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Lot 95
Emma Corrin (as Lady Diana): A casual outfit and roller-skatesSeason 4, Episode 3, 'Fairytale'Comprising a Scottish raspberry pink cashmere V-neck jumper, with handwritten production label reading Diana, a cream blouse with long sleeves and pie crust collar, with handwritten production label reading Diana double; and a pair of custom made pink and white gingham high-waisted cotton trousers, together with a pair of white leather lace-up roller skates (4)Footnotes:As seen when Emma Corrin (as Lady Diana) roller skates through the interior of the Buckingham Palace set.For further information on this lot please visit Bonhams.com
Lot 36
Vanessa Kirby (as Princess Margaret): A casual ensemble and cocktail dressSeason 2, Episode 4, 'Beryl'Two custom-made ensembles comprising; a patterned mohair coat in burnt orange, amber and teal, a black and beige patterned pencil skirt, a cream blouse with brown lace overlay, and a satin head scarf; together with motoring helmet and goggles by Nannini, brown suede court shoes by Fiancées, and a brown suede handbag with gold hardware; also a custom-made bespoke cowl-neck black mesh cocktail dress with orange underlining (8)Footnotes:Vanessa Kirby (as Princess Margaret) can be seen wearing the coat, goggles and helmet on her first visit to Matthew Goode's (as Tony Armstrong-Jones) photography studio, with the cocktail dress being worn for the photo shoot.In the episode, the character is unhappy sitting for her official Birthday portrait with Cecil Beaton, wearing the romantic butterfly dress, as seen in the previous lot; however, she is a more confident and grown-up version of herself in Armstrong-Jones' studio. Costume designer Jane Petrie said that 'Margaret is the butterfly, trying to fly away' which is expressed through the costumes, as the darker colours of the motorbike and studio outfits show Margaret's break with the traditional Princess aesthetic.For further information on this lot please visit Bonhams.com
Lot 93
Emma Corrin (as Lady Diana): An engagement ensembleSeason 4, Episode 3, 'Fairytale'Custom-made royal blue crepe ensemble comprising a collarless jacket, a below-the-knee skirt with matching blue belt, and a white polyester pussy-bow blouse depicting blue flying birds; accompanied by a pair of navy leather low-block heeled shoes with bows by Nazareno Gabrielli (4)Footnotes:Emma Corrin (as Lady Diana) wore this ensemble in the engagement announcement scene, evoking Diana and Charles' famous engagement pictures. On the 24th February 1981, Prince Charles and Lady Diana announced their engagement and posed for a series of photos outside Buckingham Palace. Diana's outfit for the historic pictures was a last-minute find; she reportedly struggled to find something to begin with, as she went to the high-end Bellville Sassoon boutique, but the saleswoman did not know who she was and encouraged her to look elsewhere. Diana then went to Harrods in Knightsbridge and found an off-the-rack cobalt blue skirt suit by Cojana, which perfectly matched her diamond and sapphire engagement ring.David Sassoon, who ran Bellville Sassoon with Belinda Bellville, heard what had happened with Diana, and was mortified. However, Diana's mother, Frances Shand Kydd, still supported the boutique and encouraged Diana to return. Bellville Sassoon ended up designing Diana's going away outfit for her honeymoon, and her trousseau. Sassoon produced more than 70 outfits for Princess Diana in her lifetime and was arguably one of her favourite designers.For further information on this lot please visit Bonhams.com
Lot 85
Gillian Anderson (as Margaret Thatcher): A skirt suit and Launer handbagSeason 4, Episode 1, 'Gold Stick'Custom-made royal blue single-breasted jacket with rounded lapels and a matching pleated knee-length skirt, an off-white long-sleeve orange and blue pinstripe blouse with bow collar; together with a pair of navy leather court shoes by Ferragamo, with handwritten production label reading 12 M. Thatcher on the inside of each shoe, with bows to the front, and a black calfskin 'Olympia' Launer handbag with gold hardware and matching leather backed mirror, together with original Launer black box and dust bag with costume department labels including character reference 1 Margaret Thatcher, together with a multi-stone bracelet and a purple stone ring, both in gold tone mounts (6)Footnotes:As seen in the first meeting with Olivia Colman (as the Queen) in the Audience Room set at Buckingham Palace. Margaret Thatcher's term as the Prime Minister of the United Kingdom began in 1979, and ended with her resignation on the 28th November 1990. Margaret Thatcher's style echoed her politics, mixing no-nonsense tailored suits with large, elaborate pussy-bows. She often opted for Conservative cobalt blue, as a visual reminder of her politics, and she wore a blue suit to enter number 10 Downing Street as Prime Minister for the first time.In The Crown, both the characters of Thatcher and the Queen are often seen with a handbag, typically a traditional Launer handbag. The handbag was a staple of their attire for practicality, but for Thatcher it was also viewed as a form of armour.A handbag was never far from her side, to the extent that her speeches were printed to size to fit into her handbag. In some instances, her handbag was deemed the safest place for papers of utmost importance and sensitivity. She has been quoted as saying; 'Of course, I am obstinate in defending our liberties and our law. That is why I carry a big handbag.' Some viewed it as her weapon when she would pull notes from it, or position it on desks and cabinet tables.It gave rise to the term 'handbagging', added to the English Dictionary in 1982, to treat a person with verbal criticism or coercive behaviour.For further information on this lot please visit Bonhams.com
Lot 84
Olivia Colman (as the Queen): A skirt suit and Launer handbagSeason 4, Episode 1, 'Gold Stick'Custom-made single-breasted skirt suit in dark lilac, and a long-sleeve floral blouse with necktie, both with handwritten production label Elizabeth II, with pointed court shoes by Kaiser, and a navy calf leather Launer 'Bellini' handbag with gold hardware, together with the original Launer black box and dust bag with costume department labels including character reference 1 Elizabeth (5)Footnotes:This outfit was worn by Olivia Colman (as the Queen) in the first meeting with Gillian Anderson (as Margaret Thatcher).The reigning Monarch of the United Kingdom holds weekly audiences with the country's Prime Minister to discuss affairs of state. In total, Her Majesty Queen Elizabeth II worked with 15 Prime Ministers during her reign.For further information on this lot please visit Bonhams.com
Lot 505
A bronzed torso of an Egyptian dancer, with headdress, gilded blouse and a tied green sash on a rectangular socle, 66cm highLikely spelter with a painted finish. Rubbing and wear to painted surface as pictured. Scuffed and corroded plaque to back with partial lettering shown. One hoop earring missing. Later hole with rough edges to top of head and associated brass urn on wooden socle loosely inserted.
Lot 243
Biba - A collection of Biba women's clothing to include a black and gold beaded embellished two piece of shorts and camisole top size XS UK 8, a Lucy Spot pleated women's evening dress with UK size 8, a black blouse with ruffled hem UK size 16 and a Biba dark blue snakeskin effect clutch bag.
Lot 306
A group of late 20th century dresses and jackets, including a Caroline Charles sequin dress, a 1970s orange kaftan (without label), Gordon L Clark multi-coloured blouse, and a Frank Usher sequin jacket, together with other clothes, a/f. (9)Provenance: Privately owned, Clipsham House, Lincolnshire.Some garments with staining and wear.
Lot 2166
Unbekannter Maler, Damenportrait, 19. Jh.: Junge Frau im Dreiviertelprofil mit Flechtfrisur und in weißer Bluse, unleserl. sign. und dat., verso bez. "gemalt am 15.1.1855 von Kunstmaler? August Schmidtbauer?, Uhlenhorst, Portrait s. jungen Frau geb. v. Smilinsky", Öl/Lwd. (aufgez.) Ca. 54 x 39 cm, Altersspuren, Farbverluste. / Unknown painter, portrait of a lady, 19th century: Young woman in three-quarter profile with braided hairstyle and in white blouse, illegible sign. and date, verso inscribed "gemalt am 15.1.1855 von Kunstmaler? August Schmidtbauer?, Uhlenhorst, Portrait s. junge Frau geb. v. Smilinsky", oil on canvas. (mounted) Approx. 54 x 39 cm, traces of age, loss of color.
Lot 625
An Art Deco enamelled lady tennis player silver brooch, in the form of a lady tennis player holding a racquet above her head, the her blouse enamelled in blue and the grass in green, brooch clip to reverse, stamped STERLING SILVER, weight 3.89gms., length 4.5cm., enamel is clean condition with no apparent damage
Lot 863
A quantity of 19th century and later textiles including a pink blouse with chain stitching, a cream shirt, a long black skirt with embroidered shamrock detail, with fabric remnants, 6 pairs of gloves, together with a quantity of lacy and crocheted items which includes collars, ribbons, sleeves, handkerchiefs, tableware and doilies of various colours and some with beads.
Lot 315
Three 1960s Chemise Phillipe shirts, from the collection of Vivian Stanshall, founding member of the Bonzo Dog Doo-Dah Band, one v-neck with a red stylised sperm pattern on black silk and elasticated cuffs, 76 cm collar to shirt edge 55 cm armpit to armpit, the second a round neck with a mesh metallic leopard print and elasticated sleeves, 76 cm collar to shirt edge, 55 cm armpit to armpit, the third a round neck with a gauze floral print and elasticated sleeves, 80 cm collar to shirt edge, 55 cm armpit to armpit. The 'sperm' shirt was worn on the 1991 Dog Ends Tour. Qty: 3 From the personal collection of Vivian Stanshall (1943-1995), English singer/songwriter, and founder member of the Bonzo Dog Doo-Dah Band. This lot, along with many others in the sale, has been consigned for sale by Vivian's son, Rupert. Please see the following article on our website for further background.https://www.dawsonsauctions.co.uk/news-item/dawsons-announce-sale-of-selected-items-from-the-collection-of-vivian-stanshall/?pc=16https://en.wikipedia.org/wiki/Vivian_Stanshall Large stain covering right front of leopard print blouse, minor stains present throughout further two shirts, signs of wear throughout
Lot 24
Royal Doulton Bunnykins, Mrs. Collector Bunnykins DB335 (lilac blouse, blue skirt, coral chair, blue lamp). Royal Doulton Bunnykins backstamp on bottom. Issued: 2005Dimensions: 4.5"L x 3.5"W x 4.25"HEdition Number: 2316/2500 Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 2549
Vintage Fashion - an Aquascutum of London silk blouse, printed with butterflies on a cream ground, long sleeves with button cuffs, approx. size 12; a Bob Mackie "Wearable Art" edge to edge silk shirt, printed in bright colours with illustrations of significant periods in female fashion history, Ancient Egypt, Elizabethan, 1900, 1915, 1945, 1960s, etc, size "M", serial number A68293 (2)
Lot 109
GIANNI VERSACE VINTAGE Bluse, Gr. 34. 100% Seide. Cremefarbene Grund mit floralem Motiv und Marienkäfer, Knopfverschluss und Umlegekragen. Wohl geändert. Tragespuren und Flecken vorhanden.| GIANNI VERSACE VINTAGE blouse, size 34. 100% silk. Cream-coloured background with floral motif and ladybird, button fastening and turn-down collar. Probably altered. Signs of wear and stains present.
Lot 3477
A pair of mid to late Edwardian pantaloons, a late Edwardian cotton white slip, the broderie anglaise pin tucks are from the hip, the hemline is edged in lace. A waist slip from the mid Edwardian era with layers of frills in white cotton (brown mark on waistband. An early 1900 cotton waist slip with two pearl button fastenings. A white cotton late Edwardian blouse with short sleeves, pin tucked pearl button fastening. A broderie anglaise and cotton camisole under garment (1900) edged in lace (6).
Lot 3506
A crimplene coloured 1970s long dress, a pale grey crimplene 1960s pinafore dress, high waisted with 4 metal button zip front, a green and beige pencil skirt, a long gilet top, late 1960s, a coffee coloured 1960s dress with looped, floral collar and cuffs, maxi length, crimplene dress, v neck onto high rolled collar, embossed bodice, metal zip (1960s), a long quilted laced up dress with floral skirt and sleeves (1960s), a olive coloured cocktail dress with two large buttons at waist, metal zip (1960s), a long mid 1960s dress cream/brown bodice, high waist, scooped neck, metal zip, a cotton brown and white stripped bathing robe, dress jacket in royal blue, jacked has covered buttons with a shift dress by Marie Moore, a pink satin cocktail dress (1960s), a dusky pink lace dress, lace bodice, crepe skirt with bow waist (1950s), a 1950s linen jacket with three buttons on front pocket, 3 silk slips (1940s/50s), a dusky pink 1940s blouse, silver beadwork detail, padded shoulders, metal zip, a crimplene navy dress edged in red piping, double breasted, midi length, a Marks and Spencers blue and green check patterned smock dress, a blush pink short sleeved blouse. (23).
Lot 54
A quantity of vintage accessories comprising ladies gloves, a green belt, a Celine dustbag, a fabric bag, a clothes brush and a brass horse and vintage ladies clothing to include 2 late 1970's/early 1980's Fink Modell dresses, European sizes 36 and 40 and a green Claude Patrick, Paris silk mix blouse with gold coloured thread detail, chest size 40'. Location:R2.5
Lot 33
Matte finished figural dressed in yellow flowing skirt with peasant blouse cinched at waist, carrying a basket on her head. Florence Ceramics backstamp. Issued: 20th centuryDimensions: 6.5"L x 6.5"W x 10.5"HManufacturer: Florence CeramicsCountry of Origin: United StatesCondition: Age related wear.
Lot 374
English School (early 19th century): Miniature Portrait of a Lady, bust length, wearing a white lace cap with black scarf and white blouse with black overjacket, on ivory, oval 8.5cm by 6cm A Similar Portrait of a Lady, in white lace cap wearing a shawl, on ivory, oval 8cm by 6cm (2)With Non-Transferable Standard Ivory Exemption Declaration Numbers 7HCS76LQ and H78NQ7AE Lady - no splits to the ivory, low on colour. Glass broken at the top centre. Older lady - all components diss assembled. No splits. Good colour (white line in the image is reflection).
Lot 394
An Edwardian lady's cream flannel/wool two piece skirt and jacket suit, the cropped jacket with three quarter puff sleeves and soutache line details to the hems, with a long flared skirt in with matching soutache details, approximate size 6, together with an early 20th Century cream three piece wedding suit, comprising jacket, silk blouse and long A line skirt, with embroidered decoration, approximate size 8.
Lot 422
A black silk lace sleeveless jacket, circa 1930, overlaid with tulle shoulder cape embroidered with jet coloured and steel blue beads, with similar bead fringe, together with a 1920's cream crepe de chine over blouse, the hip line, neckline, sleeves, and side bows of navy blue crepe de chine, a 1930's printed silk chiffon afternoon dress, predominantly pink, purple and cream, with slip and handkerchief hem, and a black velvet evening dress, circa 1940's (4) CONDITION REPORT: We highly advise viewing our costume lots in our auction. Condition will be best illustrated via images.The black jacket - shows wear commensurate with use and age, including some damage to the tulle (please see photo) and some bead loss. The lace also shows some areas of damage.The crepe de chine blouse shows marks and sweat stains (please see photos), along with minor thread pulls.Afternoon dress again shows signs of wear, including minor holes and rips, (as seen in photo) but no further obvious damage. the slip shows extensive wear (as seen in photo).The velvet evening dress shows minor signs of wear, but no obvious signs of damage, or repair.
Lot 31
A Private Collection of 18th Century and Later French, English and Canadian Portrait Miniatures on Ivory, Comprising: French School, Late 18th Century, Head and shoulders portrait of a young aristocratic boy wearing a jacket and matching waistcoat, 37mm by 31mm (oval), in gold frame. French School, Late 18th Century, Head and shoulders portrait of a gentleman in a turquoise velvet waiscoat, 49mm by 36mm (oval), in gold frame with woven locks of hair to reverse. French School, Late 18th Century, Head and shoulders portrait of a gentleman in an olive-green buttoned jacket, 62mm (circular), in gilt frame. French School, Late 18th Century, Head and shoulders portrait of a gentleman wearing a powdered wig and cravat, 55mm by 45mm (oval, in gilt frame within velvet surround. French School, Late 18th Century, Head and shoulders portrait of a gentleman in a grey coat and cravat, 55mm by 45mm (oval), in gold frame with enamelled reverse inset with woven locks of hair. French School, Late 18th Century, Head and shoulders portrait of a lady with pearls in her hair, 32mm by 30mm (oval), in gilt frame. English School, Late 18th/Early 19th Century, Head and shoulders portrait of a young gentleman in a dark blue velvet coat, 63mm by 51mm (oval), in gilt (or possibly gold) frame. English School, Early 19th Century, Head and shoulders portrait of a gentleman in a dark coat and white cravat, 78mm by 65mm, in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of a young man in a blue buttoned jacket, 85mm by 68mm, in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of a gentleman in an olive buttoned coat, 73mm by 60mm (oval), in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of Jessie Georgina Barnes, 67mm by 52mm (oval), inscribed verso, in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of a lady in a black lace dress wearing a veil, 86mm by 70mm, in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of a lady in a white dress with lace collar, 73mm by 59mm (oval), inscription verso (partially torn), in ebonised frame. English School, 19th Century, Head and shoulders portrait of a woman with grey hair wearing a green dress, 85mm by 61mm (oval), in stained beech frame. English School, 19th Century, Head and shoulders portrait of a lady in a white dress with a gold-coloured necklace, initialled EAS, 65mm by 52mm (oval), in gilt frame. English School, 19th Century, Head and shoulders portrait of a lady in a white dress, 73mm by 60mm (oval), in gilt frame. English School, Late 19th/Early 20th Century, Head and shoulders portrait of a lady wearing a blue blouse and pearl earrings, 69mm by 56mm (oval), in gilt frame. English School, Late 19th/Early 20th Century, Head and shoulders portrait of a lady wearing a white blouse, 49mm by 35mm (oval), in gilt frame. English School, Late 19th/Early 20th Century, Head and shoulders portrait of a lady wearing a blue blouse, 61mm by 48mm (oval), in easel frame. Gerald Sinclair Hayward (Canadian, 1845-1926) Head and shoulders portrait of a lady in a black dress wearing a pearl choker, 85mm by 67mm, inscribed verso, in ebonised frame. (20, as illustrated) CONDITION REPORT: With CITES ivory declaration reference AVV7PXH5.
Lot 273
A vintage silk blouse A/F having a multi-coloured floral pattern throughout with yellow piping to the outline and bejewelled button fastening together with a pair of Victorian black ruffled cuff evening gloves with gold braid outline and a pair of early 20th Century cream long length gloves, a small 1970's weekend case, travel pots, a 1929 cased British Xylonite dressing table brush set, a comb, a tortoiseshell compact and another and a button hook. Condition:Please see additional photos for areas of damage to the blouse.
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