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Lot 1507
Of Bernard Leach (1887-1979) interest - collection of ephemera, including three hand written poems by Bernard Leach, one inscribed to Kathleen Raine and dated 1965, the second signed and dated VII 72, the last inscribed to Pam with many happy returns 3.VII. 72, also a curious image, possibly partially printed with hand finishing, inscribed in pen 'The circum formless circle with a centre anywhere' inscribed verso and dated '3. 7. 76. Farewell to Pam, from Bernard', also other notes on Leach Pottery headed paper, and notes made by Pam about their meetings together
Lot 1279
A St Ives Leach studio pottery bowl, the interior decorated with a celadon glaze, impressed mark to edge of base, diameter 19.5cm, and a Michael Cole studio pottery vase, the reddish brown body with ribbed decoration, impressed mark to edge to base, height 12cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 290
A Robert Fishman at Leach Pottery, stoneware vase and cover, with waisted body with a faceted band, impressed artists monogram, 20.5cm high, and three hand-built stoneware vases, with wood-fired and trailing glazes, largest 21cm high, a small bottle vase, 12.5cm high and a petal shaped dish (5)Condition report: Good overall, no chips or damage. ALl in good overall condition.
Lot 142
Warren Mackenzie (American, 1924-2018). Studio pottery ceramic tripod bowl set on three rounded legs. Stoneware with brown glossy glaze. Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota. Height: 4 in x diameter: 9 5/8 in.
Lot 247
Various items of mostly UK made 20th century studio pottery, to include a P. Lawson stoneware planter of goblet form, height 17cm, an oatmeal cylindrical vase with small opening and design of straight and wavy green lines, with initials 'GWH' and 11/57 inscribed to the base, height 26cm, a square vase with circular rim, of oatmeal colour and faint middle band, unmarked, height 14cm, a clay jug with threaded blue glaze band to the rim and small spout, the body of bulbous form with incised decoration of whimsical trees with love heart branches and a front armorial crest, underneath there is an indistinct potter's signature and a combination of letters and numbers, height 15cm, a John Leach Muchelney Pottery medium sized mixing bowl, diameter 23cm, with impressed company mark to the base, two modern studio pottery planters with blue triangular geometric border on an oatmeal ground, height 12cm and 9cm, two modern studio pottery brown glazed terracotta serving bowls of similar pattern comprising a light blue ever-decreasing swirl on brown glaze, diameters 28cm and 20cm, two Arts & Crafts, possibly Scottish School hand painted geometric design plates with scalloped edge, on turquoise ground, both marked with a painted entwined 'LR' mark to the base (11).
Lot 242
TIM ANDREWS (born 1960, apprentice to David Leach); a studio pottery vase with spherical body and short chimney spout, decorated with a crackled finish, impressed mark to lower foot rim, height approx 14cm, diameter approx 15cm. CONDITION REPORT Appears to be in good condition, with no obvious cracks, chips or repairs.
Lot 158
DAVID LEACH (1911-2005) for Lowerdown Pottery; a porcelain box and cover covered in celadon glaze with cobalt wave and copper red dot decoration, impressed DL and pottery marks, diameter 10.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 159
DAVID LEACH (1911-2005) for Lowerdown Pottery; a small cut sided stoneware bud vase covered in tenmoku glaze, impressed DL mark, height 7cm, and a porcelain bowl covered in celadon glaze with incised decoration, possibly by David Leach (mark is smudged), diameter 21cm (2). (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 160
DAVID LEACH (1911-2005) for Lowerdown Pottery; a small porcelain bowl covered in celadon glaze with iron and cobalt decoration, painted DL and impressed pottery marks, collector's inscription and Taggs Yard stamp, diameter 11.5cm. (D)Provenance: The Harry Horlock-Stringer collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 161
DAVID LEACH (1911-2005) for Lowerdown Pottery; a stoneware flagon covered in tenmoku breaking to kaki glaze, impressed DL mark, height 39.5cm. (D) Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 271
JANET LEACH (1918-1997) for Leach Pottery; a cut sided stoneware bottle covered in manganese glaze, impressed JL and pottery marks, height 18.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 272
JANET LEACH (1918-1997) for Leach Pottery; a pair of small stoneware jars and covers, impressed JL and pottery marks, height 9cm (2). (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 273
JANET LEACH (1918-1997) for Leach Pottery; a small square stoneware footed dish, impressed JL and pottery marks, 11.5 X 11.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 328
JOHN LEACH (1939-2021) for Muchelney Pottery; a flattened stoneware bottle covered in speckled blue/grey glaze with wax resist decoration, impressed JHL and pottery marks and dated 2002, height 24cm. (D)Provenance: Purchased from the artist.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 329
JOHN LEACH (1939-2021) for Muchelney Pottery; a stoneware flagon with running green ash glaze to one side, impressed JHL and pottery marks and dated 1990, gallery label, height 18.5cm, and a small Muchelney Pottery bowl (2). (D)Exhibited (flagon): 'John Leach: A Potter's Progress', Ruskin Craft Gallery, Sheffield, 1991 and Birmingham Museum and Art Gallery, 1992.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 330
JOHN LEACH (1939-2021) for Muchelney Pottery; a stoneware platter, the well covered in tenmoku glaze with wax resist decoration, impressed JHL and pottery marks and dated 1990, gallery label, diameter 29.5cm. (D)Exhibited: 'John Leach: A Potter's Progress', Ruskin Craft Gallery, Sheffield, 1991 and Birmingham Museum and Art Gallery, 1992.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 385
MARIANNE DE TREY (1913-2016); a large stoneware mug, impressed shell mark, height 13.5cm, a large Wenford Bridge Pottery mug and three smaller Leach Pottery mugs (5). (D)Additional InformationSmall chips to rims of two Leach Pottery mugs, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 412
MICHAEL CARDEW (1901-1983) for Leach Pottery; a slipware flagon partially covered in galena glaze with wax resist decoration, impressed MC and pottery marks, made 1923-26, height 20cm. (D)Additional InformationTwo kiln kisses to one side, glaze flakes to rim and handle and tight hairline to body extending 6cm sideways from base of handle, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 413
Attributed to MICHAEL CARDEW (1901-1983) for Leach Pottery; a slipware calligraphic mug with scroll handle covered in galena glaze, incised seriffed lettering 'Drink About Brother When This Is Done We'll Have Another', impressed pottery mark, height 12cm. (D)Additional InformationChips to rim, glaze rubs/misses to handle and firing crack to scroll on one side, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 419
MICHAEL LEACH (1913-1985) for Yelland Pottery; a long stoneware dish with copper green and cobalt decoration on oatmeal ground, impressed pottery mark, length 37.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 440
NICK REES (born 1949) for Muchelney Pottery; a stoneware yunomi covered in dark green glaze with blue/grey decoration, impressed NR and pottery marks, height 8cm. (D)Provenance: Purchased from Leach Pottery, St Ives.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 540
PHILIP LEACH (born 1947) for Springfield Pottery; a large slipware jug with scroll handle covered in green glaze with black and cobalt floral decoration, impressed PL and pottery marks, height 26cm. (D)Additional InformationChips around the unglazed base where jug has stuck to kiln shelf, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 577
ROELOF UYS (born 1971) for Leach Pottery; a stoneware yunomi partially covered in hakeme glaze with iron and copper green decoration, impressed figure and pottery marks, height 9.5cm.Provenance: Purchased from the artist.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
Lot 651
TIM LAKE (born 1974); a stoneware yunomi covered in green ash glaze with grey and white decoration, impressed mark (partially glaze filled), height 9.5cm. (D)Provenance: Purchased from Leach Pottery, St Ives.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 658
TREVOR CORSER (1938-2015) for Leach Pottery; a porcelain bowl covered in pale green glaze with incised decoration, impressed TC and pottery marks, diameter 13.5cm, and a smaller example with iron decoration to the well (2). (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 659
TREVOR CORSER (1938-2015) for Leach Pottery; a porcelain ginger jar covered in celadon glaze, impressed TC and pottery marks, height 18.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 673
WILLIAM MARSHALL (1925-2007) for Leach Pottery; a stoneware teapot with cane handle partially covered in grey glaze with trailed decoration, incised XXXX and impressed pottery marks, height 25cm (including handle). (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 78
BERNARD LEACH (1887-1979) for Leach Pottery; a hexagonal porcelain box and cover, the cover decorated in blue/grey glaze with incised flying bird, impressed BL and pottery marks, diameter 6cm. (D) Provenance: Purchased at Bonhams, ‘Contemporary Ceramics: Martin Brothers to Martin Smith: Highlights from the Reggie & Heather Hyne Collection’, June 1999, lot 38. Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 79
BERNARD LEACH (1887-1979) for Leach Pottery; a lobed porcelain pot covered in celadon glaze, impressed BL and pottery marks, height 9.5cm. (D)Additional InformationGlaze miss and blemish to one side, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 17
partially impressed artist's seal and pottery seal, stoneware, incised Willow Tree design, tenmoku glaze36cm high, 17cm wide (14.1in high, 6.7in wide)Footnote: One day in fine weather I went round to the Penwith Society of Art and there I saw a large tall brown Bernard Leach pot and immediately decided I would buy it, went up to the curator (Kathy Watkins) and told her I would bring in the cheque tomorrow (£35).I walked down the gallery studying at Bernard's small porcelain pots and was joined by some Americans. We got talking and I so fired them with my enthusiasm I sold some there and then to the Americans. Returning to the curator to confirm I was coming in tomorrow. Kate Nicholson was standing beside her 'Too late' said the curator 'Too late' said Kate, ‘you should be quicker I have just bought it!’I was furious but kept control and left the gallery.Who should I meet coming up from Barnaloft about to cross the road but Bernard and his housekeeper, Trudi Scott, Bernard half blind waving his stick at me said 'And what is the matter with you?’ I told him the story and mentioned the artist, to my surprise Bernard roared and roared with laughter saying 'Typical, Typical!!’ meaning the Nicholson family getting into the front row. I stamped off.Some time later just before one of his trips to Japan, I think, Bernard walked in to my studio with a large pot and placed it on my shelf in the lower studio, walked to the window with his hands behind his back, meanwhile I was shrieking 'Bernard that is just like the pot I wanted' and Bernard replied (still standing with his back to me and facing the sea) 'Well you had better hurry up this time!’ adding 'Make the cheque to the Leach pottery' the price was less the commission of the Penwith (£23).I could not believe he had made it specially for me! But he had! Sometime later the Central Office of Information requested to photograph this pot, Bernard decided to be photographed holding the pot at my studio Barnaloft, so he came in and was photographed holding it and the Central Office of Information suggested another photograph was taken, this one to be taken of us together.
Lot 535
§ § Alan Green (British 1932-2003) Green Descending to Brownsigned, titled and dated 94 to the reverseoil on canvas (unframed)70 x 70cmProvenance: With Annely Juda Fine Art, LondonFootnote: In the mid-1960s, no doubt inspired by American abstract painters such as Mark Rothko and Barnett Newman and reacting against the increasingly pervasive influence of the St. Ives School, Alan Green unveiled his first field-paintings. Green would continue to mature and refine his style of abstraction over the next four decades. Born in London in 1932, Green studied at Beckenham School of Art and The Royal College of Art where he trained as an illustrator, printmaker and graphic artist. It is thought that this path of study, free from the spectre of art history and the shackles of traditional painting techniques, helped steer Green towards abstraction. During this period, Green also spent two years on National Service, posted in Japan and Korea, where he developed an appreciation for the aesthetics of Japanese Minimalism and met the distinguished Japanese potter, Shoji Hamada, who would prove to be a hugely influential figure in his life and work. A peer of Bernard Leach, Hamada not only tutored Green in studio pottery techniques, but also instilled in him the importance of grinding his own pigments and fashioning his own tools. Both colour and tool use would remain critical in Green's practice throughout his career. Displaying a restrained, modulated palette and a meticulously scraped and combed surface, the present lot is reflective of Green's larger body of work and the experiences that helped to shape it.Condition report: The white painted areas of the canvas show a very light layer of dirty, the surface is rough and textured as per the artist's technique. Overall in very good condition.
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