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Lot 33
A SILVER BANGLE with polished black stone setting, a 19th century yellow metal magnifying glass, a small NCT stamped pin brooch, a yellow metal ring with seed pearls and cameo setting, further pieces of jewellery including earrings, an amethyst coloured stone, brooch, glass bead necklaces etc Condition: the silver bangle in reasonable condition, stamped 925 silver; the yellow metal pin brooch in reasonable condition; the pin brooch set with three seed pearls in good condition; the moonstone type stone white metal brooch with bent pin but in reasonable condition; the amethyst type stone set brooch with wear to the gilding particularly to the reverse and with discolouration and verdigris to the mount, the stone with some minor marks; the ring unmarked and with repair; the magnifying glass with wear to the gilding and joints showing; other items in moderate condition
Lot 2121
A Flower Head Amethyst and Diamond Stick Pin, the stylised flower head formed of an old cut diamond within a border of five vari-sized pear cut amethysts, estimated diamond weight 0.20 carat approximately see illustration. The pin is in good condition. It bears no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the diamond are; colour I/J, clarity SI1/SI2. Gross weight 3.20 grams. CR made 14.02.20.
Lot 2184
A Pair of 9 Carat Gold Amethyst Cufflinks, the heart shaped amethyst in a yellow rubbed over setting chain linked to a torpedo shaped bar see illustration . The cufflinks are in fair condition with slight discolouration and pitting in areas to the torpedo link. They are hallmarked with sponsor's mark 'RB?', Birmingham, date letter illegible. Gross weight 5.1 grams. CR made 13.02.20.
Lot 2191
An Amethyst and Cultured Pearl Pendant/Brooch, a round cut amethyst in a yellow rubbed over setting within a circular frame with four cultured pearls spaced evenly throughout, suspending a conforming pear shaped drop comprised of an oval cut amethyst with a cultured pearl above, measures 6.8cm by 3.6cm see illustration . The brooch/pendant is in good condition. It fastens with a pin and hook catch and features a safety visor catch. It bears no hallmark nor stamp but in our opinion would test as gold. Gross weight 12.5 grams. CR made 17.02.20.
Lot 37
A Victorian precious yellow metal and amethyst brooch, of ovoid form with filigree and bead work decoration, set oval mixed cut amethyst to centre, (yellow metal assessed as 18ct. gold), length 42mm. (gross weight 10.8g)Condition: Part of bezel lacking, otherwise in good condition commensurate with age, further image added.
Lot 78
A freshwater pearl bracelet, with precious yellow metal clasp (yellow metal assessed as gold of at least 14ct.), together with a Ciro graduated cultured pearl necklace, in Ciro box with certificate, length 43.5cm, two white metal and amethyst bracelets, a Tigers eye bead bracelet and others. (qty)
Lot 16
A SET OF FIVE AMETHYST GLASS PORT OR SHERRY GLASSES, SECOND QUARTER 19TH CENTURYEach with funnel bowl on a tapering stem and circular foot. 9.75cmProvenance: The Chris Crabtree Collection, North Yorkshire.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good condition
Lot 68
A SET OF SIX VICTORIAN AMETHYST GLASS FINGER BOWLSOf plain rounded form. Diameter 12cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.One with a cluster of scratches but otherwise in good condition.
Lot 11
A collection of amethyst jewelleryComprising: a bracelet of ropework design set with oval-cut amethysts between connecting chain links, length approximately 16.5cm; a pendant set with an oval-cut amethyst and seed-pearls to a chain; and a brooch set with an octagonal-cut amethyst measuring approximately 20.0 x 16.0 x 9.5mm, in a pinched collet setting, seed-pearls untested (3)For further information on this lot please visit Bonhams.com
Lot 136
Three gem-set dress ringsComprising: a ring claw-set with three graduated circular-cut yellow sapphires, within millegrain rubover-set borders of single-cut diamonds, size N, British hallmarked 18ct white gold, estimated total diamond weight approximately 0.25ct; an amethyst and diamond circular cluster ring, size M½, stamped '18CT PLAT', estimated total diamond weight approximately 0.50ct; also an aquamarine and diamond oval cluster ring, size O, stamped '18CT', estimated total diamond weight approximately 0.42ct (3)For further information on this lot please visit Bonhams.com
Lot 168
An amethyst and seed-pearl pendant/broochClaw-set with a circular-cut amethyst, measuring 22.8 x 22.8 x 14.0mm, framed by a double crescent row of graduating seed-pearls and old round brilliant-cut diamonds, width approximately 30mm, one seed-pearl deficient, seed-pearls untestedFor further information on this lot please visit Bonhams.com
Lot 200
A gem-set giardinetto brooch, mid-20th centuryDesigned as a wire-work basket, claw-set with pear, oval and circular-cut assorted gems, including aquamarine, amethyst, peridot, garnet, seed-pearls and others, measuring approximately 37.9 x 42.0mm, British hallmarks for 9ct gold, Birmingham, 1954, maker's mark 'D&F', pearls untested For further information on this lot please visit Bonhams.com
Lot 231
An Amethyst and Seed-Pearl Necklace, EdwardianMillegrain-set with three circular-cut amethyst and seed-pearl clusters to a necklace of scroll design embellished with seed-pearls and suspending an oval-cut amethyst drop, to a fine-link chain, length approximately 24cm, seed-pearls untestedFor further information on this lot please visit Bonhams.com
Lot 232
A synthetic amethyst brooch and a cultured pearl broochThe first designed as a wirework and textured scroll, set with a circular-cut synthetic amethyst, length approximately 66mm; the textured scroll with wirework and beadwork decoration, accented with three cultured pearls, length approximately 62mm, pearls untested (2)Footnotes:The synthetic amethyst brooch was purchased directly from H Stern in Brazil by the current owner.For further information on this lot please visit Bonhams.com
Lot 235
Two gem-set pendant/brooches and another similar brooch, circa 1890Each of open scroll design, one set with an oval-cut peridot amidst seed-pearl-set foliate motifs, measuring 43.40 x 30.50mm, stamped '9CT'; the second with central oval-cut amethyst amidst seed-pearls, measuring 39.40 x 29.40mm; the third set with graduated pear, oval and circular-cut amethysts and seed-pearls, measuring 45.50 x 34.00mm, pearls untested (3) For further information on this lot please visit Bonhams.com
Lot 40
An amethyst and diamond pendant and chainThe pendant with central claw-set oval-cut amethyst, measuring approximately 26.2 x 22.1 x 15.7mm, within an illusion-set border of round brilliant-cut diamonds, length approximately 37.5mm, width 26.40mm, stamped '18CT', estimated total diamond weight approximately 1.00ct, suspended from a 9ct gold belcher-link chain, length approximately 62cm, British hallmarks (2)For further information on this lot please visit Bonhams.com
Lot 59
A collection of jewelleryComprising: a diamond ring, claw-set with three graduated old round brilliant-cut diamonds, with pairs of rose-cut diamonds between, with scroll-pierced gallery and plain hoop, size M½, estimated total diamond weight approximately 0.70-0.75ct; an amethyst and seed pearl oval cluster ring, size L; a canted rectangular-cut jadeite signet ring, size O; a small oval signet ring, size H; a faceted band, size N, stamped 'PLAT'; and a graduated three-row simulated pearl necklace, with colourless paste set clasp, shortest length approximately 39cm, all pearls untested, jadeite has not been tested for natural colour origin or treatment (6) For further information on this lot please visit Bonhams.com
Lot 62
A Charm bracelet, necklace and ringThe 9ct rose gold curb link bracelet, with padlock clasp and safety chain, suspending fifteen assorted charms, including a pendant-mounted half-sovereign, dated 1912, length approximately 16.5cm and weight approximately 28 grams; an Edwardian seed pearl set necklace, the centre front of bow-tied ribbon and swag design, to a fancy link chain, with push-in clasp, approximate length 38.70cm and weight 8.00 grams; and an amethyst single-stone ring, size K, 18ct gold (3) For further information on this lot please visit Bonhams.com
Lot 83
A pair of amethyst ear studs and an amethyst and seed-pearl necklaceThe ear studs with four circular-cut amethysts interspersed with crossed batons accented with seed-pearls, width approximately 15mm, stamped '375', makers mark 'D&F'; and a necklace of Art Nouveau style set throughout with seed-pearls accented with circular, oval and pear-shaped amethysts, to a fancy-link chain, length approximately 37cm, seed-pearls untested (2)For further information on this lot please visit Bonhams.com
Lot 94
A collection of jewelleryComprising: a ruby and diamond cluster ring, size K½, stamped '750'; a two-metal daisy ring, size L, stamped '750'; two gem-set rings with seed-pearls; an amethyst heart foliate brooch; a citrine floral brooch; a seed-pearl bar-brooch; and a 1907 sovereign pendant and chain, seed-pearls untested (8)For further information on this lot please visit Bonhams.com
Lot 154
GROUP OF SIX INTAGLIO ENGRAVED GLASS TASSIE 'GEMS', late 18th or early 19th century, including a dark amethyst example, CUPID TAKING AN ARROW FROM A QUIVER, "Jamais de repos", (no.1405), 2cm wide; a dark orange example, CUPID GUIDING A SMALL SAIL, "Never despair", (no.399), 2cm wide; a light amethyst example of hexagonal section, SHIP, "Friend", (no.279), 1.5cm high; and three others Provenance: The Miller-Williams Collection of Tassie Intaglios The avid and erudite Dorset collector Mrs Margaret Miller-Williams, forms her fascinating collection of Tassie glass intaglios, related seals and imprints. The group, assembled over many years of sharp eyed hunting in shops and markets in the UK and abroad, is a small but strongly representative part of William Tassie's (1777 - 1860) huge output. Miller-Williams' original interest in the Tassie Neoclassical phenomenom was originally fired by a close friend who as a great great great great niece of Tassie's had inherited a large collection of the engraver's own intaglios, and who gave Miller-Williams her duplicates, to get the collection started William Tassie himself, nephew of James Tassie (1735 - 1799) who was also a gem engraver, had a famed collection of over 20,000 intaglios. It is thought that between them, the Tassies could reasonably be credited with the reintroduction of the ancient skill of Intaglio gem engraving, and their work meshed perfectly with the newly fashionable Grand Tour and the general and ubiquitous vogue for all things Neoclassical. The sheer quality of their work brought great acclaim, and their intaglios found their way into many great collections, including that of Catherine the Great of Russia -that cumulation now held at the State Hermitage Museums The bracketed numbers in the following lots relate to the full listing 'A CATALOGUE OF THAT PART OF MR WILLIAM TASSIE'S EXTENSIVE COLLECTION OF IMPRESSIONS FROM ENGRAVED GEMS, CONSISTING OF DEVICES AND EMBLEMS...', printed by W.Nicol, London 1830
Lot 155
GROUP OF FOUR INTAGLIO ENGRAVED GLASS TASSIE 'GEMS', late 18th or early 19th century, including a large dark blue oval example, possibly depicting the Abduction of Helen, 5.5cm wide; a clear oval example, LION LOOKING IN A MIRROR, "toujours le meme", (no.1344), 2.5cm wide; a dark blue oval example depicting the psyche of Roma as a winged Nike, 'MARCHANT ROMA', 3.25cm high; and a light amethyst oval example depicting an ecstatic Bacchante, 2.5cm high Provenance: The Miller-Williams Collection of Tassie Intaglios The avid and erudite Dorset collector Mrs Margaret Miller-Williams, forms her fascinating collection of Tassie glass intaglios, related seals and imprints. The group, assembled over many years of sharp eyed hunting in shops and markets in the UK and abroad, is a small but strongly representative part of William Tassie's (1777 - 1860) huge output. Miller-Williams' original interest in the Tassie Neoclassical phenomenom was originally fired by a close friend who as a great great great great niece of Tassie's had inherited a large collection of the engraver's own intaglios, and who gave Miller-Williams her duplicates, to get the collection started William Tassie himself, nephew of James Tassie (1735 - 1799) who was also a gem engraver, had a famed collection of over 20,000 intaglios. It is thought that between them, the Tassies could reasonably be credited with the reintroduction of the ancient skill of Intaglio gem engraving, and their work meshed perfectly with the newly fashionable Grand Tour and the general and ubiquitous vogue for all things Neoclassical. The sheer quality of their work brought great acclaim, and their intaglios found their way into many great collections, including that of Catherine the Great of Russia -that cumulation now held at the State Hermitage Museums The bracketed numbers in the following lots relate to the full listing 'A CATALOGUE OF THAT PART OF MR WILLIAM TASSIE'S EXTENSIVE COLLECTION OF IMPRESSIONS FROM ENGRAVED GEMS, CONSISTING OF DEVICES AND EMBLEMS...', printed by W.Nicol, London 1830
Lot 156
GROUP OF SIX INTAGLIO ENGRAVED GLASS TASSIE 'GEMS', late 18th or early 19th century, including an amber coloured oval example with an armorial, 2cm high; a citrine coloured rectangular example, 'ILL WEEDS GROW APACE', 1.75cm high; a clear oval example depicting a Campana urn, 1.5cm high; a clear rectangular example 'WITH ALL THY FAULTS I LOVE THEE STILL', (no.153), 1.5cm wide; a dark amethyst coloured rectangular example, A MOUSE GNAWING AWAY THE NET IN WHICH THE LION IS CAUGHT, "Not unmindful of benefits", (no.782), 1.8cm wide; and one other Provenance: The Miller-Williams Collection of Tassie Intaglios The avid and erudite Dorset collector Mrs Margaret Miller-Williams, forms her fascinating collection of Tassie glass intaglios, related seals and imprints. The group, assembled over many years of sharp eyed hunting in shops and markets in the UK and abroad, is a small but strongly representative part of William Tassie's (1777 - 1860) huge output. Miller-Williams' original interest in the Tassie Neoclassical phenomenom was originally fired by a close friend who as a great great great great niece of Tassie's had inherited a large collection of the engraver's own intaglios, and who gave Miller-Williams her duplicates, to get the collection started William Tassie himself, nephew of James Tassie (1735 - 1799) who was also a gem engraver, had a famed collection of over 20,000 intaglios. It is thought that between them, the Tassies could reasonably be credited with the reintroduction of the ancient skill of Intaglio gem engraving, and their work meshed perfectly with the newly fashionable Grand Tour and the general and ubiquitous vogue for all things Neoclassical. The sheer quality of their work brought great acclaim, and their intaglios found their way into many great collections, including that of Catherine the Great of Russia -that cumulation now held at the State Hermitage Museums The bracketed numbers in the following lots relate to the full listing 'A CATALOGUE OF THAT PART OF MR WILLIAM TASSIE'S EXTENSIVE COLLECTION OF IMPRESSIONS FROM ENGRAVED GEMS, CONSISTING OF DEVICES AND EMBLEMS...', printed by W.Nicol, London 1830
Lot 158
GROUP OF FIVE INTAGLIO ENGRAVED GLASS TASSIE 'GEMS', late 18th or early 19th century, including a circular black button with a Roman head in low relief, 1.3cm diameter; an amber coloured oval example engraved 'M & W', 1.8cm wide; an amber coloured oval example depicting Cupid driving a two-horse chariot, 1cm wide; a green oval example depicting Fortuna holding balance scales, 1.2cm high; an engraved amethyst stone intaglio loosely depicting a horse, probably ancient, 1.8cm wide; a Victorian engraved bloodstone seal disk, with monogram, 1.1cm diameter; three Tassie plaster portrait reliefs; a white ceramic profile relief in Classical style; and two other items Provenance: The Miller-Williams Collection of Tassie Intaglios The avid and erudite Dorset collector Mrs Margaret Miller-Williams, forms her fascinating collection of Tassie glass intaglios, related seals and imprints. The group, assembled over many years of sharp eyed hunting in shops and markets in the UK and abroad, is a small but strongly representative part of William Tassie's (1777 - 1860) huge output. Miller-Williams' original interest in the Tassie Neoclassical phenomenom was originally fired by a close friend who as a great great great great niece of Tassie's had inherited a large collection of the engraver's own intaglios, and who gave Miller-Williams her duplicates, to get the collection started William Tassie himself, nephew of James Tassie (1735 - 1799) who was also a gem engraver, had a famed collection of over 20,000 intaglios. It is thought that between them, the Tassies could reasonably be credited with the reintroduction of the ancient skill of Intaglio gem engraving, and their work meshed perfectly with the newly fashionable Grand Tour and the general and ubiquitous vogue for all things Neoclassical. The sheer quality of their work brought great acclaim, and their intaglios found their way into many great collections, including that of Catherine the Great of Russia -that cumulation now held at the State Hermitage Museums The bracketed numbers in the following lots relate to the full listing 'A CATALOGUE OF THAT PART OF MR WILLIAM TASSIE'S EXTENSIVE COLLECTION OF IMPRESSIONS FROM ENGRAVED GEMS, CONSISTING OF DEVICES AND EMBLEMS...', printed by W.Nicol, London 1830
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105085 item(s)/page