6275 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

MOHAMED MELEHI (1936-2020)Sans titre, 1970 Sérigraphie en couleurs sur papierSignée, datée et numérotée 11/6080 x 57 cmColour silkscreen on paper, signed, dated and numbered 11/60Footnotes:ProvenanceCollection particulière, ParisThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

MARIO SCHIFANO (1934-1998)Coca Cola, 1988 Sérigraphie en couleurs Epreuve d'artiste signée et annotée 'PA'Porte le timbre sec de l'éditeur (en dehors de l'édition à 125 exemplaires) Mastrogiacomo Editore, Padoue100 x 70 cmSilkscreen print in colour, artist's proof signed and annotated 'PA'Footnotes:ProvenanceCollection particulière, MilanThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

ROBERT MANGOLD (NE EN 1937)A Book of Silk Screen Prints, Multiple Panel Paintings, portfolio, 1992 Série complète de 9 sérigraphies en couleur sur vélin de FabrianoUne épreuve signée et numérotée 229 en bas à droiteEdition à 300 exemplaires Les estampes sont attachées entre-elles et contenues dans un étui en plastiqueImprimée et publiée par Edition Domberger et Parasol Press S.A., Stuttgart30 x 69,5 cm (chaque)The complete set of 9 screenprints in colours, 1973-76, on wove paper, from the first edition of 300 copies, the last silkscreen signed and numbered 229/300 in pencil, the full sheets in the original Leporello with title page inserted in plastic rails within original cardboard box, printed by Domberger KG, Stuttgart, co-published by Edition Domberger, Stuttgart, and Parasol Press S.A., New York, 1977For further information on this lot please visit Bonhams.com

Ayako Rokkaku (Japanese, b.1982) An abstract composition 2002 Pigment print, silkscreen Edition 3338/3591 Signed, Stamped Property of a gentleman Dimensions: (Frame) 28 in. (H) x 35.5 in. (W) (Print) 23.5 in. (H) x 31 in. (W)

Denis MITCHELL (1912-1993) Two Fish on a Plate (Porthia Prints, 1955) Screenprint on fabric, signed within the print, 34 x 46cm, 43 x 53cm framed.This print was made in St Ives in the studio of Denis Mitchell, who worked with Terry Frost as an assistant to Barbara Hepworth. Frost also contributed a silkscreen design to the set of six table-mats produced by Porthia Prints in 1955. which Mitchell organised with Stanley Dorfman. The other artists involved were Peter Lanyon, Robert Adams, Barbara Hepworth, Roger Hilton and Mitchell himself, and their payment simply amounted to two dozen mats each (five of the mats and designs for all six were shown in the Redfern Gallery's 'Design' exhibition in 1986, nos 97a-110). The mats were available either as sets or individually, as Dorfman reported to Heal's (see correspondence dated 1 February 1955, in Heal's archives) that some customers bought only one or two, perhaps regarding them more as 'objets d'art' than as regular table linen. The novelty of using screenprinting for a form of applied design which could be treated as a work of art in its own right, had already been tried in the late forties by Zika and Lida Ascher, Czech textile designers working in Britain. - British Museum. This attractive screenprint on fabric has a vertical burnmark and tear evident within the piece and is not part of the original creation.

John FORRESTER (1922-2002) Untitled, Red and Black (Porthia Prints, 1955) Screenprint on fabric, signed, 29 x 43cm, 44 x 53cm framed.A silkscreen design to the set of six table-mats produced by Porthia Prints in 1955. which Dennis Mitchell organised with Stanley Dorfman. The other artists involved were Peter Lanyon, Robert Adams, Barbara Hepworth, Roger Hilton and Mitchell himself, and their payment simply amounted to two dozen mats each (five of the mats and designs for all six were shown in the Redfern Gallery's 'Design' exhibition in 1986, nos 97a-110). The mats were available either as sets or individually, as Dorfman reported to Heal's (see correspondence dated 1 February 1955, in Heal's archives) that some customers bought only one or two, perhaps regarding them more as 'objets d'art' than as regular table linen. The novelty of using screenprinting for a form of applied design which could be treated as a work of art in its own right, had already been tried in the late forties by Zika and Lida Ascher, Czech textile designers working in Britain. - British Museum. In excellent condition, framed and glazed, with no condition issues of note.

The Connor Brothers (b.1968)Fuck This ShitDigital pigment print in colours with silkscreen varnish, 2022, signed, dated and inscribed ‘PP’ in pencil, a printer's proof aside from the edition of 75, published by DeMontfort Fine Art, Lichfield, on wove paper, with full margins, sheet 750 x 500mm (29 1/2 x 19 5/8in)

The Connor Brothers (b.1968)HopeDigital pigment print in colours with silkscreen varnish, 2022, signed, dated and inscribed ‘PP’ in pencil, a printer's proof aside from the edition of 75, published by DeMontfort Fine Art, Lichfield, on wove paper, with full margins, sheet 745 x 500 mm (29 7/32 x 19 5/8in).

The Connor Brothers (b.1968)Anger ManagementDigital pigment print in colours with silkscreen varnish, 2023, signed, dated and inscribed ‘PP’ in pencil, a printer's proof aside from the edition of 75, published by DeMontfort Fine Art, Lichfield, on wove paper, with full margins, sheet 740 x 500mm (29 x 19 5/8in)

The Connor Brothers (b.1968)Thou Shalt Not Be a CuntDigital pigment print in colours with silkscreen varnish, 2022, signed, dated and inscribed ‘PP’ in pencil, a printer's proof aside from the edition of 75, published by DeMontfort Fine Art, Lichfield, on wove paper, with full margins, sheet 750 x 500 mm (29 1/2 x 19 5/8in).

David A. Boxley (American b.1952), signed limited edition silkscreen print, no. 14/130, framed

BRÜNING, PETER (1929-1970) "Ohne Titel" 1964 Farbserigraphie, Ex. 13/19, signiert unten rechts, HxB: ca. 70/65 cm. Oben links einige Falten, Rahmen, HxB: 82/72 cm. Provenienz: Bedeutende Privatsammlung moderner Kunst in Nordrhein-Westfalen.| BRÜNING, PETER (1929-1970) "Untitled" 1964Colour silkscreen, ex. 13/19, signed lower right, hxw: approx. 70/65 cm. Some creases upper left, frame, hxw: 82/72 cm. Provenance: Important private collection of modern art in North Rhine-Westphalia.

ACKERMANN, MAX (1887-1975), Abstraktion „An die Freude“, 1956, Farbserigrafie, Edition 100, im unteren Teil handschriftlich sign. und dat. HxB 49/35 cm (75/55 cm mit Rahmen). Leichte Altersspuren bzw. Geldstich. | ACKERMANN, MAX (1887-1975), Abstraction ‘An die Freude’, 1956, Colour silkscreen, Edition 100, handwritten sign. and dat. in lower part. HxW 49/35 cm (75/55 cm with frame). Slight traces of age and money mark.

ALBERS, JOSEF (1888-1976) "EK ID" 1970 Farbserigraphie auf Karton, aus "Homage to the Square", monogrammiert, datiert, betitelt und nummeriert, Exemplar 37/125, WVZ Danilowitz 203/4, HxB: 55/55 cm. Leichte Altersspuren, Rahmen, HxB: 59/59 cm. Provenienz: Bedeutende Privatsammlung moderner Kunst in Nordrhein-Westfalen.| ALBERS, JOSEF (1888-1976) "EK ID" 1970 Colour silkscreen on cardboard, from "Homage to the Square", monogrammed, dated, titled and numbered, copy 37/125, WVZ Danilowitz 203/4, HxW: 55/55 cm. Slight traces of age, frame, hxw: 59/59 cm. Provenance: Important private collection of modern art in North Rhine-Westphalia.

LENICA, JAN (1928-2001), „Blumenstrauß in Violett“, Farbserigrafie, im unteren Teil handschriftlich sign. und num. „Lenica / 292/300“. HxB: 70/50 cm. Altersspuren.| LENICA, JAN (1928-2001), ‘Bouquet of flowers in violet’, Colour silkscreen, handwritten signature and number ‘Lenica / 292/300’ in the lower part. HxW: 70/50 cm. Traces of age.

MACK, HEINZ (1931) "Silbersonne" 1986 Siebdruck auf Aluminiumfolie geprägt, auf Aluminiumtafel aufgezogen, sig., Ex. I/VII, Abzug außerhalb der Auflage von 100 arab. nummerierten Exemplaren, HxB: 32/29 cm., Rahmen, HxB: 50/47 cm. Provenienz: Bedeutende Privatsammlung moderner Kunst in Nordrhein-Westfalen.| MACK, HEINZ (1931) "Silbersonne" 1986 Silkscreen print embossed on aluminium foil, mounted on aluminium panel, signed, Ex. I/VII, print outside the edition of 100 arab. numbered copies, hxw: 32/29 cm, frame, hxw: 50/47 cm. Provenance: Important private collection of modern art in North Rhine-Westphalia.

It's a Wonderful Life (1946)Original US limited edition silkscreen titled variant edition 148/150 (2014)Artist: Laurent Durieux (b.1970)Unframed: 36 x 24 in. (91.5 x 61 cm)UnfoldedFrank Capra's classic Christmas fantasy film, starring James Stewart and Donna Reed, is one of the most loved films of the 20th century.Near mint condition, colours remaining very bright.Material of piece: Paper

TERENCE DONOVAN (BRITISH, 1936-1996)Cindy Crawford - Vogue, Cut to the Night (1988) edition 75/100 silkscreen print 63 x 50cm ARR Provenance Chris Beetles Fine Photographs, Swallow Street, London; Private collection, UK Exhibited Terence Donovan: Image Maker and Innovator, September - October 2007, No. 51 Literature Diana Donovan & David Hillmans (editors), Terence Donovan: The Photographs, London, Little Brown & Co, 2000, (unpaginated)

λ† LUCY MCKENZIE & BECA LISPCOMBE (ATELIER E.B) 'CIPOLINO-HYRO' SCREEN, 2013 Double-sided folded screen in six panels; one side with mirror panel and silkscreen on velvet mounted on wood, oil on canvas mounted on wood, steel frame 184cm x 390 cm(72½in x 153½in)'Textile designer Beca Lipscombe and the visual artist Lucy McKenzie run their independent fashion label, Atelier E.B, whose initials stand for their respective locales: Edinburgh and Brussels. The pair created their first paravent - they favour the French term for a folding screen, with its seaside insinuation of protection from bluster - in 2011 for their debut collection, which they called 'The Inventors of Tradition'. It was a sumptuous mix of intarsia knit jumpers, artists' work coats, lavishly ribbed cashmere skirts and Aran sweaters, all made to order in mills in the Scottish Borders and rust belt.' "Paravent I" which had Lucy's brushwork of the Clydebank skyline with the Singer sewing machine factory on one side; and Beca's prints of a tiled Glasgow close on the other, was sold through Lucy's London gallery 'Cabinet' for £25,000. Ten paravents have since been created. ~ The Gentlewoman, No. 25, Spring/Summer 2022 "Our paravents-all of which have one side screen-printed by Beca and the other painted by me-are art-design hybrids and an expression of the individualism we maintain in our partnership. There is space within the collaboration for a certain naiveté about the other's field of expertise, with which we can give one another fresh perspectives. The paravents symbolise that we are a unit, standing back to back, looking in different directions. The notion of the screen mirrors the collaboration, as a space within which we can be both together and autonomous"' ~ Lucy McKenzie with Beca Lipscombe, "Atelier E.B - Back-to-back," in Atelier E.B Passer-by. London: Koenig Books, 2020. Atelier E.B have permanent works held in the collections of the V&A Museum, London, and V&A Dundee. Atelier E.B's 'Faux Sports Shop' is currently on show as part of Lucy McKenzie's 'Super Palace' exhibition at the House of Contemporary Art, Design and Architecture in Hasselt, Belgium. We would like to thank Beca Lipscombe for her assistance in cataloguing this lot. Condition Report: In good (as new) condition. With a small patch of paper label residue to the top left panel (on the canvas side).Condition Report Disclaimer

Leon Gischia (1903-1991), Abstract in red and yellow, signed and numbered 131/200, silkscreen.

Ayako Rokkaku, Japanese b.1982- Untitled, 2022; full bleed UV-cured pigment print with a silkscreen varnish layer on 410gsm Somerset Tub Sized Satin Radiant White paper, signed with artist's stamp and dated, edition of 3591, sheet: 60.2 x 79.9 cm, (unframed) 

Joe Tilson RA,  British 1928-2023,Delphic Oracle, 1980;silkscreen and collage on wove, signed in pencil and dated, printed by Kelpra studio, with their blind stamp, sheet: 75 x 62.5 cm, (unframed) (ARR)

Ai Weiwei, Chinese b.1957-Middle Finger in Red, 2023;handmade 2-colour silkscreen print on Somerset Tub Sized Satin White 410gsm paper, signed and numbered from the edition of 1285 in pencil, published by Avant Arte, Amsterdam, sheet: 60 x 60 cm, (unframed)

Bob Dylan, American b. 1941- Sunset, Monument Valley, 2022;pigmented and acrylic resin ink silkscreen on hand torn Archival Coventry Rag 320gsm Vellum White paper (three panels),  signed with 'autopen signature' and numbered 108/195 in silver pen, printed by Kolibri Art Studio, Inc, published by Washington Green Fine Art in association with Black Buffalo Artworks,  each panel: 44.5 x 101.3 cm,  (framed as one)Note: together with a certificate of authenticity issued by Washington Green Fine Art. This work first appeared as part of the Retrospectrum exhibition in Shanghai in 2019 and 195 limited edition prints were made to assimilate the original acrylic work. The original acrylic work allegedly sold for 3.5 million pounds and was the centrepiece for several museum shows.

Andy Warhol (American 1928-1987) & Richard Bernstein (American 1939-2002),Dana Gillespie, friend of David Bowie, proposed portrait for her album cover 'Ain't gonna play no second fiddle', 1972;screenprint in colours on canvas, with additions of spray paint and hand painted areas, indistinctly inscribed 'Richard Bernstein' (in pencil on the stretcher),  size: 48 x 48 cm,  (unframed)Note: This work was created by Warhol and Richard Bernstein as a possible design for the album cover for 'Ain't gonna play no second fiddle' by Dana Gillespie. The photo on which the silkscreen was based was shot by Terry O'Neill the famous celebrity photographer. Bowie and Dana Gillespie had the same manager and Bowie had written a song for Dana called 'Andy Warhol' which Gillespie recorded on her album 'Weren't born a man' in 1973. Bowie produced Gillespie's version of the song and Mick Ronson played guitar. Bowie and Dana asked Warhol to do a cover design for the album 'Ain't gonna play no second fiddle'. The design was created at the Warhol factory in New York in 1972, probably in collaboration with Richard Bernstein, along with another portrait of Dana Gillespie. Dana collected the work herself from Warhol's factory in 1972. RCA records in the end used another version of this portrait for the album cover, which is still owned by Gillespie. Richard Bernstein was a pop artist befriended by Warhol and produced most of the 'Interview' magazine covers for Warhol. He is known to have been close to Warhol and owned each others artworks.Provenance: Dana Gillespie | Private Collection (Gillespie's friend)  

Splendid original watercolor silkscreen on paper featuring vases filled with flowers by American artist Gary Bukovnik, known for his fluid and intense colors sets on a pure white backgrounds. The Metropolitan Opera selected Bukovnik's large composition to announce its 1990-1991 season. Signature, date and edition number in graphite on lower right: 65/150 Gary Bukovnik 1991. Housed in a brushed gold color frame. Sight size: 53"L x 31.75"H. Frame size: 55"L x 33"H x 2.25"W. Artwork can be unframed and rolled for shipment. Artist: Gary Bukovnik (American b. 1947)Issued: 1991Dimensions: See DescriptionEdition Number: 65 of 150Country of Origin: United StatesCondition: Age related wear.

Set of 5 original vintage art posters. 1. Himapan originally painted by the Thai School in the 19th Century - Artwork features a man riding an elephant and conversing with a forest tribe. Himmapan is a magical forest in Thai mythology that is home to many mythical creatures. Very good condition, creasing, bumps on edges. Country of issue: UK, designer: Thai School, size (cm): 45x38, year of printing: 1980s; 2. Theatre poster comprised of the Autograph signatures of those taking part in the performance given at Drury Lane Theatre on Tuesday 12th June 1906 in honour of Ellen Terry on the occasion of her Jubilee. Dame Alice Ellen Terry GBE was a leading English actress of the late 19th and early 20th centuries. Good condition, creasing, tears, staining. Country of issue: UK, designer: Unknown, size (cm): 79x53, year of printing: unknown; 3. art print by artist Erte (Romain de Tirtoff) titled Le Rêve / The Dream - Fun design depicts a bird man posing in a black cape. Good condition, creasing, tears, staining. Country of issue: France, designer: Erte (Romain de Tirtoff), size (cm): 60x44, year of printing: 1970s; 4. On the Way to Safed - by Israeli artist Joseph Kossonogi (1901-1981) depicts people and animals in a countryside scene. Good condition, creasing, staining, roughly trimmed top edge, backed on board. Country of issue: Israel, designer: Joseph Kossonogi, size (cm): 49x65, year of printing: Unknown; 5. Original art print featuring blue and green patterns on brown paper. Signed and numbered. Very good condition, roughly trimmed edges, small tears, signed in white pencil, silkscreen print. Country of issue: ?, designer: Unknown, size (cm): 88x103, year of printing: Unknown.

Julião Sarmento (1948-2021) Untitled ("For Joseph Beuys")Silkscreen, lithograph and photocopied paper laid on paperSigned, dated 87 and numbered 37/9071x52 cm (macha/image)80,5x60 cm (papel/sheet)This silkscreen is part of the portfolio "For Joseph Beuys" published by Bernd Klüser and Jörg Schellmann on the anniversary of Beuys' death. The portfolio includes works by 29 artists such as Andy Warhol, Keith Haring, Sol LeWitt, Christo, Tony Cragg, Donald Judd, among others.A work from the same edition at the State Contemporary Art Collection, on deposit at the Serralves Foundation, Porto.

Vhils - Alexandre Farto (n. 1987) "Amorphous", 2019Silkscreen, silkscreen ink, Quink ink, bleach and acid on paperSigned and numbered 20/30 APEd. Underdogs70x50 cmWith certificate of authenticity from Underdogs editions.

Paula Rego (1935-2022) "Mother with Big Daughter"Silkscreen on paperSigned and marked ProofPrinted by Kip Gresham, Gresham Studios, CambridgeDedicated to Colette Morey de Morand (1934-2022), artist and Paula Rego's friend75x56 cm (papel)Literature:T. G. Rosenthal, "Paula Rego: The Complete Graphic Work. New Updated and Expanded Edition", Thames & Hudson, 2012, p. 302 e 364.

Sonia Delaunay (1885-1979) "Self Portrait"Silkscreen on paperSigned, dated 1916-71 and numbered 57/75Ed. 111 Gallery(signs of paper oxidation and spots)66x51 cm

Francisco Tropa (n. 1968) "La Montagne du Nord"From the series "Terra Platónica - Tesouros Submersos do Antigo Egipto, TSAE" Silkscreen on Fabriano paperSigned and dated 2012 on the reverseUnique proof56x76 cm

Lourdes Castro (1930-2022) "Furrows", 1974Seven silkscreens on cardboard and a poem by Wade Stevenson from 1968Signed and numbered 3/20(slight discolouration in the margins of the blue silkscreen)90x70 cm

GAME OF THRONES (T.V. SERIES, 2011-2019) - Bolton Family Banner - A Bolton family banner from the multi-Emmy-award-winning fantasy TV show Game of Thrones. Throughout the series, Bolton family banners of varying sizes were seen amongst battlefields, castles, and camps.This cloth banner is silkscreen printed with the family's coat of arms, which is that of a flayed man hanging upside down on a cross. This is a brutally honest symbolisation of the depraved and twisted nature of House Bolton, whose most prominent members, Ramsay Bolton (Iwan Rheon) and Roose Bolton (Michael McElhatton), were known for committing some of the most inhumane and barbaric acts in Westeros. Dimensions: 94 cm x 31 cm (37" x 12.25")Estimate: £1,000 - 2,000 M Bidding for this lot will end on Saturday, November 16th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th or Sunday, November 17th.

Mr Brainwash (French born 1966)  Silver framed silkscreen and original mixed media on paper, signed, numbered & finger print verso 2021, 'Everyday Life' 76 cm x 56 cm ARR

Donald Sultan (American, b. 1951). Silkscreen print on paper titled "Red Roses" depicting vibrant blooming flowers against a dark background, 1992. Pencil signed and dated along the left edge; numbered 24/125 along the lower right.Sight; height: 23 in x width: 22 in. Framed; height: 28 x width: 27 in x depth: 1 1/2 in.Condition: The color are bold and bright. There are no visible tears, creases, losses, or restorations. Slight undulation to the sheet. Floated in frame on a nonacidic mat. Framed under plexiglass; light wear to the frame. Not inspected out frame.

Allen Jones (British, b. 1937). Silkscreen print titled "Self" depicting a kite-like composition with a pair of lips and a striped tie, 1966. Signed along the lower right; numbered 213/215 along the lower left.Height: 22 in x width: 17 in.Condition: The colors are bold and bright. The sheet is toned. Areas of foxing throughout. Some soiling along the right half. Light wear along the edges. Light creases along the lower left corner. There is a pinhole along the upper right edge. Small area of moisture exposure along the upper left corner. Along the verso, there is an area of skimming along the upper center edge. The work is not framed.

Yaacov Agam (Israeli, b. 1928). Silkscreen on paper print titled "Integration" depicting a circular forms intersected by parallel lines. Signed along the lower right; numbered E.A. 3/9 along the lower left.Sight; height: 24 in x width: 25 1/2 in. Framed; height: 31 1/2 in x width: 33 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic mat. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.

Yaacov Agam (Israeli, b. 1928). Silkscreen on paper print titled "Multimag #2" depicting a series of intersection lines in a rainbow of colors against a silver background. Signed along the lower right; numbered 55/70 along the lower left.Sight; height: 27 1/2 in x width: 27 1/2 in. Framed; height: 36 1/4 in x width: 36 1/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic mat. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.

Chant Avedissian (Egypt, 1951-2018)Icons of Arabia gouache, acrylic, and hand coloured stencil on cardboard, ten panelseach panel is signed, dated and located, executed between 2011-2014each panel: 69 x 49cmFootnotes:Provenance:Property from the Rose Issa collection'In between Paris and Cairo I stopped doing any handwork, any painting. And I never wanted to do painting, but I discovered that people put photos of people on the wall- football players, movie stars- and I thought to do the stencils, but I didn't know what was going to happen, that it was going to go on for so long. I did two or three stencils at the beginning and that was it. And then it went on and on and on and it became like a drug; you can't stop. In the beginning it was my childhood memories, and then little by little I was shocked by what I discovered in newspapers, I mean the mise en scène that was there. Mise en scène means how a photo is directed; how an image is not true. Neither the people stand like that nor look like that; everything was artificial. The images said things about liberty and happiness and sports, but the photos were composed, for propaganda, so it was very amazing to do this work' – Chant AvadessianWhilst studying in Canada and France, first at Fine Arts in Montreal, then at Ecole Superieure des Arts Decoratifs in Paris, where he investigated printmaking and silkscreen techniques, Avedissian came to the conclusion that Western academia and its rigidity was not a system within which he could recognise himself. This disillusion resulted in a return to his homeland, where he merged techniques learnt in the West with his strongly rooted Egyptian heritage.He gradually integrated knowledge gained from his formal studies in Canada and France with personal research into legendary Pharaonic iconography, geometric Islamic architecture, floral patterns of Ottoman textiles, and popular 20th century imagery of icons from the Arab world. Avedissian first started his stencils series during the Gulf War in 1991. The series was catalysed by the overwhelming media coverage of the political situation, which consumed him with feelings of hopelessness and despair, resulting in a collection of faces, places and symbols from his past.In his stunning stencilled works, Avedissian fuses symbols taken from Ancient Egypt such as hieroglyphics and dynastic monuments, with pictures of national heroes, admired politicians, popular singers and actors. These pictures are based on media imagery from Gamel Abdel Nasser's rule (1956-1970), a decade that witnessed a socio-cultural reawakening permeated with a vigorous wave of Arab nationalism. Avedissian's concern for the disappearance of Egypt's rich heritage at the outbreak of the first Gulf War motivated him to explore topics such as; memory, history, imagery and self-representation in Egyptian culture. This shift in focus was a defining moment in his career as a contemporary artist, which had previously concentrated on photography and hand-dyed and sewn textile panels.In Avedissian's Icons of the Niles series, he creates a grandiose mosaic of Egyptian cultural history retracing his country's past, combining nostalgic imagery with a celebration of Egyptian iconographical motifs. Within this work, the artist avoids the use of oil on canvas. Instead, he blends his own pigments and uses a delicate stencil technique to transfer the image onto card or locally produced paper. The stencil technique requires a simplification of line and colour, and thus becomes similar to the hieroglyphic model of symbols. By means of repeating and layering images, Avedissian saturates his works with various suggestions and connotations, eloquently drawing our attention to the many faces of modern Egyptian society and Cairo's visual landscape. Each stencilled panel embodies a variety of influences and themes, creating vivid organic patterns. His process of creation skilfully combines the use of local pigments, gum arabic, and hand-coloured textiles; the conclusion is presented as a powerful vehicle for the artist's personal memories and experiences. Avedissian's work, unique in its approach and execution, repeatedly compares and contrasts the West and the Middle East, art and propaganda, and tradition and modernity. Throughout this work, he conveys his admiration and appreciation for opulently iconic Egyptian imagery, coupled with the remnants of his country's magnificent historical past with an honest and profound sincerity. His iconoclastic images commemorate the country that nourished his creative soul.Figures depicted:Taha HusseinTaha Hussein, one of Egypt's most influential writers and intellectuals of the 20th century, is known as the 'Dean of Arabic Literature.' Despite losing his sight at a young age, his prolific works challenged the status quo, advocating for education, enlightenment, and social reform across the Arab world.Faten HamamaFaten Hamama, often hailed as the 'Lady of the Arab Screen,' was an Egyptian actress whose career spanned over six decades. Known for her elegance, talent, and versatility, she became a beloved icon of Egyptian cinema, starring in some of the most influential films of her era.AsmahanAsmahan, the Syrian-Egyptian singer and actress, captivated audiences with her haunting voice and enigmatic presence. Born into royalty, her life was a mix of glamour and tragedy, and her contributions to Arab music remain unparalleled despite her untimely death.FaridFarid al-Atrash, a Syrian-Egyptian composer, singer, and actor, is one of the most celebrated figures in Arab music. Known as the 'King of Oud,' Farid's distinctive voice and emotive compositions left an indelible mark on the golden age of Egyptian cinema and music.Nazem Al GhazaliNazem Al Ghazali, the legendary Iraqi singer, is remembered for his unique style and contribution to Arabic maqam music. His soulful voice and timeless songs, such as 'Fog El Nakhal,' made him an icon of Iraqi and Arab music, influencing generations of artists.King FaroukKing Farouk, the last reigning monarch of Egypt, ascended to the throne in 1936 at the age of 16. His reign was marked by extravagance and political instability, ultimately leading to his abdication in 1952 during the Egyptian revolution. He remains a symbol of Egypt's royal past.Nezar KabbaniNizar Kabbani, a renowned Syrian poet and diplomat, is considered one of the most influential modern Arab poets. His poetry, rich with themes of love, politics, and feminism, resonated with readers across the Arab world and beyond, solidifying his status as a literary icon.Gamal Abdel NasserGamal Abdel Nasser, Egypt's charismatic leader and the face of Arab nationalism, became the country's second president in 1956. Known for his role in overthrowing the monarchy, his policies of pan-Arabism and socialism left an enduring impact on the Middle East.FawziyaFawziya, Queen of Iran and Princess of Egypt, was a royal figure who embodied elegance and diplomacy. Her marriage to Mohammad Reza Pahlavi, the Shah of Iran, made her a symbol of cross-cultural ties between Egypt and Iran, though her life was marked by public and personal challenges.YolandaYolanda Gigliotti, better known by her stage name Dalida, was a French-Italian-Egyptian singer and actress whose career spanned over three decades. Her multilingual repertoire and captivating performances made her an international star, beloved across Europe and the Arab world.For further information on this lot please visit Bonhams.com

A pair of Jay Kirkman (American, b.1958) silkscreen prints - studies of jockeys,both signed artist's proofs, one jockey wearing blue & green silks, the other gold & black silks, both images 97 by 35cm., uniformly mounted, framed & glazed, overall 133 by 68cm., good condition, (2).

AVEDON, R. Portraits. (N.Y., 2002). Harmonica-folded book. Sm-4°. Obrds. In or. slipcase. -- Id. & T. CAPOTE. Observations. (Lucerne, 1959). 4°. Obrds. In or. slipcase. (Slipcase a bit yellowed, spine of book slightly soiled w. 1 small tear, hinges delicate, otherwise clean & well-preserved). -- Added: PHOTOGRAPH/SILKSCREEN in colour of Brigitte Bardot: image by R. Avedon, processing/adaptation by/after A. Warhol (?). N.d. 300 x 210 mm. (Slightly discold. on lower left corner, light stain in the image). W. autograph in silver marker by B. Bardot.

POSTERS -- APPEL, Karel (1921-2006). "ABCD Gravures-Sculptures, Juin/Juillet 1977, 36 Rue des Saints Pères Paris". Paris, Arts-Litho, (1977). Colourful or. silkscreen printed exhibition poster. 510 x 805 mm. (In fine condition, without any splits or discolouring).

Richard Hamilton pencil signed limited edition 179/5000 silkscreen print - the image is one of the shot counter-culture protesters when the US army open fire on a student protest. - blind stamped Kent State Munich: Edition Munchon International/Dorothea Leonhart, 1970 - approx. 110.5cm x 81.5cm

TAKEDA HIDEO (1948 —)Hall of the Great Buddha Destroyed by FireJapan, 1985-1999A silkscreen print on paper form the edition of 143, numbered 31/143 and signed in pencil by the artist along the lower margin, the number 38 inscribed in the lower right corner, an embossed envelope mark impressed to the lower right, unmounted.63cm x 48cm 63cm x 48cm Daibutseden was destroyed by fire in 1180. 3300 people died that night in the fire in the grat hall of Buddha.

TAKEDA HIDEO (1948 —)Gempei series no 1Japan, 1985A silkscreen print on paper form the edition of 200, numbered 22/200 and signed in pencil by the artist along the lower margin, framed and glazed.Image 61cm x 41.5cm, total 58cm x 78cm Image 61cm x 41.5cm, total 58cm x 78cm

TAKEDA HIDEO (1948 —)Battle at FujigawaJapan, 1989-1999A silkscreen print on paper form the edition of 185, numbered 114/185 and signed in pencil by the artist along the lower margin, unmounted.63cm x 48cm 63cm x 48cm

After Jane Lewis (b. 1953) - Papageno II - Silkscreen - 97 x 38 cm - 140.5 x 79cm framed - Signed in pencil lower right margin - Limited edition 5/100

Kamal Boullata (1942-2019) 'La Ana Illa Ana' colour silkscreen, signed lower left, 17/30, 76 x 56 cm. [1]

Guido Molinari (1933-2004) 'Bi-Bleu' zeefdruk, gesign. E.A., 1965, 58,5 x 92 cm. [1] silkscreen, signed

Wu Guanzhong (1919 - 2010) 'Three Beauties', silkscreen, edition 47/100, inscribed and signed with two seals of the artist, unmounted, 67 x 45cm.Provenance: Acquired in Hong Kong by the current collector.吳冠中 （1919-2010）三美圖絲網版畫版數：47/100款識：見清代年畫古裝仕女圖試今譯，解其服飾，似曾相識，忽憶及楓丹白露派風格。吳冠中。鈴印：「吳冠中版畫」，「九十年代」。來源：由現藏家購於香港。cf. For a similar print, please refer to Sotheby's Hong Kong 29 July 2022 sale, lot 2043.Condition Report: PLEASE NOTE THIS PRINT HAS NOT BEEN EXAMINED OUT OF THE FRAME.Minor foxing to the printed area commensurate with age. 

Mackenzie Thorpe (b.1956), 'Men with Bikes', signed silkscreen print, LXV/XVC (65/95), image size 86cm x 117cm, framed and glazed, 123.5cm x 158cm, certificate to verso.

LEON POLK SMITH (AMERICAN 1906-1996) 'DIAGONAL PASSAGE 120', a limited edition silkscreen print on Fabriano paper, a Neo-Plasticism study in red, blue, black and white, signed and numbered 10/125 to lower margin, approximate size 68cm x 68cm including margins, Condition Report: Unframed, some foxing to the margins, scuffs and dirty marks across the surface

A SELECTION OF PICTURES AND PRINTS, comprising two late 19th century unsigned Scottish landscapes 'On Loch Na Garr' and 'A Street by the shore, Dysart', approximate sizes 27cm x 37cm, a Chinese oil on canvas depicting the Great Wall of China, signed with Chinese character marks bottom left, a Norman Brand oil on board depicting a landscape of Lower Slaughter, a Tara S. Hansford watercolour on collaged paper depicting artichokes, a mixed media study of two fish signed and dated Fex? 2002, an unsigned silkscreen print of Jesus? and spears, a watercolour of Lichfield Cathedral by D. John Wood, a watercolour of a ruined church beside a river signed S. Swin and a mezzotint etching 'Greenwich Reach' by Annette Johnson

A stunning vintage original silkscreen in color on wove paper entitled Tailgate by artist Nicholas Krushenick. Hand inscribed artists signature, date and edition number in graphite on lower edge: 37/200 Krushenick 1978. Ink stamped on verso: 1978 Stanley J. Beren. Artist: Nicholas Krushenick (American, 1929-1999)Issued: 1978Dimensions: 26"L x 30.75"HCondition: Age related wear. Minor wear around the edges.

An empty spray can with a silkscreen print resembling the Campbell soup logo by Thierry Guetta, better known as Mr. Brainwash, paying homage to the art of graffiti and Andy Warhol. Signed with marker and dated. Thumbprint at the bottom. Limited edition numbered 17 of 20. Artist: Thierry Guetta (Mr. Brainwash)Issued: 2013Dimensions: 2.5"W x 7.5"HEdition Number: 17 of 20Condition: Age related wear.

A vibrant original silkscreen on watermarked BFK Rives paper entitled Flowers 4 by painter Knox Martin. Hand inscribed artists signature and edition number on lower edge: 19/125 Knox Martin. Artist: Knox Martin (American/Colombian, 1923-2022)Issued: 1981Dimensions: 29.5"L x 41"HCondition: Age related wear.

A vibrant original silkscreen on watermarked BFK Rives paper entitled Flowers 3 by painter Knox Martin. Hand inscribed artists signature and Hors Commerce on lower edge: HC Knox Martin. Artist: Knox Martin (American/Colombian, 1923-2022)Issued: 1981Dimensions: 29.5"L x 41"HCondition: Age related wear.

A stunning vintage original silkscreen in color on wove paper entitled Silver Liner by artist Nicholas Krushenick. Hand inscribed artists signature, date and edition number in graphite on lower edge: 6/200, Krushenick 1977. Artist: Nicholas Krushenick (American, 1929-1999)Issued: 1977Dimensions: 26"L x 32"HCondition: Age related wear. Some bending around the edges.

Mackenzie THORPE (1956) All Is Love Silkscreen, signed and titled, edition 212/395, Halcyon Gallery label verso, 67cm x 80cm, 101cm x 102.5cm framed.