We found 6142 price guide item(s) matching your search

A fired clay bust of a woman, hair tied back in a bun and an open neck blouse, 24cm wide x 27cm high.

A rare WWII escape buckle compass, issued to aircrew and designed to replace buckle on battle dress blouse. Developed by M.19

A battle dress blouse and trousers, jacket having insignia including despatch rider badge and Sgt, stripes etc.

Salt (2010) - Ensemble worn in the Film by Angelina Jolie in her role as Evelyn Salt. Consisting a light grey Luciano Barbera buttoned jacket, a matching skirt with zipped fastening & a cream Bergdorf Goodman Blouse (Size US 4). The ensemble can be seen in the early parts of the Film, when Salt (Angelina Jolie) interrogates Russian defector Oleg Vasilyevich Orlov (Daniel Olbrychski) who claims Salt is a former Russian Spy titled KA-12. Salt escapes the CIA building, running through the streets barefoot wearing the ensemble. Provenance: With a corresponding production tag & a Certificate of Authenticity from Screenused.

A vintage Valentino Miss V size 46 (12) yellow blouse, with double cuffs and padded shoulders,

A Sonia Rykiel size 44 white blouse; together with a Louis Feraud UK size 14 shirt; and a Louis Feraud size 14 pleated skirt (3)

A Scali Paris size 42 silk blouse in apricot with black cuff and collar detail

A Collection of Ladies and Gentleman's Vintage Fashion items inc a Jean Varon 1970s Dress; Jean Muir silk jacket, blouse and skirt; gentleman's Aquascutum two piece suit -Jacket and Trousers (38 waist), Aquascutum ladies silk jacket and checked blouse; Gianni Versace shirt; Michelson's of London Liberty Ianthe tailored shirt; etc

This elegant evening cape is a fine example of the Art Nouveau style. Crafted from a luxurious blend of silk and wool, the fabric features a fine cream and pink slippersatin adorned with intricate floral and leaf embroidery scrolling. Created under the English couturier, John Redfern.Label 'A Redfern'Fabric composition : wool, silk, and trimLength : 105 cmWidth : 180 cmCondition: There are a few minorly-seen stains and missing threads on the garmentProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

Vivid-black couture bolero jacket with lapel and sleeves, embellished in ivory-hued lace. The black skirt is made of wood, trim and silk.Dimensions of the jacket : Length 44 cm, Waist 73 cmLength of the skirt : 113 cmCondition: Some imperfections, such as missing threads, ripped lining, holes in the interior, slightly damaged closureProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This is an early 20th-century suit, comprised of a black velvet bolero jacket and polka-dot patterned skirt, with a contrasting black bow.Label 'Hermine 211 rue Saint Honoré Paris'Fabric composition : skirt (nylon, velvet, possibly organzine) jacket (silk, velvet)Dimensions jacket : Length 34 cm Waist 74 cmLength skirt : 98 cmCondition: Overall good condition. There are some imperfections such as a broken closure on the skirt and some minor stainsProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

Delicate garment made of cream silk and lace. It’s fastened at the front of the bodice with waist band and collar band.Length : 138Waist : 76 cmCondition: There are some visible spots, stains, and minor signs of discoloration on the dressProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This art-deco era dress is made of soft silky material. Its pleated, it has an elegant bow decoration on the neck and long sleeves.Fabric composition : silk and crepeLength : 124 cmWaist : 98 cmCondition: Very good condition, except some discoloration on the lining and the bowProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

The coat has a straight cut. It has been made with soft, sapphire-hued velour fabric. One of the most surprising features of this coat are the oversized, fabric-covered buttons.Label ‘Au bon Gout Bucharest’Length: 123 cmCondition: The garment is in a good condition, but there are some minor imperfections such as small discolorationProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This art deco black dress is decorated with a plissé pleat at a neckline and hemline, the dress comes with a floral- patterned satin belt (even though the belt probably originally belongs to a different gown).Length : 132 cmWaist : 86 cmCondition: Some minor imperfections, such as discoloration and small stains on the outer layer of fabricProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This magnificent gown is fashioned from silk satin and wool with lace. The gown is decorated with strass, it’s sleeves and collar, the back and the skirt are covered in stones. The day dress comprises of a jacket, a long skirt, and an additional underskirt. Label ‘Mlle Guerin Gastinel rue pertinax 14 nice’Dimensions jacket : Length 67 cm, Waist: 65 cmLenght skirt : 117 cmCondition: Some imperfections, such as holes on the lining and some signs of damage on the underskirtProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This ensemble consists of a jacket, a skirt, an additionalunderskirt, and a pillow. Inside, there is an ivory and gold woven silk label bearing royal appointments to H.I.M Empress of Russia & H.R.H Queen Alexandra.Fabric composition : wool, cotton, silk, and laceLength : 46 cmWaist : 52 cmProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This night gown’s inner layer is made of organza, its stitched together with an outer lace layer. The gown has button fastenings.Fabric composition: lace, cotton, organzaLength : 168 cmWaist : 81 cmCondition: Some imperfections such as discoloration and stains on the back of the garmentProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This cotton and satin sleeping gown is decorated withmother of pearl buttons. There are initials, embroidered onthe gown ‘MV’.Length: 131 cmWaist: 70 cmCondition: Some visible imperfections, such as heavy stains on the front and back of the gown, discoloration, a missing buttonProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

This is a beautiful, cream-coloured bolero with silk liningdecorated with geometric patterned embroideries at collar lapel and sleeve ventWoven silk label bearing royal appointments to H.I.M Empress of Russia & H.R.H Princess of Wales.Label 'A Redfern Paris'Length : 52 cmWaist: 85 cmCondition: Imperfections, such as missing stones and threads, discolorationProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

The jacket is embroidered with an eccentric motif of sea clam shells. The skirt is heavily embellished with floral patterned lace. The collar of the jacket is decorated with lace.Fabric composition: silk, organza, cotton, lace, woolLength of the jacket : 68 cmWaist of the jacket : 66 cmLength of the skirt : 103 cmProvenance: Mavrocordato familyOriginating from the esteemed Mavrocordato family, historical rulers (ospodar) in regions forming modern-day Romania, this collection of 15 vintage garments intricately weaves together aristocratic elegance and cultural evolution. Among these treasures are select pieces by the influential British couturier John Redfern, who left an indelible mark on women's wardrobe development. Notably, Redfern adorned crowned heads, with admirers including British Queens Victoria and Alexandra, and Russian empresses Maria Feodorovna and Alexandra Feodorovna. At the close of the nineteenth century, Redfern's groundbreaking Taylor suit marked a pivotal shift in women's fashion, characterized by a jacket-like top, matching skirt, blouse with a high-standing collar, and a woman's tie. This ensemble, worn by the future Queen Alexandra during her travels to Europe with the Prince of Wales, encapsulates the intersection of fashion and royalty. The craftsmanship and overall fabric quality of these garments are not only striking but also contribute to their high historical and collectible importance, making this antique clothing selection truly exceptional.

Quantity of military uniform, Greatcoat, Battle dressm size 4, dated March 29, 1944, corporal badges, hand written Turner, T, 22098401, Battle dress blouse and trousers, 1949 pattern, size 7, dated 1955, with REME, 49th West Riding Infantry and CQMS badges, jersey, size 6.

WW2 Blouse ARP 57 with printed Warden shoulder titles. Printed Sgt's stripes to sleeves. Embroidered "Kings Crown CD" and "Derbyshire" badges to breast pocket. Five red service chrevons to cuff. Makers Label "Prices Tailors Limited proprietors of the 50 Shilling Tailors". Size 6. WD Inspection mark to lining with code letter O. Letter found in pocket dated 30/7/44.

WW2 British Parachute Regiment Midlands Battalion 1940 pattern Battledress Blouse complete with all originally sewn insignia. Printed Pegasus formation signs. Parachute wings. Colour Sgt's rank insignia. Named to "Kirkland WR 14941343". Size 10. Maker marked and dated "JD Feldman & Co, Belfast 1945". WD inspection code marked Z for 1945.

WW2 British RAF Sgt Pilot's Battledress Blouse. Pilots wings are crudely senw in place. Machine woven RAF insignia to shoulders. Correct single Sgt's stripe to sleeve as worn by aircrew. Size 7. Maker marked and dated "Montague Burton Ltd 1943". One button relaced with a black Bakelite Kings Crown RAF button. Spare pair of uniform removed Sgt's Stripes found in pocket.

British RAF Flight Lt.'s 1949 pattern Battledress Blouse with Pilots Wings. Rank lace to shoulder straps. Makers lable for "Moss Bros & Co Ltd". Named to "Ft. Lt W Draycott". Size approx. 36 inch chest, waist 32 inch. Complete with matching trousers. Approx. 30 inch waist. (2)

WW2 British REME 1940 Pattern Battledress Blouse and 1937 Pattern Trousers. Complete with his original identity disks named to "14644960 CG Jenkins". The blouse is his best BD and has additional shoulder pads added to the lining and the collar has been neatly tacked down to keep a smart appearance. Embroidered REME shoulder titles plus Sgt's Stripes. Blouse is maker marked and dated "S Corman Ltd 1945". Size 13. Trousers are AV anti gas treatment marked and are complete with braces. Makers label has been removed. Approx. 30 inch waist. Inside leg approx. 33 inch.

Post war British 1949 Pattern Battledress Blouse, size 10 and dated 1951 along with a pair of 1949 Pattern Battledress Trousers, size 7 and dated 1951. (2)

WW2 British Home Guard Battledress Blouse complete with all originally sewn insignia for a Staff Sgt in the Derbyshire Home Guard Z Battery Anti - Aircraft Battalion. Size 16 and dated 1940.

Two Ralph Lauren cotton blouses with lace detail, one cream and the other striped floral with cream lace collar, cream size 10, floral stripe size 8***CONDITION REPORT***Both in very good worn condition, a few fly spits on the cream blouse.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A vintage Saint Laurent royal blue and black leopard print silk blouse, IT40***CONDITION REPORT***In good lightly worn conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A pair of Gucci lady's textured satin trousers with gold tone diamante snaffle detail to the back and a Gucci velvet blouse, Gucci trousers: size 40, blouse size 44***CONDITION REPORT***Both could do with a press, trousers unhemmed, in good lightly worn condition.A little creased unhemmed, in good overall condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Carl Spitzweg 1808 München - 1885 München Jäger mit Mädchen (Der verliebte Jäger). Um 1848-1852. Öl auf Leinwand. Links unten mit der Signaturparaphe. 33,7 x 24,9 cm (13,2 x 9,8 in). • Wohl eine der frühesten Fassungen des Motivs 'Jäger und Mädchen' im Werk Spitzwegs • Effektvoll inszenierte Szene des ländlichen Liebespaars vor der Kulisse des gebirgigen Hochwalds • Fein und detailreich ausgearbeitete Komposition, die die beiden wildromantischen Charaktere als größere Einzelfiguren besonders in den Blick rückt. Wir danken Herrn Detlef Rosenberger, der das Werk im Original begutachtet hat, für die freundliche Auskunft. PROVENIENZ: Privatsammlung Berlin. Privatsammlung Baden-Württemberg. AUSSTELLUNG: Carl Spitzweg: Reisen und Wandern in Europa und der glückliche Winkel, Seedamm Kulturzentrum, Pfäffikon, 22.9.2002-5.1.2003; Haus der Kunst, München, 24.1.-4.5.2003, S. 152f., Kat.-Nr. 69 (m. Abb.). LITERATUR: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke. Gemälde und Aquarelle, Stuttgart 2002, WVZ-Nr. 1483 (m. Abb.). Siegfried Wichmann, Carl Spitzweg. Jäger mit Mädchen im Wald. Dokumentation, Starnberg-München, R.f.v.u.a.K. 1984, S. 12-19, 24-27, Bayerische Staatsbibliothek, München, Inv.-Nr. Ana 656 SW 19. Das verliebte Paar in der alpenländischen Natur, mit den Figuren des Jägers und der Sennerin stellt eines der schönsten wiederkehrenden Motive in Spitzwegs Œuvre dar. Während seiner zahlreichen Wanderungen im Alpenvorland, den Münchner Hausbergen und Tirol dürfte er diesen beiden als Symbolfiguren idyllischer, freier Ländlichkeit des Öfteren begegnet sein. In seinen Skizzenbüchern finden sich etliche Zeichnungen des Paares, deren Zuneigung er in immer neuen Posen arrangiert. Bereits seit seiner Frühzeit variiert Spitzweg das Thema in kleinen Details und Nuancen: mal findet ein Treffen in der Felsenschlucht statt, mal auf einem Gebirgspfad am kleinen Marterl, im Hochwald oder am Brunnen. Die künstlerische Subtilität Spitzwegs zeigt sich in dem unterschiedlichen Charakter der Begegnungen, die als zufälliges Aufeinandertreffen erfolgen, als Stelldichein in nächtlicher Heimlichkeit oder auch tagsüber bei der mittäglichen Rast, wie die Chronik einer Liebesgeschichte in den Alpen, wenn man alles zusammennähme. Die beiden Figuren und ihre Romanze scheinen ihn nicht nur malerisch nachhaltig beschäftigt zu haben, merkt man doch an den zahlreichen Varianten die theatralische Lust am inszenieren und an der Erzählung. Bei einigen der Gemälde steht die Landschaft im Vordergrund, bei anderen - so wie in diesem Fall - treten die Figuren größer im Vordergrund auf. Sie wenden sich, ganz ineinander vertieft, vom Betrachter ab und spazieren in den dichten Wald, hinter dem man - in ganz Spitzwegscher Manier - einen kleinen Ausblick erhaschen darf auf den hinter den Wolken silbrig schimmernden Mond. Deutlicher als andere Variationen des Themas verortet er die Szene hier im Gebirge, wie es sich in der am rechten Rand eingefügten Felswand zeigt. Außergewöhnlich ist im vorliegenden Gemälde auch die Lichtregie, die wie vor einer Waldbühne von vorne zusätzlich beleuchtet zu sein scheint. Neben die in tupfenhafter und lockerer Malweise in den unterschiedlichsten Grüntönen wiedergegebenen Vegetation und dem Anzug des Jägers setzt Spitzweg im Gewand der Sennerin seinen bevorzugten Farbklang aus rotem Rock, blauer Schürze, schwarzem Mieder und weißer Bluse, zurückhaltend hier jedoch in kleinster und subtiler Dosierung. Die beiden Figuren des Jägers und der Sennerin finden sich auch in einzelfigurigen Szenen in Spitzwegs Œuvre, hier finden sie auf heimlich-romantische Art im Gemälde zusammen. [KT] Aufrufzeit: 09.12.2023 - ca. 13.38 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONCarl Spitzweg 1808 München - 1885 München Jäger mit Mädchen (Der verliebte Jäger). Um 1848-1852. Oil on canvas. Lower left with the signature paraph. 33.7 x 24.9 cm (13.2 x 9.8 in). • Probably one of the earliest versions of the 'Hunter and Girl' motif in Spitzweg's work • Effectively staged scene of the rural love couple against the backdrop of the mountain forest • Finely crafted composition, rich in detail, which focuses on the two romantic characters as larger individual figures. We are grateful to Mr Detlef Rosenberger, who examined the original work, for his kind support in cataloging this lot. PROVENANCE: Private collection Berlin. Private collection Baden-Württemberg. EXHIBITION: Carl Spitzweg: Reisen und Wandern in Europa und der glückliche Winkel. Seedamm Kulturzentrum Pfäffikon September 22, 2002 - January 5, 2003; Haus der Kunst, Munich, January 24 - May 4, 2003, pp. 152-153, cat. no. 69 (fig.). LITERATURE: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke. Gemälde und Aquarelle, Stuttgart 2002, no. 1483 (fig.). Siegfried Wichmann, Carl Spitzweg. Jäger mit Mädchen im Wald. Dokumentation, Starnberg-München, R.f.v.u.a.K. 1984, pp. 12-19, 24-27, Bayerische Staatsbibliothek, München, inv. no. Ana 656 SW 19. The love couple in the Alpine countryside, with the figures of the hunter and the dairymaid, is one of the most beautiful recurring motifs in Spitzweg's oeuvre. During his numerous hikes in the foothills of the Alps, Munich's local mountains and Tyrol, he was likely to frequently encounter these two as symbolic figures of an idyllic rural life. His sketchbooks contain numerous drawings of the couple, arranging their affection in ever new poses. Even from his early days, Spitzweg varied the theme in small details and nuances: sometimes a meeting takes place in a rocky gorge, sometimes on a mountain path at a small shrine, in a mountain forest or at a fountain. Spitzweg's artistic subtlety becomes evident in the encounters’ varying characters. A chance meeting, a rendezvous at night in secrecy or during the day at a midday rest, like the chronicle of a love story in the Alps. The two figures and their romance seem to have been a lasting preoccupation for him, and not just in terms of painting, as the numerous variations thereof testify to his joy in staging and telling the story. In some of the paintings, the landscape is in the foreground, in others - as in this case - the figures appear larger in the foreground. They turn away from the viewer, completely immersed in each other, and walk into the dense forest, behind which - in true Spitzwegian style - we catch a glimpse of the moon shimmering silvery behind the clouds. More clearly than inother variations on the theme, he located the scene in the present work in the mountains, as the rock face in right suggests. The lighting is also unusual in this painting, which appears to be lit from the front, as if in front of a forest stage. Alongside the vegetation and the hunter's suit, depicted in a dabbed and loose painting style in various shades of green, Spitzweg uses his preferred color scheme of red skirt, blue apron, black corsage and white blouse as the dairymaid's apparel, albeit in the smallest and most subtle doses. The two figures of hunter and dairymaid can also be found individually in single-figure scenes in Spitzweg's oeuvre; in this painting they come together in a secretly romantic way. [KT] Called up: December 9, 2023 - ca. 13.38 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

A jungle pattern blouse with flaming grenade collar badges and three star medal ribbon together with a Sam Browne belt.

CONTINENTAL SCHOOLMother Holding Child Aloft, she wears a white blouse and cap and dark red skirt, oil on canvas, oval,56 x 43cm.

A German Late XIX Century Porcelain Bust of a Young Lady, wearing a feather bonnet, green blouse and checked sash, raised on a scrolling base, 14cm high.small chips to flowers, re-painting to bonnet, restoration of the feather

Glazed figure of a girl in a blue blouse, skirt and hat holding flowers. Bing & Grondahl backstamp. Dimensions: 2.5"L x 2.25"W x 7.25"HManufacturer: Bing & GrondahlCountry of Origin: DenmarkCondition: Age related wear.

Frank Sidney Harper (British, 1878-1929), portrait of the artist's wife Mary, standing half-length in profile, wearing a white blouse and an Arts & Crafts pendant, signed with monogram twice and dated 1913 l.l., oil on canvas, 105 by 56cm, in an oak frame. Note: the artist was Head of Painting at Birmingham College of Art

An unissued 1940 pattern kahki battle dress blouse

Mixed era vintage clothing to include a 1940s powder blue crepe evening gown, a 1940s navy blue crepe summer jacket or blouse with double peplum and soutache, a green and white gingham full circle skirt, a navy blue crepe coat or overdress, a black organza dress with pleated skirt, a black wool crepe jacket, a Victorian silk and silk crepe chiffon (a/f) underskirt, a day dress in shades of blue and a larger sized paisley two piece dress suit complete with belt and a 1960s lurex two piece consisting of tunic and trousers(qty) 40s crepe dress and jacket have fade, paisley two piece has an underarm repair to the dress, lurex two piece has broken zipper, over dress has damaged button and small stitched repair to the back. All pieces show age appropriate wear. 

A group of 17 theatrical dresses and three pieces consisting of skirt, blouse and waistcoats in 18th and 19th century styles of mixed fabrics including velvets. 

vintage lingerie and nightwear to include some larger sized silk mousseline tap pants with lace trim, a jacquard silk Chinese robe, a jacquard rayon robe with hand embroidered detail (some fade and colour run), a Chinese silk  brocade dressing gown, an Edwardian silk and lace petticoat, a primrose yellow silk crepe nightshirt, a lacy bed jacket with crepe chiffon lining, a ditsy print 1930s bed jacket with faggoted seams and hand smocking, a 1930s satin dickie blouse, a 60s quilted bed jacket, an Edwardian pinny and a 1930s dickie/ modesty panel (qty) all show some wear commensurate withage

A 1970s wizard sleeve shirt or blouse made from scarves, made fro the vendor's brother, along with a 1930s/40s clutch purse made from stripes of coloured leather and a 1930s Whiting & Davis mesh purse and a rhinestone 'tie' (4) shirt has general wear and fraying, striped bag has fade

A 1970s silk shirt waist dress by Bill Blass and a 1960s canary yellow jumpsuit with a matching roll neck tunic blouse covered in disc sequins by Rappi (2)

seven vintage silk blouses including embroidered Hong Kong (40s-60s) and Madeira examples, a 1930s Macclesfield silk blouse and an early 1920s blouse with rayon crochet hem and cuffs (a/f), plus a pair of 1970s silk knickerbockers by Fior of Sydney, a mid-century beaded cardigan and an embroidered cotton blend cardigan (10) some wear commensurate with age, some pieces need a freshen up 

A 1980s Adolph Schuman for Lilli Ann suit in French navy ultra suede, a blue and white collarless blouse by Jaeger a 1980s does 20s rose print dress, a late 70s dress with pleatet skirt in a floral polyester and a vibrant coral jersey gown with sequinned waist by Marjon Couture (5)

An unusual 19th century German china shoulder head doll, with blue painted eyes, red eyelid line, closed mouth, black painted and moulded hair swept back by hair band and held in a moulded net snood, stuffed kid body, dark blue and black gingham dress, white cotton blouse, underclothes and black oil-cloth shoes —27in. (69cm.) high

An Alt Beck & Gottschalck bisque shoulder head lady doll, known as Empress Augusta Victoria of Schleswig-Holstein with blue painted eyes, moulded hair piled on top of head, held inn place with black painted tiara, falling in ringlets, exposed pierced ears, shoulder plate with moulded high neck blouse and iron cross, stuffed body, bisque limbs and blue and light blue two-part dress —27in. (69cm.) high (broken glued left leg)

Two German restored bisque shoulder-head lady dolls, one with elaborate hair held by a gold painted moulded ribbon, replacement boy and cream silk and net dress —23 1/2in. (60cm.) high; and the other with moulded blouse and tie, original stuffed body (both very well restored around shoulder plate)

Glazed figure of a young lady in a blue blouse, brown skirt, and yellow hat, holding a blue umbrella. Zaphir backstamp. Dimensions: 4.5"L x 3.5"W x 11.5"HManufacturer: ZaphirCountry of Origin: SpainCondition: Age related wear.

A 1943 dated British army denim overall blouse

Very sweet all original small J.D Kestner 192 bisque head girl doll with additional clothes, German circa 1900, with weighted brown glass eyes, open mouth, upper teeth and original blonde wig, on a good fixed wrist five piece composition body and wearing pink cotton striped dress, cream wool coat and bonnet, underclothes, socks and marked brown leather shoes, 7 ½” (19cm) tall, together with pink and cream seaweed patterned summer dress, blue cotton dress, pink wool skirt and top, black tunic, aqua blouse and mohair bonnet with blue ribbons, (condition: perfect, lovely example, left arm detached).

A turned bisque shoulder head doll, probably Alt, Beck & Gottschalk, German circa 1880, with fixed blue glass eyes, finely painted lashes and brows, closed mouth, and domed head with original blonde wig, on a kid leather body with joints at elbows to fine bisque lower arms, wearing a red silk skirt with embroidered jacket, white blouse, bonnet, underclothes, socks and white leather shoes, 20” (51cm) tall, (condition: good).

1920's party dress with shoe string straps, gold bodice with cream chiffon crepe over layer and gathered skirt, Germanic style 'fancy dress' dress, 1940's green satin skirt and pink short sleeve blouse. (4)

1950s grey wool short jacket, 1950s printed chiffon dress, black couture skirt by Aquer, full pleated geometric print skirt, apricot silk Occasions coat by Linzi, cream silk tie front evening bolero, 1930's cream silk blouse, another cream silk blouse and a long cream silk skirt.

Collection of assorted military uniforms to include a 1940 pattern battle dress blouse, 1960 RAF flying suit and other items (1 box).

Arabella Pollen, London, waistcoat style halterneck top, another polka dot sleeveless blouse, both size 10, together with a J & M Davidson sleeveless top (no size label)

A 1930’s peach embroidered blouse with buttoned neckline and elasticated cuffs together with a silk chiffon open fronted jacket.

Victorian and later costume to include high necked silk blouse with lace and button detail, cream satin beaded evening gown, bridal headdress with wax flowers, two cream silk chemises, one with integral bloomers and an elaborate black silk and lace skirt.

A large quantity of good quality early 20thC scarves, shawls, handkerchiefs, a Victorian ladies bodice/blouse etc.