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Click here to subscribeA late 19th century plum coloured jacket, a 19th century black mourning blouse embellished with bead and jet decoration, two Edwardian black and white striped cotton blouses, a French 1930s black and gold sequinned evening jacket, a 1950s black quilted skirt, a full-length black taffeta skirt, and a black sequinned cardigan, UK sizes 8 to 12 approx. (8).
A collection of early 20th century ladies costume, including: a pale pink 1930s lace blouse, a 1920s fancy dress costume, a 1930s blouse by Morphita, a 1930s purple lace dress with matching bolero waistcoat, a black crepe evening coat, a pale pink lace-trimmed nightdress, and a quantity of other costume, the black crepe coat is UK size 12 approx. the blouses and other garments are smaller sizes, (qty).
A 1920s brown and gold lace dress; with a 1920s black velvet cape with gold lining, 1920s blonde lace dress, 1930s pale pink blouse, a black taffeta cape, a late 1930s lame jacket, 1940s blue shoulder cape, a peach coloured blouse, black lace jacket and a fringed black crepe evening cloak with a fur collar, (10).
A green and white floral crepe tea dress with smocked waistline; together with a brown and white short-sleeved striped blouse, a 1940s black crepe dress, an oyster coloured satin blouse with pearl buttons, a 1940s black grosgrain jacket, a 1940s Utility cotton floral print dress, a late 1940s blue and white spotted cotton dress, a late 1950s white and blue sailor style top, an early 1960s red, white and blue summer dress, UK sizes 8 to 12 approx. (9).
A 1940s Glenbuie red wool jacket; with a 1950s Susan Small party frock, a black velvet evening jacket, a 1960s emerald green and iridescent blue shift dress, a Frank Usher blue Lurex cocktail dress, a 1970s Phool Indian dress, a late 1970s red all-in-one outfit, and an early Laura Ashley calico blouse, UK sizes 10/12 approx. (8).
A late 1950s blue floral patterned dress with matching duster coat; a Horrockses blue and white spotted sun-dress, a cream silk embroidered blouse, a Horrockses cotton butterfly print skirt and matching bodice, a Fespa Fashion yellow floral skirt, a yellow cotton duster coat, a 1960s pink dress and jacket, and a 1960s white embroidered shift dress, UK sizes 12/14 approx. (8).
A 1960s Romney Model cotton floral dress; with an early 1960s Robert Dorland yellow cocktail dress, a St. Michael green cotton skirt, a Robert Dorland pure silk floral summer dress, a cream silk blouse, a red cotton skirt, a pale blue Moygashel suit, a cream light wool skirt and a cotton print skirt, UK sizes 12/14 approx. (9).
English Provincial School, Circa 1700. Oil on Canvas: Half Length Portrait of a fair-haired Lady painted in a feigned oval. The subject wearing a red shawl draped over a blue dress with pink trim and white under blouse, holding a bouquet of flowers, 26 ins x 21½ ins (66 cm x 55 cms), in a later moulded frame 29¾ ins x 25¼ ins (75 cm x 64 cms),
Ladies Clothing: Sensations silk blouse, size L, Sensations red short sleeved jacket, size L, Black & White striped blouse, size L, Evans black/grey striped blouse, size 22, M&S red blouse, size 20, Classics grey cardigan, size 28, Editions black/white striped trousers, size 20, Elizabeth Scott black/grey cardigan, size XL, Per Una turquoise cardigan, size XL, Premier red blouse, size 16, BM blue jacket, new with tags, size 16, French Connection navy blue blouse, size M, Mexx black cardigan, size M & Janet Ibbbotson suede gilet, size 12 (14)
Ladies Clothing: Autograph navy blue floral dress size 14, Avon pale blue floral dress size 14/16, Regatta pink fleece size 14, Per Una red blouse size 16, Per Una white blouse size 16, Per Una purple jacket size M, M&S denim jeans size 16, Monsoon cream top size L, M&S pink T shirt size 16, M&S black T shirt size 16, F&F striped T shirt size 16, F&F embellished sweat shirt size 14, M&S beige camisole top size 16, Joules new with tags red/blue top size 16, 3 x M&S plain coloured T shirts new with tags & TU blue/white striped T shirt new with tags size 16 (18)
Ladies Vintage Clothing: Jaeger 100% wool skirt suit, Jaeger beige skirt suit, size 14, Jaeger khaki wool mix blouse, size 10, Louis London dark brown silk blouse, Courtelle black jacket, 70's petrol blue shantung long skirt & matching blouse, Parigi 30's style evening dress, size 12, 70's turquoise kaftan dress & Chinese black/cream reversible satin dressing gown
A Bill Gibb leather ensemble, Autumn-Winter, 1972, and two blouses, all labelled and size 12, the jacket and waistcoat with enamelled bee buttons and embroidered bee motif to lapels; matching leather skirt; the chiffon blouse with bee-print overall, the other of beige slubbed silk embroidered with bees and wheatears, busts approx 92cm, 36in (5) CONDITION REPORT: First impression is fresh and good. Leather pieces have subtle brown speckling. Jacket- lining has 8cm tear along back seam. Waistcoat- leather is rubbed across bust from wear, left bust has creases where leather appears lightly melted. Two glue marks to centre back near hem where the attached belt was fixed. Bee blouse- small tears at underarms, silk is thinning generally. Embroidered blouse - good condition
A rare and early Rei Kawakubo/Comme des Garçons cream cotton jersey 'beggar' ensemble Spring-Summer, 1983, with Tricot labels the button-fronted over-sized blouse of elongated, asymmetric rectangular form with slits for armholes adorned with tattered ribbon appliqués; the skirt formed from randomly patch-worked jersey and calico panels (2) Some journalists at the time derisively described Kawakubo's aesthetic for this collection as the 'beggar look'. The fabrics were intentionally selected or treated as part of the production process to give a ragged or distressed look. This radical approach to fashion was diametrically opposite to Western fashions of the time and caused a sensation when first seen in Paris. See 'Future Beauty: 30 Years of Japanese Fashion' pp.44-45 for illustrations of similar 'distressed' effect ensembles and a reproduction of the image used in the Comme des Garçons Spring/Summer 1983 catalogue, photographed by Peter Lindbergh, which shows an almost identical blouse. CONDITION REPORT: Good condition, no problems
A Chanel ivory tweed ensemble, probably American Patron Originale, 1966, large label numbered 31303, comprising: jacket with gilt lion mask buttons, matching skirt with navy silk waistband, navy silk short-sleeved blouse and a beret with narrow black on white label, blouse bust 92cm, 36in, skirt waist 71cm, 28in (4) CONDITION REPORT: Good condition, looks little worn
An Yves Saint Laurent couture cloth of gold ensemble, 'Ballets Russes' collection, Autumn-Winter, 1976-77, the blouse labelled and numbered 39875, the Abrahams gold-silk fabric woven with leaves, comprising: blouse with full sleeves, pleated skirt, belt adorned with small feathers and matching collar with pendant beads, bust 86-92cm, 34-36in, waist 66cm, 26in (4)
A Vivienne Westwood 'Mini-Crini' ensemble, Spring-Summer, 1985, label to skirt, comprising: 'Gypsy' blouse of giant silk polka dots with pointed hem; pink cotton cut-work min-crini with rare brown label, size 44; white leather star belt; together with a pair of modern white leather 'Rocking Horse' shoes with wooden platforms in original dust bag, UK size 4, bust approx 40in, 102cm, waist approx 28in, 71cm (6) CONDITION REPORT: Good condition. Shoes are unworn. White leather belt has a few light scratches and some water-like marks to underside. Skirt and top are good condition, look little worn.
A fine and important Yves Saint Laurent couture 'Ballets Russes' collection complete ensemble, Autumn-Winter, 1976-77, the turban labelled, comprising: printed chiffon blouse woven with silver spots; a green moiré and purple taffeta skirt; a jewelled wine velvet belt, wine velvet turban; and a paisley-printed silk stole edged with deep fringes, waist 56cm, 22in (4) Yves Saint Laurent's 'Russian' collection is regarded as one of his most beautiful and most celebrated works. It is very rare to find a complete ensemble. This ensemble was photographed in 'L'Officiel de la Mode', n°626, 1976, p.321, and a similar ensemble was also featured in the magazine 'Textiles Suisse' in 1976. See Sotheby's auction 24th November 1999 for a similar example. CONDITION REPORT: Good condition, very fresh, no problems. Belt - rope cord is frayed just where it ties, rest of it is good.
A Chanel couture ivory tweed suit, 1964, broad label and numbered 24873, the jacket with gilt lion mask buttons, the skirt with broad pleats, with matching top-stitched silk blouse, chest 92cm, 36in, waist 76cm, 26in (3) CONDITION REPORT: Skirt in good condition. Jacket good condition, perspiration stains at underarms to lining only. Blouse has faint perspiration stains at underarms.
An Ossie Clark/Celia Birtwell ivory wool suit, early 1970s, black on white woven label, size 10, comprising: cropped jacket with 'Baroque Bouquet' printed satin lining; matching chiffon blouse and maxi skirt, busts approx 92-96cm, 36-38in (3) CONDITION REPORT: good condition, very fresh, a couple of very faint light brown spots to jacket and skirt
A John Galliano high-waisted dress and blouse, 'Blanche Dubois' collection, Spring-Summer, 1988, London label, UK size 10, of finely checked viscose with looped swag to front; the blouse with ruff-like collar, circle sleeves (2) CONDITION REPORT: Dress: good condition, three faint light brown spots near edge of draped panel (minor) and one similar to rear hem (minor). Blouse: good condition, ink stain to inner right lapel which is not visible to exterior, small brown mark to inner edge of collar which is not visible when worn.
A Chanel couture 'pierrot' style ensemble, 1979, large label and numbered 57321, of printed black and white polka-dot silk overlaid with tulle appliquéd with black satin roundels, comprising: long sleeved blouse, harem pants with ribbon ties to ankles, a black satin ruff collar; and a matching hat by Paulette with pom-pom and veil, bust 86-92cm, 34-36in, waist 66cm, 26in (4) This ensemble was featured in the magazine 'Textiles Suisse' in 1979. CONDITION REPORT: Slight perspiration stains at underarms, with reproduced cummerbund, otherwise good condition.
An Edwardian fine wool blouse with floral embroidered inset panels, a heavily jet beaded on net evening tabard with black silk georgette sash terminating in jet beaded tassels, to/w a 19th century printed cotton bonnet (3) Condition Report Two holes to front of tabard and some beads coming adrift
SS Mitzi - Pelham Puppets SS Range, wooden ball head, blond hair, hand painted features, blue eyes, large composite hands with closed fingers, metal strip knee joints, string above knees, wearing a green felt summer hat, white blouse, black corset, striped skirt, red feet, boxed; SM Witch - Pelham Puppets SM Range, wooden ball head,lambs wool hair, painted features, green eyes, ball nose, opening mouth, with wooden teeth, with stubble,large composite hands with closed fingers, metal strip knee joints, string above knees, wearing a black dress and pointed hat, holding a broom, boxed (2)
A Porcelain Figurine of a Woman Carrying a Cabbage AFTER A MODEL BY NATALIA DANKO, LOMONOSOV STATE PORCELAIN MANUFACTORY, LENINGRAD, 1939 Height 13 cm.Related literature: For a similar work, see Yu.A. Traysman, Ode to Joy, Pinakotheke Moscow, 2008, ill. no. 111.Realistically modelled, wearing a dark vest over a white blouse, a red skirt with a patterned apron and a pink headscarf, holding a cabbage and leaning on a tree stump, on a circular shaped naturalistic base, apparently unmarked, with an illegible signature and further signed ‘1939’.
A 1945 dated blouse with insignia to Royal Armoured Corps and three medals, War medal, Defence medal with France and Germany Star, in original box of issue with certificate and photos of owner J.S.M.Howell, also included is a For Meritorious Service medal to 140205 Cpl A Sgt E.J.W.Howell R.G.A. (father?)
A quantity of vintage clothing including two black silk bodices, one decorated with beading, an early 20th century cream with red spots blouse, decorated flannel waist petticoats, other petticoats, a christening robe, a chinoiserie decorated pink dressing gown, a baby bonnet, a christening robe, an apron embroidered "VR", and union flags, etc. CONDITION REPORT: A couple of the scarves have pulls commensurate with use. Most items seem to be in good condition. Several appear to have never been used.
An important and large George II English wooden doll in original clothes, circa 1740, the gesso covered head with finely carved features, prominent nose, chin and ears, having large inserted black glass eyes with painted strokes for lashes and eyebrows in one line with short dashes painted above, painted red mouth and two dots for nostrils and shaded cheeks, with shoulder length brown wig and long neck to a well formed bosom and torso, tapering in at the waist, and with extra carving to waist. Padded upper arms and painted carved wooden lower arms with well carved hands, the legs painted in chalky white and jointed at hips and knees, wearing a stunning gold and blue striped silk gown with corset ties to back and blouse underneath with ruffled sleeves and blue ribbons, white bonnet and a heavy quilted underskirt in cream and bright green silk stripes and further two cotton under garments, also having two secret pockets heavily embroidered with flowers and fauna and her gilt embossed time piece, socks and striking red and white striped shoes, together with her white cotton day dress and early printed gown, some damage/loss to gesso on face mainly to forehead and left cheek, lacks one finger, 27” (69cm) tall.
Rare Parian–type shoulder head doll with moulded blouse, German circa 1860, with finely painted features, red lines for lids, moulded blonde hair-style with gold clips, moulded blouse with raised texture, collar and blue bow, on a cloth body with bisque lower arms and legs, black boots, wearing a pink dress, 10 ½” (27cm) tall.
SS Tiger Lily - Pelham Puppets SS Range, wooden ball head, faux hair, hand painted features, blue eyes, black hair, floral head piece, small cast metal hands with closed fingers, metal strip knee joints, string above knees, wearing a yellow blouse, burgundy waistcoat, and skirt, black feet, boxed
A late 19th / early 20th Century Kestner bisque head doll, incised "Dep 7 1/2 154", brown wig, blue glass sleeping eyes, open mouth showing teeth, kid leather body,the torso bears paper label "JDK Germany", bisque lower arms, dressed in blouse and skirt with black velvet hat, height 48cm approx, with metal display stand
VSEVOLOD SAKHNOVSKY (RUSSIAN 1903-198-?)Music Hall Circus, 1931gouache on paper glued down on cardboard32 x 19 cm (12 1/2 x 7 1/2 in.)signed and dated lower right LOT NOTESVsevolod Sakhnovsky actively participated in the Blue Blouse, an influential agitprop thatre troupe. He mainly worked on theatrical stage and costume designs. He also created numerous playbills and posters for the Blue Blouse performances, and extensively worked on designs of group`s printed production. When the Blue Blouse publications were discontinued, they were replaced by a similar magazine called Small Forms, to which Sakhnovsky contributed many of his works .THIS LOT IS BEING SOLD WITHOUT RESERVE.
A GROUP OF THREE GOUACHES BY VSEVOLOD SAKHNOVSKY (RUSSIAN 1903-198?)Circus, circa 1950sgouache and pencil on papereach 19.5 cm (7 5/8 in.) in diameter LOT NOTESVsevolod Sakhnovsky actively participated in the Blue Blouse, an influential agitprop thatre troupe. He mainly worked on theatrical stage and costume designs. He also created numerous playbills and posters for the Blue Blouse performances, and extensively worked on designs of group`s printed production. When the Blue Blouse publications were discontinued, they were replaced by a similar magazine called Small Forms, to which Sakhnovsky contributed many of his works .THIS LOT IS BEING SOLD WITHOUT RESERVE.
A 1960'S SILVER SKIRT & JACKET SUIT & 40'S DRESS The silver fabric has flowers in the weave, the jacket has scalloped edges with small brass buttons down the front. Underarm to underarm 16" The skirt has a scalloped hem with side metal zip and high waistband. A 1940's black velvet and silk evening dress with diamante buckle, side metal zip labelled 'Marlborough dress'. And a pretty silk and lace blouse.(3)
A 1920'S CREAM CHIFFON DRESS, LACE JACKET & SILK BLOUSE. A cream chiffon dropped waist dress with sash at the hips, white beads sewn in star shaped motifs and following the hem lines. There is a back opening with hook and eye fastenings, silk under slip, labelled 'Bourne & Hollingsworth'. Hips 34". A pretty cream bobbin lace jacket with short sleeves, no fastenings. A further 1930's silk blouse with pretty original buttons. (3)
A collection of 1950s aprons, a blue silk scarf, to include a floral,an embroidered and two children's aprons, together with seven 1950s blouses, an apple green tricel by 'Maxton' with pleated front, a white and embroidered blouse , also a cream blouse by 'Lindafex' with dancing character print, a pale blue blouse with broderie anglaise neckline, a blue full length blouse and a blue paisley button up shirt
Assorted items from the 1940s/50s, to include, a pair of men's morning trousers and one black waistcoat, together with a paisley satin blouse in green and gold, 1960s, a mid 1950s pink nylon blouse, a peach lace 1950s blouse, a raglan sleeved mid 1950s cardigan in rose pink, a linen late 1940s blouse in pink and a green nylon rain hat, late 1940s, etc (10)
A cotton voile/muslin bonnet decorated with an embroidered pattern, together with a georgette fabric, maids' bonnet and apron, a lace circa 1920s bust bodice, three cotton white-work camisole tops, a later 1930s lace camisole top and a 1940s blouse featuring earlier lace (possibly Edwardian) and mother-of-pearl buttons (9)
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