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6275 Los(e)/Seite
Dave White (British 1971-), 'Stag IV', 2015, silkscreen with diamond dust on 410gms Somerset tub paper, signed and numbered from an edition of 50 verso; sheet: 114 x 84cm (framed)ARR sheet: 114 x 84cm (framed) In good/artists condition, No visible knocks, tears or creases to the sheet Minor diamond dust/matter from the print can be seen loose in the frame, only visible upon close inspection This work has been framed in a black frame and float mounted leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Faile (Collaboration), 'Faile Dog IV - Shimmering Red', 2006, hand-finished silkscreen print on wove paper, signed in pencil, numbered from a varied edition of 10; sheet: 61 x 45.7cmsheet: 61 x 45.7cmIn good/artists condition,No knocks or tears to the sheetMinor markings to the sheet verso, potentially from time of productionSome creasing to the sheet, most visible versoSome smudging around signature, this is likely due to artists condition and materials usedThis sheet has been stored flat and not framed.
James McQueen (British 1977-), 'You Snooze You Lose', 2022, mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper, signed and numbered from an edition of 15 APs in pencil, aside from the main edition of 195; sheet: 101.5 x 67.5cm (framed)ARR sheet: 101.5 x 67.5cm In very good condition No visible knocks, tears or creases to the sheet Framed in a black frame, float mounted leaving all edges and corners of the sheet visible This work has not been examined outside of the frame.
Helen Beard (British 1971-), 'If They Be Two They Are Two So', 2021, Silkscreen print on Somerset Tub Sized 410gsm, signed and numbered from an edition of 60, sheet; 100 x 150cm (framed)ARR In very good condition No knocks or tears to the sheet Two minor handling creases to the sheet, one to the bottom left corner and the other to the bottom right corner section of the sheet Framed to a high standard in a white frame, float mounted leaving all edges and corners of the sheet visible This work has not been examined outside of the frame.
Connor Brothers (British Duo), 'The Boundaries Of Our Reality, 2019, giclee with silkscreen varnish on wove paper, signed, dated, and numbered from an edition of 25; sheet: 75 x 50cmARR sheet: 75 x 50cm In very good condition, No knocks, tears or creases to the sheet One extremely minor speckle on the upper right edge of the sheets white border, visible upon very close inspection Deckled edges in good condition This work has been stored flat and has not been framed.
Carlos Rolon "Dzine" (American, b. 1970). Twenty color silkscreen with enamel ink on museum board titled "Double Barrel Purple Micro Dot, 1" depicting a circular composition in neon-bright colors, 2012. Signed and numbered 10/50 along the lower right. Published by Lococo Fine Art Publisher.Height: 18 in x width: 18 in.Condition: No tears, losses, or restorations. Some very light fleabite chips to the edges. The work is not framed.
Michael Williams (American, b. 1978). Silkscreen on Stonehenge white paper titled "The Voyage of Your Mind" depicting figure and two head in an ombre of purple to green, 2013. Signed along a card along the verso. From the BAM + NADA portfolio. From an edition of 75 produced by The Brooklyn Academy of Music in collaboration with the New Art Dealers Alliance.Height: 20 in x width: 16 in.Condition: The colors are bold and bright. There are no tears, creases, losses, or repairs. The work is not framed.
Sister Corita Kent, IHM (American, 1918-1974). Silkscreen print on paper titled "Manifest as Language" depicting a quote in an orange block with shapes in black and blue, 1963. Pen signed and dated along the lower right.Sight; height: 29 1/2 in x width: 23 1/2 in. Framed; height: 32 1/2 in x width: 26 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restoration when viewed under UV light. There is a slight undulation to the sheet. Framed under glass; light wear to the frame. Not inspected out of frame.
Frank Big Bear (Anishinaabe, b. 1953). Two-part progress silkscreen over a pigment print depicting a composition of thirty cells with a variety of figures and scenes. Pencil signed and numbered 1/5 P.P. along the lower right. Produced in a limited edition for the Walker Art Center in Minneapolis, Minnesota.Sight; height: 28 in x width: 24 in. Framed; height: 31 1/4 in x width: 27 1/4 in x depth: 2 in.Condition: The colors are bold and bright. There is a slight undulation to the sheet. No visible tears, losses, or restorations.The sheet is floated in frame. Framed under glass. Light wear to the frame. Not inspected out of frame.
Lauren dela Roche (American, b. 1983). Twenty-three color silkscreen print on paper depicting a portrait of a figure, their face bathed in red with black spots. Initialed along the lower right; further Initialed and numbered 2/15 along the verso.Sheet; height: 15 1/2 in x width: 13 in. Mat; height: 20 in x width: 16 in.Condition: There are no tears, losses, or restorations. The work is held on a non-acidic mat with four plastic corner tabs. The work is not framed.
Govinder Nazran (British,1964-2008) -'Coppernob' 2004 -Silkscreen -89 x 59.5cm -No. 55/195 -Together with a signed limited edition giclee on canvas no. 99/150 entitled 'One', 52 x 95.5cm by the same hand and a glicee on paper, no. 3/195 by contemporary artist, Caroline Shotton entitled Medallions Of Beef, 42 x 64cm. (3)
JACK VETTRIANO (SCOTTISH 1951) 'ALTAR OF MEMORY', a signed limited edition silkscreen print on paper depicting a male figure with a mannequin, 220/295 with certificate, approximate sizes - image 55cm x 44cm frame 90cm x 78cm, Condition Report: print is not flat in the mount, light bump to bottom corner edge of the mount
SPECIESOversized Framed H.R. Giger Autographed Artist's Proof Print (50" x 70")Very Fine+ Rolled; Artwork by H.R. Giger MGM, 1995This is a 70" x 50" silkscreen signed by Giger. It was given as a gift to the series' producers. What's particularly special about the silkscreen is that it's the original "artist's approval print" that Giger had just received from the printers, and he presented it to the producer at the end of the shoot. It is in excellent condition, This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.
* ALASDAIR GRAY (SCOTTISH 1934 - 2019), FROM AN EASTERN EMPIRE limited edition silkscreen print on paper, numbered 15/200, inscribed 'Alasdair, to Kenny Renata, 3rd April 1983' unframedoverall size 42cm x 30cmNote: Along with John Byrne, Alasdair Gray has been described as one of the great Polymaths of the Scottish modern arts movement. Prolific writer and artist since graduating from the Glasgow School of Art in 1957. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of Scottish and Enlgish literature. Gray trained in mural painting, and his Glasgow murals include those in the Hillhead subway station and in the Oran Mor, an arts and music venue at the head of Glasgow's iconic Byres Road. His paintings, drawings and prints are well-known and widely collected. Examples of his paintings, drawings and prints are currently housed in various public collections, including The Victoria and Albert Museum, The Kelvingrove Art Gallery and Museum, The Museum of Modern Art, The Scottish National Gallery of Modern Art, The National Library of Scotland, The Hunterian Museum and The Arts Council of England collection. His art was celebrated in 2014-15 with a major retrospective exhibition at Glasgow's Kelvingrove and in 2014 the BBC aired a one hour documentary to honour the 80th year of this 'giant of Scottish arts'.
Andy Warhol (Pittsburgh 1928 - 1987 New York)Marilyn Monroe (Marilyn)Aus dem Portfolio "Marilyn Monroe (Marilyn)"1967Farbserigraphie 91,4x91,4 cmSignaturRückseitig signiert "Andy Warhol" und mit der gestempelten Nummerierung "158/250"WerkverzeichnisFeldman/Schellmann/Defendi II.27ProvenienzSlg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913bAusstellungenSalzburg 1984, Rupertinum, Von Goya bis Warhol, Meisterwerke der Graphik des 19. und 20. Jahrhunderts aus einer Schweizer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 281ZustandDas Blatt rückseitig leicht gebräunt. In sehr schöner ErhaltungErläuterungenBlatt aus dem aus 10 Siebdrucken bestehenden Portfolio "Marilyn Monroe (Marilyn)", das der Künstler 1969 in einer Auflage von 250 Exemplaren geschaffen hat.Es sind die ersten druckgraphischen Arbeiten, die Warhol unter dem Namen "Factory Additions, New York" produzierte, gedruckt wurden sie von Aetna Silkscreen Products, Inc., New York. Den sogenannten "Edition Prints", den limitierten Auflagen, die Warhol zwischen 1962 und 1987 geschaffen hat, ging jeweils ein langer Probedruck-Prozess in unterschiedlichen Farb- und Formvarianten voraus, von denen er jeweils 10 Drucke für die definitive Auflage auswählte, die einheitlich gedruckt wurden.Das Motiv der Schauspiel-Ikone Marilyn Monroe basiert auf dem Pressefoto von Eugene Kornman von 1953 anlässlich der Dreharbeiten zum Film "Niagara".MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)12.09.2024; 17:20 h (MEST)VersandkostenAuf Anfrage / On request
Andy Warhol (Pittsburgh 1928 - 1987 New York)Consommé (Beef)Aus dem Portfolio "Campbell's Soup I"1968Farbserigraphie auf festem Velin88,9x58,4 cm, BlattgrösseSignaturRückseitig vom Künstler signiert "Andy Warhol" und mit der Stempelnummerierung "105/250"WerkverzeichnisFeldman/Schellmann/Defendi II.52ProvenienzSlg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913bAusstellungenSalzburg/Winterthur 1984/1985, Rupertinum/Kunstmuseum, Von Goya bis Warhol, Meisterwerke der Graphik des 19. und 20. Jahrhunderts aus einer Schweizer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 282ZustandWenige Flecken ausserhalb der Darstellung und einzelne Griffknicke. In sehr schöner Druckqualität und ErhaltungErläuterungenMit der Darstellung von Campbell-Suppendosen schuf Andy Warhol 1962 eine Ikone der Pop Art. Zunächst fertigte er 32 Siebdrucke auf Leinwand - eine für jede damals erhältliche Suppensorte. Später wurde das Sujet als Farbserigraphie verlegt. Die Konsumware der Suppen hatte es Warhol besonders angetan, so erklärte er einmal lakonisch: "Ich habe sie immer getrunken. Ich habe jeden Tag dasselbe gegessen, zwanzig Jahre lang, glaube ich, immer und immer wieder dasselbe".Ediert von Factory Additions, New York und gedruckt bei Salvatore Silkscreen Co., Inc., New York.MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)12.09.2024; 17:20 h (MEST)VersandkostenSchweiz / Switzerland: CHF 170.-Europa / Europe: CHF 285.-Übrige Länder / Other countries: CHF 380.-
* Mon (Franz, 1926-2022). Epitaph für Konrad Bayer, 1964, silkscreen in colours on wove paper, title, artist and date printed to lower margin, printed by Wild Hawthorn Press, the full sheet, scattered spotting, old creases, sheet size 56.5 x 43 cm (22 1/4 x 17 ins) and Kriwet (Ferdinand, 1942-2018). Poem/Print, 1964, silkscreen in colours on wove paper, artist and date printed to lower margin, printed by Wild Hawthorn Press, the full sheet, sheet size 55.5 x 44 cm (21 1/2 x 17 1/4 ins), together with Phillips (Tom, 1937-2022). A Humument, version II of p. 51., 1970, screenprint in colours on wove paper, signed, dated and numbered 20/75 in pencil, the full sheet, image size 65 x 42 cm (25 1/2 x 16 1/2 ins), sheet size 76.5 x 54.5 cm, plusFurnival (John, 1933-2020). Polar, 1965, silkscreen in colours on wove, artist and date printed lower left, printed by Wild Hawthorn Press, the full sheet, small areas of creasing, old pin holes to each corner, sheet size 55 x 44 cm (21 1/2 x 17 1/4 ins), together with Albert-Birot (Pierre, 1876-1967). Paradis, 1964, silkscreen print in colours on wove, artist and date printed to lower margin, printed by Wild Hawthorn Press, the full sheet, some small areas of creasing and toning to the extreme edge of the upper blank margin, sheet size 44 x 57 cm (17 1/4 x 22 1/2 ins) and Kriwet (Ferdinand, 1942-2018). Poem/Print, 1964, silkscreen in colours on wove paper, artist and date printed to lower margin, published by Wild Hawthorn Press, the full sheet, sheet size 55.5 x 44 cm (21 1/2 x 17 1/4 ins), and The Eyeful Tower, 1966, screenprint in brown on thick wove paper, signed and dated in black ink lower left, published by Openings Press, the full sheet, some spotting, sheet size 58.5 x 29.5 cm (23 x 11 1/2 ins), together with Kilpeck Corbels, screenprint on thick wove paper, signed in pencil by the artist, from an unnumbered edition, the full sheet, sheet size 64 x 49.5 cm (25 1/4 x 19 1/2 ins), and an exhibition poster for The Locative Case Topographical Drawings, a solo exhibition held at the Cairn Gallery in 1994QTY: (9)NOTE:Graeme Murray 1.7 and 1.9, Ian Hamilton Finlay & The Wild Hawthorn Press, A Catalogue Raisonné 1958 - 1990, 1990, page 1. Graeme Murray 1.10, 1.8 and 1.9, Ian Hamilton Finlay & The Wild Hawthorn Press, A Catalogue Raisonné 1958 - 1990, 1990, page 1.
A Group Of Six Pictures To include a unsigned drawing of trees in the Cambridge Botanic Garden by Sarah Riley-Smith, 26.5cm x 29cm; a silkscreen of a man in a bowler hat by Eduardo Munoz Bachs (Cuban. 1937-2001), blindstamp lower left, 18.5cm x 12.5cm; a signed lithograph by Ross Loveday, titled 'Borrowed Light, 1/4 numbered edition, 23cm x 47.5cm; and three paper collages (mix media) by Ursula Frisch (1921-2019), 17cm x 32cm (largest) (6)
Tove Jansson, Finnish 1914-2001,The Moomin Series: Moomintroll and Little; My Snufkin; Snorkmaiden; Sniff, 1956;four silkscreen labels, printed for Stockmann department store in Helsinki and NK Stockholm, printed by Kromipaino Helsinki in 1956, all four mounted and stamped with authenticity stamps, each label: 4.5 x 6.5 cm, (unframed) (4)
Bob Dylan, American b.1941-Endless Highway, 2017; silkscreen print with pigmented and acrylic resin ink on Archival Coventry Rag 320gsm vellum white paper, signed and numbered 134/195 in pencil, printed by Kolibri Art Studio, Inc, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 137.1 x 87.6 cm, (framed) Note: together with a certificate of authenticity issued by Washington Green Fine Art.
Ai Weiwei, Chinese b.1957- Middle Finger in Red, 2023; handmade 2-colour silkscreen print on Somerset Tub Sized Satin White 410gsm paper, signed and numbered from the edition of 1285 in pencil, published by Avant Arte, Amsterdam, sheet: 60 x 60 cm, (unframed) Note: Together with a certificate of authenticity from Avant Arte.
Andy Warhol, American 1928-1987,Kellogg's Corn Flakes, c.1981;blue screenprint on white cotton t-shirt; t-shirt made by Hi-Fy in size 46, a collaboration with Warhol and the Kellogg's company, Michigan, approx.: 57 x 62 cm, Note: the Kellogg's cereal was Warhol’s favourite breakfast cereal, he had already printed this advert on a plywood box in 1964 along with an image of Lou Reed on the box. Then he silkscreen printed this shirt for Stephen Sprouse, the American fashion designer and friend of Warhol and Keith Haring.Provenance: Stephen Sprouse who gave it to the vendor's father
Bill Reid (1920 - 1998), Haida Frog, 1995, silkscreen print on bark paper, no. 74/100, titled in pencil, signed by the artist verso with wolf crest seal and printmaker's seal, original carved oak frame, overall frame dimensions 31cm x 25cm, provenance: purchased by the vendor directly from the artist's wife (letters and other papers verso) All in very good original condition
Penwith Print Room Portfolio A Spring Collection Portfolio of five (of ten) prints published by The Penwith Society of Artists in 1978. Michael FOREMAN (1938) Cuckoo, etching; Sheila OLINER (1930-2020) Janet, etching/drypoint & hand colouring; Lieke RITMAN (1942), Jollytown Barn, silkscreen; Alyson STONEMAN (1948) Lamorna Spring, etching; Roy WALKER (1936-2001); each limited edition number 21 of 75. All signed, titled, numbered & dated. Sheet size 52cm x 38.5cm Image size 24.5cm x 17cm. Original folder & cover.
This original colorful silkscreen on paper entitled Reflections is by Modern Abstract painter and printmaker Dorie Marder. She depicts an urban scene with a glorious cloudy sky above buildings that reflect on large puddles of water. Signature in plate and in graphite on lower right: Dorie Marder. Title on lower left: Reflections. Artist: Dorie Marder (Polish-American 1919-2011)Issued: c. 1970Dimensions: 17.25"L x 14.25"HCountry of Origin: Poland/United StatesCondition: Age related wear. Tape attached to paper corners.
STAR WARS: THE EMPIRE STRIKES BACK (1980) - Set of 12 Printed Paul Huston Probe Droid Industrial Light & Magic Crew T-Shirt Silkscreen Designs - A set of 12 printed probe droid designs created by Industrial Light & Magic (ILM) model maker Paul Huston from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. Shirts silkscreened with Huston's illustration of a tap-dancing imperial probe droid were distributed to his fellow crew members.This lot consists of 12 black-and-white copies used for the silkscreen production process printed alternately on paper and vellum. The prints show the evolution of the final illustration with differences in the size of the ILM lightbulb, the inclusion of the company name, and the jauntiness of the droid's dance. The set exhibits yellowing and bending throughout from age. Dimensions: (largest) 8.5" x 14" (21.75 cm x 35.75 cm)Sold without copyright; see notice in the Buyer's Guide.Estimate: $3,000 - 6,000Bidding for this lot will end on Sunday, August 18th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th, or Saturday, August 17th.
MARC QUINN (BRITISH 1964-) MESOSPHERE - 2017 Digital print with silkscreen glaze, 15/65, signed and numbered in pencil to lower edge, published by Manifold Editions the sheet 104cm x 102cm (41in x 40in) The use of a digital printing technique allowed Quinn to achieve the intensity and definition of colour that he wanted here. Inspired by his Iris series of paintings from 2009, this work reflects one of his enduring artistic understandings, that we are materially connected to the wider universe. The close proximity and enlarged scale of the image distort our experience making the iris almost abstract and evoking other imagery, most notably of stars and galaxies.
▲ Gerd Winner (German, b.1936) 'New York Canyon'silkscreen in colours, artist's proof, signed 'Winner' in pencil l.r., and inscribed 'A.P'sheet 103 x 70cmCondition ReportFramed: 108 x 75cmVery slight cockling. A little time staining and discolouration to the unprinted areas and margins. Not viewed out of glazed frame.

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6275 Los(e)/Seite