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Original Tiny Tears 16D baby doll with bottle in original blue check dress and matching bib T/W orange romper suit, pink and yellow top & knickers, cream cotton blouse, brown & Blue coat and hat blue and white striped dress and an apron and hand knitted cream outfit and a blue hand knitted cardigan - in good used condition
Figure inspired by the 1905 Beatrix Potter children's book, The Tale of Mrs. Tiggy-Winkle. Depicts a hedgehog in a square stripe blouse and holding an iron. Fun fact: the character, Mrs. Tiggy-Winkle, was inspired by Potter's pet hedgehog by the same name. Beswick backstamp. Artist: Arthur GredingtonIssued: 1970 to the presentDimensions: 2.5"L x 2.25"W x 3"HManufacturer: BeswickCountry of Origin: EnglandCondition: Age related wear.
First style variation; porcelain figure of a woman in the wind. Coral pink blouse with pink floral skirt. Royal Doulton backstamp. Artist: Leslie HarradineIssued: Circa 1936-1949Dimensions: 2.5" L x 4.25" W x 7" HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
A woman elegantly dressed in a pink blouse and lavender skirt gracefully holds a basket of flowers in one hand and a bouquet in the other. Lladro backstamp. This item has its original box which measures: 12"L x 6.5"W x 5.5"H. Artist: Jose PucheIssued: 1996Dimensions: 3.75"L x 3.25"W x 9.75"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.
A quantity of modern ladies clothing to include a Kim Kardashian line black and white polka dot jacket UK16, a Joseph Ribkoff black and white striped jacket UK18, unworn trousers with original tags, a Ted Baker black floral wraparound blouse (TB size 5), Frank Usher pale pink wide leg trousers UK18 and matching scarf, Marc Aurel black leather trousers European size 42 and various wraps. Location:Rail
MISERY (1990) - Annie Wilkes' (Kathy Bates) Costume - Annie Wilkes' (Kathy Bates) costume from Rob Reiner's thriller Misery. The costume comprises a blouse, a vest, a skirt, and an apron. "4094 18 K.B" is marked inside the shirt, while "4095" is marked inside the skirt.Estimate: $1,000 - 2,000Bidding for this lot will end on Saturday, August 17th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th or Sunday, August 18th.
EX MACHINA (2014) - Ava's (Alicia Vikander) Screen-Matched Final Costume - Ava's (Alicia Vikander) screen-matched final costume from Alex Garland's Ex Machina. Inconsistencies in the stitching of this costume screen-match to when Ava, having dispatched her creator, Nathan Bateman (Oscar Isaac), and trapped his employee, Caleb Smith (Domhnall Gleeson), raided old robot pieces from Nathan's cupboards and escaped into the outside world in the climactic finale sequence.Often considered among the greatest films of the 2010s, Ex Machina received particular acclaim for Vikander's performance as the frighteningly, if artificially, intelligent Ava. She and the film received a litany of awards, including a BAFTA® nomination for Best Actress in a Supporting Role and an Academy Award® nomination for Garland's disturbing screenplay.This costume consists of a white collared peplum Karen Millen blouse with cap sleeves, an elasticized waistband, and a hook-and-loop closure (U.S. Size 2), as well as a matching Karen Millen pencil skirt (U.S. Size 6), both made from cotton with crocheted floral patterns and yellow polyester underlining. The back of the top features a thin cotton panel as well as a metal loop closure on the collar. The costume exhibits some crinkling from wear around the collar and minor discoloration from production wear.Estimate: $6,000 - 12,000Bidding for this lot will end on Thursday, August 15th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, August 16th, Saturday, August 17th or Sunday, August 18th.
A fine cotton voile blouse with a colourful embroidered panel, blue, pink and lemon flowers, edged in lace, from around 1906/1910 together with a 1970s purple dress with padded shoulders, skirt is black and has split pockets and semi pleated, 1970s, size 12, made by Opus. A 1980s dress by Richard Shops, in black, beige and white spots, a low and double breasted bodice, long cuffed sleeves and a frilled hemline, size 12/14. A dark brown corduroy double breasted coat, mid length, wide revers, fully lined with matching belt, 1970s.
1950's wool shirt dress printed blue black grey abstract pattern, blue button fastening, three quarter length sleeves, side zip, missing its belt, a cream beige woollen dress with raglan sleeves, embroidered bodice with small diamante and fabric covered beads, button back fastening to the waist, belt missing, a silk cream coloured dress labelled Jolives (?) sailor collar bow detail, cap sleeves, a checked cotton shirt dress labelled Ann Taylor, matching patent belt, a taupe dress labelled Marlborough, foldover detail to the neckline, three quarter length sleeves, a tartan woollen dress with a blouson top, a-line skirt, three quarter length sleeves labelled H Charles California, a green and pink tweed skirt suit labelled Leon Frohsin Atlanta with another label Jack Sarnoff Designed by Molly, a matching silk blouse with pussy bow tie neckline, blouse with matching fabric covered buttons, the jacket with brass coloured buttons and button detail to the cuffs, pencil skirt, a grey three quarter length coat checked with white and red double breasted with grey metal buttons (8)
Vintage polyester dress, labelled Shubette, size 12, flower print on a cream ground, v-neck with white button detail to the bodice, a late 1960's white cotton blouse, with lace jabot and diamante button , lace edged sleeves, high collar, size 12, a cream wool shirt with double face button fastening , high collar, quilted detail to the cuffs and back of the bodice, and a cream mini dress, labelled 'Creaciones Ana Mary' embroidered with light brown suns, double breasted detail, short sleeves (4)
1960's black and white 'OpArt' cotton mini dress, labelled Berkertex Acropolis, Greek Collection, a Peter Barton labelled sleeveless dress, printed in turquoise, pink, blue and green swirls, a faux blouse top, draped collar, front bow detail and back button fastening, a St Michael Tricel mini dress, near halter neck, A-line, (to fit bust 34, hips 36), and a similar style silk dress labelled Pure Silk by Linda Leigh - for the fuller figure (probably a modern size 16) (4)
Various vintage blouses to include white crepe, pintucked blouse with tiny ricrac detailing to Peter-Pan collar, yellow silk peasant style blouse, labelled Mary Pothercary, a cotton cami style rose printed top, a white cotton blouse with pin tucks, lace and green ricrac detailing, an apricot coloured crimplene blouse, a 1950's knitted halter neck top, a 1950's wool shift dress embroidered with roses (with moth damage) and other items (1 box)
Reproduction Military Clothing & Accessories. Two World War ll overcoats, one with wooden buttons, the other with silver buttons. A Royal Warwickshire blouse top. A blue boiler suit with silver buttons. A belt with two side bags attached, bags have polystyrene inserts to maintain shape. QTY 5
A WWII khaki battledress blouse, dated 1943, with corporals' stripes, printed cloth titles and coloured cloth flashes of the Pioneer Corps, and Africa Star and Defence Medal ribbons; a razor blade on home made wooden handle with cardboard guard; and a silver pocket watch and chain, HM 1878 (hour hand broken). GC £40-60
A LADIES MULBERRY OUTFIT CONSISTING OF: A MULBERRY BEIGE LONG NEHRU LINEN JACKET WITH BRASS BUTTONS, size 12 AN OLIVE SUEDE WAISTCOAT, size M A SILK VOILE FLORAL PRINT TIE NECK BLOUSE, chest 56cm, shoulder 50cm, 74cm shoulder to hem, sleeve length 54cm (inseam 47cm) AND A PAIR OF AMETHYST JACQUARD SILK CIGARETTE PANTS, small to medium size. All measurements are approximate.
A MULBERRY LADIES RIDING INSPIRED OUTFIT CONSISTING OF: A MULBERRY BLACK RIDING JACKET WITH VELVET COLLAR with two front pockets and three Mulberry leather buttons, size 40 A MULBERRY PAISLEY PATTERN BUTTON UP BLOUSE WITH HIGH NECK, chest 54cm, shoulder 45cm, 76cm from shoulder to hem, sleeve length 58cm (48cm inseam) A PAIR OF MULBERRY SPORTING PURSUITS BEIGE COTTON TWILL JODPHURS, size 14 AND A MULBERRY BLACK LEATHER BELT WITH METAL BUCKLE, size 30/75, 88cm long All measurements are approximate. Condition Report: Black jacket appears unworn but has 2cm long moth damage and hole to centre back, belt has signs of wear and backing is very worn, slight nicks to edge of belt. Remaining items appear in good order.Condition Report Disclaimer
A quantity of miscellanea to including alabaster hens, embroidered wool material, one silver and one gold, floral coat hanger cover, linen bag, lace blouse, scarf, lace stole, papier mache dish, wooden box in shape of a nut on a leaf carving, 4" x 2", miniature flat iron and a wooden book 'A Souvenir from Winchester cathedral' etc.
GIANNI VERSACE a 1980s-90s silk skirt-suit comprising floral blouse jacket and green (wool) skirt (Fits UK 10-12) (3 items) Part of a collection of fine Vintage Clothing curated by Pink Gin Vintage, HalifaxCondition Report: Light marks around collar and has three pin holes on left side of jacket
* Bradshaw, (Frank, 1884–1969). Portrait Study, oil on board, signed, head and shoulders profile portrait of a woman wearing a green short-sleeved blouse, title and artist's address in ink to board verso, board size 38.5 x 28.5 (15 1/4 x 11 1/4 ins), framed and glazed (47.5 x 37.5 cm)QTY: (1)NOTE:Frank Bradshaw studied at the Royal College of Art and taught art at schools in Croydon, Huddersfield, and at Wheelwright Grammar School, Dewsbury, before becoming a part-time tutor at Dewsbury Technical School. His work was regularly exhibited locally at summer exhibitions at Cartwright Hall and further afield at exhibitions in Liverpool, Leeds and Harrogate. A Lake District watercolour, ‘Braithwaite’ was also shown at a Royal Academy summer exhibition in 1940. Four of his paintings are in the permanent collection of Bradford Museums and Galleries.
Dame Laura Knight R.A. (British, 1877-1970), 'Hop Picking', signed l.r., titled on a 1971 Royal Academy label verso, oil on canvas, 75 by 62cm, in the original frame.Provenance: purchased from the Royal Academy by the current client's parents-in-law. Catalogue Raisonne No.1042. Note: Artist Resale Rights apply Note: Laura Knight's love for the countryside and people of Worcestershire led her to create a series of works depicting the gypsy hop pickers at work in the fields at Callow End, between Malvern and Worcester, which she started in 1939, just at the outbreak of WWII. She returned to the theme as a way of softening the effects of the traumatic and disturbing experiences she suffered while painting the Nuremburg Trials in 1946. In her memoirs, Knight records her nostalgic appreciation for the English countryside, made even more poignant in her mind in light of what she had witnessed in Germany, "How lush and green is our meadowland, how dazzling the pear orchards, then white roofed with blossom, how haphazard is our agriculture – oddly shaped, hedged in, dotted with church, cottage, pig-pen and haystack – all calm and sweet as if war had never been and sorrow never was." (Knight, L. 1965, The Magic of Line, p. 302). The impetus to start her studies of hop pickers similarly began with a domestic disturbance as a result of her staff leaving the London home at the outbreak of the war in 1939. "I stayed in Malvern, where to keep myself from going crackers, I painted the nearest thing to hand: the old back garden gate belonging to the hotel, and almost the last rose of summer, anything... no matter what... so long as I didn't stop to think" (Ibid. p.273). As she had always wanted to paint hop pickers, she was alerted to the fields of Callow Farm where gypsies were employed to pick hops during the harvest. She hired a taxi daily to take her to the fields where she would paint canvases directly en plain air "Like painting anything on the move, such as race-meeting crowds, the constant change taking place during the stripping of the hop-vines is nervy work. An artist has to finish as he goes; you cannot reckon on seeing the same thing twice," (Ibid. p.273-274). Amongst the works painted before the war, are included Hop Pickers at Malvern, showing a remarkably similar scene to the current painting, a woman in a pink blouse, man in a cap and a child sitting on a hop cradle looking directly at the viewer (see Sotheby's, 13th December 2005, lot 77). It is likely this painting was executed at the same time.
Royal New Zealand Air Force (RNZAF) Flight Lieutenant battledress blouse, with RNZAF Flying Badge, two (inverted?) Senior Aircraftman SAC arm patches, RAF shoulder eagle and Lieutenant shoulder insignia. Interior label "BN Burton tailored". (B.P. 21% + VAT)The blouse is not marked with any date, but all RAF buttons are Kings Crown (George VI) type. Further photos added.
Modeled with red and white striped blouse and blue and white striped dress. This item has its original box measuring 2"L x 2.75"W x 5"H. Beswick backstamp. Artist: Arthur GredingtonIssued: 1948-1993Dimensions: 2"L x 2.25"W x 3.25"HManufacturer: BeswickCountry of Origin: EnglandCondition: Age related wear.
Features a lady wearing a purple blouse with a delicate pattern, a simple grey skirt and white apron, a dark green shawl with purple fringe. She has a black headpiece with a yellow flowers. Holds a bunch of multicolored balloons, and basket of yellow flowers on her left arm, and a bouquet of flowers in her right hand. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1938 - 2009Dimensions: 9"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear

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6142 item(s)/page