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A LONG BLACK MINK COAT, with side pockets, length approximately 122cm x width (back underarms) 62cm, together with red squirrel fur jacket, length 92cm x width 55cm (repairs to back), a short light brown coney fur jacket, length 68cm x width 53cm, various fur stoles/trims, lace top, Ralph Lauren Polo white blouse, size 10, a beaded top size XL, etc

***Dorothy Hepworth (1894-1978) aka Patricia Preece (1894-1966) - Oil painting - Three-quarter length seated portrait of a young woman wearing bonnet with salmon blouse and green skirt, canvas 26ins x 18ins, in modern gilt moulded frame

A 1940 pattern captain's battledress blouse (possibly post-war) and trousers, dated 1941

COLLECTION OF MIAO ETHNIC COSTUMES 20TH CENTURY comprising: a batik cross-stitch embroidered blouse (130cm across sleeves, 80cm long) and pleated long skirt (84cm long) from Liuzhi, Guizhou; a pleated short skirt (54cm long); a cross-stitch embroidered red dip hem jacket (122cm across sleeves, 92cm long); a red silk ground embroidered black linen jacket (125cm across sleeves, 84cm long); two embroidered baby carriers from Guizhou (largest: 84cm x 69cm); a cross-stitch embroidered orange and red apron with white painted seed beads dangles (53cm x 36cm); two pairs of white metal earrings, with a Japanese wicker suitcase(suitcase: 48cm x 70cm x 20cm)

MINIATURE PORTRAIT, oval cased portrait of "Young Lady in white lace blouse", also 1 other circular framed portrait miniature and a carved miniature frame

A 19th century bisque should head doll's house doll, with blonde painted and moulded hair, stuffed body, bisque limbs with remains of purple lustre boots, original blue and black silk checked skirt, blue blouse, purple shawl, straw hat and apron; the skirt stiffened with a page from a book and paper label on side 'Caudebec Normanide' --5in. (12.5cm.) high (missing lower part of right leg and toe of left foot, one leg loose at hip)

A 19th century china shoulder-head dolls' house doll, with black painted and moulded hair, rosy cheeks, stuffed body, china limbs with painted black flat-soled boots, original brown skirt, blue blouse, red shawl and apron, the skirt stiffened with a page from a book and paper label on back 'St Valery Normandie' --4 ½in. (11.5cm.) high - this doll and the follow two lots all have the printed under skirt so must have all been dressed by the same hand

A 19th century composition shoulder head dolls' house doll with jointed wooden body, with black painted hair, painted wooden jointed limbs with red painted shoes, original brown skirt, red blouse, purple shawl and apron, the skirt stiffened with a page from a book and paper label on back 'Bordeaux Gascogne' --3 ¾in. (9.5cm.) high (some slight paint loss to hair)

Circa 1940s/50s Ladies' Tops comprising a purple, black and blue fitted three quarter sleeve shirt, with collar and ribbon ties; London Pride Model cotton shirt printed with blue roses, buttons to the front (size 14); green cotton sleeveless top with scalloped neckline and button front; pale blue silk short sleeve shirt with collar and embroidery (size 38); Deval pink silk short sleeved shirt with buttons, trim to cuffs and button placket (size 38); white chiffon sleeveless top, crochet capped sleeves, panel to the front and collar, buttons to the back; Bra Bro Blouse navy cotton spot and striped blouse, three quarter length sleeves and elasticated waist, ric rac trim; navy blue jacket with spotty collar and trim; Rodney Dresses similar short sleeve jacket in green with buttons to the front and silk spotty neck tie; St Michael green sleeveless cotton top (37/38'' chest); Pastellar slubbed ivory top with short sleeves, button fastening, fixed waistband and neck tie; and seven similar long and short sleeved shirts with button fastenings (18). Black, blue and purple shirt - buttons loose and repaired, slight wear. London pride shirt - slight fading. Pale blue shirt - slight wear. Deval - slight staining under arms. White chiffon sleeveless top - slight wear. Bra Bro Blouse - trims loose. Blue and spotty jacket - slight wear. Rodney green spotty jacket - slight wear. St Michael green top - slight wear. Pastellar top - slight wear. Other shirts - slight wear

WW2 British Battledress Blouse metal waistbelt buckles, 13 in total. Un-issued condition. Suitable for the 1937/1940 pattern BD or denim BD blouse. 

WW2 British RAF Battledress Blouse Waistbelt Buckle Secret Escape Compass. Un-issued condition. No makers marks. The central bar of the buckle has a small sliding metal sleeve covering it. When this is slid over, it reveals a small flat metal compass pointer to one side and a pivoted metal fulcrum to the other. The evader would balance the pointer on the fulcrum to create a working compass. When the buckle was attached to the blouse the compass was completely hidden. Developed by MI9.

WW2 British 1940 Pattern Battledress Blouse size 10 dated 1944. Lifeguards Embroidered Shoulder titles, WW2 Medal ribbon bar of Defence Medal, War Medal and General Service Medal. The BD has been tailored to open neck and buttons replaced with General Service pattern Vegetable Ivory versions on split pin fasteners. Complete with 1940 pattern Battledress Trousers. No label. Size 7. Both items have last three digits of the soldiers serial number written in ink on the linings, 473. CONDITION:Good overall condition. No significant moth holes or tears.

WW2 British RAF Battledress Blouse Waistbelt Buckle Secret Escape Compass. Un-issued condition. No makers marks. The central bar of the buckle has a small sliding metal sleeve covering it. When this is slid over, it reveals a small flat metal compass pointer to one side and a pivoted metal fulcrum to the other. The evader would balance the pointer on the fulcrum to create a working compass. When the buckle was attached to the blouse the compass was completely hidden. Developed by MI9.

WW2 British BD Blouse Escape and Evasion Compass Buttons. 25 examples mint unissued on card in original stores cardboard box.

WW2 British RAF Battledress Blouse Waistbelt Buckle Secret Escape Compass. Un-issued condition. No makers marks. The central bar of the buckle has a small sliding metal sleeve covering it. When this is slid over, it reveals a small flat metal compass pointer to one side and a pivoted metal fulcrum to the other. The evader would balance the pointer on the fulcrum to create a working compass. When the buckle was attached to the blouse the compass was completely hidden. Developed by MI9.

WW2 British RAF Battledress Blouse Waistbelt Buckle Secret Escape Compass. Un-issued condition. No makers marks. The central bar of the buckle has a small sliding metal sleeve covering it. When this is slid over, it reveals a small flat metal compass pointer to one side and a pivoted metal fulcrum to the other. The evader would balance the pointer on the fulcrum to create a working compass. When the buckle was attached to the blouse the compass was completely hidden. Developed by MI9.

BLAAS, EUGEN VON BLAAS, EUGEN VON 1843 Albano Laziale - 1931 Venedig Titel: Junge Venezianierin mit violettem Kopftuch. Technik: Öl auf Holz. Maße: 32,5 x 24,5cm. Bezeichnung: Signiert oben rechts: Eug.v. Blaas. Rahmen/Sockel: Rahmen. Provenienz: Privatsammlung, Europa. Neben den meist großformatigen Genredarstellungen Eugen von Blaas' waren seine kleineren Brustbilder weiblicher Modelle bei einem internationalen Publikum sehr gefragt. Es handelt sich hierbei nicht um Portraits im eigentlichen Sinn, sondern um die Wiedergabe eines aparten italienischen Frauentypes in unterschiedlicher Charakterisierung. Diese Spezialität de Blaas' brachte ihm den Beinamen "Maler der Venezianischen Schönheiten" ein. In die Reihe dieser Werke gehört das hier angebotene Werk "Mädchen mit Kopftuch". Eugen de Blaas zeigt hier eine ganz andere Seite seines malerischen Könnens. Die Konzentration richtet sich ganz auf die charaktervolle Mimik der jungen Frau, Kopftuch und Haar sind flüchtig, fast impressionistisch gemalt, der Pinselstrich darf bei dieser leichten Technik gezeigt werden, die Spitze des Kleides ist pastos tupfend gebaut. Die Lichtführung in diesem kleinen Bild ist besonders raffiniert: Das starke, von oben einfallende Licht liegt gleißend auf dem Kopftuch, der weißen Spitze der Bluse und dem Dekolletee. Vor dem tief dunklen Hintergrund entsteht ein starker Kontrast in dem das, durch die krausen roten Haare leicht verschattete Gesicht den ausgleichenden Mittelpunkt bildet. Der Blick aus den mandelförmigen Augen, das leicht Lächeln und der schräg gelegte, von dem hellblauen Kopftuch ganz umspielte Kopf vermitteln einen herausfordernden Eindruck, dem sich der Betrachter kaum entziehen kann. Anders als bei dem Bild "Zwei Venezianerinnen", bei dem die Blicke der beiden Schönen auf die neue Preziose konzentriert sind und der Betrachter außenstehender Beobachter der Szene bleibt, ist der Blickkontakt zwischen dem rothaarigen Mädchen mit dem Kopftuch und ihrem Gegenüber gleichsam das Thema des Bildes selbst. Erläuterungen zum Katalog Eugen von Blaas Deutschland Romantik 19.Jh. Gemälde Porträt Malerei Venedig BLAAS, EUGEN VON BLAAS, EUGEN VON 1843 Albano Laziale - 1931 Venice Title: Young Venetian with Purple Headscarf. Technique: Oil on wood. Measurement: 32,5 x 24,5cm. Notation: Signed upper right: Eug.v. Blaas. Frame/Pedestal: Framed. Provenance: Private collection, Europe. Besides the mostly large-format genre depictions of Eugen von Blaas, his smaller bust images of female models were in great demand by an international audience. These are not portraits in the true sense of the word, but rather the reproduction of a distinctive Italian type of woman in different characterizations. This speciality of de Blaas' earned him the nickname "painter of the Venetian beauties". In the series of these works belongs the here offered work "Girl with Headscarf". Eugen de Blaas shows here a completely different side of his painting skills. The concentration is entirely directed towards the young woman's facial expressions, full of character; headscarf and hair are fleeting, almost impressionistically painted, the brushstroke may be shown in this light technique, the tip of the dress is built pastos dotted. The lighting in this small image is particularly refined: The strong light coming from above lies glistening on the headscarf, the white lace of the blouse and the décolleté. Against the deep dark background, a strong contrast is created in which the face, slightly shaded by the curly red hair, forms the balancing centre. The view from the almond-shaped eyes, the slightly smiling face and the slanting head, completely surrounded by the light blue headscarf, create a challenging impression that the viewer can hardly escape. In contrast to the image "Two Venetian Women", in which the glances of the two beauties are concentrated on the new preciousness and the viewer remains an outside observer of the scene, the eye contact between the red-haired girl with the headscarf and her counterpart is, as it were, the subject of the image itself. Explanations to the Catalogue Eugen von Blaas Germany Romanticism 19th C. Paintings Portrait Painting Venice

Three children's 1930s/40s romper suits, a child's silk blouse, bibs and other items.

Fancy dress - A collection of assorted 1960s retro vintage outfit costumes to include a white cocktail shift dress, a pink and grey crochet dress, a 1970s geometric patterned dress and a floral blouse. Various sizes. 

An as new faux fur coat and Saddler designer skirt and blouse

Blue and white polka dot s/s blouse Double 2, 1 spare collar 1940 a blue / white cotton bib front for dress or suit and a cream jersey s/s blouse in box Pilot

Small quantity of Brussels lace comprising collar handkerchief and sleeveless short blouse together with 3 hankies and coarse lace edging

English Eccentrics silk tea shirt featuring cherub designs, Nicole Miller oversized silk ladies short sleeved blouse with shoe design print and a Nicole Farhi silk shorts and matching shirt and three 80s silk Equipment checked oversized ladies blouses

Cojana 1980s iconic blouse with pussy bow to neck featuring blue birds in flight as worn by Princess Diana, a Joseph tricot jumper with cherub and floral design, 2 ball gowns one Frank Usher in lavender grey and one Albi in black, olive green dress with pink geometric pattern, olive long skirt and jacket in silk and camisole top, Etienne Aigner striped dress, baby silk blouse mop of pearl buttons oversized, cream silk blouse, fuchsia pink Collier Campbell collarless jacket and a shocking pink oversized jacket by Paul Costello and a Lunn Antiques white cotton nightdress (16)

Four items of mid to late 20th century Chinese export clothing to include two silk jackets, an embroidered dress and a mandarin collared ladies blouse

WW2 British Battle Dress Blouse and other Battle Dress: Two wartime pattern BD blouses one without label other makers label inside size no16 and dated 1940 and a pair of BD trousers with label inside 1949 pattern size 3. 3 items

A "Monix" late 70's electric pink V neck jersey slip dress, a beige silk blouse military style and a silk chiffon leopard print sleeveless high neck blouse, zip back, made in France, both circa 1970's (3)

An Elida, London pure silk blouse and trouser suit, electric pink and purple floral pattern, and a pair of silk pink and turquoise pattern wide bottom trousers (2)

Three items of 1930's clothing, knitted orange jumper, short sleeve with bands of blue and cream, stripe blouse and cream knitted top

Three early 20th Century ladies black dresses, various styles, a cream raw silk coat with a stand up ruffled collar and a sleeveless blouse with toning mother of pearl buttons

Two items of 1970's clothing including a Louis Feraud black and grey two piece suit with emerald green lining, iconic shape together with a Louis Feraud mid-orange military style cotton blouse

A selection of mainly knitted tops to include a cherry red and white beaded cardigan made in Hong Kong and a Willy Zwickau blouse made for Harvey Nichols of Knightsbridge, all in a vintage "Fenwick of Bond Street" box

A box containing mainly 1970's everyday clothing including a brown and gold metallic thread blouse

A middle 20th century red cotton ensamble, the skirt has bands of floral detail with a plain red blouse, an irredescent beaded cardigan and an Italian knitted full length dress

WW2 ARP Battle Dress Jacket dark blue, woollen, single breasted, closed collar, short jacket. Lower belt. Patch chest pockets with buttoned flaps. Inner label “Blouse ARP 59A” by “M Craps & Sons Ltd”. Clean condition.

Selection of Civil Defence Uniforms consisting dark blue, woollen, single breasted, closed collar blouse. Lower belt. Patch chest pockets with buttoned flap. Inner label “Blouse C D General & NFS” dated “1943” ... Dark blue, woollen, double breasted greatcoat. White metal KC Civil Defence buttons. Inner label “Overcoats (Mens) ARP 69” dated “1942” faint. Each arm with printed “Warden” titles ... 2 x blue woollen berets, one with KC embroidery Civil Defence Corps badge ... Pair black leather short gaiters.

Tete Jumeau bisque head Bebe, size 9, French circa 1890, beautiful pale bisque head with fixed blue glass paper-weight eyes, finely painted lashes and feather brows, closed mouth, and original cork pate with blonde wig, pierced ears with faux pearl earrings, on a good fully jointed wood and composition body with swivel wrists, wearing a red velvet jacket trimmed with lace, pleated skirt, lace blouse, bonnet, underclothes, socks and cream leather shoes with Jumeau stamp, red stamp to back of head ‘Depose, Tete Jumeau, Bte S.G.D.G, 9’, (condition: hairline to forehead, tiny eye-chip to right lid, some repaint to both hands), 20 ½” (52cm) tall.

Six miniature Parian-type shoulder head dolls, German circa 1870, all with finely painted features, including lady with moulded blouse with painted gold trim, blonde hair and on a cloth body with bisque lower arms and legs, wearing cream silk dress, (condition: faded and some fraying), 5 ½” (14cm) tall, a gentleman in black suite (condition: lacks one hand and one foot), small boy in red velvet suit with trumpet, and three more, (6 items).

British School - early 20th century - a half length portrait of a woman with her hands in her lap, wearing a grey jacket and white blouse, oil on canvas, 90cm x 61m, within an ornate gilt frame

A group of 19th and 20th century ladies clothing to include a white cotton blouse with detachable ruffled cuffs, a girl's white cotton dress, undergarments and a silk mint green oriental, two piece outfit. (Condition: All items reflect age relate wear and tear. Various items require seamstress attention)

Tribal Costume - a Nigerian vibrantly coloured traditional blouse dress, others Ciciri tie died top; blue spotted pant suit, metallic dress; wall hanging; a wedding dress; patchwork quilt etc qty

Nicole Farhi grey chiffon blouse, pintucked, frayed frill, faux-pearl buttons, cuffs with faux-pearl cufflinks, an Isabel Marant chiffon cream-coloured blouse with stud and star detail, size 42, a Cash-Ca cashmere cardigan with small mother-of-pearl buttons to the front, size Medium, an Acne grey mushroom-coloured chiffon blouse, a dark red chiffon and silk skirt by Skirt and another black chiffon skirt (6) 

Edwardian morning blouse with lace trimmed lappets to the front, deep lace trimmed collar and lace inserts, sleeves forming a bell at the elbow, another Edwardian blouse with white work embroidery, pintucks and a boat neck and another Edwardian blouse with fitted cuffs, cut and drawn thread, sailor collar (3)  

Edwardian net blouse with white work lace detail, another white Edwardian blouse with a small lappet to the front and front fastening, deep collar, another white lawn gathered at the waist, lace detail with gold-coloured thread edging, labelled 'Debenham & Freebody, Wigmore Street' and another white Edwardian blouse, gathered at the waist, lace cuffs, deep shawl collar, labelled 'Debenham & Freebody, Wigmore Street, W1' (4) 

Edwardian crocheted blouse and a satin bed jacket, applique design and appliqued pockets, lace edging, in apricot satin (2)Condition ReportBoth items appear in overall good condition; The bed jacket has a minor rip to the lace trim around the bottom of the right-hand sleeve (see additional image)

****** ITEM LOCATION BISHTON HALL**********A classic Olive green/black pattern on a beige background two piece suit with cover buttons. A blue paisley blouse Daks sample, Blue/White blouse by Daks (sample). A Day camel jacket, sample size 12. A Daks Prince of Wales checked jacket and skirt with pleats size 12 (sample). A Fawn mohair wool skirt with belt matching jacket, classic suit by Viyella size 12 (sample) (6)

****** ITEM LOCATION BISHTON HALL**********An early 1970’s cotton Jersey blouse with a predominately green, purple and yellow rainbows and tree design on a cream background. The collar is of an early 70’s design depicting elephants ears. The sleeves end in a cuff. Size 12 made by Top Shop.

An East Anglia Regiment battle dress blouse and shirt

*James Proudfoot (Scottish, 1908-1971) Portrait of a woman, bust length in a blue blouse signed and dated '39 l.l., oil on canvas 45.5 x 35.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Stretcher bars visible. Scratches from upper edge on right side. Small losses elsewhere.

K... Elwell (early 20th century) Portrait of a woman, half length, seated, in a patterned blouse signed and dated 1936 l.l., oil on canvas 70 x 53cmCondition report: Dirt and patches of discolouration to canvas. 1cm scratch from centre of upper edge.

Russian School, 20th century Portrait of a woman, bust length in a white and red blouse indistinctly signed 'Slana Sadbuska(?)' and dated 1945. u.l., oil on canvas 61 x 51cm, unframedCondition report: All works from the Chard Studio are subject to condition issues. As they have been stored in a studio or attic for many years they are dirty. Many have scratches, paint loss, damage to stretchers and frames. Some works also have dents, holes and tears.

From the collection of Angela Grant - an assortment of clothing and designer items, to include; Liliane Romi skirt, Carl Lagerfeld skirt, Faust sequined jumper, Allumette cream and navy blazer, Miss V Valentino blouse, Max Mara knitted pink jumper (M), two pairs of Caroline Charles wide-leg trousers (pink), a James Lakeland green linen skirt, and a sheer chiffon and lace blouse. Interesting collection from Ms Grant's personal wardrobe. Angela Grant is a British actress best known for her appearances in four Carry On films including Carry On Up the Khyber and Carry On Girls. Before she began her acting career, she was a teenage fashion model for Michael Whittaker.

From the collection of Angela Grant - Chacok - two Chacok made dresses, the first being a bodycon blue floral two piece with top (Size 3) and skirt (supplied with an autographed 8x10" photograph of Ms Grant wearing this outfit), the other a abstract three-piece comprising shawl, blouse (Size 2) and maxi skirt (Size 1). The blouse with sheer long-sleeve arms. Excellent condition. Angela Grant is a British actress best known for her appearances in four Carry On films including Carry On Up the Khyber and Carry On Girls. Before she began her acting career, she was a teenage fashion model for Michael Whittaker.

From the collection of Angela Grant - Guy Laroche - Alternance - a ladies clothing ensemble comprising an animal print (snakeskin) jacket, trousers, blouse and skirt. Size 12. Excellent condition. Angela Grant is a British actress best known for her appearances in four Carry On films including Carry On Up the Khyber and Carry On Girls. Before she began her acting career, she was a teenage fashion model for Michael Whittaker.

Box of late 19th/early 20th Century childrens clothing including; nightgowns, dresses, woollen cape, blouses etc. Together with two early 20th Century ladies blouses and an antique embroidered under blouse. (B.P. 21% + VAT) Too much to do individually generally good for age, some items have pin prick moth holes, of the ladies underskirts has a big stain, some others have minor stains some - no obvious damage.

An Issey Miyake blue and black striped textured blouse

A Mirsa short sleeved tailored dress, a Roger Brines Boutique knitted and tweed mix dress and jacket, a Geiger floral blouse and matching skirt, a Frank Usher skirt and matching blouse and various other clothes

WW2 British Battle Dress Uniform Set of Captain B S M Carson 1st Battalion Highland Light Infantry, 53rd Welsh Infantry Division, the set is a fine quality private purchase 1937 pattern battle dress blouse with matching trousers produced in a fine quality officers whipcord material, similar to that found on early WW1 British cuff rank and service dress tunics. To the shoulders of the BD are three infantry pattern rank pips and the arm has tartan formation sign for the HLI above embroidered 53rd Infantry division formation sign and red felt arm of service / brigade bar. Fine quality officer lined interior with internal pockets. Inside the collar area is inked name B S M Carson. The trousers also of superb quality construction. Some small areas of moth and light service wear but generally a very good condition set to an interesting and well used combat division of the British army.

WW2 British Battle Dress Blouse of a Lieutenant in the 6th (Royal Welch) Battalion Parachute Regiment, fine untouched example of a US war aid battle dress, dated 1943. Blouse is complete with all its original insignia, consisting of embroidered Parachute Regiment shoulder titles, embroidered parachute qualified jump wing (one arm only) and embroidered Airborne Pegasus formation signs. Two each shoulder board is sky blue backed rank pips as worn by the Parachute regiment. To the collar is the black ribbon as worn by members of the Royal Welch. BD with wartime medal ribbon bar attached to above breast pocket. Battle dress sadly suffers from some moth damage but is a good untouched example. The 6th battalion was created in 1942 by the conversion of the 10th Battalion of the Royal Welch Fusiliers to parachute duties. It was then assigned to the 2nd Parachute Brigade, at that time serving in the 1st Airborne Division in England. The battalion's first combat action was in 1943, when it participated in an amphibious landing, Operation Slapstick, at the port of Taranto in Italy. When the 1st Airborne Division left Italy, the battalion, still with the 2nd Parachute Brigade, remained behind, where it took part in the Battle of Monte Cassino. The battalion's first combat parachute jump was during Operation Dragoon the allied invasion of the south of France. Soon after the invasion, the battalion returned to Italy and took part in a second combat parachute jump, Operation Manna in Greece. After the Second World War the battalion became part of the 6th Airborne Division and served in Palestine. Post war reductions in the British Armed Forces resulted in the battalion being amalgamated with the 4th Parachute Battalion in 1947.

WW2 Polish “Walking Out” Battle Dress Blouse of Konrad Kaszubowski 1st Reconnaissance Regiment, superb near mint condition walking out pattern battle dress blouse, tailored with open collar. Directly embroidered collar pennons of yellow and magneta with central white and black (blue) stripe to centre. Single black shoulder board and medal ribbons above the breast pocket for 1939-45 star and France & Germany star. No national shoulder titles or formation signs to the arm. To the breast pocket is the original un-marked two piece screw back 1st Reconnaissance regiment breast badge with small brass backing plate. Interior of the battle dress has been tailored with shoulder pads. Complete with the original 1943 dated size label. The battle dress is in near mint condition showing just very minimal service wear. Accompanying the battle dress is a personal snapshot photograph album with images of Kaszubowski and his comrades during the late stages of WW2. Many of the images show him in uniform, sadly it does not appear to be this actual battle dress as his images he is wearing shoulder titles and formation signs, but it is typical for walking out blouses not to have all insignia added. Some family and civilian life photographs also included in the album. Some images missing. This set has come indirectly from the family of Kaszubowski and has never been offered on the collecting market before.