We found 6142 price guide item(s) matching your search

A vintage couture blouse by Emanuel Ungaro in embroidered silk mousseline with lame trim, an unworn and still tagged Armani collezioni skirt made from jaquard silk faille with a pie crust border, original price £583 and two pairs of late1990s/ early 2000s wide legged trousers by Wallis and Miss Selfridge (4)

5 vintage blouses, 1940s and later to include silk and linen. (5)good condition, some small marks on cutwork silk blouse

A 1930s/40s  wedding dress with sequined tulle yoke, a cream 1930s evening gown or wedding dress in satin and lace and a 1940s primrose moire evening gown with strappy shoulders and sweetheart neck along with a damask 1940s jacket or blouse in butter yellow (4)

C1890s/1900 two piece lingerie dress/ garden dress with cutwork lace, two coverall aprons, a white cotton petticoat, 1920s blouse, mid to late Victorian field or sun bonnet (machine stitched) and another bonnet in silk and lace, mittens and bonnet with a note of provenance dating them to 1844, a 20s/30s embroidered shirt front or dickie, a 1930s jabot, table mats etc (qty, 1 box)20s blouse has a mark on back and stitched repair to one sleeveblouse of lingerie dress looks like it originally went over the head, but it has been opened up at the back so that it can be worn by a larger size. Possibly had a high neck originally and was altered 

A 1970s moss crepe Radley jacket or blouse (re-hemmed), a Bus Stop long sleeve t-shirt with ruched front, linen knickerbockers with abstract print by Ventilo, Paris and a pair of high waisted gaberdine trousers in apricot by Shelana seperates (4)

3 1980s Laura Ashley dresses and a raw silk blouse in the style of a Chinese fisherman's jacket (4)

1980s YSL Rive Gauche items to include blouse in coral silk, a swing back safari jacket and similar trousers (3)all in generally good condition. jacket sleeve edges have some wear, faint underarm discolouration on blouse

vintage 1940s women's clothing to include a pair of 1940s workwear trousers in jumbo cord, a suede jacket with belt, a tweed jacket with heavily padded shoulders, a faille damask evening gown, wool scarf plus a 50 blouse and cardigan (one box)all musty and grubby, show wear, trousers have been used for farm work

A 1930s blush pink dickie blouse in rayon charmeuse along with 2 length of 1930s rayon  dressmaking fabric, an 1840s fashion print, 1920s/30s needle and leatherwork magazines etc (qty)

A 1970s Biba blouse in cream silk with guipure lace appliques, a cream cotton cheesecloth dress with crochet yoke and cuffs and two black velvet maxi skirts, (4)all in good, clean condition

1970s and early 1980s Laura Ashley made in Wales pieces to include two edwardian style blouses, a purple workwear smock or overall, a full length skirt with drawstring waist and a purple plaid pin-cord blouse (5)skirt has well done repair where it split below from the opening downsmock has a little fade from washing

A Third Reich Luftwaffe flieger blouse, complete with buttons and insignia. GC £150-200

A 1950s British army denim blouse

John F. Kavanagh (1853 - 1898)Woman on a River BankOil on canvas, 47 x 60cm (18½ x 23½")Signed and inscribed 'Paris 1888'Kavanagh depicts a woman standing upon a riverbank or beside a lake. She is viewed from the side, hand on hip, standing in statuesque pose, seeming to look into the distance. The woman pauses from her work washing clothes, for items of washing rest upon a stool upon the ground. She wears a white scarf, violet blouse and long blue dress. She is viewed partially in shadow, but sunlight falls upon the rear of her scarf and back, and there is a warm, reflected, rosy light on her face and fingers.Behind her is the figure of a small elderly woman, also in shadow, perhaps carrying a load of wood upon her back. She stands upon a sunny, grassy bank, and there is a rowing boat moored nearby. Kavanagh’s use of granular pigment in the foreground gives texture to the picture, while, in contrast to the careful delineation of the human figures the vibrant, singing green of the riverbank  and the hazy background, pleasingly evoke a hot, summer’s day at evening.Dr. Julian Campbell

HERMES Paris. Chemisier 'Fouets'En soie imprimée.Taille française: 40Condition d'état: B-Footnotes:A printed silk blouseCondition grade: B-For further information on this lot please visit Bonhams.com

Gil de Siloé (Antwerp, Belgium or Urliones, France?, circa 1467 - Burgos, 1505)"Saint Barbara"Carved, gilded and polychromed wooden sculpture.110 x 28 x 30 cm.This image bears a great resemblance to the polychromed limestone sculpture of the Virgin and Child, from the facade of the arch of Santa María la Mayor, in Burgos, and which is currently on display at the Burgos Museum. The similarity to the face is remarkable, being an almond-shaped oval, with a long, thin nose and a small mouth with an expression so characteristic of the sculptor. To this can be added the treatment of the hair, made up of long, wavy locks, loose on both sides of her face.The Saint is represented in a frontal position, standing with her right leg slightly forward, creating a contrapposto effect. Dressed in rich courtly clothing, she wears a dress in reddish tones tied with a fringed chord which falls to her feet forming folds reminiscent of Gothic folds. With a pronounced bosom, her white blouse peeks out and she is covered from shoulders to feet in a luxurious gold cloak with a blue interior. Saint Barbara gathers up the cloak with her right arm to pick it up, in one of the sculptor's graceful gestures.This sculpture gives a strong indication of Gil de Siloé's origin being Flemish, evident in the headdress that covers part of the saint's head, in her extremely delicate hands and in the sweet beauty of the face.Finally, the wonderful tower held in her left hand is remarkable and symbolizes Saint Barbara's attribute. In her other hand she would have held a palm, which is not preserved, symbolizing her martyrdom.The tower, according to tradition, consists of three windows "to remember the words of the Saint, according to whom the light had entered her through the three windows of the Father, the Son and the Holy Spirit", as indicated by Don Luis Monreal y Tejada in his Iconography of Christianity. In this tower she was locked up by her father, Dioscuros, to protect her from her suitors. Saint Barbara, who had previously baptized herself, fled from the tower and was therefore arrested, tried and sentenced to death. The miracle occurred when, before being beheaded, lightning struck, killing her tormentors.Saint Barbara, virgin and martyr, lived in Antioch in the middle of the 3rd century under the rule of Maximian.Gil de Siloé was a sculptor who was the greatest representative of Elizabethan Gothic, a style typical of the Crown of Castile which originated after the merging of Mudejar art and Flamboyant Gothic with Flemish influences. His origin remains uncertain: it seems likely that he was Flemish and the fact that he sometimes signed "Gil de Enberres" (Amberes being the Spanish for Antwerp) attests to this, but he also sometimes signed "Gil de Urliones" (possibly referring to Orleans) so a possible French origin remains on the table.Be that as it may, Burgos and his great artistic activity attracted him. He arrived there, as el Prado explains in its biography, with an already "defined sculptural language that he would maintain throughout his career and that is characterized by a detailed and meticulous technique that tends to cover all surfaces with decorative elements.” Despite having been called by the rich activity of Burgos, "he lived and worked in Burgos, in Castile, without his clients or the environment influencing him enough to make him change his art", affirms the professor of Art History from the University of Burgos, Dr. Alberto C. Ibáñez Pérez, in the article on Siloé from the Royal Academy of History.The great quality and renown of his work resulted in the creation of a sculptural focus in Burgos, which "radiated its activity and influence throughout the Castilian territory" from the end of the 15th century.Highlights of the artist's output include the altarpiece of the Tree of Jesse, the main altarpiece of the chapel of the Conception in Burgos Cathedral, made between 1483 and 1486, which is considered his first great work and was conceived "with the idea of uniting the three major arts in order to offer a message, in which reality presented with elegant detail served as visual support for the idea,” Ibáñez explains.Also remarkable is the tomb of the parents of Queen Isabel the Catholic, documented in 1486, and that of her brother, Prince Alfonso, both works commissioned by the Queen and sculpted in alabaster, for the Miraflores Charterhouse. The church also has a a Madonna and Child by Siloé, known as the Virgin of the Choir, practically identical to the one exhibited in the Museo del Prado (E000961).Reference bibliography:- Monreal y Tejada, Luis. (2000). “Iconografía del Cristianismo”. El Acantilado.- Ibáñez Pérez, Alberto C. (s.f.). “Gil Siloe”. Real Academia de la Historia. https://dbe.rah.es/biografias/14526/gil-siloe- Museo del Prado. (s.f.). “Siloé, Gil de”. https://www.museodelprado.es/aprende/enciclopedia/voz/siloe-gil-de/fa1e7ddb-348a-4871-8f36-18363eb8e102

Quantity of Assorted 20th Century Military Costumes, Nurses Outfits, comprising a khaki wool battle dress blouse and similar trousers, a pair of khaki mens dress trousers, canvas shirt with collar, epaulettes and a beret,four pairs of gents wool trousers, white canvas shorts and trousers, jackets and overalls,three blue naval nurses outfits, a White Swan cotton nurses uniform, various short sleeved white canvas uniforms with buttons to the front, two including American Red Cross Service Badge to the arm, and various aprons some with red crosses,(on rail)

Attributed to Alex Portner (British School, 1920-1982) - mid century oil on canvas head and shoulders portrait of a lady with coiffured hair, 1950s style make-up and a white blouse, against a blue background. Label to verso reads 'Painted by Alex Portner of Chelsea circa 1959). Measures approx. 76.5cm x 63.5cm.

Three turn of the century fabrics including two christening robes and a bride's lace and silk blouse this lot also contains a family wedding photo with details on the reverse.

An interesting Glamourgan Battledress, the blouse dated July, 1945 'Battledress Blouse Serge, Size 9, with Government issue arrow, With red and white 'Home Guard Glamorgan 5' shoulder titles, crown to the shoulders for the rank of Major, Welsh Dragon collar dogs. Medal ribbons for First World War and Victory medals and Second World War Defence and War Medals, with padded RAF wings above in ivory silk thread. The trousers 1949 pattern size 12, dated 1955. It has been suggested that this is a uniform from the period between 1952 and 1957 when the Home Guard was revived to counter the perceived threat from the Soviet Union *Condition: Nice condition with few signs of wear.

Men's RAF NATO blouse James Smith & Co and trousers size 12 also a dress jacket (no label) and blue grey 1972 pattern trousers size No. 15

Clothes - (1) red flora dress size 16 UK-Mandy Marsh, (1) blue check blouse Size 16 UK, Lady Laird- good condition

Clothes-(1)-3 piece Navy with cream spots skirt and blouse and plain cream-Jacket (Toddy) Size 16-UK-(1) pink/green skirt and blouse (Dorene) size 14-UK

A 1930s black blouse, having twenty two little self covered buttons to the front and 3/4 length sleeves.

Two vintage embroidered peasant blouses, including Hungarian blouse in brown, both AF.

A pale pink 1950s blouse, having machine embroidered floral pattern in black with black buttons, turn up cuffs to sleeves and stand up collar.

A 1950s orange blouse having tiered/ ruffled detailing to front of bodice with buttons to plain reverse, Maxton label, Size 34.

Early 20th century crochet lace ladies garments including a 2 piece outfit (skirt length 1m, no waist fastening), a high collared button fronted blouse with bobbinet lining, and a short open fronted jacket of tape lace over bobbinet, with shaped long sleeves.

Victorian crinoline skirt, blouse and bodice

A collection of Mattel Barbie clothes, for Barbie, Ken and Ricky, to include American Airlines Stewardess comprising navy jacket with wings, navy sheath skirt, white body blouse, navy hat with wings, black shoulder purse, navy flight bag and black open toe heels, Tennis Anyone? comprising white tennis dress, white cardigan with orange trim, white tennis shoes, white socks, tennis rule book, racket and ball, Friday Night Date comprising corduroy dress, white cotton underdress, black open toe heels, black tray and one orange juice glass (no fizz or straw), Jumpin' Jeans, partial Icebreaker, partial Lovely Lingerie, After Five (lacking shoes), Campus Corduroys comprising jacket and trousers, Ken Casuals comprising knit t-shirt, polished cotton pants, socks and two-tone shoes, partial Sleeper Set, Terry Togs comprising robe, towel, scuffs and razor, Tuxedo comprising jacket, shirt, bow tie, black socks and shoes, partial Time for Tennis, Ricky Little Leaguer comprising red knit shirt, blue jeans, baseball cap, catcher's mitt, baseball, socks and tennis shoes, and eight catalogue leaflets. (qty)

A Victorian black embroidered cape with ruffled collar, cut-out applique over-lay with layered sheer black panels towards the hemline and black ribbon fastening 50" wide elbow to elbow x 32" long together with a Victorian black taffeta blouse with lace collar and cuffs 32" chest having drop beaded button fastening with black lace trim A/F and black applique additions towards the hem, a mid 20th Century Peter French black taffeta skirt with embroidered lower panel towards the hem 28" waist, a black taffeta underskirt 26" waist a 1940's black feather teardrop hat and a vintage French fox stole.Location:RailCondition: Cape-ribbons are staring to perish otherwise in good condition with no apparent damage. Blouse-A few holes to the lining and lace trimming requires re-attaching to front vertical trim-see photos for condition report.

A 20th Century Indian gold coloured silk cushion panel A/F having hand sewn needlepoint images of paisley and Eastern patterns using various techniques with a rope twist brocade to the edges together with a Banjari hand embroidered multi-sectional panel of squares and tassels, a Rajastan wall handing comprising a tapestry of squares made using metallic thread adorned with small mirrored circles and a West Indian Gujarat blouse front panel in reds, greens and yellow thread adorned with small mirrored circles. Location:R1.4

A 19th century French lace blouse, purportedly made from a dress given by Empress Eugenie wife of Napoleon III, with letters detailing the history and provenance'...It was given to my grandmother by her aunt. It was a dress given to that aunt by the Imperatrice (Empress) Eugenie, wife of Napoleon III... That old aunt was Dame D'Honneur (Lady in waiting?) of the Imperatrice... my mother made three chemisettes (blouses) with it...'

ATTRIBUTED TO PETER MIDGLEY (1921-1991) 'THE ORANGE BLOUSE', a seated portrait of a female figure wearing an orange blouse and black hat, no visible signature, attribution to Young Contemporaries label verso, oil on canvas, approximate size 49cm x 39cm, Condition Report: some areas of the paint have gone dull, frame damaged (artist resale rights apply) (provenance: The Arnold Fellows Collection)

Tropenfeldbluse M 41 für Luftwaffenangehörige Kammerstück aus sandfarbenem Köper mit einer Teilfütterung aus Leinen, sandfarben lackierten Knöpfen an Ringbefestigung und innenseitiger Größenstempelung des Herstellers ORDAG Berlin von 1942. Angeheftetes EK-Band, Ordensschlaufen. Effekten abgetrennt. An air force tropical field blouse M 41 An air force tropical field blouse M 41Kammerstück aus sandfarbenem Köper mit einer Teilfütterung aus Leinen, sandfarben lackierten Knöpfen an Ringbefestigung und innenseitiger Größenstempelung des Herstellers ORDAG Berlin von 1942. Angeheftetes EK-Band, Ordensschlaufen. Effekten abgetrennt. Condition: II

Geschmückte Feldbluse für einen Hauptmann im Salzburger Gebirgs-Pionier-Bataillon 85 Maßanfertiung aus feinem feldgrauen Gabardine mit schwarzen Vorstößen am dunkelgrünen Kragen, der Knopfleiste und den Ärmelaufschlägen. Grünes Seidenfutter mit Schneideretikett von Bachmann Jr. Hanau, Trägeretikett für einen Leutnant von 1938 und Durchlass für die Seitenwaffe. Minimale Mottenspuren. Silberngestickter Brustadler, schwarze Kragenspiegel mit silberngestickten Doppellitzen, vernähte Schulterstücke mit schwarzem Futter, farbig gesticktes Ärmeledelweiß, anhängende silberne Paradeschnur sowie Ordensschlaufen. A decorated field blouse for a captain in the Salzburg Mountain Pioneer Battalion 85 A decorated field blouse for a captain in the Salzburg Mountain Pioneer Battalion 85Maßanfertiung aus feinem feldgrauen Gabardine mit schwarzen Vorstößen am dunkelgrünen Kragen, der Knopfleiste und den Ärmelaufschlägen. Grünes Seidenfutter mit Schneideretikett von Bachmann Jr. Hanau, Trägeretikett für einen Leutnant von 1938 und Durchlass für die Seitenwaffe. Minimale Mottenspuren. Silberngestickter Brustadler, schwarze Kragenspiegel mit silberngestickten Doppellitzen, vernähte Schulterstücke mit schwarzem Futter, farbig gesticktes Ärmeledelweiß, anhängende silberne Paradeschnur sowie Ordensschlaufen. Condition: I - II

An NCO Tunic Blue-grey wool flyers blouse, open collar, five-button front, two waist bag pockets with buttoned flaps, cuffs with internal button adjustment, collar piped in celleon gold twist cord with hook closure. Four, large brown plastic buttons at front panel with small black button at top for collar closure. Machine-embroidered Parachutists Badge hand-applied at left breast, EKII ribbon hand-applied to front hidden-button panel. Machine-woven silver-grey thread breast eagle on blue-grey backing, re-applied, collar insignia of golden-yellow backing with one silver metal wing rank device, hand-applied, silver rank tresse machine-applied around collar. Shoulder straps rank of Unteroffizier, on blue-grey backing, piped in golden-yellow cloth with silver-aluminum tresse. Partially lined in blue-grey cotton, stamped with Paris maker.USA-Los – weitere Infos hier An NCO Tunic An NCO TunicBlue-grey wool flyers blouse, open collar, five-button front, two waist bag pockets with buttoned flaps, cuffs with internal button adjustment, collar piped in celleon gold twist cord with hook closure. Four, large brown plastic buttons at front panel with small black button at top for collar closure. Machine-embroidered Parachutists Badge hand-applied at left breast, EKII ribbon hand-applied to front hidden-button panel. Machine-woven silver-grey thread breast eagle on blue-grey backing, re-applied, collar insignia of golden-yellow backing with one silver metal wing rank device, hand-applied, silver rank tresse machine-applied around collar. Shoulder straps rank of Unteroffizier, on blue-grey backing, piped in golden-yellow cloth with silver-aluminum tresse. Partially lined in blue-grey cotton, stamped with Paris maker.USA lot - more info hereCondition: II

A JM White Summer Blouse White poplin fabric, short sleeves, four-button front closure, open neck fall down collar, breast pockets with double white buttons. Left sleeve with district triangle “Südost/Steiermark”, machine-woven white lettering on black rayon, machine-applied.USA-Los – weitere Infos hier A JM White Summer Blouse A JM White Summer BlouseWhite poplin fabric, short sleeves, four-button front closure, open neck fall down collar, breast pockets with double white buttons. Left sleeve with district triangle “Südost/Steiermark”, machine-woven white lettering on black rayon, machine-applied.USA lot - more info hereCondition: II

Dienstfeldbluse des Brigadegenerals und Ritterkreuzträgers Radu Korne Leichter Sommerrock aus olivbraunem Stoff mit offenem Revers, steigendem Kragen, angedeuteten polnischen Aufschlägen und bräunlichen Fußballknöpfen sowie einer Teilfütterung aus brauner Baumwolle. Vernähte Schulterstücke aus Goldbrokat. Die Kragenspiegel lose beiliegend. Trage- und lagerungsbedingte Fehlstellen sowie Mottenspuren. A service field blouse of Brigadier General and Knight's Cross bearer Radu Korne A service field blouse of Brigadier General and Knight's Cross bearer Radu Korne Leichter Sommerrock aus olivbraunem Stoff mit offenem Revers, steigendem Kragen, angedeuteten polnischen Aufschlägen und bräunlichen Fußballknöpfen sowie einer Teilfütterung aus brauner Baumwolle. Vernähte Schulterstücke aus Goldbrokat. Die Kragenspiegel lose beiliegend. Trage- und lagerungsbedingte Fehlstellen sowie Mottenspuren. Condition: II - III

Britains Model 619 - Boy on a Swing, [pre war issue] comprising: Boy [Red Jumper] on a [White] Swing with Seat & Set 618 [Pre-War Issue] - Boy & Girl on Seesaw - Short Log, Plank, Boy with Green Jersey, Black Trousers & Red Tie & Girl with Pale Blue Blouse & Red Skirt , Some paint chipping otherwise generally Very Good overall. [8 Pieces]

A Mauchline ware birthday book, Jordan Pond, Seal Harbor; a similar needle case, Shanklin; a treen stamp box; a set of four Edwardian moulded opaque glass cameo blouse buttons, brass mounted; a cloisonne vase; a gilt wood wall bracket; an early 19th century watercolour, of a gentleman; etc

A group of Army uniforms and dress uniforms, to include two berets, a dress cap size 6⅞?, a tunic drill khaki size 24, a Ladybird Belfast 1966 14½ shirt, an Army blouse battle dress 1949 pattern size number 1, trousers, a 1943 battle dress blouse size 15, and Army combat gear. (a quantity)

RAF clothing and accessories, comprising beret, number 1 dress cap, Alpkit cap, Airlines of the World poster, RAF Bloodhound Mark II print, RAF Navy blouse BD size 7, size 20L uniform men's trousers, a number 1 dress OA size 20L jacket, RAF size 28 trousers, and size 28 number 1 dress jacket. (a quantity)

Three Pucci dresses and a blouse

Unframed painting titled 'Woman in Striped Blouse', 1957, oil/cardboard, 61cm x 30cm

Christian Lacroix, two ladies outfits, first comprising a silk blouse and silk pencil skirt with lace overlay, together with matching silk blouse and a full-length silk skirt, labelled Christian Lacroix, size 38 and 40 (UK 10 and 12)Condition- Overall good condition- One blouse is missing once snap button fastening and have some pin-holes where fastener was positioned- Three with original tags attached- Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Vintage dresses including Brentfords (7) A collection of dresses from the 60's and 70's. 1. St. Michael purple/floral size 14. L 43", Chest 34".2. Black/floral embroidered panel sleeveless. L 38", W 30", Chest 34".3. 2 x Brown pinafore style with floral blouse collar. L 41", W 32", Chest 34".4. Brentfords short sleeved yellow. L 40", " 36", Chest 36".5. Brentfords long sleeved orange. L 40", W 36", Chest 36".6. C&A blue zip up pinafore dress, L 41" with Shah yellow blouse, chest 34".7. St. Michael grey wool dress with pleated skirt. L 35", W 32", Chest 36".

Vintage ladies Crimplene Yellow 3 piece suit. Comprising Jacket, blouse and skirt. Jacket chest 38"Blouse chest 38"Skirt L 23", W 26".

Vintage clothing:1. Green/multi top, L 28", chest 36".2. Blue/white polka dot, L 24", chest 34".3. Sybille Claymar lace blouse, L 23", chest 34".4. St. Michael blouse, L 23", chest 36".5. Zip front top, purple/orange, L 27", chest 36"6. Crimped Jersey, yellow floral top, L 27", chest 36".7. Peach floral top, L 27", chest 36".8. Zip up top, green/pink floral, L 27", chest 36".9. Brentfords brown/green/floral blouse, L 27", chest 34".10. Polyester green floral dress, L 40", W 32", chest 34"

CHANEL, Collection Prêt à Porter, Croisière 2005. Blouse sans manches.Directeur artistique: Karl LagerfeldEn mousseline de soie et soie ivoire, effet de transparence.Taille française: 40Condition d'état: AFootnotes:A ivory muslin silk and silk blouseConditin grade: AFor further information on this lot please visit Bonhams.com

CHANEL, Collection Prêt à Porter, Automne-Hiver 2007. Blouse du soirDirecteur artistique: Karl Lagerfeld capuche en soie violet.Taille française: 40Condition d'état: BFootnotes:A purple silk blouseCondition grade: BFor further information on this lot please visit Bonhams.com

CHANEL, Collection Prêt à Porter, circa 2015. Blouse sans manches en soieDirecteur artistique: Karl LagerfeldEn soie ivoire, effet lavallière.Taille française: 38Condition d'état: AFootnotes:An ivory silk blouseCondition grade: AFor further information on this lot please visit Bonhams.com

CHANEL, Collection Prêt à Porter, Automne-Hiver 2008. Blouse sans manches en soieDirecteur artistique: Karl LagerfeldEn soie ivoire, et dentelle mécanique blanche, encolure à col cravate.Taille française: 40Condition d'état: AFootnotes:An ivory silk and white lace blouseCondition grade: AFor further information on this lot please visit Bonhams.com

CHANEL Boutique, Collection Prêt à Porter, circa 1980. blouse à col cravateDirecteur artistique: Karl LagerfeldEn soie imprimée écossais bordeaux sur fond ivoire.Taille française: 38Condition d'état: AFootnotes:A burgundy and ivory blouseCondition grade: AFor further information on this lot please visit Bonhams.com

CHANEL, Collection Prêt à Porter, Printemps-Eté 2012. Blouse sans manches.Directeur artistique: Karl LagerfeldEn coton mélangé ivoire, deux poches poitrines, boutons bijoux.Taille française: 40Condition d'état: AFootnotes:A white cotton blouseCondition grade: AFor further information on this lot please visit Bonhams.com

CHANEL, Collection Prêt à Porter, Automne-Hiver 2008. Blouse sans manches.Directeur artistique: Karl LagerfeldEn mousseline de soie ivoire, effet de plastron plissé, boutons étoilés.Taille française: 38Condition d'état: AFootnotes:A ivory muslin blouseCondition grade: AFor further information on this lot please visit Bonhams.com

CHANEL, Collection Prêt à Porter, Printemps-Eté 2001. Blouse sans manches en soieDirecteur artistique: Karl LagerfeldEn soie ivoire, col en pointe et encolure cravate, devant à plis plats.Taille française: 40Condition d'état: AFootnotes:ivory silk tie-neck blouseCondition grade: AFor further information on this lot please visit Bonhams.com

CHANEL Créations, Collection Prêt à Porter, circa 1975. Tailleur et blouse.Directeur artistique: Karl LagerfeldEn tweed de laine jaune paille, boutons tête de lion, blouse en mousseline de soie multicolore.Taille française: 38Condition d'état: AFootnotes:A yellow tweed suit and silk muslin blouseCondition grade: AFor further information on this lot please visit Bonhams.com

CHANEL, Collection Prêt à Porter, circa 2015. Blouse sans manches.Directeur artistique: Karl LagerfeldEn soie noire, effet lavallière.Taille française: 38Condition d'état: AFootnotes:A black silk blouseCondition grade: AFor further information on this lot please visit Bonhams.com

CHANEL, Collection Prêt à Porter, Printemps-Eté 2009. Blouse manches longues en coton et soieDirecteur artistique: Karl LagerfeldEn coton et soie ivoire, ganse laineuse bleu et blanc.Taille française: 36Condition d'état: AFootnotes:A ivory silk and cotton blouseCondition grade: AFor further information on this lot please visit Bonhams.com