We found 6142 price guide item(s) matching your search

A collection of vintage items to include a bottle green gypsy bodice with decorative buttons (1910) with matching velvet hat and crochet bag, a red silk blouse (1950s) three scarves, a 1953 coronation hankie, a blue velvet blouse  (1950s) and a black 1930s cooks apron.

An early 1950s blouse in cerise fabric with an embossed pattern, decorative buttons, padded shoulders and a small collar. Together with a vintage silk wide jacquard ribbon in red and blue colourway, and a late 1930s/early 1940s crocheted/knitted black top in a see-through stretch design with decorative front motif. (3)

A quantity of 1960's and later ladies and gents clothing to include a ladies Daks blazer UK20, an Aquascutum beige full length skirt and matching jacket UK18, a Reiss blouse UK10 and other blouses and a Frank Usher black velveteen full length skirt Uk10/12. Location:RailIf there is no condition report shown, please request

A large quantity of late 19th/early 20th Century shirt/blouse mother of pearl buttons together with 9 cards of mid 30th century buttons to include Elegant. Location:If there is no condition report shown, please request

WW2 British Royal Artillery Battle Dress and Indian General Service Medal Set Attributed to Staff Sergeant Eric Leslie Percy Woodward Royal Artillery, good untouched example of a 1937 pattern battle dress blouse complete with all of its original rank and regimental insignia. Battle dress with its label removed from the inside. Accompanied by his pre WW2 George V Indian General Service medal with clasp North West Frontier 1930-31, named to ‘777623 GNR E L P WOODWARD R.A’, an EIIR Imperial Service medal named to ‘ERIC LESLIE PERCY WOODWARD’ and housed in Royal Mint case, two sports medals and a group of large format photographs and cloth regimental sports patch. Set all remains in good condition.

Attributed to Norman Hirst (British, 1862-1956) -Portrait of a Lady in a brown jacket and a pink blouse -Oil on canvas -55 x 39.5cm -Label on the stretcher 'Locke and England, Leamington Spa, Norman Hirst Collection, Lot No. 350 Sale 31st July 1986'

HERMÈS Bluse, Gr. 34 (fr. 36). 100% Seide. Graues Modell mit Zeichnungen, Umlegekragen, Perlmuttknöpfen und einer Brusttasche. Guter Zustand.| HERMÈS Blouse, size 34 (fr. 36). 100% silk. Grey model with drawings, turn-down collar, mother-of-pearl buttons and a breast pocket. Good condition.

HERMÈS Bluse "AU PAYS DES ÉPICES", Gr. 38 (fr. 40). by Annie Faivre, Entwurf erstmals erschienen 2001. 100% Seide. Abenteurern und Entdeckern brachten Gewürze von weit her für ihre Könige. Sie waren Helden, deren Erkundungen unsere Tafeln zieren. Guter Erhalt.| HERMÈS Blouse "AU PAYS DES ÉPICES", size 38 (fr. 40). by Annie Faivre, design first published in 2001. 100% silk. Adventurers and explorers brought spices from far and wide for their kings. They were heroes whose explorations adorn our plates. In good condition.

George William Russell (?AE?) (1867-1935) 'Portrait of a Young Girl in a white Dress holding Flowers,' O.O.C., 62cms x 51cms (24.5" x 20" ). (1) The term ?Celtic Twilight? accurately describes the art of George Russell, with many of his paintings depicting scenes of childhood. He delighted in creating a fantasy world, peopled with mythological beings. In such paintings, suffused with the glow of wistful nostalgia, his figures, generalized rather than specific portraits, are enveloped in a haze. This portrait of a young girl however is more formal, and depicts an actual rather than an imagined person. Dressed in a white muslin pinafore dress over a blue blouse, her dark hair tied with a bow, the girl sits in a chair looking out at the observer with a curiously determined expression. In her hands she holds a small spray of flowers. The background is a uniform brown deepening to a dark shadow behind the girl, and the initials of the painter ?AE? are painted the top right corner. The identity of the sitter is not known; it may be an early portrait of Kitsy Franklin, whose mother Victoria Franklin was the sister of the writer Susan Mitchell, who edited the Irish Statesman and was a close friend of Russell. Adopting the initials ?AE? as his signature or monogram, Russell is remembered today as one of the leading cultural figures of the Irish Literary Revival. In addition to being a painter, he was also an influential economist, editor, and promoter of rural development. Practical, and well versed in politics and economics, Russell nonetheless also believed in the existence of a spiritual world, inhabited by ethereal beings. Influenced by Symbolist artists such as Gustave Moreau and Puvis de Chavannes, he espoused Theosophy and esoteric religions, giving expression to this vision through a prolific output of paintings, novels, plays and poetry. Born in Lurgan, Co. Armagh, as a child Russell moved to Dublin with his family. After studying at the Metropolitan School of Art, in 1887 he began working for the Irish Agricultural Organisation Society, and edited the IAOS newspaper, The Irish Homestead. Alongside these practical concerns, he found time to study esoteric religions, joining the Dublin Theosophical Society in 1888, and later forming the ?Hermetic Society?. He was also involved with drama, in 1902 becoming vice-president of the Irish National Theatre Society (later the Abbey Theatre Company). His plays include Deirdre, (1902), while his first book of poetry, Homeward: Songs by the Way, published in 1894, was followed by his 1913 Collected Poems. In addition to painting, plays and poetry, Russell wrote on agricultural policy and political theory, in The Building up of a Rural Civilisation (1910), and The National Being (1916). He was highly regarded as an artist, and, in 1913, with the support and encouragement of the lawyer John Quinn, his paintings were shown at the Armory Show in New York. Encouraged also by William Butler Yeats, Russell painted murals depicting his mystical visions, at 3 Upper Ely Place, headquarters of the Theosophical Society. He also painted portraits, of Yeats, Lady Gregory and others. Dr. Peter Murray

NO RESERVE SAINT LAURENT SILK POLKA DOT BLOUSECondition grade B-.Size 38. 112cm chest, 76cm length. Circa 1970's. Grey polka dot blouse with long sleeves, V-neckline and tie-up detailing at front. No composition label attached. 

NO RESERVE SAINT LAURENT SHEER LONG SLEEVE BLOUSECondition grade B+.Size 38. 108cm chest, 66cm length. Circa 1970's. Dark blue sheer blouse with flower accents, gold woven accents and elasticated ruffle cuffs and neck. No composition label.

Pedigree Sindy vintage clothing, 1960s: (1) Dream Date, missing waist ribbon (with some duplicates); (2) Summery Days; (3) Cosy Nights; (4) Frosty Nights; (5) Leather Looker (missing one fastener / popper), Springtime blouse; Fair to Good; (qty).

WW2 ATS Battledress Blouse And Slacks khaki, fine woollen, pressed, open collar, short jacket.  Lower extended belt.  Patch chest pockets with exposed button flaps.  Internal issue label dated 1945 ... Khaki green, fine woollen slacks.  Waist with side button opening. Issue label dated 1941.  Clean condition.  2 items. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER

(Blumroeder,A.F.v.).: Mephistopheles im Hof-Frack und in der Blouse. Eine Reihe skizzirter Schilderungen aus dem socialen und politischen Leben der Gegenwart. 2 Bde. Lpz., Kollmann 1847. Mit 9 lithogr. Taf. VIII, 272 S.; (S. 273)-560. Hldrbde. d. Zt. (Rücken lädiert und beschabt, Ecken bestoßen). Goedeke X, 554, 13. Rümann 1270 und 1834. Engel 1474. Hayn-Gotendorf IV, 512. - Einzige Ausgabe dieses kleinen satirischen Zeitspiegels, "worin sich die Gebrechen unserer Civilisation reflectiren". August von Blumröder (1776-1860) war bis Ende 1848 Mitglied der Frankfurter Nationalversammlung und skizziert hier die Zustände im Vormärz. Die "famosen satirischen" Lithographien (H.-G.) werden von Rümann sowohl Lyser als auch Moritz Retzsch zugeschrieben. - Titel im unteren Bug mit Einriss. Titel und einige Textblätter gestempelt, Bindung teils etwas schwach. - Gebräunt und etwas fleckig.

comprising Royal Marine Sergeant's Battle Dress blouse with Royal Marine Commando shoulder titles and dagger badge, rank stripes and sharp shooter insignia, medal ribbons, further uniforms to RSM Burnell from his time in the Devon and Dorset Regiment, scarce parade ground waterproof trench coat, caps, boots, Sam Browne belt etc. Parcel.

Salvador DALI (1904-1989). « Tenue de peintre-chirurgien ». 1972. Peinture ignifuge aéronautique sur toile d'une blouse médicale. Signée à la peinture sur toute la largeur « Dali ». Œuvre unique. Datée au centre à droite « 1972 ». Taille 52. Dimensions : 105 x 63 x 150 cm. Inclus avec sa lampe frontale médicale. Note : Un catalogue d'exposition est inclus. Enregistrée dans les archives de Nicolas et Olivier Descharnes sous le numéro d7240. Cette oeuvre originale est une pièce muséale en parfait état de conservation. Œuvre unique portée par Dali lui-même lors d'un événement historique pour la réalisation des deux œuvres intitulées « Pastor de Ampurdán » et « Sirena Alada de la Costa Brava ». Provenance : - Don de Salvador Dalí en 1972 à Monsieur Alberto Moreno Balaguer (1927-2018). - Acquise auprès de l'épouse de ce dernier. Exposition : Galerie B. "À la rencontre", Octobre- Décembre 2022, Durbuy, Belgique. (Reproduit au catalogue de l'exposition, pages 34 à 37).

An ivory chiffon floaty top, an Edwardian silk chiffon blouse, pintuck front in cream a/f, a white lace and black tulle top, a cotton pintuck early 20th Century blouse with a fine black piping neck and a silk 1930 stripy blouse (5)

1970s Laura Ashley, comprising: a brushed cotton and wool mix smock dress, UK size 10; a white cotton flounced blouse with lace collar, UK size 10; and one further unnamed printed cotton dress.

1970s Laura Ashley floral ensembles, comprising: a blue brushed cotton smock dress, with high collar and long sleeves, UK size 12; a blue cotton blouse, UK size 12; a printed cotton skirt, UK size small; together with a blue smock dress in the style of Laura Ashley, label cut, bust approximately 34". (4)

A 1870s checked taffeta bodice, beige/brown check design, brown velvet  ribbon detail, decorative velvet buttons with a stone centre, buttons on the cuff, top of the sleeves are tiered with a puff ball detail and tulle underlay.  A beige wool peplum jacket, early 1880s, fluted sleeves edged in brown velvet with decorative military braiding, the peplum detail at the back has fringing and braiding and a velvet motif .  A short gold silk bodice with laced edged sleeves. A skirt with a lace hemline in cotton, 1890/1900. Two ladies indoor decorative lace hats/bonnets, one has velvet ribbon and the other has lace and pearl decorative, 1860/70. A very large work blouse, could be a kitchen maids/cooks garment, high neck, 1870/90.

British School (20th Century) Portrait of a Young Woman, wearing a white blouse and a diamond necklace, first half of the 20th Century, pastel, 48 x 38 cm, frame 58 x 48 cm

Vintage Fashion - a 1930's lace dress and jacket; lace blouses (2); a peach silk slip; a Chinese silk shirt; a linen blouse; etc

A Susan Small Model green dress;  Blanes of London black dress;   Berkatex yellow dress;   Renjoy of London frilled skirt;   Pasella blouse;  etc

A top in black elasticated fabric by Plisse, long waisted, medium size. A grey elasticated fabric top with round neck and long sleeves, longish length, size 10.  A cream silk blouse with a tie neck and stitched motif design bib under the v neck, long sleeves, size 16.  A fine striped blue mans shirt by Margaret Howell, 14 1/2" collar, 37" chest.

A lady's Angela Caputi silk cream skirt and blouse with fruit design size 46, a Ted Baker white lightweight cardigan with leaf design to the back size 4, a Rawhide dusky pink long laser cut coat size 14 and a Georgina von Etzdorf silk/chiffon wrap around skirt. Proceeds to Happy Paws Puppy Rescue

Two Escada skirts and a multi colour silk body blouse. Proceeds to Happy Paws Puppy Rescue

Four Avantgarde lady's clothes: a gilet, jacket and co-ordinating blouse and light blue blazer. Sizes 14-16 Proceeds to Happy Paws Puppy Rescue

A lady's Akris Club suit with black turtle neck blouse and belt, UK Size 8. Proceeds to Happy Paws Puppy Rescue

Two Michael Kors white midi length skirts and a white blouse. Size 14 - 16 Proceeds to Happy Paws Puppy Rescue

A matching Pallant silk skirt and blouse, a royal blue dress and matching bolero style jacket and black straight skirt and cream jacket. Approx sizes 8-12 Proceeds to Happy Paws Puppy Rescue

A pink Escada suit with a silk blouse top. Proceeds to Happy Paws Puppy Rescue

A Second World War British Home Front ARP Warden's 59a Blouse, 1942 dated

A Second World War British Home Front ARP Warden's 57 Blouse, 1942 dated, with lanyard and whistle

A Second World War RAF pilot's Aircrew Blouse

A 1944 RAF War Service Blouse

Mixed ladies clothing to include a Vetono grey shirt dress 38" chest, a Pair of cream Laurel trousers 32" waist, a Hampel Katalin white embroidered blouse 38" chest, a Jaeger gold satin blouse 40" chest, a Tallulah & Hope grey sheer dress with matching belt, one size and Basler separates. Location:Rail

Large print on photographic paper featuring a portrait of American actress Marilyn Monroe wearing a blouse with a jeweled brooch. Dimensions: 16"L x 12"WCondition: Age related wear.

An Edwardian black silk and lace skirt, together with a white cotton and lacework blouse, a yellow cotton embroidered jacket and other various textiles.

British School, 19th Century - A group of three portraits, comprising a portrait of a lady in a white ribboned blouse wearing a necklace of turquoise beads -Oil on canvas -76 x 63cm. -Together with another oil portrait of a bearded man applauding, 76 x 64cm and a pastel portrait of a lady in a hat, 59 x 45cm.

all with damage, a china shoulder head doll with rare moulded blouse and black painted and moulded hair held in gold painted snood, stuffed body, china limbs and underclothes —7 1/2n. (19cm.) high (restored nose); a pink tinted Frozen Charlie (glued arm); and a smaller Frozen Charlie with moulded bonnet (missing front of arms and one toe)

the swivel head on flange joint with bisque shoulder head, bright blue striated glass eyes, black top eyeliner, grey lower eyeliner, eyelashes and brows, full cheeks, deeply moulded light red mouth with darker red detail, moulded ears, remains of blonde mohair wig on cork pate, held to the shoulders by a large metal pin, gusseted kid body with blue oval stamp ‘Mme Rohmer - Brevete SGDG Paris’, peg jointed wooden arm joints with bisque arms, brass eyelets for sitting stays, wooden joints at knee, original Eau d’ Nil silk dress with bodice and black velvet trim, white jacket with applied black looping cord, white cotton blouse, two petticoats, pantaloons, socks and brown leather heeled shoes —15 3/4in. (40cm.) high (six restored fingers)Condition Report - Please see additional images.

19th century English school - Portrait of young girl wearing a silk blouse, watercolour, 33 x 23.5cm Some spotting and foxing.Light fading all over. Paper good, no creases or tears.

David Hockney OM, CH, RA (b.1937) "Woman with a Sewing Machine" (1954) Lithograph in colours, 23cm by 37.5cm Provenance: The Estate of David George Fawcett ATD, FRSA (1935-1973) Thence by descent In 1954 a young Hockney, much enthused by starting at Bradford College of Art the previous year, drew and painted scenes of everyday life around his home in Bradford. Thus it was subjects close to his heart that he chose for his first tentative steps into print making, which resulted in his early lithographs: “Self Portrait”, “Fish and Chip Shop” (depicting The Sea Catch, Eccleshill, Bradford), and the present “Woman with a Sewing Machine”, for which his own mother, Laura, modelled.Loosely based on the front room in his family home, Hockney depicts his mother seated with hands clasped and looking calmly at the viewer, behind a hand-operated sewing machine amongst a riot of pattern and colour. Comprising six coloured inks (red, yellow, blue, green, pink and black), Hockney adds complexity with surface pattern rather than depth of space. The intricate checked blue, white and muted green fire surround frames the red and yellow block of his mother’s blouse, whilst the yellow and red wallpaper offsets the black sewing machine. The design is unified by detailed and precise drawing.The image reflects the exuberance of the artist aged just 17, filled with possibilities and the joy of being allowed to spend his days at college exploring the world of art. Learning about great artists that came before him, he was perhaps inspired by the likes of Edouard Vuillard, who produced intimate domestic scenes, filled with pattern and texture, that featured his mother, a seamstress.This lithograph was once owned by Bradford-born artist David George Fawcett, with whom Hockney was at school both at Bradford Grammar School and at Bradford College of Art. Fawcett went on to gain his teaching diploma at Birmingham Regional College of Art before moving to Kent where he taught at Deal Grammar School and Folkestone and Dover Art Colleges. Hockney and Fawcett shared a studio for a time in Kent, and Hockney was best man for Fawcett at his wedding. Fawcett worked in an impressionistic style, and exhibited at the Paris Salon and the Royal Academy, but sadly died in a plane crash in 1973. The print has good colour depth. The paper is hinged at the top edge to the back of the mount board. Slight time staining to the paper, particulary to the outer edges/margins where covered with the mount. Slight handling creases to the outer edges and a crease approximately 10cm horizontal to the top of the wallpaper, below the picture. Brown stains to the paper, in particular to the outer edges and reverse, areas to the top margin extreme right, within his mother's forhead and hair, to her hands and below this and the odd more scattered sporadic foxing spot. See additional images.

Cast metal garden statue with painted bronze finish, in the form of a young dancing girl wearing an oversized bonnet with ruffled blouse and pantaloons, on a base of circular formDimensions: Height: 130cm 

Lovely Lively Sindy (Pedigree c1970s)In checkered orange, yellow and white skirt with white blouse and matching trim. Including original comb and hand mirror

Pepper (Tammy's sister), Ideal Toy Corp 1965In tartan skirt and red blouse with white dolly shoes.Marked to rear of head G9-E, marked to body G-9-W-1

Carnival Girl Sindy (Pedigree, 1985)In white floral skirt and red blouse with yellow belt and white sandals

Pepper (Tammy's sister), Ideal Toy Corp 1965.In blue and white gingham skirt, red blouse and white shoes.Marked to rear of head P9-3

Cocktail Party Boutique Sindy (Pedigree, 1982)In magenta waistcoat and trousers, with white fancy blouse and white sandals

Beach Party Sindy (Pedigree, 1984)In polka dot blouse with denim 3/4 jeans and red shoes, including beach bag, visor and boom box

A black lace mid 1930s lace dress with bolero, cut on bias (some small damage on lace), with crepe-de-chine lining. A mauve cotton early to mid 1970s maxi-dress in a hippy style with red, green, orange and mauve stripes and pockets, made by Byblos. A Windsmoor 1960s navy jacket with metal button detail, flap pockets, cuff detail, small shoulder pads (man-made fibre). A maxi dress in nylon fabric of white daisies on a black background, late 1970s. A cream cotton smock, gypsy-style blouse with zig-zag smocking in tan brown and blue on the waistline and puff sleeves. An 'Embibelle' late 1940s' pale pink French knickers and matching half-slip (unworn). A St Michael (M&S) teal and gold paisley tricel man's dressing gown. A white spotted blue nylon dress and bolero,1950s/early 60, with boned full skirt and belt - hemline needs attention. (9)

2 Puppen "Manuela" und "Yvonne". Schildkröt. Beide gemarkt: SiR 46. Ende 1950er Jahre. Tortulon. L je 45 cm. Beide mit Kurbelkopf, blauen Schlafaugen, brauner Langhaarperücke und 5-teiligem Stehpuppenkörper. Dunkelhäutige Puppe "Manuela" mit 1 Ohrring, weißem Hemdchen und buntem Rock. 1 Druckstelle am Oberarm / "Yvonne" mit weißer Bluse, roter Cordlatzhose und roten Schuhen. Hände berieben. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:52 Uhr (CET)2 dolls "Manuela" and "Yvonne". Schildkröt. Both marked: SiR 46. late 1950s. Tortulon. L 45 cm each. Both with crank head, blue sleeping eyes, brown long hair wig and 5-part standing doll body. Dark-skinned doll "Manuela" with 1 earring, white shirt and colorful skirt. 1 bruise on the upper arm / "Yvonne" with white blouse, red corduroy dungarees and red shoes. Hands rubbed. Aufrufzeit 13. | June 2024 | probably 10:52 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Puppen "Deutsches Kind" als Geschwisterpaar. Käthe Kruse, Typ VIII. Jeweils unter dem linken Fuß rot gestempelt und unter der Perücke datiert. 12.11.1943. L je 52 cm. Typ VIII. Kurbelkopf mit 1 Hinterkopfnaht, gemalte Augen, blonde Echthaarperücke. Schlanker Stoffkörper. Original bekleidet: Mädchen mit hellblauem Blümchenkleid, Schuhe ergänzt, Junge mit hellblauem Hemd, karierter Krawatte und kurzer heller Hose. Guter Erhaltungszustand. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:34 Uhr (CET)2 dolls "German child" as a brother and sister. Käthe Kruse, type VIII. Each stamped in red under the left foot and dated under the wig. 12.11.1943. L 52 cm each. Type VIII. Crank head with 1 seam at the back of the head, painted eyes, blonde real hair wig. Slender fabric body. Originally clothed: Girl with light blue blouse dress, shoes complemented, boy with light blue shirt, checkered tie and short light-colored trousers. Good condition. Call time 13 June 2024 | probably 10:34 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WW2 British Parachute Regiment Australian made Battledress Blouse named to "Dix, S Coy, 6th" and is additionally named under the breast pocket flap in ink. The Blouse is a Size 4 and is maker marked "HR Hayman Pty Ltd" along with "Blouses, Khaki Cloth, Battle Dress British Pattern, Year 1946". All insignia is originally sewn with printed Parachute Regt shoulder titles and Pegasus formation signs. Corporals stripes are hand sewn in place. Medal ribbon bar is hand sewn. Included is a colour photo of Mr Dix wearing his BD in 1995 for the VE Day celebrations and a re-print photo of him with a PIAT in Italy in 1943. Also included is his Maroon waistcoat often wore at reunions etc. New to the market. (Background info: 1103198 Cpl Fred Dix served originally in the RA from 1940 and later volunteered for the Airborne Forces. Saw active service in Africa, Italy, Greece and Palestine. PIAT gunner in S Coy, 6th Battalion Parachute Regt, 2nd Independent Parachute Brigade.)

British 1949 Pattern Battledress Blouse with Captains Rank Insignia on yellow backing for RAPC or RAC. Complete with original WW2 ribbons. Size 8. 37/38 inch chest. Maker marked and dated "Globe Clothing Ltd 1954".

WW2 British North Staffordshire Officers Battledress Blouse complete with all originally sewn insignia of cloth shoulder titles and Lt's rank pips. Size 7 and maker marked and dated 1945. Press studs fitted for ribbon bar. BD has been faced to the collar. Along Greatcoat with Regimental buttons, maker marked for "Hawkes & Co. Ltd, Saville Row, London". Named on label to "WE Cousens".

Second World War Lieutenants 1940 pattern Battle Dress Blouse, dated August 1942, together a shirt and trousers, an Army Catering Corps jacket and trousers and a replica Zeppelin LZ 127 jacket (3)

An Edwardian handmade Irish crocheted ladies blouse (small size), a Brussels hand bobbin lace Bertha with Point de Gaze insertions, two large and one small Normandy lace mats, four large and two smaller similar needle lace mats and a large chemical lace oval, in the style of 18th century Italian bobbin lace***CONDITION REPORT***The blouse, Bertha and mats are in good condition apart from a slight stain on the small Normandy lace mat.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A ladies Boss silk blouse

Paul Smith 'Black' Double Breasted Coat in black wool mix with rainbow coloured wool flecks overall, with collar, long sleeves, side pockets, tab and button detail to the reverse, pink and turquoise lining (size 48), a black, pink and white spot printed blouse with pink trim to the cuffs, ruffle to the neckline, bodice and button placket (size 42), black wool cardigan with stylised pleat detail to the front (size XL),similar straight wool panelled skirt by Brora with side pockets (size 16), and a Brora lavendar coloured cashmere v-neck cardigan with single button fastening and ribbed waist (size 12),(5)Rubbing and wear to the wool coat, very slight wear to the cardigan and skirt unworn.