We found 6142 price guide item(s) matching your search

PORTRAIT, oil on canvas, "Portrait of Lady in blue blouse", 20" x 30"

ANDREW WHITE, signed oil on canvas "Portrait of Young Lady in white blouse at Sunset", 17" x 13"

Assorted 19th Century Ladies' Costume, comprising a black silk taffeta bodice with long sleeves, high neck with lace trim, a v-shaped fringed trim to the front and back, a striped floral cotton lining; black silk blouse with long sleeves, gathered trims to the cuffs, large covered buttons to the front; a Victorian cape labelled George Williams, Commercial Street Leeds in a black open weave cotton appliquéd with black silk trailing floral motifs, pleated hem, lace mounted collar, a black ribbon fastening to the neck, black cotton lining; another cape incorporating black silk panels, woven black trims and braid, black silk gathered collar and ribbon detailing to the neck (4) Black silk taffeta bodice - there are a couple of splits to the hook and eye fastenings, there are couple of splits near to the waistband on the front, alterations to the side and under the arms and slight wear. Black silk blouse - slight wear, otherwise okay. Victorian Cape Labelled George Williams - some of the silks on the appliqués are rubbed, torn, and rubbing to the black ribbon, some of the lace generally appears in okay condition and the lining appears good order. Another Cape - there are some areas of wear to the front either side of the panels, some of the trims need stitching down, the black silk lining appears okay, general wear

Assorted Circa 1940-50s Suits, Jackets and Separates, comprising an Ideal Model green checked two-piece suit, two pockets to the front and matching pleated skirt; another suit in blue and green checks, with straight skirt, kick pleat to the front and back; navy wool jacket with three button fastening, and a crêpe lining; Neil M Main Glasgow grey wool jacket, with stylised pockets to the front; grey wool loose fitting jacket; a green wool jacket; John Collier Tailor Made khaki green jacket, with shaped lapels; other jackets including Movisons by Harella brown wool fitted jacket with pockets to the front, white collar, three large button fastening; mauve crêpe jacket with scalloped collar, patch to pockets embroidered with flower heads and appliquéd with beads, turn back cuffs; a pink textured jacket with tab details; four similar wool skirts in black, navy and blue, three with pleated details; a cream silk short-sleeved shirt with floral cut work decoration, a Maxton pink tricell blouse (size 38), a Huppert London pale blue short-sleeved top with buttons to the front, a cream flocked shirt, white lace sleeveless top, and a pink short-sleeved top with a round collar (20) . Ideal Model suit - skirt - ok, jacket has fading and discolouring, buttons restitched, slight wear. Blue green checked suit - condition- skirt has a very tiny hole appearing to the front, the lining of the jacket is very discoloured, stitched repairs and slight wear overall to the jacket, tiny pinhole sized hole to one of the sleeves, general wear. Navy jacket -couple of small holes near the first buttonhole, the lining is worn, where there are holes, stitched repairs and discolouration. N Main grey jacket - there is some wear overall to the wool, the lining shows numerous small holes and stitched repairs. Grey wool jacket - shows slight wear overall to the wool, and the lining has some stitched repairs and slight wear. Green wool jacket - one button is missing, the lining has got a stitched repair and slight wear overall, the wool shows slight wear. John Collier jacket - appears in okay condition, the lining has some wear and rubbing. Movisons jacket - the lining shows slight wear, spare button to the inside and slight rubbing to the jacket. Mauve jacket - the lining shows slight wear overall, one button is hanging loose, there are a couple of marks overall, a bit of fading to the shoulders and the back. Pink jacket - jacket shows slight wear, a bit of discolouration under the arms, around the cuffs, lining shows slight wear overall. Four skirts - slight wear. Shirts - slight wear to the flocked shirt it possibly has some alterations, the pale blue top has got some slight discolouration; couple of loose threads and wear to the pink lace top

Circa 1930-70s Ladies' Costume, comprising a black velvet long sleeved evening jacket, single paste set buckle fastening; cream silk short sleeve nightdress with scalloped edges; pink silk kimono embroidered in silks with flowers, and another similar in mauve; lace mounted strapless wedding dress, together with a matching fitted jacket, with multi button fastening to the front and sheer lace sleeves, and a silk underskirt stitched with a 'blue silk fragment'; green sleeveless cocktail dress with gathered skirt and matching jacket with three quarter sleeves and button fastening; Nora Millar Ltd black silk taffeta cocktail dress, sleeveless with black velvet trim under the bust; Circa 1960-70s Separates, including a Maxton tricel cream blouse with cravat (size 40); a white cotton nurses apron stamped in red 'Fairfield General Hospital' dated June 1969; Fabio di Firenze red floral printed shirt with wide lapels (size 42); green silk shirt dress with long sleeves, pockets to the chest and matching belt (size 18); Jaeger London green jumper with collar and neck tie; Horrockses printed cotton sundress, printed with yellow and orange flower heads, gathered skirt; Horrockses Fashions Selfridges Mail Order, green and white striped short sleeved summer dress (size 18); Selfridges Mail Order cotton short sleeve dress, printed with eastern motifs, notch neck and ribbons tie (size 42), another similar labelled blue spotty cotton dress with white contrasting chest and collars (size 18); floral shirt dress with buttons to the front, short sleeves and matching belt; Jaeger printed cotton one piece wrap dress, in tropical style print and frilled trim to the bodice (size 16) (19) . Crep - Evening jacket - slight wear, slight staining to the lining armholes, 36'' bust. Cream nightdress - slight wear. Pink kimono - possibly unused. Mauve kimono - possibly unused, but has some splits to the silk on one arm. Wedding outfit - 32'' bust, appears in good condition. Green suit - 32'' bust, slight wear. Nora Millar dress - 30'' bust and slight wear. Maxton shirt - good. Apron - some wear. Fabio shirt - slight wear. Green silk shirt dress - possibly unworn. Jaeger jumper - slight wear. Horrockses dress - discolouration around the zip and top of shoulders, some wear, 36'' bust. Horrockses Fashions dress - condition good. Selfridges Mail Order eastern printed dress - good condition. Blue spotty dress - missing belt and condition ok. Floral shirt dress - buttons removed and opening has been stitched together, slight wear. Jaeger dress - slight wear.

David Wild (20th century) - a portrait of Mrs Carel Bruggel, standing full length wearing a green striped dress and blouse, the blouse decorated with a flower, inscribed on the frame verso with the artist's name, the sitter's name and the artist's address 66 Rosehill Road, Burnley Lancashire

A 'Brussels lace' blouse, a Harvey Nichols party dress, and various other costume/textiles

A 1940's mid blue day dress, clear button through front, matching belt with decorative perspex buckle, a cream silk blouse and a 1950's light weight coat, 3/4 length sleeve with turn back cuff (3)

*James Proudfoot (1908-1971) Portrait of a woman, half length, in a white blouse signed and dated '65 u.l., oil on canvas 76 x 63cm *Artist's Resale Right may apply to this lot.Condition report: Some light scratches and small paint losses.

SELECTION OF LADIES VINTAGE CLOTHESincluding a black two piece short jacket and skirt, Windsmoor Donegal tweed two piece jacket and skirt, Windsmoor long blue overcoat, grey three quarter sleve dress, grey two piece jacket and dress, Stirling Cooper two piece black and white print blouse and skirt, white embroided bolero type jacket, BHS green knit cardigan in original bag and a St. Michael brown knit cardigan

A Victorian scrapbook for Ranelagh School dated 1867 and containing samplers, doll's or miniature clothes and embroidery, completed by students, including a sampler by Mary Jane Smith dated 1867, a silk dress and embroidery by Bessie Postley, a silk shirt and embroidery by Ellen Connolly, a blouse and embroidery by Mary Postley, a silk embroidered lace sheet by Frannie Baker, a sampler by Marianne Warren dated 1876, a sampler by Margaret ?, a sampler by Isabella Pynne and other students, all within a Cheap School Book and School Requisites scrapbook by Carson Brothers, 7 Grafton St, Dublin.

*John Guida (Italian, 1897-1965)A fashion study - a lady in a red suit and polka dot scarf and blousesigned 'John' and numbered '932'(?), mixed media70 x 50.5cm*Artist's Resale Right may apply to this lot.Condition report: some spotting to the top half of the paper. Two vertical lines to the left of the study.

A battledress blouse and shirt

A collection of military uniform and accessories including two woolen great coats, two leather waistcoats possibly for tank related activity/maintenance, two jackets/tunics, blouse, pairs of trousers, canvas belts, gaiters, holster, two caps, etc, numerous items with military buttons and badges applied, partly housed in vintage tin bearing period labels.Additional InformationMixed condition commensurate with age and use. Tim heavily worn, some losses to labels, scratches, dents etc.

A small group of ivory portrait miniatures, to include an early 19th century example of a girl in a white dress wearing pearls, sight 6 x 5cm, an example depicting a woman in a white blouse, initialled 'DS 1918', in a leather case, and an example of a baby in a pierced Chinese ivory frame, together with an embellished photographic example and a miniature sampler etc (qty)Condition report: Some unframed, some frames damaged. Chinese ivory frame af. Photographic example unframed and chipped. Sampler dirty. General wear throughout.See additional images

Unidentifizierter Maler um 1930, Porträt einer Frau in gestreifter Bluse, Öl auf Lwd., u. re. sign. ''Leo Rahn'' (?) o.ä., 100 x 70 cm, ger. 120 x 90 cmUnidentified painter c. 1930, portrait of a woman in striped blouse, oil on canvas, signed ''Leo Rahn'' (?) or similar at lower right, 100 x 70 cm, framed 120 x 90 cm

Collection of Military uniform formerly the property of Lieutenant Colonel George Sugden, M.C. and Bar, The Royal Tank Regiment, comprising 1949 Pattern Battle Dress Blouse with Mounted medal ribbons and insignia together with trousers and a Field Service Jacket and trousers.Condition report: The Battledress blouse is a size 11 and the trousers are also a size 11, see additional photographs. The field service jacket and trousers do not have any size information

An Edwardian sleeveless cropped lace blouse, small lace collars and cuffs, lace lengths, a quantity of lace mats in a circular embroidered folder, small framed silk portrait, lace christening dress, a piece of white-work, lace and bone fan, a parasol and pair of glove stretchers.Condition report: The silk parasol is in poor condition.

A collection of vintage shirts/blouses to include Rodier Paris size 12 skirt and blouse combo, 3 x 1980/90's Jaeger shirts

A vintage Rodier Paris size 12 blouse, a vintage 1980's Etam shirt and tie with diamante decoration size 12 and a Lapidus jumper with original tags size 10

7 Dresses/ Skirt and blouse sets - Most Vintage 1980/90's sizes 12 - 16 to include St Michael, BHS and Lima

4 Vintage 1980/90's dresses/skirt and blouse sets sizes 12-14 to include St Michael and Cocoa

7 Tops to include Vintage 1980s - Polly Peck blouse and Marks and Spencer

VARIOUS LADIES/GENTS COATS, JACKETS, SUITS, BLOUSES, SKIRTS, HATS, SHOES etc, to include Jacques Vert blouse, two Geiger wool jackets size 42, a Mansfield green suede suit (skirt and jacket) size 16, with Harrods label, a Paul Jardine tweed jacket, a sheepskin jacket size 42, a Carr Jones skirt and waistcoat size 18, a James Meade Limited wool jacket size 16 etc, various shoes size 7 and 6½ (used) etc

GERNOT KISSEL (German b 1939) 'Girl with White Blouse', oil on canvas, signed upper left, 105cm x 86.5cm, framed. (Subject to ARR - please see Buyers Conditions)

A WW2 British Army Captains Battledress jacket with cloth pips, in a very good condition, it hardly looks worn. Size according to the cloth label inside reads: BATTLEDRESS BLOUSE, SERGE. Size No.7. Height 5ft 7in to 5ft 8in. BREAST 35in to 36in. Waist 30in to 31in. West Auckland Clothing Co.Ltd. 28 AUG 1942Condition ReportNo moth damage

A cerise Hobbs ladies skirt suit, size 14, a pair of Mulerry trousers,size 12 and a Noa Noa blouse, new with tags size xl.

A Dina Kerrigan ladies black suit,a faux fur gillet, a blouse, a Tulcan jumper and a John Lewis dress,mixed sizes.

A vintage ladies dirndl dress and blouse and two similar styled aprons,around 1960s.

* Royal Air Force. A WWII RAF Aircrew blouse, blue cloth with Navigator's cloth badge and Sergeant's stripes to arm, with tailor's label by Montague Burton Ltd, dated 1943, size no.7, inner arm length 45cmQty: (1)

A Givenchy blouse, white cotton, Paris label, but made in Italy, cottage concealed buttons down front; a Aquascutum classic late 1970 caramel coloured raincoat with tiny buttons, stitching on collar, with stitching on shoulder detail which turns over the shoulder to the back and under the shoulders comes with a belt (2)

A First World War Coloured Lithographic Cardboard Cut-out Doll, as a girl with hinged arms and recessed eyes, wearing a white blouse, Union Jack skirt and white spats, with detachable military peaked cap and with six folded card clip-on skirts depicting the allied flags of France, Belgium, Italy, United States of America, Australia and Japan ,with the corresponding military caps CONDITION REPORT: . The feet and one thumb with scuffed and creased surface which is lifting slightly from the card base. The British cap has similar weakening to the corners of the slit for attaching to the head. The skirts have some weakening to the folds.

A Ralph Lauren cream long sleeved silk blouse, size 6, and a Ralph Lauren cream blouse, with cap sleeve and button front size 4 (US)

(Design) Blouses Etro Milano, Italië Twee blouses van Etro Milano, Italië. Conditie: In goede staat. Afmetingen: Maat 39, blauwe blouse slim fit.

From the collection of Angela Grant - Miss V - Valentino - a yellow three piece ladies suit, comprising blouse, skirt and jacket. Decorate with a floral pattern. Size 12 Jacket & blouse, skirt size 8. Excellent condition. Angela Grant is a British actress best known for her appearances in four Carry On films including Carry On Up the Khyber and Carry On Girls. Before she began her acting career, she was a teenage fashion model for Michael Whittaker.

Deutsches Reich 1933 - 1945 - Heer - Generalität : Abgetrennter Kragen eines Generalfeld Deutsches Reich 1933 - 1945 - Heer - Generalität : Abgetrennter Kragen eines Generalfeldmarschalls des Heeres mit aufgesetzten Feldmarschall-Kragenspiegeln.   Der von einer Feldbluse stammende Kragen aus grünem Tuch. Die aufgenähten Kragenspiegel in Cello-Metallfadengeflecht in feinster Stickereiqualität. Außerordentlich seltenes Fragment einer Feldmarschallsuniform. Die Kragenspiegel in der Kombination von Cellophanstickerei und vergoldeten Metallfäden besonders selten. Provenienz: Sammlung Klaus Peter Gundert 1-2 Deutsches Reich 1933 - 1945 - Heer - Generalität : Abgetrennter Kragen eines Generalfeld Deutsches Reich 1933 - 1945 - Heer - Generalität : Separated Collar of an Army Field Marshal of the Army with Sewn Field Marshal Collar Tabs. The collar of green cloth cut from a field blouse. The sewn-on collar tabs of embroidered cello - bullion braid, reflecting the finest embroidered quality. Extraordinarily rare piece from a Field Marshal's uniform. The combination of cellophane embroidery and gilded bullion thread, makes this an especially rare item. Provenance: Collection Klaus Peter Gundert 1-2

Josef Eberz 1880 Limburg an der Lahn - 1942 München Tänzerin (Beatrice Mariagraete). 1923. Öl auf Leinwand. Links unten signiert und datiert. 158 x 78,5 cm (62,2 x 30,9 in). • Subtiles, feinfühliges Porträt der bekannten Varieté-Tänzerin. • Seltenes großformatiges, ganzfiguriges Bildnis im Schaffen des Künstlers. • Von berühmten Vorbildern wie Paul Cézanne und Pablo Picasso inspiriertes Motiv. • Neben zahlreichen religiösen Motiven im Werk von Eberz entstehen um 1920 wenige Gemälde aus der Welt von Cabaret, Tanz und Zirkus. Wir danken Herrn Franz Josef Hamm, Limburg/Lahn, für die wissenschaftliche Beratung. PROVENIENZ: Galerie Neue Kunst Hans Goltz, München (auf dem Keilrahmen mit dem fragmentierten Etikett). Privatsammlung Norddeutschland. AUSSTELLUNG: Magic Realism: Art in Weimar Germany 1919-33, Tate Modern, London, 7.7.2018-14.7.2019, S. 73-74 (mit Farbabb.). LITERATUR: Deutsche Kunst und Dekoration, Bd. 54, 1924, S. 190 (ganzseitige Farbabb. S. 184). Ketterer Kunst, München, 368. Auktion, 12.7.2010, Los 17 (mit Abb.). Im München der 1920er Jahre lernt Josef Eberz die aus Wien stammende Tänzerin kennen, die bereits zahlreiche Engagements durch Deutschland geführt hatten. In München tritt sie mit der 'Münchner Tanzgruppe' in wechselnden Rollen auf - so porträtiert sie Eberz 1925 ein weiteres Mal als melancholische Balletttänzerin im weißen Tutu (Deutsche Kunst und Dekoration, Bd. 57, 1925, S. 28). Eine leise Melancholie und In-sich-Gekehrtheit umfängt auch ihr früheres Porträt im Harlekin-Kostüm, das in seiner schwarz-weißen Musterung jedoch mehr an dessen poetischere Gegenfigur des Pierrot aus der französischen Theatertradition erinnert. Berühmte Vorbilder wie Paul Cézanne und Pablo Picasso hatten die Welt der Gaukler und Komödianten in den Blick genommen, die - wie die Künstler selbst oft auch - eine Existenz jenseits bürgerlicher Normen und Vorstellungen führten. Die geschlossenen Augen und der sanft geneigte Kopf verleihen der grazilen Tänzerin den Ausdruck der Entrücktheit und lassen den Betrachter rätseln, welcher inneren Melodie sie wohl gerade lauscht. In reduzierter Palette inszeniert Eberz die vom weiten Gewand umhüllte Figur, die sich trotz ihrer stehenden Pose in eleganter, kaum merklicher Bewegung befindet. Spannungsreich kontrastiert ebenso die Starrheit des grafischen Musters ihrer Kostümierung mit dessen weichen, fließenden Formen und den geschwungenen Linien der weißen Bluse. Die harmonische Reduktion der Farbigkeit und der zurückgenommenen Pose verleihen dem Gemälde darüber hinaus seine feine Subtilität und den empfindsamen psychologischen Ausdruck. [KT] Aufrufzeit: 12.12.2020 - ca. 17.55 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONJosef Eberz 1880 Limburg an der Lahn - 1942 München Tänzerin (Beatrice Mariagraete). 1923. Oil on canvas. Lower left signed and dated. 158 x 78.5 cm (62.2 x 30.9 in). • Subtle, sensitive portrait of the well-known variety dancer. • Large-format, full-length portraits are rare in the artist's work. • Motif inspired by famous artists like Paul Cézanne and Pablo Picasso. • In addition to numerous religious motifs in Eberz's work, a few paintings from the world of cabaret, dance and circus were created around 1920. We are grateful to Mr. Franz Josef Hamm, Limburg/Lahn, for his kind expert advice. PROVENANCE: Galerie Neue Kunst Hans Goltz, Munich (stretcher with fragments of a label). Private collection Northern Germany. EXHIBITION: Magic Realism: Art in Weimar Germany 1919-33, Tate Modern, London, July 7, 2018 - July 14, 2019, pp. 73-74 (with color illu.). LITERATURE: Deutsche Kunst und Dekoration, vol. 54, 1924, p. 190 (with full-page color illu. on p. 184). Ketterer Kunst, Munich, 368th auction, July 12, 2010, lot 17 (with illu.). Josef Eberz met the dancer from Vienna, who had already performed in numerous shows all over Germany in Munich in the 1920s, where she appeared in different roles with the 'Münchner Tanzgruppe' - Eberz portrayed her again as a melancholicballet dancer in a white tutu in 1925 (Deutsche Kunst und Dekoration, vol. 57, 1925, p. 28). A slight melancholy and introspection also surrounds her in the earlier portrait in a harlequin costume, which, forits black and white pattern is more reminiscent of the more poetic counter-figure Pierrot from French theater. Famous artistslikePaul Cézanne and Pablo Picasso were fascinated bythe world of jugglers and comedians, who - like in many cases the artists themselves - led an existence beyond bourgeois norms and ideas. The closed eyes and the gently tilted head give the graceful dancer the expression of remoteness and leave the viewer puzzled as to which inner melody she is listening to. In a reduced palette, Eberz stages the figure wrapped in a wide robe, which, despite its standing pose, is in elegant, barely noticeable movement. The rigidity of the graphic pattern of her costume contrasts with its soft, flowing forms and the curved lines of the white blouse. The harmonious reduction of the colors and the withdrawn pose also give the painting its fine subtlety and sensitive psychological expression. [KT] Called up: December 12, 2020 - ca. 17.54 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Feldbluse eines Truppführers Im Reichsluftschutzbund (RLB) Grober hellgrauer Grundstoff, zwei aufgesetzte Brusttaschen, zwei Schoßtaschen. Schwarzer Kragen mit violetten Vorstößen und Kragenpatten mit Winkel für Truppführer (vglb. Unteroffizier), Ärmelaufschläge wie vor. Sitzspuren von ehem. vernähten Schulterstücken (nicht anbei). Gekörnte 20 mm-Knöpfe der Fa. Assmann mit rs. Logo der Fa. Kein Schneideretikett bzw. keine Stempelung erkennbar. Dunkelviolettes Innenfutter, in der Innentasche handgeschriebener Zettel über Mannschaftsstärke eines RLB-Trupps. Außen mit einigen Mottenspuren, sonst noch guter Erhaltungszustand dieser seltenen und sammelwürdigen Uniformbluse. Zustand: II A field blouse of a troop leader in the Reichsluftschutzbund (RLB) Grober hellgrauer Grundstoff, zwei aufgesetzte Brusttaschen, zwei Schoßtaschen. Schwarzer Kragen mit violetten Vorstößen und Kragenpatten mit Winkel für Truppführer (vglb. Unteroffizier), Ärmelaufschläge wie vor. Sitzspuren von ehem. vernähten Schulterstücken (nicht anbei). Gekörnte 20 mm-Knöpfe der Fa. Assmann mit rs. Logo der Fa. Kein Schneideretikett bzw. keine Stempelung erkennbar. Dunkelviolettes Innenfutter, in der Innentasche handgeschriebener Zettel über Mannschaftsstärke eines RLB-Trupps. Außen mit einigen Mottenspuren, sonst noch guter Erhaltungszustand dieser seltenen und sammelwürdigen Uniformbluse. Condition: II

Schirmmütze, Feldbluse und Hose für Meister der Gendarmerie Mütze aus grünem Grundtuch mit seitlich jew. zwei Lüftungsgittern, orangefarbene Paspelierung, hellbraunes Besatzband, silberne Mützenkordel, braunes Lederschweißband innen bez. "Pol" und undtl. Jahreszahl "1938", Mützentrapez entfernt. Feldbluse für einen Meister der Gendarmerie, grüner Wollstoff mit orangefarbenen Vorstößen, hellbrauner Kragen und hellbraune Ärmelaufschläge, vernähte Schulterstücke, graugrünes Innenfutter mit Kammerstempelung "1938", Größenangabe und Hersteller "Mauch, Stuttgart" sowie Stempel eines Kostümfundus. Dazu Breecheshose im Stoff wie vor, Kammerstempel und Jahr "1941" sowie Kostümfundus. Alters- und Tragespuren, teilw. mit Mottenlöchern, dennoch sammelwürdiger Gesamtzustand. Zustand: II A peaked cap, field blouse and trousers for masters of the gendarmerie Mütze aus grünem Grundtuch mit seitlich jew. zwei Lüftungsgittern, orangefarbene Paspelierung, hellbraunes Besatzband, silberne Mützenkordel, braunes Lederschweißband innen bez. "Pol" und undtl. Jahreszahl "1938", Mützentrapez entfernt. Feldbluse für einen Meister der Gendarmerie, grüner Wollstoff mit orangefarbenen Vorstößen, hellbrauner Kragen und hellbraune Ärmelaufschläge, vernähte Schulterstücke, graugrünes Innenfutter mit Kammerstempelung "1938", Größenangabe und Hersteller "Mauch, Stuttgart" sowie Stempel eines Kostümfundus. Dazu Breecheshose im Stoff wie vor, Kammerstempel und Jahr "1941" sowie Kostümfundus. Alters- und Tragespuren, teilw. mit Mottenlöchern, dennoch sammelwürdiger Gesamtzustand. Condition: II

Feldbluse für einen Feldwebel der Infanterie Feldgraues Tuch mit vier Taschen, an den Knopflöchern weiße Vorstöße (sog. geschönte Feldbluse), dunkelgrüner Kragen, vernähte Schulterstücke für einen Feldwebel der Infanterie, Hoheitsadler in Offiziersausführung, Schlaufen für Feldschnalle. Dunkelgraues Innenfutter ohne Taschen, Stempel oder Etiketten. Deutliche Alters- und Tragespuren, einige Mottenlöcher, dennoch im sammelwürdigen Zustand. Zustand: II - III A field blouse for a sergeant of the infantry Feldgraues Tuch mit vier Taschen, an den Knopflöchern weiße Vorstöße (sog. geschönte Feldbluse), dunkelgrüner Kragen, vernähte Schulterstücke für einen Feldwebel der Infanterie, Hoheitsadler in Offiziersausführung, Schlaufen für Feldschnalle. Dunkelgraues Innenfutter ohne Taschen, Stempel oder Etiketten. Deutliche Alters- und Tragespuren, einige Mottenlöcher, dennoch im sammelwürdigen Zustand. Condition: II - III

Weimarer Republik - Feldbluse für einen Veterinär, datiert 1923 Kammerstück. Feldgraues Wolltuch, graugrüner Umfallkragen, gekörnte, grau lackierte Metallknöpfe, zwei Schoßknöpfe, zwei Brust- und zwei Seitentaschen, vernähte feldgraue Mannschaftsschulterklappen mit karmesinroten Vorstößen. Graues Baumwollfutter mit zwei Inntentaschen und Tintenstempel "H B A II / 1923". Teilweise leicht beschädigt, Altersspuren. Zustand: II - III Weimar Republic - a field blouse for a veterinarian, dated 1923 Kammerstück. Feldgraues Wolltuch, graugrüner Umfallkragen, gekörnte, grau lackierte Metallknöpfe, zwei Schoßknöpfe, zwei Brust- und zwei Seitentaschen, vernähte feldgraue Mannschaftsschulterklappen mit karmesinroten Vorstößen. Graues Baumwollfutter mit zwei Inntentaschen und Tintenstempel "H B A II / 1923". Teilweise leicht beschädigt, Altersspuren. Condition: II - III

1940s lace blouse with pearlised buttons together with an Edwardian cotton bed jacket

Early 20th century dachshund soft toy and a doll with fabric painted face, straw hat, spotted blouse, striped skirt, velvet pinny and wooden arms and legs (2) 

18th Century / early 19th Century gold and blue enamel framed head and shoulder miniature portrait of a lady in white blouse, possibly Abraham Daniel, unsigned, 4cms x 3cms, housed in original casesee pics

A CARL LAGERFELD LONG SLEEVE NECK BUTTONED BLOUSE size 38 together with a Carl Lagerfeld red long sleeve top with buttoned panelled front size 36, a Jean Muir red long sleeve dress with orange detailing size 10, and a Louis Feraud silk and polyester jacket size 18 (4) Condition: in need of laundering but in reasonable condition

THEORY - a ladies cream blouse, size 8

ALEXANDER McQUEEN - a ladies cream blouse, size 14

Two items of 1970's clothing including a Louis Feraud black and grey two piece suit with emerald green lining, iconic shape together with a Louis Feraud mid-orange military style cotton blouse (3)

A SELECTION OF VICTORIAN CLOTHING, comprising a ladies blouse with jet bead detailing, a long sleeve jacket style top with lace and bead detail to collar and a long length skirt, fully lined with frilled effect to bottom edge of lining (3)

YVES SAINT LAURENT; a black suede leather skirt, size 36, a Thierry Mugler black cotton button through shift dress, size 42, a Thierry Mugler brown 100% silk short skirt, size 42, a Gaultier cream zip up blouse and an Alaia white blouse (5).

GIANNI VERSACE; a purple 100% wool double-breasted jacket with heavy silver tone buttons (size M), and an André Laug 100% cream silk blouse with scarf (2).

A German rectangular plaque, painted with a beauty, collecting roses, with floral chaplet, white blouse with turquoise bodice, half length, 15cm x 10cm, the verso printed Made in Germany, gilt frame

Rublevich's (Eva Reuber-Staier) blouse from John Glen's Bond movie For Your Eyes Only. Rublevich wore her blouse in General Gogol's (Walter Gotell) office and sat on his desk as he spoke on the phone to the Comrade Secretary about retrieving the ATAC transmitter. Made from cream silk-blend fabric, the Harrods blouse features a stand-up collar, sewn-in shoulder pads and dark grey piping, which adorns the collar, shoulder seams and left breast pocket. The opening of the blouse is off-centre and eight pearlescent white buttons are attached down the front. Labelled as a European size 42, the blouse displays minor signs of wear, light creasing and some small trailing threads.Estimate: £400 - 600 M

From a private Singaporean collection Navy blue silk blouse with white spots, size EU L Kate Spade Condition: In excellent condition Provenance: Additional Information: Sold to benefit charitable causes

From a private Singaporean collection 'Nicolinan Heather' silk blouse, with original swing tag attached, size EU 42 Escada Condition: In excellent condition Additional Information: Sold to benefit charitable causes

From a private Singaporean collection 'Nizza Heather' light cotton blouse, with original swing tag attached, size EU 42 Escada Condition: In excellent condition Provenance: Additional Information: Sold to benefit charitable causes

From a private Singaporean collection 'Nikka' Blue heather blouse, can be worn with a longer hem on one side or tied for a more fitted style, size 42 Escada Condition: In excellent condition Additional Information: Sold to benefit charitable causes

From a private Singaporean collection Red and white poppy & daisy silk blouse, size EU 48 and red and white poppy & daisy cotton silk skirt, size EU 44, with original swing tag attached Matching items from this collection are also included in this sale Dolce & Gabbana Condition: In excellent condition Additional Information: Sold to benefit charitable causes

From a private Singaporean collection Off white silk blouse with Cameo buttons to the cuffs, stand up collar, zip to the back, with original swing tag attached, size EU 50 Dolce & Gabbana Condition: In excellent condition Provenance: Additional Information: Sold to benefit charitable causes

From a private Singaporean collection 'Nendi' off white silk blouse with blue trim collar and cuffs, with original swing tag attached, size EU 42 Escada Condition: In excellent condition Provenance: Additional Information: Sold to benefit charitable causes