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Mackenzie THORPE (1956) First Light Silkscreen, signed, inscribed and numbered 250/395, Halcyon Gallery label verso, 73cm by 103cm, 141.5cm x 104.5cm framed.

ROBERT HEINDEL, 'Study for the Funhouse', silkscreen print, signed and numbered 10/192, 76cm x 54cm, framed.

Rolf Harris (Australian 1930-2023): 'Raining on the Rock', large limited edition silkscreen print signed titled and numbered 232/275, overall 93cm x 118cm

SIR HOWARD HODGKIN C.H., C.B.E. (BRITISH 1932-2017) BRUSHSTROKE, 2010 signed and dated in pencil (lower right) and numbered 48/75 (lower left),  silkscreen on Somerset rag paper, presented in the Artist's bespoke frame. sheet: 36cm x 25cm (14 ¼in x 9 ¾in) Acquired directly from The Art Fund by Steve Allison, November 2012;The Steve Allison Collection.

Donald Hamilton Fraser (British 1929-2009): 'Boats on a Beach', limited edition silkscreen print signed and numbered 6/250 in pencil, titled and inscribed verso 41cm x 57cm

BRITISH SCHOOL, UNTITLED limited edition silkscreen print on paper, signed indistinctly, numbered 4/50mounted, framed and under glassoverall size 87cm x 65cm

PKA NEW ZEALAND, FIGHTING THE BLACK MARLIN, BAY OF ISLANDS silkscreen poster, c.1960, condition A; not backed 39 x 24.5in. (99 x 62cm.)

DAN REISINGER (B.1934) ELAL, AFRICA silkscreen, c.1970, condition A-; not backed  27 x 19 in. (69 x 48 cm.) 

DAN REISINGER (B.1934) ELAL, JERUSALEM silkscreen, c. 1970, condition A-; not backed  27 x 19 in. (69 x 48 cm.) 

‡ WWW.DREAM AND MIRAGE.COMsigned, titled, inscribed and dated in English Jean David NKOT / 2019 on the reverseoil on canvas160 x 140cm; 63 x 55 1/4inunframedProperty of a Private Collector, MadridProvenanceAFIKARIS Gallery, ParisAcquired from the above by the present ownerPortrait-painter Jean David Nkot is concerned with themes of migration and exile, particularly within the contemporary African context. Nkot attended the Institute of Fine Arts Foumban, where he obtained a degree in drawing and painting. His brightly coloured figures are painted over detailed cartographic patterns, mapping each subject’s geographical and emotional journeys. The artist refers to these works as 'molecule maps' and cites emotive figurative painters Zhang Dali, Francis Bacon and Jenny Saville as inspirations.The artist employs various media including painting, silkscreen, and India ink, to create profound portraits commemorating lives lost on perilous journeys, serving to make their stories visible. Nkot has exhibited internationally and in his native Cameroon at the National Museum.

CARMEN AMBROZEVICH (SCOTTISH 20th CENTURY)  SEARCH FOR THE TAMARIND  Silkscreen, signed lower right, numbered 9/12, 85 x 60cm  Together with a print multiple by K.C. Sandilands (2) Condition Report:Available upon request

Tom Phillips  Epson and silkscreen limited edition print  "We are the People, No.8 'Sport 1', footballer", signed and labelled to mount, with 2004 Royal Academy Summer Exhibition swing tag and receipt, 73.5cm x 48cm  From the collection of the late Maurice Costley 

Stunning silkscreen print on metal sculpture by David Gerstein, renowned for his unique use of color and design. This piece features vibrant, double sided metal trees adorned with various birds. The artist's signature is printed on the base. Artist: David Gerstein (Israeli, b. 1944)Issued: 2005Dimensions: 4.75"L x 3.25"W x 16.25"HCondition: Age related wear.

ACKERMANN, MAX (1887-1975), "Komposition", 1973, Farbserigraphie, u.li. mit Bleistift von Hand nummeriert 44/150, u.re. mit Bleistift von Hand signiert datiert, HxB: Platte ca. 50x35 cm, Sichtmaße Blatt ca. 68,5x48,5 cm, Außenmaße Rahmen ca. 80x60 cm. Alters- und Beriebsspuren, gebräunt. Hinter Glas gerahmt (Alters- und Beriebsspuren). | ACKERMANN, MAX (1887-1975), ‘Composition’, 1973, colour silkscreen, numbered by hand in pencil lower left 44/150, dated by hand in pencil lower right, HxW: plate approx. 50x35 cm, visible sheet dimensions approx. 68.5x48.5 cm, outer frame dimensions approx. 80x60 cm. Signs of age and wear, browned. Framed behind glass (traces of age and wear).

HUNDERTWASSER, FRIEDENSREICH (1928-2000), "Flucht ins All" aus dem Portfolio "Regentag", 1971, Farbserigraphie mit Folienprägung/Papier, am unteren Rand in Goldprägung: Druckervermerk 'dietz offizin', Signatur und Titel 'Hundertwasser Regentag', asiatische Stempel u.a., num. 2321/3000, u.re. Trockenstempel 'SCHOELLER STERN', HxB: Platte ca. 42x60 cm, Blatt ca. 50x67 cm, Außenmaße Rahmen ca. 67x85 cm. Altersspuren, gebräunt und leichter Lichtrand, Knickspur an der unteren Blattkante. | HUNDERTWASSER, FRIEDENSREICH (1928-2000), ‘Flucht ins All’ from the portfolio ‘Regentag’, 1971, Colour silkscreen with foil embossing/paper, lower edge in gold embossing: Printer's mark ‘dietz offizin’, signature and title ‘Hundertwasser Regentag’, Asian stamps etc., numbered 2321/3000, dry stamp ‘SCHOELLER STERN’ lower right, HxW: plate approx. 42x60 cm, sheet approx. 50x67 cm, outer frame dimensions approx. 67x85 cm. Traces of age, browning and slight lightstain, crease to lower sheet edge.

ACKERMANN, MAX (1887-1975), "Deklination in Grün", 1973, Farbserigraphie, u.li. mit Bleistift von Hand nummeriert 72/150, u.re mit Bleistift von Hand signiert und datiert, HxB: Platte ca. 48,5x31,5 cm, Sichtmaß Blatt ca. 68,5x48,5 cm, Außenmaße Rahmen ca. 80x60 cm. Alters- und Beriebsspuren, gebräunt. Hinter Glas gerahmt (Alters- und Beriebsspuren). | ACKERMANN, MAX (1887-1975), ‘Declination in Green’, 1973, colour silkscreen, numbered 72/150 in pencil by hand lower left, signed and dated in pencil by hand lower right, HxW: plate approx. 48.5x31.5 cm, sheet dimensions approx. 68.5x48.5 cm, outer frame dimensions approx. 80x60 cm. Signs of age and wear, browned. Framed behind glass (traces of age and wear).

Nagel, Hans - - Giuseppe Ungaretti. Ausgewählte Gedichte. Mit 4 signierten Original-Farbserigraphien von Hans Nagel. o.O., Edition Gabriel, 1967. Quer-Gr.-8°. Silberne OBroschur mit DTitel in OPp.-Schuber. Eines von 50 nummerierten Exemplaren (GA 75). Die Siebdrucke alle vom Künstler signiert und nummeriert. - Ein Siebdruck leicht berieben. Insgesamt sehr gut. With 4 signed original colour serigraphs by Hans Nagel. Silver softcover with cover title in slipcase. - One of 50 numbered copies (total ed. 75). The silkscreens all signed and numbered by the artist. - One silkscreen slightly rubbed. Overall very good.

Pop Art - - Domberger Siebdruck-Kalender für 1969. 1969. Mit sechs Farbserigraphien amerikanischer Pop Art-Vertreter. 6 Kalenderblätter mit transparenter Schutzfolie für jeweils 2 Monate mit je 1 Farberigraphie, je auf leichtem Velinkarton. Blattmaße je 39 x 38 cm. Verso je typographisch bezeichnet m. Werks-, Editions- u. Copyrightangaben. Im Einband mit Spiralbindung. - Vollständig. Selten. Mit den ikonischen Motiven der bekanntesten Pop Art-Künstler. Mit je 1 Arbeit von: - Tom Wesselmann - Roy Lichtenstein - Nicholas Krushenick - Robert Indiana - Andy Warhol - Jime Dine. - Hrsg. v. Multiples, Inc. New York, Druck bei Domberger KG. Stuttgart, 1972. - Eines von 900 unsignierten Exemplaren. - Ecken kaum merklich bestoßen. Die Kalenderbll. tls. im Rand mit Braunflecken, hiervon die ersten Seiten mehr betroffen vereinzelt auch verso. Insgesamt sehr gut erhalten. Ausgesprochen prachtvolle, farbsatte und pulvrige Drucke der formatfüllenden Darstellungen. Domberger silkscreen calendar for 1969. With 6 colour silkscreens by American Pop Art artists. 6 calendar sheets with transparent protective film for 2 months, each with 1 colour silkscreen, each on light wove cardboard. Each typographically indicated with work, edition and copyright details on the verso. In spiral binding. - Complete. Rare. With the iconic motifs of the most famous Pop Art artists. - With works by: - Tom Wesselmann - Roy Lichtenstein - Nicholas Krushenick - Robert Indiana - Andy Warhol - Jime Dine. - Pub. by Multiples, Inc. NNew York, print by Domberger KG. Stuttgart, 1972. - One of 900 unsigned copies. - Corners barely noticeably bumped. Some of the calendar pages with pale brown stains in the margins, the first few pages more affected, occasionally also on the verso. Overall in very well preserved condition. Exceptionally splendid, colour-rich and powdery impressions of the format-filling depictions.

ZERO - - Otto Piene. Bilder, Feuergouachen und Graphik 1957-67. 'Sky Art' Portfolio 1969. Bilddokumentation 1967-71. Mit Portraittafel, 3 ausklappbaren Siebdrucktafeln, Orig.-Feuergouache als Klapptafel und weiterer Orig.-Feuergouache als Umschlag. München, Galerie Heseler, (1971). 20 Bll. 4°. Illustrierte OBroschur (etwas lichtrandig, leicht berieben und bestoßen). Eines von 1000 nummerierten Exemplaren. - In den Rändern etwas gebräunt. Die Feuergouache sehr gut erhalten. With portrait plate, 3 fold-out silkscreen plates, orig. fire gouache as fold-out plate and more orig. fire gouache as cover. Orig. ill. wrappers (with slight light margin, somewhat soiled and bumped). - One of 1000 numbered copies. - Slightly browned in the margings. The fire gouache in very good condition.

Fluxus - - Joe Jones. Music Machines and Fluxus Projects. Mit 16 Siebdruck Tafeln. Asolo, Francesco Conz, 1979. 17 Bll. Fol. Die Serigraphien zsm. mit Titelbl. lose eingelegt in OLwd. Kassette mit goldgepr. DTitel. u. Schließbändern aus Seide (nur minimalst angestaubt). Eines von 30 römisch nummerierten Exemplaren. - Je auf leichten Velinkarton gedruckt. Jede Serigraphie signiert, datiert und nummeriert. - Die Tafeln zeigen Musikmaschinen, welche Jones in den Jahren von 1962 bis 1978 entworfen hat, je begleitet von einem handschriftlichen Kommentar, übertragen als Serigraphie. Blattmaße je 25 x 34,5 cm. - Der 1934 in New York geborene Avantgarde-Musiker Joe Jones (1934-1993), welcher in Verbindung mit dem Fluxus stand, war insbesondere für seine rhythmischen Minimal Music Machines bekannt. Er erhielt zunächst eine klassische Musikausbildung an der Hartnett Music School in New York, bevor er 1960 die Klassen zu experimenteller Avantgarde-Kompositionen zunächst bei John Cage, dann bei Earle Brown besuchte. - Seine einzigartigen Instrumente befinden sich heute in zahlreichen öffentlichen Sammlungen wie etwa dem Museum of Modern Art in New York, dem mumok - Museum moderner Kunst Stiftung Ludwig Wien in Wien, u.a. - Sehr gut erhaltenes Exemplar mit durchweg prachtvollen Siebdrucktafeln. With 16 silkscreen plates. The serigraphs together with title page loosely inserted in orig. cloth case with gilt title on cover and silk ribbons (only minimally dusty). One of 30 Roman numbered copies. - Each printed on light wove cardboard. Each serigraph signed, dated and numbered. - The plates show music machines designed by Jones between 1962 and 1978, each accompanied by a handwritten commentary, transferred as a serigraph. Sheet dimensions 25 x 34.5 cm each. - Born in New York in 1934, the avant-garde musician Joe Jones (1934-1993), who was associated with Fluxus, was known in particular for his rhythmic minimal music machines. He initially received a classical music education at the Hartnett Music School in New York before attending classes on experimental avant-garde composition in 1960, first with John Cage and then with Earle Brown. - His unique instruments can be found today in numerous public collections such as the Museum of Modern Art in New York, the mumok - Museum moderner Kunst Stiftung Ludwig Wien in Vienna, etc. - Very well-preserved copy with splendid silkscreen plates throughout.

§ Bridget Riley (British b. 1931), Wall Painting I, silkscreen in colours, signed and dated '87 lower right, inscribed and numbered 12/150 lower left, 58 x 93cm. Framed and glazed. Provenance: Karsten Schubert Limited Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information. Condition Report: Under glass, immaculate condition.

Ben Johnson ARCA (british b. 1946), Crystal Palace, colour silkscreen, commissioned by Elementa Ltd, artists proof from an edition of 250, inscribed To Brian best wishes Ben lower right, 62 x 86cm. with certifiate of authenticity. Framed and glazedCondition Report: Margin is foxed/stained, possibly slightly faded.

Kit Barker (1916-1988), limited edition silkscreen print on paper, Curlew (1969), poetry poster signed by the artist and the poet, Leslie Norris, 75cm x 56cm, mounted, glazed and framed. Published by Armstrong Poetry Posters and printed by Trigram London in a limited edition of 75. Ed. 63/75

WALTER WHALL BATTISS (1906-1982) 'Nose Man', signed and numbered 3/25 in pencil lower left, silkscreen in colours, 44cm x 57cm,Framed dimensions: 63.2cm x 74.5cmNote: Walter Battiss, whose work draws on his interest in archaeology, prehistory, and African rock art, has earned a reputation as one of South Africa’s most celebrated abstract painters. Unlike many South African artists, Battiss did not study overseas but instead researched the artistic traditions of local Indigenous peoples; he later travelled to Greece, the Seychelles, Madagascar, Fiji, and other islands around the world. In the 1970s, Battiss created his imaginary “Fook Island,” a utopia that fused elements of the islands he visited. Battiss conceptualised an entire society located on the make-believe island, including maps, sketches of inhabitants, taxonomies of local plants, and even currency, stamps, and driver’s licenses, which he created and exhibited with other African artists. Although not intended as a straightforward political statement, Fook Island can be interpreted as an alternate reality compared to South Africa’s then apartheid state. 

*CHRISTOS CARAS (1930-2023) 'Victories', 1973, signed, dated and numbered 120/150 in pencil, silkscreen on 300gr paper, 45cm x 55cm (sheet), Framed dimensions: 53.5cm x 64.5cm

*WILHELMINA BARNS-GRAHAM (1912-2004) 'Untitled, April 1991', signed and dated lower right, numbered 38/70 lower left, further signed, titled and numbered verso, silkscreen in 8 colours on wove, 56.5cm x 76cm,  Framed dimensions: 80.5cm x 100.5cmProvenance: Purchased from the Belgrave Gallery, St. Ives, in the 1990s.

*JILLIAN EVELYN (b. 1987) 'Leave Me Here', numbered 21/50 in pencil to the margin, six colour silkscreen print on acid free Cranes Lettra 100% cotton paper, 51cm x 66cm (unframed, rolled)

§ Sir Eduardo Paolozzi CBE (1924-2005) Unikat - Studies on Wittgensteinsigned and dated 'Eduardo Paolozzi 1994' (lower right); inscribed 'for Elisabeth & Edward' (lower left)silkscreen75 x 55cmThere is dicoluration and foxing to the margin, especially the left hand side and the bottom

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), THE STAR limited edition silkscreen print on paper, signed, titled, numbered 41/125 and dated 2005framed and under glassimage size 27cm x 19cm, overall size 45cm x 33cm Note: Along with John Byrne, Alasdair Gray has been described as one of the great Polymaths of the Scottish modern arts movement. Prolific writer and artist since graduating from the Glasgow School of Art in 1957. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of Scottish and English literature. Gray trained in mural painting and his Glasgow murals include those in the Hillhead subway station and in the Oran Mor, an arts and music venue at the head of Glasgow's iconic Byres Road. His paintings, drawings and prints are well-known and widely collected. Examples of his paintings, drawings and prints are currently housed in various public collections, including The Victoria and Albert Museum, The Kelvingrove Art Gallery and Museum, The Museum of Modern Art, The Scottish National Gallery of Modern Art, The National Library of Scotland, The Hunterian Museum and The Arts Council of England collection. His art was celebrated in 2014-15 with a major retrospective exhibition at Glasgow's Kelvingrove and in 2014 the BBC aired a one hour documentary to honour the 80th year of this 'giant of Scottish arts'.

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), THE WHITE DOG limited edition silkscreen print on paper, signed, titled, numbered 41/125, dated 2005unframedimage size 27cm x 19.5cm, sheet size 42cm x 30cm Note: Along with John Byrne, Alasdair Gray has been described as one of the great Polymaths of the Scottish modern arts movement. Prolific writer and artist since graduating from the Glasgow School of Art in 1957. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of Scottish and English literature. Gray trained in mural painting and his Glasgow murals include those in the Hillhead subway station and in the Oran Mor, an arts and music venue at the head of Glasgow's iconic Byres Road. His paintings, drawings and prints are well-known and widely collected. Examples of his paintings, drawings and prints are currently housed in various public collections, including The Victoria and Albert Museum, The Kelvingrove Art Gallery and Museum, The Museum of Modern Art, The Scottish National Gallery of Modern Art, The National Library of Scotland, The Hunterian Museum and The Arts Council of England collection. His art was celebrated in 2014-15 with a major retrospective exhibition at Glasgow's Kelvingrove and in 2014 the BBC aired a one hour documentary to honour the 80th year of this 'giant of Scottish arts'.

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), FROM AN EASTERN EMPIRE limited edition silkscreen print on paper, signed, numbered 28/90, dated 2006unframedimage size 37cm x 25cm, sheet size 57cm x 38cm Note: Along with John Byrne, Alasdair Gray has been described as one of the great Polymaths of the Scottish modern arts movement. Prolific writer and artist since graduating from the Glasgow School of Art in 1957. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of Scottish and English literature. Gray trained in mural painting and his Glasgow murals include those in the Hillhead subway station and in the Oran Mor, an arts and music venue at the head of Glasgow's iconic Byres Road. His paintings, drawings and prints are well-known and widely collected. Examples of his paintings, drawings and prints are currently housed in various public collections, including The Victoria and Albert Museum, The Kelvingrove Art Gallery and Museum, The Museum of Modern Art, The Scottish National Gallery of Modern Art, The National Library of Scotland, The Hunterian Museum and The Arts Council of England collection. His art was celebrated in 2014-15 with a major retrospective exhibition at Glasgow's Kelvingrove and in 2014 the BBC aired a one hour documentary to honour the 80th year of this 'giant of Scottish arts'.

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), DOMESTIC CONVERSATION limited edition silkscreen print on paper, signed, numbered 26/90, dated 2006unframedimage size 27cm x 35cm, sheet size 38cm x 57cm Note: Along with John Byrne, Alasdair Gray has been described as one of the great Polymaths of the Scottish modern arts movement. Prolific writer and artist since graduating from the Glasgow School of Art in 1957. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of Scottish and English literature. Gray trained in mural painting and his Glasgow murals include those in the Hillhead subway station and in the Oran Mor, an arts and music venue at the head of Glasgow's iconic Byres Road. His paintings, drawings and prints are well-known and widely collected. Examples of his paintings, drawings and prints are currently housed in various public collections, including The Victoria and Albert Museum, The Kelvingrove Art Gallery and Museum, The Museum of Modern Art, The Scottish National Gallery of Modern Art, The National Library of Scotland, The Hunterian Museum and The Arts Council of England collection. His art was celebrated in 2014-15 with a major retrospective exhibition at Glasgow's Kelvingrove and in 2014 the BBC aired a one hour documentary to honour the 80th year of this 'giant of Scottish arts'.

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), FROM AN EASTERN EMPIRE limited edition silkscreen print on paper, numbered 15/200, inscribed 'Alasdair, to Kenny Renata, 3rd April 1983' unframedoverall size 42cm x 30cmNote: Along with John Byrne, Alasdair Gray has been described as one of the great Polymaths of the Scottish modern arts movement. Prolific writer and artist since graduating from the Glasgow School of Art in 1957. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of Scottish and English literature. Gray trained in mural painting, and his Glasgow murals include those in the Hillhead subway station and in the Oran Mor, an arts and music venue at the head of Glasgow's iconic Byres Road. His paintings, drawings and prints are well-known and widely collected. Examples of his paintings, drawings and prints are currently housed in various public collections, including The Victoria and Albert Museum, The Kelvingrove Art Gallery and Museum, The Museum of Modern Art, The Scottish National Gallery of Modern Art, The National Library of Scotland, The Hunterian Museum and The Arts Council of England collection. His art was celebrated in 2014-15 with a major retrospective exhibition at Glasgow's Kelvingrove and in 2014 the BBC aired a one hour documentary to honour the 80th year of this 'giant of Scottish arts'.

Charlotte Cornish (b.1967), A large abstract silkscreen print titled 'Through Deerbolts Wood'. Signed and from a limited edition, in a black stained oak frame. H.132 W.102cm

Vikki Slowe (b.1947), a signed limited edition abstract silkscreen print on paper titled 'Urban Landscape'. H.66 W.49cm

LEON POLK SMITH (AMERICAN 1906-1996) 'DIAGONAL PASSAGE 120', a limited edition silkscreen print on Fabriano paper, a Neo-Plasticism study in red, blue, black and white, signed and numbered 10/125 to lower margin, approximate size 68cm x 68cm including margins, Condition Report: Unframed, some foxing to the margins, scuffs and dirty marks across the surface

MARCELLE CAHN (FRANCE 1895-1981) 'COMPOSITION', a signed silkscreen print on paper, depicting Neo-Plasticism style composition, Fosse House Gallery label verso, approximate size 30cm x 30cm, frame size 42cm x 41cm, Condition Report: slight image loss to bottom corners, frame marked

Rory Gallagher: A Gibson Les Paul Junior Electric Guitar,1958,Serial no. 84374 to back of headstock, single-cutaway slab mahogany body with sunburst finish, single P-90 pickup with two, non-original control knobs, replacement gold-plated bridge, Brazilian rosewood fingerboard with dot markers, nylon nut, headstock with silkscreen logo and model name and non-original three-a-side Schaller machine heads, in fitted, plush-lined rectangular hardshell case, CITES license 24GBA1088KMP2,guitar 39 1/4in (100cm) longFootnotes:Rory bought this guitar while recording in San Francisco in late 1977 for his Notes From San Francisco album. He can be seen playing it in Polaroids taken by producer Eliot Mazer during the recording sessions at His Master's Wheels studios. Rory is quoted saying: 'The last one I bought is an old Les Paul Junior; you know the one with one pickup. A very good guitar, with a rich sound.'...'And I used a Les Paul Junior on the rhythm part of 'Kid Gloves'and also the rhythm part of 'Walkin' Wounded.'- Rory Gallagher, Guitar Player Magazine, 1991.Literature 'Rory Gallagher', Music Maker, June 1978, translated by Iris Rasenberg, www.roryon.com/mm678-315.htmlThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

Large color silkscreen on heavy paper after Wolf Kahn's original Barns & Forsythia IV printed by List Art Poster for The Lincoln Center's Mostly Mozart Festival in 2003. Artist: Wolf Kahn (German/American 1927-2020)Issued: 2003Dimensions: 42"L x 34"HCountry of Origin: German-AmericanCondition: Age related wear.

Jesus Rafael Soto (Venezuelan, 1923 - 2005) Titled: Spirale (from the Sotomagie Portfolio), 1967 Signed "Soto" on a label affixed to the reverse. Numbered: (14/100) Medium: Silkscreen on Plexiglas with metal rods This piece has been authenticated by the Le Comite Soto Jesus Rafael Soto was born in Ciudad Bolivar and studied at the School of Visual and Applied Arts in Caracas. During this period he became acquainted with Los Disidentes, a group of artists that included Alejandro Otero and Carlos Cruz-Diez. In addition to his fellow compatriots, Soto?'s work was influenced by Kazimir Malevich and Piet Mondrian. The main artistic tenets evinced in Soto's works are pure abstraction, vibrations, progressions and geometric rigor. They can be seen through the use of lines and superimposed squares in his sculptures, made with paint and a series of industrial and synthetic materials. He spent much time in Europe, becoming a key member of the Group Zero movement, which included such artists as Lucio Fontana, Gunther Uecker and Yves Klein. As a result, Soto's work also incorporates modernist concepts such as light, time, movement, color manipulation and space. All of these facets place him as an important figure within the Kinetic and Op Art movements. Dimensions: 13 3/8 x 13 3/8 x 7.5 in.

Jesus Rafael Soto (Venezuelan, 1923 - 2005) Titled: Structure Cinetique (from serie SotoMagie) Signed "Soto" on a label affixed to the reverse. Numbered: (14/100) Medium: Silkscreen on Plexiglas with metal rods This piece has been authenticated by the Le Comite Soto Jesus Rafael Soto was born in Ciudad Bolivar and studied at the School of Visual and Applied Arts in Caracas. During this period he became acquainted with Los Disidentes, a group of artists that included Alejandro Otero and Carlos Cruz-Diez. In addition to his fellow compatriots, Soto?'s work was influenced by Kazimir Malevich and Piet Mondrian. The main artistic tenets evinced in Soto's works are pure abstraction, vibrations, progressions and geometric rigor. They can be seen through the use of lines and superimposed squares in his sculptures, made with paint and a series of industrial and synthetic materials. He spent much time in Europe, becoming a key member of the Group Zero movement, which included such artists as Lucio Fontana, Gunther Uecker and Yves Klein. As a result, Soto's work also incorporates modernist concepts such as light, time, movement, color manipulation and space. All of these facets place him as an important figure within the Kinetic and Op Art movements. Dimensions: 13.5 x 13.5 x 7.5 in.

Bredan Neiland (1941) silkscreen print, 'Giverney Sunset'. Signed limited edition, lower right, no. 19/120. Framed and glazed. 49cm x 66cm

Henri Matisse (1869-1954) 'The Skaters' silkscreen print. Monogrammed in the plate 'NH' bottom right, label verso, 42cm x 56cm. Framed and glazed.

Jack Vettriano OBE (b.1951), colour print, 'Table for one', signed in pencil, limited edition, 272/295, 68 x 57cm. Condition - good Good clean condition.   A 2004 silkscreen print from his Words of Wisdom series.  Frame good.

Large original color silkscreen on Arches paper entitled Play by American Postwar and Contemporary artist Will Barnet who used a range of camaieu colors in a representational minimalism style to depict a surreal yet serene scene. Signature in graphite on lower right: Will Barnet. Title and edition number on lower center left: Play 68/100. Housed in a black frame with a white mat. Sight size: 24.50"L x 31.50"H. Frame dimensions: 31"L x 39"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Will R. Barnet (American 1911-2012)Issued: 1975Dimensions: See DescriptionEdition Number: 68 of 100Country of Origin: United StatesCondition: Age related wear.

Alan Cotton (British, b.1936), Landscape, possibly St Briavels Common where Alan lived in the 1960's, silkscreen print, signed in the print, 52cm x 37cm, together with another picture by the same hand, Bicton Park Botanical Gardens, sepia coloured pen drawing, signed, 54cm x 43cm, both pictures framed and glazed (2)

An Indian silkscreen printed panel depicting handmaidens in garden with birds and animals mounted on textured brown fabric, h. x 224cm, l. x 220cm

Victor Vasarely (Hungarian/French 1906 - 1997), Design For LGA, limited edition, XIV/XXX, silkscreen, Ritchie Hendriks Gallery label to verso, 16.5cm x 8cm, dated February 1968.

Karel Appel (1921-2006): Wild forest cat, silkscreen in colours, ed. E.A., dated (19)78 and two multiplesWork: ca. 55 x 40 cm Frame: 77 x 57 cm Work: ca. 50 x 50 cm Frame: 53,5 x 53,5 cm

Colour silkscreen on paper, 25 x 17 cm. Signed at the bottom right. Copy no. 11 of a special edition of 15 copies. Publication: Catalogue of the Galleries Il Patio in Ravenna and Peira in Bra, in collaboration with Radio Zero and Dimichele RA. Edited by: C. Baldassarri RM.

Colour silkscreen on paper, 25 x 17 cm. Signed at the bottom right. Copy no. 11 of a special edition of 15 copies. Publication: Catalogue of the Galleries Il Patio in Ravenna and Peira in Bra, in collaboration with Radio Zero and Dimichele RA. Edited by: C. Baldassarri RM.

Colour silkscreen on paper, 25 x 17 cm. Signed at the bottom right. Copy no. 11 of a special edition of 15 copies. Publication: Catalogue of the Galleries Il Patio in Ravenna and Peira in Bra, in collaboration with Radio Zero and Dimichele RA. Edited by: C. Baldassarri RM.

Two framed and glazed Spanish silkscreen limited edition star sign prints, indistinctly signed Location:If there is no condition report shown, please request

2 graphic works, Philippe Vandenberg, silkscreen 1984 72/75 and Fik van Gestel 1984 44/100. | Philippe Vandenberg: 71 x 66 cm.Fik van Gestel: 65 x 51 cm.

Reinier Lucassen, silkscreen dated 1970, 52/60. | 72,8 x 54,8 cm.

2 prints, André Beullens, untitled, 1971 17/75 and Reinier Lucassen silkscreen 1970 52/60. | Beullens: 70,5 x 53,5 cm.Lucassen: 72,5 x 54,5 cm. | Condition: not framed

Jo Delahaut (1911-1992) Graphic, silkscreen. Untitled, 1971 ed.136/175. | 62 x 44 cm.

Raoul De Keyser (1930-2012) Untitled, silkscreen 1970, 6/100. | 72 x 53,5 cm. | Condition: Signed, dated and numbered in pencil on the back.

8 graphic works. Pol Mara, silkscreen 49/125, André Lambotte, lithograph 27/40 , Jon Marten, lithograph 102/190, Jules Lismonde, etching 13/35, Yvan Theys Idyll 1973, etching 17/60 and 3 illegibly signed works. | Pol Mara: 76 x 55 cm.André Lambotte: 78 x 48 cm.Jon Marten: 65 x 50 cm.Jules Lismonde: 55 x 39 cm.Yvan Theys: 30 x 24 cm. | Condition: not framed.

Raoul De Keyser (1930-2012) Untitled, silkscreen 1969, 12/50. | 49.5 x 69 cm.