Amerikanische Moderne - - Louise Nevelson. (1900 Kiev - 1988 New York). o.T. (Aus dem Portfolio "From the New York Collection for Stockholm"). 1973. Farbserigraphie partiell mit Lack auf Papier. 26 x 19 cm (30,5 x 23 cm). Signiert, nummeriert und bezeichnet "p.c.". Verso mit Copyright- und Druckerstempel von Styria Studio, Inc., New York. Punktuell auf Unterlage montiert und unter Glas gerahmt. - Entlang der Kanten vereinzelt minimal gebräunt, dies unauffällig. Insgesamt in gutem Zustand. Eines von 31 printers copy Exemplaren, abseits der herkömmlichen Auflage von 300. - Aus dem Portfolio "The New York Collection for Stockholm", hrsg. von Experiments in Art and Technology, Inc., New York. Druck von Styria Studio, Inc., New York. Colour silkscreen, partially with varnish, on paper. Signed, numbered and inscribed "p.c.". Verso with copyright and printer's stamp of Styria Studio, Inc, New York. Spot-mounted on backing and framed under glass. - Along the edges sporadically minimally browned, this unobtrusively. Overall in good condition. - One of 31 printers copies off the conventional edition of 300.
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ZERO - - Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). o.T. 1965/71. Farbserigraphie auf Karton. 29 x 40,2 cm (29 x 40,2 cm). Signiert und datiert. - Vereinzelt minimal berieben und die Ecken sehr leicht bestoßen. Verso mit leichter, gleichmäßiger Altersbräunung. Insgesamt im guten Zustand. Sehr leuchtende Farben. Rottloff, 98. - Druck abseits der Auflage von 100. Colour silkscreen on cardboard. Signed and dated. - Minimally rubbed in places and corners very slightly bumped. Verso with slight, even age browning. Overall in splendid condition. Very bright colours. - Print off the edition of 100.
Zeitgenössische Kunst - Street Art - - Vhils (Alexandre Farto). (1987 Lissabon). Taciturn. 2018. Serigraphie überarbeitet mit Säure, Chlor und Quink Tinte auf Keaykolour Original China White. 70 x 50 cm (70 x 50 cm). Signiert und nummeriert. - Verso mit wenigen Atelierspuren und Spuren der vorherigen Montierung. Insgesamt in wohlerhaltenem Zustand. Eines von 115 seriellen Unikaten. - Vhils wurde in Lissabon geboren und wuchs in der Industrievorstadt Seixal auf. Seit 2004 gehört zu den wichtigen Protagonisten der Lissabonner Visual Street Performance Szene. Seine Beiträge auf dem von Banksy kuratiertem Cans-Festival in London 2008 sorgten für Aufsehen. Seither gilt Vhils als einer der bekanntesten europäischen Streetart-Künstler. Silkscreen reworked with acid, chlorine and Quink ink on Keaykolour Original China White. Signed and numbered. - Verso with a few studio marks and traces of previous mounting. Overall in a well preserved condition. - One of 115 serial unique copies.
Zeitgenössische Kunst - Street Art - - Vhils (Alexandre Farto). (1987 Lissabon). Caustic. 2017. Serigraphie überarbeitet mit mit Quink Tinte und Säure auf Keaykolour Original China White. 70 x 50 cm (70 x 50 cm). Signiert und nummeriert. - Eckten teils etwas bestoßen. Verso partiell mit sehr wenigen Atelierspuren. Insgesamt in gutem Zustand. Eines von 150 seriellen Unikaten. Silkscreen reworked with Quink ink and acid on Keaykolour Original China White. Signed and numbered. - Corners partly a little bit bumped. With very few traces of studio on verso. Overall in good condition. - One of 150 serial unique pieces.
Fluxus Ben Vautier (1935 Neapel - lebt in Nizza)Art is Ego. 1971. Serigraphie in Schwarz auf leichtem Karton. Blattmaß 70 x 50 cm. Signiert und nummeriert sowie verso mit dem Editions-Stempel versehen. - Teils schwach knickspurig. Eines von 100 Exemplaren. - Edition tangente, Heidelberg. Silkscreen on light cardboard. Signed, numbered and with edition stamp on verso. - Partly with slight creasemarks. - One of 100 copies.
Konkrete Kunst - - Rupprecht Geiger. (1908 - 2009 München). o.T. (aus der Folge "Rupprecht Geiger. all die roten farben, was da alles rot ist, ein sehr rotes buch/Hundertbuch III"). 1981. Farbserigraphie auf cremefarbenem Papier. 38,5 x 39 cm (38,5 x 39 cm). Verso signiert. Partiell montiert auf Unterlage und unter Glas gerahmt. - Wohlerhalten. Geiger-Gesellschaft/ Städtische Galerie im Lenbachhaus/ Geiger, WVG, 168/8. - Eines von 100 Exemplaren. Colour silkscreen on cream paper. Signed on verso. Partially mounted on backing and framed under glass. - In good condition. - One of 100 copies.
Pop Art - - Domberger Siebdruck-Kalender für 1969. 1969. Mit 6 Farbserigraphien amerikanischer Pop-Art Vertreter. Je auf leichtem Karton, dieser je mit Perforierung. Blattmaße je 39 x 38 cm. Verso je typographisch bezeichnet m. Werks-, Editions- u. Copyrightangaben. Im Einband mit Spiralbindung. - Titelblatt etwas gebrauchsspurig, wenige Kalenderblätter vereinzelt m. kleinen Braunflecken, 1 Graphik an der Perforierung davon minimal betroffen. Der Deckeltitel mit leichten Gebrauchsspuren. Insgesamt in gutem Zustand. Die Graphiken samtig-pulvrig. Mit je 1 Arbeit von: - Tom Wesselmann - Roy Lichtenstein - Nicholas Krushenick - Robert Indiana - Andy Warhol - Jim Dine. - Herausgegeben von Multiples. Idee, Gestaltung und Druck von Domberger KG, New York und Stuttart. - Einer von 900 unsignierten Exemplaren. - Die 6 Kalenderblätter für jeweils 2 Monate mit je 1 Farberigraphie. Domberger silkscreen calendar for 1969. With 6 colour serigraphs of American Pop Art representatives. Each on light cardboard, this one with perforation. Each typographically inscribed on verso with details of work, edition and copyright. Bound with spiral binding. - Title page with some traces of use, a few calendar pages with small brown spots, 1 print at the perforation minimally affected. Overall in good condition. The graphics velvety-powdery. - With 1 work each by: - Tom Wesselmann - Roy Lichtenstein - Nicholas Krushenick - Robert Indiana - Andy Warhol - Jim Dine. - Edited by Multiples. Idea, design and silk-screen by Domberger KG. New York and Stuttart. - One of 900 unsigned copies. - The 6 calendar pages for 2 months each with 1 coloured engraving.
Yves Klein. (1928 Nizza - 1962 Paris). Set aus 2 Arbeiten. Mit 1 Serigraphie und 1 goldfolierten Blatt in: Den inre och den yttre rymden, en utställning rörande universell konst. The inner and the outer space. An exhibition on universal art. Ausst.-Kat., Stockholm, Moderna Museet, 1965. Die Arbeiten je auf Papier. Blattmaße je 29 x 27 cm. 1 Bl. verso gestempelt "Guld är Solljuset fotograferat och fixeradt. August Strindberg". Mit Schraubenbindung, vorn mit weißem Vinyl und dem hinteren Deckel aus Wellpappe und dem Pappschuber. - Der Pappschuber altersspurig. 1 Blatt mit leichten Druckspuren und etwas bestoßenen Kanten, dort partiell mit wenig Farbabrieb. Der Katalog insgesamt in gutem Zustand. Katalog der von Hultén kuratierten Gruppenausstellung im Stockholmer Moderna Museet vom 26.12.1965 bis 13.02.1966. Set of 2 works. With 1 silkscreen and 1 gold-foiled sheet in: Den inre och den yttre rymden, en utställning rörande universell konst. The inner and the outer space. An exhibition on universal art. Exhibition-cat., Stockholm, Moderna Museet, 1965. The works each on paper. 1 sheet stamped on verso "Guld är Solljuset fotograferat och fixeradt. August Strindberg". With screw binding, white vinyl on the front and the back cover of corrugated cardboard and the cardboard slipcase. - The cardboard slipcase age-toned. 1 leaf with light traces of printing and somewhat bumped edges, there partially with little colour rubbing. The catalogue overall in good condition. - Catalogue of the group exhibition curated by Hultén at the Stockholm Moderna Museet from 26.12.1965 to 13.02.1966.
Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Jindey. Farbserigraphie auf leichtem Karton. 60 x 60 cm (68 x 68 cm). Signiert und nummeriert. - Unter Passepartout und Glas gerahmt. Im oberen und linken weißen Rand wasserfleckig (Darstellung nur marginal betroffen). Verso am oberen Rand mit Materialverlust des Kartons. Eins von 250 Exemplaren. Colour silkscreen on light cardboard. Signed and numbered. - Framed under passepartout and glass. Upper and left white margin waterstained (motif only marginally affected). Loss of cardboard material at upper margin on verso. - One of 250 copies.
Pop Art Joe Tilson (1928 London)Let a thousand parks bloom. 1971. Farbserigraphie und Collage auf chamoisfarbenem Bütten (mit Wasserzeichen). 94 x 64 cm (102 x 70 cm). Signiert, datiert und nummeriert sowie in der Form betitelt. - Im weißen Rand mit leichteren Anschmutzungen und einem kurzen, horizontalen Randeinriss sowie partiell mit leichteren Braunfleckchen (auch verso), das jeweils Motiv nicht betroffen. Der Abzug farbsatt und samtig. Eines von 550 Exemplaren. - Druck bei Kelpra Studios, London. Colour silkscreen and collage on buff handmade paper (with watermark). Signed, dated, numbered and titled in the form. - In the white margin with slight soiling and a short, horizontal marginal tear as well as partially with lighter brown spots (also on verso), the respective motif not affected. The print rich in colour and velvety. - One of 550 copies. - Print by kelpra studios, London.
Amerikanische Moderne - Minimalismus - - Sol LeWitt. (1928 Hartford, Connecticut - 2007 New York). 22 Serigraphien in: Jorge Luis Borges. Ficciones. 1984. Serigraphien je auf chamoisfarbenem Bütten. Blattmaße je 12,7 x 17,8 cm (20,3 x 20,3 cm). Im Kolophon vom Künstler signiert und nummeriert. Im schwarzen Kalbsledereinband u. zugehörigem Schuber. - Schuber und Einband außen mit leichteren Gebrauchsspuren. Serigraphien in sehr gutem Zustand. Eines von 1500 Exemplaren. - Englische Ausgabe. - Hrsg. von Limited Edition Club, New York, 1984. 22 Silkscreen prints in: Jorge Luis Borges. Ficciones. Silkscreen each on buff laid paper. Signed and numbered by the artist in the collophon. In black calfskin binding and slipcase. - Slipcase and outer cover with slight signs of wear. Serigraphs in very good condition. - English letterpress. - One of 1500 copies. - Edited by Limited Edition club, New York.
Hyperrealismus - - Gottfried Helnwein. (1948 Wien). Andy Warhol. 1990. Farbserigraphie auf strukturiertem Karton. 98,5 x 66 cm (119 x 79 cm). Signiert und datiert sowie nummeriert. Eins von XC Exemplaren. Colour silkscreen on grained cardboard. Signed, dated and numbered. - One of XC copies.
Pop Art Moritz Götze (1964 Halle)Das Zimmer. 1994. Farbserigraphie auf festem Papier. 117 x 168,5 cm. Signiert, datiert und nummeriert verso und recto. - Unregelmäßig beschnitten. Am Rand leicht bestoßen. Verso atelierspurig. Exemplar Epreuve d'Artiste. Color silkscreen on strong paper. Signed, dated and numbered verso and recto. - One artist proof.
Konkrete Kunst - - Günter Fruhtrunk. (1923 - 1982 München). Set aus zwei Graphiken. 1968/1972. Je eine Farbserigraphie auf Papier. Blattmaße von 45,2 x 32,2 cm bis 96,5 x 11,3 cm. 1 Bl. signiert, datiert und bezeichnet. 1 Bl. in Papierbögen mit Werkangaben. - 1 Bl. mit Einstichlöchlein als Spuren der vorherigen Montierung u. verso einseitig lichtrandig. 1 Bl. mit Bestoßungen der Kanten u. oberflächlichen vereinzelten Gebrauchsspuren. Farbintensive Abzüge. 1 Bl. ein Exemplar von 150. - Folgende Titel sind enthalten: - Veränderte Reihen, 1972. - Vertikale, 1968. Set of two prints. One colour silkscreen on paper each. 1 sheet signed, dated a. inscribed. 1 sheet in paper sheets with work details. - 1 sheet with small puncture holes as traces of the previous mounting and light margins on verso. 1 sheet with bumped edges and superficial scattered traces of use. Colour-intensive prints. - 1 sheet one copy of 150 - The following titles are included: - Veränderte Reihen, 1972. - Vertikale, 1968.
Konkrete Kunst Richard Paul Lohse (1902 - 1988 Zürich)o.T. Farbserigraphie auf leichtem Karton. 18,5 x 18,5 cm (20,6 x 21 cm). Signiert und römisch nummeriert. In original Faltkarte mit Beitext von Heinz Teufel. - Vereinzelt mit minimalen Knickspuren, diese unauffällig und den guten Gesamteindruck nicht störend. Leuchtende Farbigkeit. Eines von 50 römisch nummerierten Exemplaren. - Anlässlich des Neujahrsgrußes des Galeristen Heinz Teufel erschienen. - Beigegeben: Richard Paul Lohse. Modulare und Serielle Ordnungen. Katalog, hrsg. v. Eugen Gomringer, Friedrich W. Heckmanns u. A. Gebundene Ausgabe, 228 S. Köln, 1973. Color silkscreen on light cardboard. Signed and roman numbered. In Oold card with accompanying text by Heinz Teufel. - With a few tiny scratches, which are unobtrusive and do not disturb the good overall impression. Brilliant colours. - One of 50 Roman numbered copies. - Published on the occasion of the New Year's greeting of the gallery owner Heinz Teufel. - Submitted: Modulare und Serielle Ordnung. Catalogue, ed. by Eugen Gomringer, Friedrich W. Heckmanns u. A. Cologne, 1973.
Konkrete Kunst - - Heinz Kreutz. (1923 Frankfurt - 2016 Prenzberg). Set aus 2 Arbeiten. 1969 bzw. 1972. Je Farbserigraphie auf Velin. Blattmaße von 38 x 32 cm bis 25 x 49 cm. Je signiert und datiert, 1 Bl. zus. nummeriert. 1 Bl. aufklappbar, innen m. typographischen Bezeichnungen d. zugehörigen Galerieausstellung, verso m. Konstruktionszeichnungen z. Graphikmotiv (als Siebdruck). - Je m. dezent bestoßenen Ecken, 1 Bl. vereinzelt m. sehr leichten Bereibungen u. verso kl. Anschmutzungen. Insgesamt saubere u. farbkräftige Abzüge. 1 Bl. eines von 75 Exemplaren. Set of 2 works. Each colour silk screen on vélin. Each signed and dated, 1 sheet numbered together. 1 sheet fold-out, inside with typographic inscriptions of the corresponding gallery exhibition, verso with construction drawings of the graphic motif (as silkscreen). - Each with discreetly bumped corners, 1 sheet sporadically with very slight rubbing a. on verso small soiling Overall clean and colourful impressions. - One sheet one from 75 copies.
Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). o.T. (geometrische Komposition). Farbserigraphie auf chamoisfarbenem Karton. 60 x 42 cm (80 x 60 cm). Signiert und nummeriert. - Im weißen Rand vereinzelt mit sehr schwachen Anschmutzungen. Partiell leicht berieben. Insgesamt im wohlerhaltenen Zustand. Eines von 75 Exemplaren. - Farbkräftiger, sauberer Abzug. Colour silkscreen on buff cardboard. Signed and numbered. - With very weak soiling in the white margin. Partially slightly rubbed. At all in a good condition. - One of 75 copies. - Colorfull, saturaed and clean print.
Arman (Armand Pierre Fernandez). (1928 Nizza - 2005 New York City). o.T. 1973. Farbserigraphie auf schwarzem Karton. 65 x 50 cm (65 x 50 cm). Signiert und nummeriert in Graphit. - Die Ecken minimal bestoßen. Eines von 125 Exemplaren. - Aus dem Portfolio "Suite for Violin". - Kontrastreiches Blatt in einwandfreiem Zustand. Colour silkscreen on black cardboard. Signed and numbered in graphite. - Corners minimally bumped.- One of 125 copies. - From the portfolio "suite for violin".
Konkrete Kunst - - nach Josef Albers u.a.. (1888 Bottrop - 1976 New Haven). Set aus 3 Graphiken der Reihe "Look at" der Galerie Thomas, München. Ausstellungsplakate. 1969/1970. Blattmaße je 91,5 x 67 cm. Enthält die Plakate nach Joseph Albers (Farbserigraphie), Victor Vasarely (Farbserigraphie) und David Hockney (Offset). - Beigegeben: nach Roy Lichtenstein. Romantik? Landschaft von dazumal bis Pop. Ausstellungsplakat. 1970. Farboffsetlithographie auf Papier. Blattmaß 58,5 x 84 cm. Köln, Wallraf-Richartz-Museum. - Von der Osten, 109. - Die Blätter wohl erhalten und farbfrisch, lediglich vereinzelt leicht knickspurig. Set of 3 exhibition posters after Albers, Vasarely, Hockney and Lichtenstein. Colour silkscreen, colour offset lithograph or offset on paper. - All in all good.
ZERO - - Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). o.T. (Nach einer Photographie aus "Lichtballet" von 1969). 1972. Serigraphie auf leichtem Karton. 98 x 67,5 cm (98 x 67,5 cm). Signiert und datiert. - Teils mit bestoßenen Kanten, Knickspuren und leichtem Farbabrieb. Der Druck satt und samtig-pulvrig. Rottluff, 129. - Druck abseits der Auflage von 300. - Ediited by Galerie Wentddorf+Swetec, Düsseldorf. Silkscreen on light cardboard. Signed and dated. - Partly with bumped edges, crease marks and slight colour abrasion. The print saturated and velvety-powdery. - Print off the edition of 300.
Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Parmenide. 1979. Farbserigraphie auf Papier 53 x 44,5 cm (73,3 x 53,2 cm, Sichtmaß). Signiert und römisch nummeriert. Auf Unterlage montiert und hochwertig unter Glas gerahmt (ungeöffnet). - Guter Zustand. Farbleuchtende Arbeit. Eines von 50 Exemplaren der römisch nummerierten Museumsauflage abseits der herkömmlichen Auflage. - Erschienen im Grafos Verlag, Vaduz. - Gedruckt bei Silium, Paris 1979. Colour silkscreen on paper. Signed and Roman numbered. High quality framed under glass (unopened). - Good condition. Colourful work. - One of 50 copies of the Roman numbered museum edition apart from the conventional edition. - Published by Grafos Verlag, Vaduz. - Printed by Silium, Paris 1979.
Pop Art - - Robert Indiana. (1928 New Castle, Indiana (USA) - 2018 Vinalhaven, Maine (USA)). LOVE. Siebdruck auf starkem Karton. Um 1967. 74 x 73 cm. - Verso etwas gebräunt. Am Außenrand teils minimal berieben. Am rechten u. unteren Außenrand mit minimalen Farbausbrüchen und Knickspuren, an der linken Ecke am Außenrand minimal bestoßen. Sheehan 39. - Die Farben kräftig und leuchtend. Variante des 1967 von Indiana veröffentlichen Siebdrucks in einer Auflage von 250 Exemplaren von Multiples Inc.: "Indiana originally intended this print to be published in an unlimited edition accessible to collectors of more modest means. It is based on the painting LOVE of 1966 (Indianapolis Museum of Art)" (Vgl. Sheehan). Silkscreen print on strong cardboard. Somewhat browned at the back side. At the outer margin minimally rubbed. At the right outer margin with minimal color break, at the left corner at the outer margin minimally bumped. Sheehan 39th - The colors strong and bright. Variation of the silkscreen published by Indiana in 1967 in an edition of 250 copies by Multiples Inc. "Indiana originally intended this print to be published in an unlimited edition accessible to collectors of more modest means. It is based on the painting LOVE of 1966 (Indianapolis Museum of Art)" (cf. Sheehan).
Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Dirak. (1988). Farbserigraphie auf Papier. 50,5 x 50,5 cm (ca. 68 x 60 cm). Signiert und nummeriert. - Unter Glas gerahmt (ungeöffnet). Eins von 250 Exemplaren. Colour silkscreen on paper. Signed and numbered. - Framed under glass (unopened). - One of 250 copies.
Pavlos Dionyssopoulos (1930 Griechenland - 2019 ebenda)o.T. (Flasche). 1972. Farbserigraphie auf Papier, geschnittenem und gebundenen sowie zur skulpturalen Flasche montiert. Auf Klappkarte, diese am Deckeltitel typographisch beschriftet. 18,8 x 8,5 cm. - Klappkarte außen etwas berieben. Insgesamt wohlerhalten. Unikatäres Exemplar. - Einladung zur Ausstellung des Künstlers in der Galerie Der Spiegel, Köln. Colour silkscreen on paper, cut, bound and mounted to form a sculptural bottle. On folding card, typographically inscribed on the cover. - Folding card somewhat rubbed on the outside. Overall in good condition. - Unique copy. - Invitation to the artist's exhibition at Galerie Der Spiegel, Cologne.
Lourdès Castro. (1930 Funchal (Portugal)). o.T. Serigraphie in Weiß und Schwarz auf Transparentfolie. 53 x 41,5 cm (53,5 x 43,5 cm). Signiert und nummeriert. - Folie leicht gewellt. Eins von 100 Exemplaren. Silkscreen on transparent foil. Signed and numbered. - Foil slightly weavy. - One of 100 copies.
Richard Lindner. (1901 Hamburg - 1978 New York). after noon. 1969 Portfolio von 8 Farblithographien u. 1 Titelblatt als Serigraphie auf Arches. Je ca. 61,4 x 50,5 cm (71 x 55 cm). Jede Lithographie signiert und nummeriert. - In schwarzer original Leder-Flügelmapppe mit Druckknöpfen und Deckel-Titel in Serigraphie. Mappe stellenweise etwas abgenutzt. Die Blätter an den Rändern etwas gebräunt sowie teils leicht fleckig. Je verso mit kleinem Klebeetikett. 1 Blatt etwas lichtrandig. Insgesamt schön erhaltenes und farbfrisches Set. Eins von 250 Exemplaren. - Shorewood Atelier. - Das Portfolio wohl ursprünglich "Dance of life" betitelt. Dieser je unter dem Titel der Mappe und dem des Titelblattes durchscheinend. Portforlio of 10 colour lithographs and 1 title sheet made of a screenprint on Arches. Each lithograph signed and dated. - Inside original black leather winged folder with push buttons and silkscreen title on cover. Folder partly somewhat worn. Sheets somewhat browned respectively slightly stained at the margins. Each with small label with inventory number on verso. 1 sheet with light margin. All in all colour fresh. - One of 250 copies.
Jiri Kolar. (1914 Protivin - 2002 Prag). Timetable. 1970. Serigraphie auf Papier. 94,5 x 68,5 cm (96 x 68 cm). Verso mit Etikett, dort signiert und datiert. - Ecken teils leicht bestoßen, verso mit wenigen schwachen Knickspuren. Insgesamt in gutem Zustand. Eines von 100 nicht nummerierten Exemplaren. - Die Serigraphie zeigt zerschnittene und anschließend collagierte Fahrplanseiten mit Abfahrtszeiten. Silkscreen on paper. With label on verso, signed and dated there. - Corners partly slightly bumped, verso with few faint traces of cracks. Overall in good condition.
ZERO - - Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). o.T. (Schwarze Walze.) 1973. Farbserigraphie auf leichtem Karton. 99,2 x 69,2 cm. Signiert, datiert u. nummeriert. - Eine minimale Anschmutzung verso. Farbfrischer intensiver Abzug. Ein Exemplar von 100. Colour silkscreen on light cardboard. Signed, dated and numbered. - A minimal soiling on verso. Freshly coloured print. - One of 100 copies.
ZERO - - Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). Heseler Blue. 1971. Farbserigraphie auf Papier. 92,5 x 72 cm (96,5 x 72 cm). Signiert, datiert und bezeichnet als "Probedruck". - Entlang der Kanten bestoßen und knickspurig. Mit 1 sehr kurzen, horizontalen Randeinriss, Motiv nicht betroffen. Partiell mit Farbausbrüchen und Bereibungen. Verso mit leichten Anschmutzungen. Farbkräfter Abzug. Rottloff, 96. - Probedruck abseits der herkömmlichen Auflage. - Hrsg. von der Galerie Heseler, München. Color silkscreen on paper. Signed, dated and inscribed as "Probedruck". - Bumped and creased along the edges. With 1 very short, horizontal marginal tear, motif not affected. Partially with colour chipping and rubbing. At the back side with a little bit soiled. Colour toned print. - Proof print off the conventional edition. - Published by Galerie Heseler, Munich.
Konkrete Kunst Imi Knoebel (d.i. Wolf Knöbel) (1940 Dessau - lebt in Düsseldorf)Hommage à Grace Kelly. 1991. Farbserigraphie auf chamopisfarbenem Fabriano (Mit dem Wasserzeichen). 50 x 34 cm (99,5 x 69,5 cm). - Sauberer, farbsatter Abzug. Colour silkscreen on chamois-coloured fabriano (with the watermark). - Clean, richly coloured print.
Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). o.T. Farbserigraphie auf chamoisfarbenem Papier. 65,5 x 33 cm (75 x 55,7 cm). Bezeichnet "premier esrais". - Kanten partiell bestoßen. Blatt etwas berieben und teils mit kleinen Atelierspuren. Pulvrig-samtiger Abzug. Das Motiv wurde 1971 als Ausstellungsplakat für eien Vasarely Ausstellung im Musée Athénée, Genève verwendet. Colour silkscreen on buff paper. Inscribed "premier esrais". - Edges bumped in places. Sheet somewhat rubbed and partially with small traces of studio. Velvety print.
ZERO Otto Piene (1928 Laasphe/Westf. - 2014 Berlin)Muschroom man. 1976. Farbserigraphie auf leichtem Karton. 98 x 70 cm. - Ecken etwas bestoßen und dort mit leichtem Farbabrieb. Verso mit wenigen, schwachen Braunfleckchen. Der Abzug sehr farbintensiv und leuchtend. Galerie Rottloff, 216. - Unsignierter Probedruck abseits der Auflage von 100 Exemplaren. Color silkscreen on light cardboard. - Corners a little bit bumped and there with slight paint abrasion. Verso with a few faint brown spots. The print very colour-intensive and bright. - Unsigned Proof apart the edition of 100 copies.
Konkrete Kunst János Fajó (1937 Orosháza (Ungarn))Composition. 1975. Farbserigraphie auf Papier. 35 x 29 cm (35 x 29 cm). Verso stempelsigniert. - Kanten etw. bestoßen, an linker Seite im weißen Rand Papier beschabt (wohl als Spur d. vorherigen Montierung) sowie m. 1 kurzen, vertikalem Einriss (Motiv nicht betroffen). Farbstarkes Exemplar. Vgl. Fajó, Az út, 169. (Serigraphie nach dem Gemälde) Colour silkscreen on paper. Signed with a stamp on verso. - Edges somewhat bumped, on the left side in the white margin paper scuffed (probably as a trace of the previous mounting) as well as with 1 short, vertical tear (motif not affected). Strongly coloured copy.
Arman (Armand Pierre Fernandez). (1928 Nizza - 2005 New York City). o.T. 1973. Farbserigraphie auf rotem Karton. 65 x 50 cm (65 x 50 cm). Signiert und nummeriert. - Verso Spuren einer alten Montierung. Ecken minimal bestoßen. Zarte kaum sichtbare Knickspuren am Blattrand. Eines von 125 Exemplaren. - Aus dem Portfolio "Suite for Violin". - Motiv in sehr schönem Zustand. Colour silkscreen on red cardboard. Signed and numbered. - With traces of an old mounting on verso. Corners minimally bumped. Delicate barely visible crease marks at the edge of the sheet. - One of 125 copies. - From the portfolio "suite for violin".
Visuelle Poesie - - Ferdinand Kriwet. (1942 Düsseldorf - 2018 Bremen). Wah - Wah. 1969. Serigraphie auf LKW-Plane mit Hängungsösen. Ca. 330 x 101 cm. Signiert. - Teils mit Lagerspuren, vereinzelt etwas stockfleckig bzw. fleckig. Am unteren Rand unregelmäßig beschnitten. Erschienen als Jahresgabe des Kunstvereins für Rheinland und Westfalen, Düsseldorf. - Silkscreen on truck tarpaulin with hanging loops. Signed. - Partly with storage traces, occasionallly somewhat foxed respectively stained. Lower margin irregularly cut.
Geometrische Abstraktion - - Richard Anuszkiewicz. (1930 Pennsylvania, USA - 2020 New jersey, USA). o.T. (geometrische Komposition). 1968. Farbserigraphie auf leichtem Karton. 34,5 x 30,3 cm (45 x 32 cm). Signiert, datiert und nummeriert. - Entlang der unteren Kante mit wenigen, leichten Knickspuren. Insgesamt satter und leuchtender Abzug. Eines von 150 Exemplaren. Colour silkscreen on light cardboard. Signed, dated and numbered. - Along the lower edge with a few, slight creases. Overall a rich and bright print. - One of 150 copies.
Zeitgenössische Kunst - Street Art - - Vhils (Alexandre Farto). (1987 Lissabon). Amorphous. 2019. Serigraphie überarbeitet mit Quink Tinte, Bleiche und Säure auf Keaykolour original China. 70 x 50 cm (70 x 50 cm). Signiert und nummeriert. - Verso an wenigen Stellen mit leichteren Atelierspuren. Der Abzug farbstark und sauber. Eines von 300 seriellen Unikaten. - Aus der Edition underdogs. Mit beigegebenem Zertifikat der Authentizität. Silkscreen reworked with Quink ink, bleach and acid on Keaykolour original China. Signed and numbered. - Verso with lighter traces of studio work in a few places. The print with strong colours and clean. - One of 300 serial unique pieces. - From the "underdogs edition". With a certificate of authenticity.
Geometrische Abstraktion Jesús Rafael Soto (1923 Ciudad Bolivar/Venezuela - 2005 Paris)Kinematische Bilder/ Tableaux Cinetiques. 1963. Ausstellunsgkatalog Musuem Haus Lange Krefeld mit 3 Strukturbögen, diese jeweils Serigraphien. Je ein Strukturbogen auf leichtem, weißem Karton, auf leichtem, schwarzen Karton und auf transparentem PVC. Blattmaße je 32 x 23 cm. Mit Texttafeln. - Katalog außen wenig berieben. 1 Bl. mit leichteren Altersspuren im weißen Rand, das Plexiglas etwas berieben, beide unauffällig. Insgesamt in wohlerhaltenem Zustand. Die Strukturbögen markant und kontrastreich. Beigegeben: zugehörige Objekt-Einladungskarte mit einer zusätzlichen, bedruckterSerigraphie als Struktur-Folie (diese seitlich gelocht). - Katalog zur ersten größeren institutionellen Ausstellung Sotos in Deutschland. Durch das Lagern und Schichten des PVC-Bogen über die weiße oder schwarze Tafel lassen sich zahlreiche Variationen grafischer Effekte erzielen. Exhibition catalogue Musuem Haus Lange Krefeld with 3 structural sheets, each silkscreen. One structural sheet each on light white cardboard, on light black cardboard and on transparent pcv. With text plates. - 1 sheet with slight signs of age in the white margin, the pvc somewhat rubbed, both inconspicuous. Altogether in good condition. The structural arches striking and rich in contrast. - Supplied: accompanying object invitation card with an additional silkscreen as textured foil (this perforated on the side). - Catalogue for Soto's first major institutional exhibition in Germany. By storing and layering the pvc sheet over the white or black panel, numerous variations of graphic effects can be achieved.
Geometrische Abstraktion - Op Art - - Victor Vasarely. (1906 Pécs - 1997 Paris). Suska. 1972. Farbserigraphie auf chamoisfarbenem Bütten. 66 x 66 cm (78 x 75,5 cm). Signiert, nummeriert und bezeichnet "F.V." (Fondation Vasarely). - Entlang der Kanten vereinzelt etwas bestoßen und mit einem schwachen Braunfleckchen, jeweils im weißen Rand und das Motiv nicht betreffend. Teils etwas berieben. Insgesamt in gutem Zustand. Eines von 30 Exemplaren. Colour silkscreen on buff handmade paper. Signed and numbered. - Somewhat bumped along the edges and with a weak brown spot, each in the white margin and not affecting the subject. Partly a little bit rubbed. At all in good condition. - One of 30 copies.
ZERO - - Otto Piene. (1928 Laasphe/Westf. - 2014 Berlin). Neue Blume. 1967/73. Farbserigraphie auf leichtem Karton. 96 x 68 cm (96 x 68 cm). Signiert und datiert. Unter Glas gerahmt. - An den Ecken Karton stellenweise etwas berieben. Insgesamt in gutem Zustand. Rottloff, 147. - Druck abseits der Auflage von 300. - Edition Merian, Krefeld. - Druck bei Boer, Hamburg. Colour silkscreen on light cardboard. Signed and dated. Framed under glass. - Cardboard somewhat rubbed in places at the corners. Overall in good condition. - Print off the edition of 300.
Geometrische Abstraktion Max Bill (1908 Winterthur - 1994 Berlin)o.T. (Farbiges Quadrat). 1988. Farbserigraphie auf chamoisfarbenem Vergé. 51,2 x 50,5 cm (69,5 x 55 cm). Signiert, dadiert und nummeriert. - Verso m. zarten Spuren d. vorherigen Montierung. Insgesamt farbsatter, leuchtender Druck. Eines von 200 Exemplaren. Colour silkscreen on buff vergée. Signed, dated and numbered. - One of 200 copies. - Verso with slight traces of previous mounting. Overall saturated, bright print.
Konkrete Kunst Aurélie Nemours (1910 Paris - 2005 ebd.)Tournoi. 1996. Farbserigraphie auf glattem Papier. 22,5 x 22,5 cm (22,5 x 22,5 cm). Signiert und nummeriert. - An den Kanten partiell mit leichtem Farbabrieb, sonst in gutem Zustand. Eines von 100 Exemplaren. Colour silkscreen on smooth paper. Signed and numbered. - Partially with slight paint abrasion at the edges, otherwise in good condition. - One of 100 copies.
Fluxus - - Ben Vautier. (1935 Neapel - lebt in Nizza). Introspection Truth Art & Sex. 2013. Mit 1 Serigraphie auf Spiegelglas sowie mit dem gleichnamigen Buch und der DVD. Der Spiegel mit Serigraphie 21 x 15 cm (21 x 15 cm). Signiert und datiert. Zusätzlich das Buch signiert. Buch und DVD jeweils im schwarzen Original-Leineneinand. Je inneliegend in zugehöriger Original-Leinenpappkassette und gelber Original-Pappbox. - In gutem, sauberen Zustand. Eines von 50 (GA 100 + 10 AP's) nummerierten Exemplaren der Deluxe Edition von Luiscius Antiquarian Booksellers, Netherlands, 2013. - In Zusammenarbeit mit Karlyn De Jongh und Sarah Gold. With 1 serigraph on mirror glass as well as with the book and DVD of the same name. The silkscreen signed and dated. Additionally the book signed and numbered (as a blindstemp). Book and DVD each in black cloth-covered cardboard holder, kept together wit the mirror in a black cloth-covered cardboard cassette and yellow opaque box. - In good, clean condition. - One of 50 numbered copies of the Deluxe Edition by Luiscius Antiquarian Booksellers, Netherlands, 2013. - In collaboration with Karlyn De Jongh and Sarah Gold.
Konkrete Kunst Josef Albers (1888 Bottrop - 1976 New Haven)o.T. 1970. Farbserigraphie auf leichtem Karton. 20 x 19,7 cm (22 x 29,5 cm). In original Klappkarte. - Das Blatt im weißen Rand etwas angebräunt und mit einem kleinen, wässrigen Fleck, die Graphik nicht betroffen. Diese vereinzelt mit minimalen Anschmutzungen und unauffällig. Insgesamt sehr farbintensive Arbeit. Aus der Edition des Museum Folkwang, Essen für die Mitglieder des Kunstrings Folkwang. - Als Neujahrskarte anlässlich des Jahreswechsels 1970/71 von Josef Albers extra für den Freundeskreis des Museums entworfen. - Beigegeben: - 1 Farbserigraphie "Homage to the square" auf Papier. 16 x 16 cm (16,4 x 16,4 cm), in: Ausst.-Kat. Josef Albers. Hrsg. Landesmusem für Kunst und Kulturgeschichte Münster, 1968. - Katalog gebrauchsspurig. Serigraphie minimal angeschmutzt, sonst in gutem Zustand. Colour silkscreen on light cardboard. - The sheet a little bit browned in the white margin and with a small watery spot, the graphic not affected. These united with minimal soiling and inconspicuous. Altogether very colour-intensive work. - From the edition of the Museum Folkwang, Essen for the members of the Kunstring Folkwang.
ANDY WARHOL (AMERICAN 1928-1987) SPACE FRUIT: STILL LIFES (WATERMELON) - 1979 Silkscreen ink and coloraid paper collage on acetate taped to cotton rag(96.5cm x 127cm (38in x 50in))Provenance: Andy Warhol Foundation, New York; Timothy Taylor Gallery, London; Corporate Collection, London; Private Collection, London.Footnote: Literature: F. Feldman and J. Schellman, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, Fourth Edition, Milan, 2003, p. 216 Note: This work is accompanied by the stamped Certificate of Authenticity from The Andy Warhol Foundation for the Visual Arts, numbering the print as TOP 88.017.
§ ALASDAIR GRAY (SCOTTISH 1934-2019) FROM AN EASTERN EMPIRE - 2005 Screenprint, inscribed by the artist 'Alasdair Gray - Eastern Empire Proof Copy 2005, surplus to limited edition of 90 silkscreen prints numbered and signed in pencil by artist and dated 1.1.2001. To Simon - with thanks from Morag and Alasdair 19 July 2006'(the sheet 57cm x 38cm (22.5in x 15in))
FAILE (New York, active since 1999)"Palette Hammer Drops", 2014Acrylic and ink on wood.Signed and dated on the back.Size: 51,5 x 31,5 x 7 cm.FAILE is the name of a collective of painters, graphic designers and illustrators based in New York. It was founded by Patrick McNeil, an American born in 1975 in California, and Patrick Miller, a Canadian born in 1976 in Minneapolis, Minnesota. The two artists met in high school and together created the FAILE collective in 1999. In 2000, while they were art students in New York, they met Japanese artist Aiko Nakagawa who joined the collective until 2006. They discovered together the underground culture of New York and took a passion for this universe. The collective began its urban art project by photographing street art and graffiti on the streets of New York. Then, little by little, they started using street art techniques: silkscreen printing, stencils, collages, painting, sculpture, fresco mosaic? They exhibit their works on the city walls and come to contemplate the effect of time on their creations: they like the ephemeral side of their works and the sensation of freedom during creation. To publicise their early work, they produced a hundred posters of naked women which they placed all over the streets of Manhattan. The aim is to arouse the curiosity of passers-by and to create mystery. FAILE's street art is more feminist and contrasts with the graffiti culture of the time. They especially like old images, pop culture and comics. They are influenced by artists such as Roy Lichtenstein and Basquiat. The collective travels and exports its street art all over the world such as Tokyo, Paris, London, Barcelona, Madrid, Berlin, Amsterdam and Lisbon where they pose collages, stencils and create giant frescos. For almost 15 years, the FAILE Collective has been spreading its street art, which was consecrated in 2003 with two solo exhibitions, one in London and the other in Tokyo.
EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, from the book "Aromas", 2000.Etching on thick Velin paper, copy 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is an engraving from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.
EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, from the book "Aromas", 2000.Etching on thick Velin paper, copy 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is an engraving from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.
EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, from the book "Aromas", 2000.Etching on thick Velin paper, copy 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is an engraving from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.
EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, from the book "Aromas", 2000.Etching on thick Velin paper, copy 60/120.Ed. Edouard Weiss, Paris.Signed and justified by hand.Size: 54 x 43 cm."Guided by a scent", the final sentence in the book "Aromas" by Chillida, sums up the artist's spirit when working, allowing himself to be guided by the materials, by their essence. As the sculptor himself explained it: "The form, at the beginning, is almost like an undefined aroma that imposes itself as it becomes more precise. This pre-knowledge or aroma is my guide to the unknown, the desired and the necessary". This is an engraving from the book by Eduardo Chillida made up of five etchings, three woodcuts, two silkscreen prints with relief, together with 38 pages of text that, through graphic work, poems, reflections and philosophical quotations, both by the artist himself and by various thinkers, brings us closer to the Basque artist's thought and work through the keys that have marked his career: time, space, music, freedom, matter, light and the sea. Published on the occasion of the artist's 76th birthday. In "Aromas" Chillida the plastic artist and Chillida the writer join hands to reveal the poet, the philosopher and the profound thinker. The edition consists of 160 graphic series with the numbering; 1-120; I-IX (suite); I-IX (suite in grey Eskulan); H. C. 1-10; E. A. 1-12.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.
KAWS (New Jersey, 1974)."Sesame Street, Complet box".2018. for Uniqlo, London.Complete set of 5 plush toys.In plush.In original box, with Uniqlo label.Measurements: 35 cm. approx. q.s.Kaws reappropriates pop culture icons such as Sesame Street, Mickey Mouse, the Michelin Man, the Smurfs, Snoopy, and SpongeBob SquarePants. His characters are generally depicted in a timid or helpless pose often with their hands over their eyes. The work of American designer and artist Brian Donelly, popularly known as Kaws, includes the repeated use of a cast of figurative characters and motifs, some of which date back to the beginning of his career in the 1990s, initially painted in 2D and later realised in 3D. Some of his characters are his own creations, while others are modified versions of existing icons.Kaws' sculptures range in size from a few centimetres to ten metres tall, and are made of various materials including fibreglass, aluminium, wood, bronze and an inflatable steel pontoon raft. His work is exhibited in galleries and museums, held in permanent collections in public institutions, and avidly collected by individuals, including music producer Swizz Beatz and rapper Pharrell Williams. Several books illustrating his work have been published. He lives and works in Brooklyn, New York, creating sculptures, acrylic paintings on canvas and silkscreen prints, while also collaborating commercially, predominantly on limited edition toys, but also on clothing, skateboards and other products.
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