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A mixed quantity of silver and silver plated items to include an Indian white dish with embossed decoration of ducks, horses and wild animals, a silver napkin ring, a silver fork with amethyst coloured finial in the form of a thistle, Victorian silver plated three piece teaset and other items
A facsimile of the Investiture Ring for the Prince of Wales, designed by Sir William Goscombe John in 1911, set with an amethyst cabochon clutched by two intertwined dragons in silver gilt, size M, fitted case by GarrardPresented to Sir William Goscombe John by Prince Edward, later King Edward VIII, in thanks for his work designing his investiture regalia. The original Investiture ring, chaplet, verge and sword, are all on permanent loan to the National Museum of Wales. Provenance: the Estate of Sir William Goscombe JohnIllustrated in Goscombe John at The National Museum of Wales, (National Museum of Wales: 1979), pp. 45-6GERE. C.F. & CULME. J., Garrard: Crown Jewellers for 150 Years, (Quartet: 1993), pp.136-7Accompanied by original purchase receipt from Didier Antiques, London dated 21st November 1998
A collection of eight gem-set silver rings by Georg Jensen, post-1945, including a lapis lazuli-set ring within square silver mount with bifurcated shoulders, design no. A94 by Bent Gabrielsen Pederson, with London import marks for 1962, size R ½, a silver cigar ring set with a green agate cabochon, design no. 124 by Poul Hansen, size M, a green agate cabochon three-stone ring, design no. 3, size J ½, an amber ring, the amber cabochon (damaged) set within a wirework frame and with bifuracted shoulders, design no. 1B, size L½, an amethyst and silver ring, the amethyst cabochon set within openwork silver frame, design no. 6, size M, a carnelian and silver ring, the carnelian cabochon set within a foliate mount with bifurcated shoulders, design no. 24, size J ½, a rubover-set malachite ring, design no 51 by Bent Gabrielsen Pederson, size L, and a moonstone silver ring, the two moonstone cabochons vertically set within a scrolling silver mount, design no. 48, size O ½, all stamped 925 S Denmark and with maker's mark
A coloured stone and enamel gold bracelet by Giuliano, c1896, the twelve quatrefoil foliate collets (including the clasp) are each decorated with black and white enamel and centred with faceted and cabochon gemstones, accompanied with a handwritten key explaining, to one side, that the twelve stones mentioned in the Bible, Revelations, chapter 21, verses 19-21 are Jasper, Sapphire, Chalcedony, Emerald, Sardonyx, Sard, Chrysolite, Beryl, Topaz, Chrysoprase, Jacinth and Amethyst, to the other side of the note an explanation that the twelve stones are symbolic of the Twelve Apostles: Peter, Andrew, James, John, Philip, Bartholomew, Matthew, Thomas, James the Lesser, Thaddeus, Simeon and Matthias, 19cm, the clasp signed with stamp C & AG, the tongue with partially obscure scratched inventory no. 432?, with fitted case for C & A Giuliano, 115 Piccadily, LondonIn the building of Paradise in the Book of Revelation each of the gems also represent a virtue: Jasper, firmness and constancy; Sapphire, heavenly and beautiful thoughts; Chalcedony, ardent zeal; Emerald, suavity of manner; Sardonyx, variety of teaching; Sard, readiness for martyrdom; Chrysolite, restrained by no obsctacles; Beryl, goodness of mind at all times; Jacinth, calmness in all things and Amethyst, sobriety and temperance.For a similar bracelet see MUNN, G., Castellani and Giuliano; Revivalist Jewellers of the 19th Century, pl.141 and 142.Accompanied by original purchase receipt from S.J. Phillips dated 30th August 1994
A quantity of jewellery, including a carved jade bangle, an Art Nouveau-style enamelled swan pendant with matching drop earrings, a mother-of-pearl necklace and matching bracelet, a turquoise bead necklace, a coral bead necklace, a silver oval-link chain, a branch-form coral and gold brooch, an amethyst bead necklace, an opal-set gold stock pin, an Art Nouveau silver pendant of maiden's-head form and set with small rose-cut diamonds, a gold longuard chain set with six garnet beads, a pair of gold drop earrings with beaded decoration and each set with a faceted emerald bead and a pearl, a pair of garnet flowerhead drop earrings, a silver longuard chain set with seed pearls, an ornate silver gilt pocket watch by Pinnacle, a white metal watch bangle, a three-row pearl, emerald and ruby bead necklace, a 19th century silver and gold medieval-inspired brooch, depicting a knight with shield and sword to its centre, the oval frame quartered with cushion-shaped rubies, and a silver necklace and bracelet, the flowerhead links with yellow and lavender enamel decoration
An amethyst, demantoid garnet and white sapphire Suffragette pendant by Child & Child, c1920, the centre oval-shaped amethyst set within a circular frame of circular-cut white sapphires and flowerhead clusters of demantoid garnets (one stone missing), suspending a further pear-shaped amethyst drop from a foliate link set with rose-cut diamonds, engraved 'A.K. Askwith from the Witton-le-Wear W.I. 1921, and with maker's mark, 7.3cm high, with fitted case by W PhillipsAccompanied by original purchase receipt from Sue Brown Antique Jewellery, 1-7 Davies Mews London dated 21st November 1998
An Arts & Crafts silver and amethyst necklace, c1925, the pear-shaped amethyst set with within floral motif decorated plaques, suspending three heart shaped amethysts and an amethyst cabochon joined on fine-link silver chains suspending elongated silver drops, on fancy-link silver chain, possibly attributed to Ramsden & Carr, 42cm long, Didier caseAccompanied by original purchase receipt from Didier Antiques dated 17th November 2000.
A small quantity of earrings, including a pair of foiled amethyst and gold ear clips, a pair of pietra dura and gold drop earrings, a pair of Victorian gold earrings with tassle drops (missing fittings), a pair of carnelian bead and gold drop earrings, together with two pairs of hollow ware gold earrings (one with missing fitting)
An Arts & Crafts Scottish gold pendant by James Cromar Watt, c1905, decorated with blue and iridescent white enamel with a stylized thistle set with an amethyst cabochon, on fancy-link neck chain, signed to reverse with initials, pendant 7cm long, chain 42cm long, fitted case by Tadema Accompanied by original purchase receipt from Tadema Gallery dated 11th September 1999.
Large collection of Peking glass Chinese, 19th/20th Century amethyst coloured, comprising four candlesticks, seven small cups, eight small footed bowls, four wide footed bowls, eleven saucer dishes, seven small dishes and seven plates (48) Provenance- Acquired by the vendor's grandparents in India circa 1920/1930
A collection of costume jewellery, to include a 9ct gold tie tack, with brushed gold emblem, 2.23g, a rolled gold hollow hinge bangle with engraved decoration, a silver marcasite ring, a silver green stone and marcasite cluster ring, a rolled gold white paste stone ring, a silver ingot on a box link chain, a silver single stone amethyst ring with textured bar shoulder, a Norwegian silver enamel Viking ship, stamped 925, AKSEL HOLMSEN, a single row graduated cultured pearl necklace, strung knotted to a 9ct gold clasp in a lotus, a 9ct gold 'S' link bracelet, 0.77g

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105074 item(s)/page