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A smokey quartz intaglio seal fob, with crest and motto 'Free for a blast' within yellow metal mount, together with a carnelian intaglio seal fob 'I Aspire', a rock crystal intaglio fob and a faceted amethyst fob (4)Condition report: Amethyst fob:, weight approx 4.6g, size approx 14mm x 12mm, 25mm high, mount is stamped '9ct' but mark is rubbed, general wearRock crystal fob: mount is plated, 18mm x 16mm, 29mm high, weight approx 9.6g, some rubbing to plated, general wearCarnelian fob: weight approx 15.3g, 21mm x 17mm, 30mm high, not stamped but looks to be 9ct, small loose/damage to reverse, general wear Smoky quartz fob: weight approx 16.1g, 25mm x 21mm, 35mm high, mount not stamped but look to be 9ct gold, general wearRefer to images
A 9ct rose gold curb link bracelet, with attached fobs, comprising two polished bloodstone examples, three intaglio carnelian examples, an intaglio bloodstone fob, two banded black and white agate examples (one engraved) and an amethyst example, length of bracelet 19cmCondition report: None of the fobs are stamped, four are plated with obvious rubbing/wear to the plate, other five appear to be testing as gold but cannot guarantee, one bloodstone hardstone (plain not intaglio) appears to have been reattached to mount with adhesive, other hardstones in reasonable condition in keeping with age, total weight of the bracelet approx 92g, general wear, refer to images
A group of silver and other costume jewellery, to include a turquoise pendant, on silver plated frame, a silver heart pendant, an Israeli amethyst set brooch, an eagle pendant set with turquoise, a silver heart pendant set with turquoise, silver and silver plated chains, stone set brooch and a multi stone set circular pendant, white metal, unmarked, 6cm diameter. (a quantity)
Box of jewellery and miscellanea, including an acorn tape measure, bone manicure set, with miscellaneous silver items including five brooches, Victorian coin brooch dated 1887, hunting stock pin, teddy and dice charms, whisky label, four pairs of silver stud earrings, silver and enamel lily pendant, amethyst pendant on chain, silver clarinet brooch, pedant on silver chain, amber pendant on silver chain, silver cross pendant, two silver chains and a silver and mother of pearl brooch, approx 117 gms, together with a Russian silver and jewelled icon, approx 50 x 50 mm, depicting the 'Madonna and Child', approx 35 gms.
An amethyst and purple sapphire ‘Luna’ ring, by Shaun Leane, 2011, the polished fancy-cut amethyst within an abstract surround pavé-set with circular-cut purple sapphires, mounted in 18ct white gold, UK hallmark, maker’s mark, signed ’Shaun Leane’, maker’s case, ring size Q - R. £1,500-£2,000 --- Born in 1969, Shaun Leane is a British goldsmith and longtime collaborator with the late fashion designer Lee Alexander McQueen, CBE. At the age of sixteen, Shaun Leane started a seven-year apprenticeship in Hatton Garden with the company English Traditional Jewellery. On completion of his training, he continued to work for the firm for another six years, specialising in the restoration and reproduction of Victorian, Art Nouveau and Art Deco jewels. A chance meeting with Alexander McQueen in 1992 allowed Leane to begin creating his own pieces. Having initially bonded over a mutual desire for creative freedom, the pair went on to design and make iconic and provocative catwalk jewels that challenged perceptions of sculptural form and femininity. Their passion for craftsmanship and symbolic design bridged the worlds of fashion and jewellery and saw the creation of three-dimensional pieces considered contemporary works of art in their own right. The use of less traditional materials, such as aluminium, chosen for their creative versatility rather than intrinsic value, was a theme also seen in the designs of other British jewellers, such as Andrew Grima and John Donald. Leane and McQueen worked together for over 17 years up until McQueen’s death in 2010. During his career Leane has collaborated with various houses, including Asprey, Boucheron, De Beers and Givenchy. His jewels are regularly seen on the red carpet, worn by celebrities such as Björk, Elton John, Kate Moss and Lady Gaga. In 2011 thirty of his works were exhibited at the Victoria and Albert Museum’s retrospective exhibition, Alexander McQueen: Savage Beauty. He is the four-time recipient of the UK Jewellery Designer of the Year, and, in 2020, published an extensive and personal monograph charting his 36 years as a designer-maker.
A gold mounted amethyst rivière necklace, 19th century, composed of large graduating oval mixed-cut amethysts, spaced by smaller oval amethysts of paler hue, each stone mounted in fancy beadwork settings, the similarly set clasp with later belcher-link extensions to either side, length 41cm. £1,500-£2,000 --- Provenance: Formerly the property of Marie-Louise Countess Manvers (1889-1984), an acclaimed and productive artist, (painting under the name Marie-Louise Pierrepont), and thence by descent. Born Marie-Louise Roosevelt Butterfield in Ghent in 1889, she was the only child of Lord Frederick and Lady Butterfield of Cliffe Castle Keighley, Yorkshire. In 1917, Marie-Louise married Captain Gervas Evelyn Pierrepont (1881-1955), the sixth Earl Manvers JP MC & Duke of Kingston on Hull. On her death, the necklace passed to her only surviving child, Lady Frederica Rozelle Ridgway Pierrepont (1925-2015). During the Second World War, Lady Rozelle joined the Wrens and she saw the effects of the war close up, as the wounded were brought home across the Channel. She was particularly moved by the condition of German prisoners of war, remembering: “I suddenly became aware of the indescribable tragedy and horror of war. These were no proud and noble specimens of the Aryan race but a pathetic collection of underfed, tired and ill-looking youths wearing the ragged remains of their uniforms, with a forlorn and hopeless look in their eyes.” (Obituary: The Independent, June 2015). Lady Rozelle went on to sail single handed across the Baltic in her yacht, the Martha McGilda, which she had purchased in 1956. She set up a charitable trust teaching East End boys in care sailing in the London docks. and later worked with refugees displaced from Yugoslavia. Her first marriage in 1953 had ended in divorce and she married Richard Hollings Raynes in 1965, later becoming an author, and writing under the pen name Rozelle Raynes. This lot is being offered for sale by a cousin and god-daughter of Lady Rozelle Raynes.
A late Victorian/Edwardian 15ct gold amethyst and seed pearl pendant/brooch, of openwork scrolling design, centred with a tear-shaped amethyst, with corresponding amethyst pendant drop below, on bale, stamped ‘15ct’ to the reverse with later 18ct gold chain, pendant length (including bale) 46mm, chain length 48cm. £200-£300
A 9ct gold charm bracelet, the curb-link bracelet stamped ‘9 375’, suspending 13 charms, including a turquoise bead, an anchor, a Scottie dog and amethyst fob seal, with padlock clasp, with attached safety chain, and stamped with London import marks for 1905, bracelet length approximately 20cm. £200-£300
A collection of eight assorted rings, including a 19th century blue enamel and half pearl ring, an 18ct pearl ring, a 9ct amethyst three stone ring, a green-stone set ring, a 9ct ruby and diamond cluster ring, an 18ct turquoise set ring (two stones missing), a 9ct rose gold signet ring, and an 18ct white stone set ring, ring sizes K-Q. £600-£800
A collection of jewellery, comprising a citrine and seed pearl brooch, circa 1900, a seed pearl star brooch, circa 1900, (damaged), a late 19th century diamond and gold bar brooch, a pair of amethyst earstuds, two cultured pearl necklaces, a seed pearl necklace, an Art Deco diamond cocktail watch, circa 1935, engraved ‘M/V “Caithness” / Launched / 28th October 1935’, and a pair of costume earstuds. (9) £400-£600
Seven gem-set rings, comprising an amethyst ring, set with three cabochon-cut amethysts, with rose-cut diamond points between, Portuguese assay marks, a coral (corallium Rubrum) ring, three 19th century rings and two further rings, all mounted in gold, first ring size L, second N, remaining ring sizes L - O. (7) £600-£800 --- Please note that coral is covered by CITES legislation and may be subject to import/export restrictions.
A collection of vintage and modern jewellery, an oval carved shell cameo brooch, female profile in a Pinchbeck mount with glass back, overall 60x50mm, a scroll engraved back and front locket, 20mm, plated fob with amethyst coloured stone to base, 9 carat yellow gold 15mm floral brooch with small sapphire to centre, 2gm, a pair of gold-plated earrings, pair of hoop earrings with coloured and synthetic white stones, 3gm, a gold-plated ring set with green and white synthetic stones.
Eight pairs of costume earrings set with simulated rubies, emeralds and sapphires. a pair of Jomaz blue and white paste spray earclips, Coro simulated amethyst and faux pearls cluster earscrews, Weiss green stone clusters with basket weave surround, 23mm, a pair of double cluster green and white paste pendant earclips, a pair of Attwood & Sawyer blue and clear paste oval cluster earclips in white metal, a similar unmarked pair in yellow metal, a pair of brilliant and baguette clip earrings, a pair of red and clear stone clusters.
A collection of jewellery in the antique style, a pair of gilt metal earclips with simulated amethyst and pearls, silver and gold coloured creole hoop earrings for pierced ears set with paste, two pairs of cluster earrings, marcasite drop earscrews, simulated citrine earscrews, a paste set duette fur clip, paste set spray brooch marked "Sterling", Deco yellow metal brooch, 30mm, dress clip, 35mm, plastic cameo in gilt brooch mount, 45mm.pair of singing birds brooch, 40mm, Deco style ring set with blue and clear paste, size M, pair of large crystal earclips, leaf design dress clip, 30mm, faux amethyst necklace, 40cm.
Eleven pairs of large vintage clip-on earrings, a pair of Reja cabochon simulated aventurine quartz earclips, a pair of filigree drops with simulated turquoise matrix, gilt metal two strand drop with faux amethyst, large button clips, Farah Lister of London amber coloured glass pear shaped drop with gilt metal clip, four other pairs.
A fine metallic bead evening purse with metal clasp and fringe to base, 28x19cm, a white metal dance purse with large open work clasp set with amethyst coloured stones, bevelled mirror to interior, a Miracle Celtic design brooch, 55mm, framed cameo picture, Victorian brass needle case, thread and chain cover, 65mm, manicure tool marked Sterling, two "marbled" penknives and a small 1953 Coronation penknife, a Hollywood marcasite brooch and three others, marcasite necklace and earscrews, marcasite cocktail watch, buttons, glass sweets, jet coloured brooch, 55mm.
Fourteen vintage bead necklaces, 1960's, 1970's, frosted and clear amethyst glass necklace 40cm, marcasite and faux cornelion necklace, 40cm, gilt chain with ten celluloid sea shells, simulated pearl necklace wit paste set rondels, 45cm, fine turquoise bead necklace with gilt metal cages, glitter beads and two tassels, 110cm, various glass and plastic coloured bead necklaces.
An "Excuisite" enamel flower brooch and two others set with marcasite, Victorian style gilt metal and turquoise pendant, three amethyst coloured pendants, paste set brooches and earrings, elephant, cat, tennis racket, mandolin, Austrian cufflinks, white metal jewellery, gilt necklaces, earrings, St George brooch, British Legion badge, Women's League of Health & Beauty badge,
TWO CULTURED PEARL NECKLACES AND ONE OTHER, the first multi strand choker of cultured akoya pearls, strung on a white cord, pearls approximately 6.5mm, fitted with a 9ct gold circular integrated box clasp set with full and split pearls, clasp hallmarked 9ct gold London, length 370mm, with box, the second a white metal necklace suspending multi drops of cultured black button pearls and circular amethyst beads, on a white metal curb link chain fitted with a spring clasp stamped '925', length 380mm with box, together with a graduated imitation pearl stand fitted with a white metal fishhook clasp
A 9CT GOLD AMETHYST DROP PENDANT, of an openwork floral and scroll detailed design, suspending an amethyst ball drop within the centre, fitted with a scroll detailed bail, hallmarked 9ct gold London 1978, approximate length 30mm, approximate gross weight 2.4 grams (Condition:- Overall condition good, general light wear)

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105085 item(s)/page