevented her from working any more. Rie was awarded a CBE in 1981 and was created a Dame in 1990. Her impact on British, and world ceramics, is immeasurable. Ask any collector of ceramics why they should own a Rie and the answer will be because her work marks the cornerstone of modern contemporary ceramics. Condition: Appears to be in very good condition, however, upon inspection under UV light, there has been some restoration to the rim. To the best of the vendor's knowledge, this was not restored by his mother, and may, therefore, have been repaired by Lucie herself, as the vase was purchased from her directly. PLEASE NOTE, THE ESTIMATE HAS BEEN REVISED ACCORDINGLY.
Lot 970
A Janet Leach for Leach Pottery stoneware vase with twin lug handles, impressed personal pottery seal, height 12.5cm, sold together with a printed card showing Janet Leach Pots in which Janet Leach has written 'Dearest Sue, I shall miss you very much - use the pot as a door stop and remember me - best of luck and much happiness love Janet'. (See illustration)
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4635 item(s)/page