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6275 Los(e)/Seite
Los 118
Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE I, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25.25in., 85 by 63.125cm. P Taylor Gallery, Belfast Sheet size, 39.75 by 30in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.
Los 119
Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE II, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25.25in., 85 by 63.125cm. P Taylor Gallery, Belfast Sheet size, 39.75 by 30.25in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.
Los 120
Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE III, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25in., 85 by 62.5cm. P Taylor Gallery, Belfast Sheet size, 40 by 30in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.
Los 121
Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE VII, 2005 silkscreen; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 23.75in., 85 by 59.375cm. P Taylor Gallery, Belfast Sheet size, 39.75 by 28.5in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.
Los 122
Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE VIII, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 23.75in., 85 by 59.375cm. P Taylor Gallery, Belfast Sheet size, 40 by 28.75in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.
Los 123
Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE IX, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 23.75in., 85 by 59.375cm. P Taylor Gallery, Belfast Sheet size, 40 by 28.5in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.
Los 124
Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE X, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25.75in., 85 by 64.375cm. P Taylor Gallery, Belfast Sheet size, 40 by 30.5in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.
Los 125
Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE XI, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25in., 85 by 62.5cm. P Taylor Gallery, Belfast Sheet size, 39.75 by 30in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.
Los 126
Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE XII, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 23.75in., 85 by 59.375cm. P Taylor Gallery, Belfast Sheet size, 40 by 28.5in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.
Los 147
Andy Warhol (USA, 1928-1987) BE A SOMEBODY WITH A BODY, 1985 synthetic polymer paint and silkscreen ink on canvas signed and dated on reverse; stamped by the Estate of Andy Warhol and by the Andy Warhol Foundation for the Visual Arts, Inc. and numbered [PA 10.614] on the reverse; also stamped by the Andy Warhol Art Authentication Board with an ID number [A157.0310] on the reverse 8 by 10in., 20 by 25cm. L The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York;Private collection, New York;Christie`s, New York, Post-War and Contemporary Art, 9 May 2012, lot 270;Taylor Gallery, Belfast To be included in a forthcoming volume of The Andy Warhol Catalogue Raisonné, Paintings and Sculptures, ed., Georg Frei and Neil Printz, New York; New York, Museum of Modern Art, `Andy Warhol, A Retrospective, 1989`, exhibition catalogue, no. 436, p.386, illustrated (another example);Andy Warhol: Heaven and Hell Are Just One Breath Away! Late Paintings and Related Works, 1984-1986, Rizzoli, New York, 1992, a double Be a Somebody with a Body, illustrated p.60 and 61 (another example); Andy Warhol 365 Takes, The Andy Warhol Museum, Abrams, NY, 2004, (another example) illustrated in colour, p.97Germano Celant, Super Warhol, Skira/Grimaldi Forum Monaco, 2003, catalogue no. 248, p.485, illustrated (another example) Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy. Andy Warhol is synonymous with Pop Art, consumerism and the cult of celebrity. Through the medium of silkscreen printing he reinforced the idea of manufactured beauty which he saw in everything from Campbell`s Soup cans to Coca Cola, Marilyn Monroe and Elvis Presley. In the 1980s Warhol returned to advertising as a source of inspiration. His earlier output of the 1960s pivoted on the promises of ad men from cheap magazines and resulted in works such as Before and After, 1961 which was the genesis of his obsession with image, physical beauty and later the cult of celebrity. The subject of the present work, Be a Somebody with a Body, uses the muscular image of a bodybuilder (sourced from an untraced ad) projected against a canvas. Warhol emphasises the message through the use of bold graphic text; a BODY makes you a SOMEBODY. The figure`s defined torso and confident pose is highlighted by a halo that radiates from his head; a detail that nods to another late series by the artist based on Leonardo da Vinci`s mural The Last Supper. In that series he isolated the figure of Jesus from his disciplines and transplanted him next to an image of a bodybuilder; the gospel according to Warhol.
Los 1113
MAKENZIE THORPE (b. 1956) Framed, signed, numbered 131/195 and titled Once in a Blue Moon in pencil to margin, silkscreen on paper from an edition with 35 Artists Proofs, showing a figure pulling a large house with a piece of rope, with a blue moon in sky beyond, 81cm x 79cm. Provenance: See Castle Galleries label and Certificate of Authenticity attached verso. (ARR).
![PETER MAX [AMERICAN, 1937-], COLOR SILKSCREEN, 1972, PAPER SIZE: H 21 1/2" W 29 1/2", "JIMI HENDRIX": no.](http://lot-images.atgmedia.com/SR/33875/2904302/2029-2014318112132_468x382.jpg)
![YAACOV AGAM [ISRAELI, 1928-], SILKSCREEN, C. 1971, H 31", W 38", "TORAH MANTEL GOLD": Framed. Pencil sign](http://lot-images.atgmedia.com/SR/33875/2899310/2100-2014220123632_468x382.jpg)
Los 450
Bridget Riley (b.1931), "To Midsummer", signed, titled and dated `89 in pencil in the margin, numbered 33/100, with blindstamp, published by Advanced Graphics London, limited edition coloured silkscreen, image size 71 x 71cm.; 28 x 28in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
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6275 Los(e)/Seite